Their reviews had a significant impact. Since they were well - respected critics, if they gave positive reviews, it would have made more people interested in seeing Pulp Fiction. If they had some reservations, it might have made some viewers more cautious. For example, if they praised the movie's unique storytelling, it would have made people aware of that aspect and look for it when watching.
Roger Ebert praised 'Pulp Fiction' for its non - linear storytelling, sharp dialogue, and unique characters. He recognized it as a significant and influential film in the history of cinema.
Pulp Fiction is a cult classic. The non - linear narrative is its most striking feature. It jumps around in time, which at first can be a bit confusing but ultimately adds to the overall charm. The characters are vividly drawn, from the hitmen Vincent and Jules to Mia Wallace. The dialogues are sharp, filled with dark humor and pop - culture references.
Siskel and Ebert praised 'Pulp Fiction'. They noted the great character development in the movie. Each character was complex and interesting. They also liked how the movie kept the audience guessing with its plot twists.
Roger Ebert thought highly of Pulp Fiction. He praised its unique narrative structure, which was non - linear and engaging. The movie's blend of different storylines and characters was something he found very interesting.
In his review, Roger Ebert lauded Pulp Fiction for being a game - changer. He pointed out that it had a fresh take on the crime genre. The non - linear storytelling made the audience pay closer attention and get more involved. He also liked the fact that the movie had a great deal of replay value as new things could be noticed with each viewing.
I'm not sure exactly what Siskel and Ebert specifically thought of Pulp Fiction. But generally, they were known for their in - depth film reviews. They might have praised its unique storytelling, the way it intertwined multiple storylines, and the great performances of the actors like John Travolta and Uma Thurman.