A common logline formula for a romantic suspense novel could be 'A [protagonist] is [caught in a suspenseful situation], but while trying to [deal with the situation], they fall in love with [love interest] and must now [overcome combined obstacles of the suspense and relationship].' For example, a detective (protagonist) is investigating a series of murders (suspenseful situation), but during the investigation, she falls in love with a key suspect (love interest). Now she has to prove his innocence or guilt while dealing with her growing feelings.
To use the logline formula effectively for a romantic suspense novel, you need to focus on the balance. The suspense and the romance should be intertwined. For the suspense, build up the tension gradually. Maybe start with a small hint of danger and then escalate it. Regarding the romance, show the characters' vulnerabilities. Let them be drawn to each other because of their shared experiences in the face of the suspense. Also, be concise in your logline. Don't overcomplicate it. A simple yet effective logline will draw readers in.
A logline for a romantic suspense novel should include the main characters, the central conflict that combines the romance and suspense elements, and the high - stakes situation. For example, 'A detective, haunted by his past, falls in love with a woman who is the key witness in a murder case he's investigating, and they must outwit a dangerous killer while exploring their new - found feelings.'
It should have the protagonists. For example, a young heiress and a rugged bodyguard. Then there's the suspense, like she's being targeted by an unknown assailant. And the romance, they start to develop feelings for each other while he's protecting her. So in short, the logline should mention the main characters, the source of suspense, and the romantic connection.
The logline for Pulp Fiction is basically 'Interconnected stories of low - lifes, hitmen, and criminals in a dark and violent LA setting.' Tarantino's movie is known for its unique structure. It doesn't follow a traditional linear plot. Instead, we see different parts of the characters' lives at different times. For example, we first see Vincent Vega and Jules Winnfield on their way to do a job, then later we see other events that happened before or after that. And all these stories are linked by things like the mysterious briefcase and the various locations in LA that these characters inhabit.
The logline of Pulp Fiction often emphasizes its non - linear narrative structure. It's a story that intertwines multiple characters and their stories in a very unique way. For example, the characters like Vincent Vega and Jules Winnfield have their own distinct arcs that cross paths with others in the criminal underworld of Los Angeles.
Perhaps the logline is: 'Set in a world of chaos, 'Who Fears Death' follows a heroine's journey to confront her fears and change the fate of her people.
A ballerina is receiving anonymous and threatening letters. A bodyguard is assigned to protect her. At first, she resents his presence as she values her independence. But as they spend more time together, they develop feelings for each other. Meanwhile, the threats keep escalating, and they must figure out who is behind them. The ballerina's world of dance, with its high - stakes performances and backstage drama, adds an extra layer of suspense to the story.