Jinci Museum was located in Jinci Park, Jinci Town, Jinyuan District, Taiyuan City, Shanxi Province. It covered an area of 12000 square meters and a building area of 25000 square meters. It was a comprehensive museum that integrated cultural relics protection, academic research, exhibition, security, scenic area construction, important reception, and social education. The Jinci Museum was a national second-class museum, a national key cultural relic protection unit, and a national 4A tourist attraction. The museum has a rich collection of 7410 pieces/set of cultural relics, including 2060 pieces/set of precious cultural relics. The Jinci Museum had many scenic spots, such as the Water Mirror Platform, the Golden Statue Platform, the Hall of the Virgin Mary, etc. There were also precious collections such as the murals of Dongyue Temple and Guandi Temple. The Jinci Museum was the earliest existing classical ancestral temple garden complex in China and was known as the Museum of Ancient Chinese Buildings.
Jia Pingao Literature and Art Museum is located in Gaoling Park, Yanta District, Xi'an City, Shaanxi Province. It is one of the important cultural venues in Shaanxi Province. The art gallery covered an area of 1100 square meters. The exterior of the building was a simple and modern two-story white glass curtain wall. The art museum had an exhibition area, a creative area, a rest area, and other functional areas. The exhibition and creative works of Mr. Jia Pingwa and his representative works were displayed. It was an important place for readers to understand Jia Pingwa's literary style and artistic charm. The art museum also has recording studios, art gallery, bookstores and other cultural facilities to provide readers with a variety of cultural services.
The temple in Qingyu was a military museum, also known as the Military Museum. It was a technological center that had been preserved by human civilization from the previous era. It had many of mankind's most advanced weapons, robots, and martial arts manuals. The temple was controlled and managed by a top-notch computer, which was designed to continue civilization and prevent the outbreak of war again. The temple also preserved Earth's advanced military technology, information technology, genetic code, cultural inheritance, and other civilizations. Its existence was to monitor Earth's environmental changes and take on the responsibility of reigniting human civilization. The temple messengers were played by intelligent robots. They walked in the human world, helping the newborn humans defeat the monsters and guiding them to develop agricultural civilization and enter the feudal era. The reason why the temple was called a temple was because of its mysterious and mystifying characteristics, as well as its supreme status in human society.
The theme of the museum's murals was " The Painting on the Wall: The Origin of Ancient Chinese Murals ". The exhibition was mainly based on the existing ancient murals in Shanxi, divided into seven periods, showing the origin and vein of ancient Chinese murals. The exhibition used a variety of forms, including high-quality replicas, replicas, and physical demos, to focus on the relationship between the art and life of ancient Chinese murals. In addition, the museum also had an exhibition of real murals and collections of murals.
The mascot of the Kyoto National Museum was "Tiger-shaped Lin's Cheng", which was based on a "Bamboo Tiger Painting" by the Japanese artist Ogata Mitsurin during the Edo period. This mascot tiger looked bad-tempered and had a devilish expression that said," What are you looking at?" It was somewhat similar to the globally popular " Unhappy Cat." Ever since his birth, the Tiger-shaped Lin no Cheng had been conscientiously performing his duties, including publicity and exhibition. The Kyoto National Museum also had some original products based on the tiger-shaped Lin Nojo, such as snacks, dolls, and bags, which were very popular among tourists.