The characteristics of cursive script, semi-cursive script, regular script?The characteristics of cursive script were:
1. Fast speed: The cursive script is the fastest art form in Chinese calligraphy. The writing speed is very fast, and the strokes are often connected to form a variety of shapes.
2. The beauty of form: The writer of cursive script pays great attention to the beauty and artistry of the glyph. It pursues a kind of beautiful realm.
3. Successive strokes: The strokes of cursive script are often coherent and there is no obvious boundary between the characters.
The characteristics of semi-cursive:
1. Flowing and free: Running script is the fastest form of calligraphy. The writing is smooth and free. There is no obvious boundary between the characters and there are many changes.
2. Harmonization: The font and strokes of semi-cursive script are coordinated and varied, but the overall look is very harmonious.
3. Gentle and tactful strokes: The strokes of running script are gentle and smooth. Writers often use curved strokes and curves to save the country.
The characteristics of regular script:
1. Dignity and preciseness: Regular script is the most dignified and rigorous art form in Chinese calligraphy. The writer pays great attention to the standard and correction of the glyph.
2. Stroke specifications: Regular script's stroke specifications are neat and tidy. Writers often use clear strokes and strict stroke requirements.
3. The structure of regular script is rigorous. The relationship between symmetrical strokes and glyphs is very rigorous and there are relatively few changes.
Cursive King TranslationsThe translation of " Cursive King " could be " the great cursive master " or " the great calligrapher."
The cursive script of thunderThe cursive form of the word "thunder" was "floating". The basic form of the cursive word "thunder" was "one + lun + one +". Among them,"Lun" was one of the units of measurement in ancient China. It was equivalent to a 100-foot-long wood."Yu" was a radical in ancient Chinese characters that meant "Tian" or "cun".
Douzi cursive scriptThe Douzi cursive script was a unique font that originated from the Southern and Northern Dynasties of China and matured in the Tang Dynasty. It was famous for its smooth strokes and unique style. It was often used in calligraphy, painting, and literature.
The characteristics of the Dou cursive script included:
1. Flowing strokes: The strokes of the Dou cursive script are smooth and varied, often using exaggerated strokes and smooth lines to express emotions and artistic conception.
2. Unique style: The cursive script with the word "Dou" has a unique style. It usually uses continuous strokes and changing numbers and symbols to express emotions and artistic conception.
3. Widely used: The cursive Douzi is widely used in calligraphy, painting, and literature. It is one of the important components of Chinese culture.
4 Evolution History: The origin of the Dou cursive script can be traced back to the Northern and Southern Dynasties. After further development and improvement in the Tang Dynasty, it formed a unique style and form.
Dou cursive script is a kind of font with rich cultural meaning and artistic charm, with high artistic value and historical value.
semi-cursive worksRunning script was a type of Chinese calligraphy style with a unique artistic charm. Some of his famous running script works include Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Manuscript for the Sacrifice to Nephew, Su Shi's Huangzhou Cold Food Tie, Wang Xun's Boyuan Tie, Yang Ning's Chives Flower Tie, Liu Gongquan's Mengzhao Tie, Ouyang Xun's Zhang Hansi Perch Tie, Mi Fu's Shu Su Tie, Huang Tingjian's Songfeng Pavilion Poetry Tie, and Li Jianzhong's Tumu Tie. These works all displayed the unique styles and techniques of their respective authors and were hailed as classic works of Chinese calligraphy. Among them, the Preface to the Orchid Pavilion was considered Wang Xizhi's masterpiece and was praised as the " world's first semi-cursive script." Other works also had their own characteristics, such as Yan Zhenqing's vigorous and bold, Su Shi's natural and unrestrained, etc. These semi-cursive works not only had an important position in art, but also had a profound impact on later calligraphers.
Qingzi cursive calligraphyIn the Qing Dynasty, there were many calligraphers who had their own unique semi-cursive calligraphy.
Liang Shizheng was the teacher of Emperor Qianlong and held the important position of compiling in the palace. He compiled the famous "Sanxitang Fa Tie" and the "Shigong Tie" was a masterpiece of the Qing Dynasty. Liang Shizheng's running script was praised as " the most beautiful in the Qing Dynasty ". He first learned from Liu Gongquan, then from Zhao Mengfu, and in his later years, he learned from Yan Zhenqing. His running script was elegant, precise, and upright. His bones were delicate and straight, his breath was coherent, his words were gentle, his strokes were clear, and his strokes were skillful and powerful. Even when the " Pavilion Style " was popular, he could still express his personal style. It was suitable for beginners to copy and learn calligraphy.
Liu Yong created a calligraphy work called "Qing·Liu Yong Running Calligraphy Scroll."
There was also Wang Wenzhi, who had a running script from the Qing Dynasty. The works of these calligraphers reflected the style of the Qing Dynasty's semi-cursive calligraphy to a certain extent.
26 letters in cursive, WeChatTo set the 26-letter font on WeChat, you can do the following: First, open WeChat Search and enter the keyword to enter the Mini programs platform. Then, click on the [Floral * English] in the lower left corner, and then enter 26 English letters in the input box above. After entering the English letters, the font style will appear below. Choose the style you like and click on the [Create] on the right side. Finally, click on [Clone].
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Cursive Calligraphy CalligraphyThe following are some semi-cursive copybooks suitable for adults to practice calligraphy:
- Qian Peiyun's "Running Script Calligraphy."
- "Qigong Poetry Pen Running Calligraphy Calligraphy (Volume 1)". Mr. Qigong's poems were unique. The writing of his poems in the calligraphy was unique in terms of diction, rhyme, and creation.
- There was a semi-cursive copybook specially designed for adult amateurs. Its writing was smooth and free, and the thin threads between the strokes were connected, showing a natural and unrestrained temperament. At the same time, it integrated the regular and stable structure method, which was both beautiful and practical.
- Huairen's collection of Wang Xizhi's semi-cursive Heart Sutra was also an excellent copybook for practicing semi-cursive calligraphy.
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Appreciation of cursive calligraphyThere were many important points in cursive calligraphy appreciation.
From the point of view of the brush movement, Ni Yuanlu's cursive script, the middle and side strokes were used mutually, and the changes of the hidden and exposed edges were elusive. This unique way of writing was an important embodiment of the artistic characteristics of cursive script.
In terms of overall layout, taking Chairman Mao's cursive works as an example, some works were compact but not crowded. Although the characters and columns were closely connected, they could create a compact and sparse visual effect through clever white spaces and echoes. There were also some whose layout was like the characters were freely "moving", with characters interweaving with each other, like a gathering of friends, showing a kind of agility.
In terms of lines, Chairman Mao's cursive works varied in thickness. Some words were as thin as a needle, some were as thick as a stick, and there were even cases where the thickness was mixed. This change was like the rhythm of music, high, low, fast, and slow. It was full of harmonious beauty.
In terms of word structure, the simple words in Chairman Mao's cursive works were given new life, such as "people" and "army", which were either rough and bold or delicate and tactful. Some of the words were like the word " analysis " in his works. The left and right parts were exaggerated in size and high and low in disorder. They were full of layering and dynamic, reflecting a kind of artistic creation that was at will.
In addition, the different styles of cursive works of different calligraphers were also worth tasting. For example, Ni Yuanlu's cursive letters were unrestrained and strange, reaching the realm of happiness and joy. Chairman Mao's cursive script reflected his personal feelings, will, and his thoughts and opinions on various affairs, such as military strategy. At the same time, it was also a concentrated embodiment of the unrestrained spirit of the traditional Chinese culture.
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Reverse cursive calligraphyCalligraphers such as Kang Li, Han Daoheng, Zhu Zhishan, Zhang Bi, Xu Wei, Deng Wenyuan, Sun Guoting, Chu Suiliang, Huang Xiang, Huang Tingjian, Jing Shijiang, Kang Li Zishan, Wang Dun, Wang Duo, Wang Xizhi, etc. all had cursive calligraphy works that wrote the word "reverse". Each of these works had its own unique style, structure, and style. For example, different calligraphers would have different strokes, connections and echoes between the strokes, and the overall layout, which showed the rich expressiveness of cursive art.
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