Running script was a type of Chinese calligraphy style with a unique artistic charm. Some of his famous running script works include Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Manuscript for the Sacrifice to Nephew, Su Shi's Huangzhou Cold Food Tie, Wang Xun's Boyuan Tie, Yang Ning's Chives Flower Tie, Liu Gongquan's Mengzhao Tie, Ouyang Xun's Zhang Hansi Perch Tie, Mi Fu's Shu Su Tie, Huang Tingjian's Songfeng Pavilion Poetry Tie, and Li Jianzhong's Tumu Tie. These works all displayed the unique styles and techniques of their respective authors and were hailed as classic works of Chinese calligraphy. Among them, the Preface to the Orchid Pavilion was considered Wang Xizhi's masterpiece and was praised as the " world's first semi-cursive script." Other works also had their own characteristics, such as Yan Zhenqing's vigorous and bold, Su Shi's natural and unrestrained, etc. These semi-cursive works not only had an important position in art, but also had a profound impact on later calligraphers.
Running script was a type of Chinese calligraphy, an evolution of regular script. The formation and development of semi-cursive script was a type of font that evolved and mutated on the basis of regular script. The representatives of running script were Wang Xizhi, Wang Xianzhi, Liu Gongquan, Zhao Mengfu, etc. Wang Xizhi's Preface to Lanting Collection was one of the representative works of semi-cursive calligraphy and was regarded as a classic in the history of Chinese calligraphy. Wang Xianzhi's "Ode to the Luo God" was also one of the representative works of semi-cursive. It was famous for its smooth and unrestrained strokes and beautiful rhythm. In addition to the above two, Liu Gongquan's work,'Mysterious Tower Stele,' was also one of the representative works of semi-cursive calligraphy. It was famous for its powerful strokes and dignified and rigorous structure. Zhao Mengfu's " The Thirteen Lines of Luoshen Fu " was also one of the representative works of semi-cursive. It was widely praised for its smooth, graceful, and magnificent rhythm.
In the history of Chinese calligraphy, the three running scripts referred to Wang Xizhi's Preface to Lanting Collection, Liu Gongquan's Mysterious Pagoda Stele, and Zhao Mengfu's Ode to Luo God. These three works were all classic works of Chinese calligraphy, known as the pinnacle of Chinese calligraphy history. Wang Xizhi's Preface to Lanting Collection was famous for its smooth, natural, graceful, and profound artistic conception. Liu Gongquan's Mysterious Pagoda Stele was famous for its rigorous structure, steep, dignified, and steady. Zhao Mengfu's Luoshen Fu was famous for its lofty artistic conception, gentle and beautiful, and unique charm. These three works had extremely high artistic value and historical status in the history of Chinese calligraphy. They were regarded as treasures of Chinese calligraphy.
The characteristics of cursive script were: 1. Fast speed: The cursive script is the fastest art form in Chinese calligraphy. The writing speed is very fast, and the strokes are often connected to form a variety of shapes. 2. The beauty of form: The writer of cursive script pays great attention to the beauty and artistry of the glyph. It pursues a kind of beautiful realm. 3. Successive strokes: The strokes of cursive script are often coherent and there is no obvious boundary between the characters. The characteristics of semi-cursive: 1. Flowing and free: Running script is the fastest form of calligraphy. The writing is smooth and free. There is no obvious boundary between the characters and there are many changes. 2. Harmonization: The font and strokes of semi-cursive script are coordinated and varied, but the overall look is very harmonious. 3. Gentle and tactful strokes: The strokes of running script are gentle and smooth. Writers often use curved strokes and curves to save the country. The characteristics of regular script: 1. Dignity and preciseness: Regular script is the most dignified and rigorous art form in Chinese calligraphy. The writer pays great attention to the standard and correction of the glyph. 2. Stroke specifications: Regular script's stroke specifications are neat and tidy. Writers often use clear strokes and strict stroke requirements. 3. The structure of regular script is rigorous. The relationship between symmetrical strokes and glyphs is very rigorous and there are relatively few changes.
The water in semi-cursive script could be represented by the word "water" in semi-cursive script. The word 'water' was formed by three parts: "water","water" and "water". Running script is a variant of regular script of Chinese characters. Its characteristics are smooth, lively and fluid strokes. In the novel, the water in semi-cursive script could be used as names, place names, and item names. It had a certain artistic sense and liveliness.
Running script is a type of Chinese writing style. It is a combination of regular script and cursive script. Cursive script appeared earlier than regular script in the late Eastern Han Dynasty. The characteristic of running script was that there were connections between the strokes, unlike regular script, which was not broken, nor was it as wild and unruly as cursive. The writing style of semi-cursive was more flexible and could be freely used according to needs. When writing semi-cursive, one should pay attention to whether the joints of the strokes are smooth or not to avoid the situation of stiff knots.
Running script is a type of Chinese calligraphy style. Its characteristic is that the strokes are smooth, free, and varied, giving people a dynamic beauty. The characteristic of running script was that the strokes were coherent without obvious boundaries. It was often used to make the font smoother and more natural. The font of the semi-cursive script was also relatively large and rough, with a certain degree of variation and artistry. When writing semi-cursive, one needed to pay attention to the continuity and flexibility of the strokes, as well as the size and change of the font.
The writing of the word "belt" in semi-cursive was as follows: ``` band ^ $ T E R C O P $ ^ $ ``` The left and right parts of the word "belt","belt" and "moon", respectively, used the basic form of running script. The left and right structures were the same, and the upper and lower structures were different. They presented the shapes of "wings" and "moon" respectively. At the same time, the middle part used a continuous writing method to form a smooth running script style.
You can view the pictures of semi-cursive calligraphy (131 kinds). There are pictures of Han Daoheng's semi-cursive calligraphy (Source: Preface to Lin Lan Pavilion), Wei written by Jiang Jie (Source: Deng Dai Poetry), Wei written by Zha Sheng (Source: Preface to the Holy Church of Wang Xizhi in the Collection of Lin Huairen)(Source: Tongling Guan Tie Chuan Song Volume), written by Li Yong (Source: Song Tuolushan Temple Stele, etc.), Xianyu Shu's Wei (From: Du Gongbu's Zhaoling Poetry Volume), Tie Bao's Wei (From: Linwang Tie), Liu Yong's Wei (From: Poetry Volume), Zhao Yong's Wei (From: Zhangnan Eight Odes Poetry Volume), Weng Fanggang's Wei (From: On Jiang Tie Volume, etc.), Ren Zheng's Wei (From: Tang and Song Poetry, Lanzhai Song Ci Running Script, etc.), Qi Gong's Wei (From: Lin Bashan Mountain Man's Lotus Flower Song Post, Lin Su Shi's handwritten letter, Lin Su Shi's poetry and prose post, etc.), Ke Jiusi's Wei (From: Old Man Star Fu), etc. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
Hu Wensui, Zeng Qingfu, Pang Zhonghua, Luo Hengguang, Duan Xianglin, Tian Yingzhang, Jing Xiaopeng, Qian Peiyun, etc. all had their own works of Hero's Quintessence for appreciation. These works showed the characteristics of Hero's Quintessence from different angles. When different calligraphers wrote "Hero's True Color", there would be differences in the shape of the strokes, the structure of the words, the overall layout, and the charm. For example, some strokes might be more vigorous, while others were more elegant. The specific writing style was diverse and complicated. One needed to carefully figure out the starting, moving, and closing of the strokes, the echoing relationship between the words, and the overall layout of the calligraphy works to understand them in depth. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In order to write the word "Crow" in semi-cursive, one first needed to understand the structure of the word. It could be divided into two parts, the upper part was the "Bird" part, and the lower part was the "Tooth" part. For beginners, it was important to copy the semi-cursive "crow" character in excellent calligraphy works. The works of calligraphers such as Tang Yin, Zhu Zhishan, Wang Duo, Huang Tingjian, and Wu Rangzhi were worth learning from. When copying and observing, pay attention to the turning and pressing of the strokes, as well as the layout of the entire word structure. For example, the subtle changes in the starting, running, and ending of the strokes, the center of gravity and proportion of the words, and so on. At the same time, it was also important to choose suitable tools during practice. Beginners were advised to use a medium-sized brush, and the paper could be thicker than rice paper, which would facilitate ink penetration and writing. He also had to maintain a good sitting posture during practice, ensure that his hands were flexible, and his wrists were relaxed. This would help him write a beautiful "Crow" character. "The Crow's Testimony" is equally exciting. Everyone is welcome to read it!