A permit was a document that required permission to engage in the corresponding activities in different fields. There are many types of permits, including the Internet Service Delivery (IP) and Internet Service Delivery (IP) permits (for Internet service and Internet content suppliers), business permits (for certain industries, such as tobacco monopoly, pharmaceutical business, etc.), construction permits (for construction), goods export permits (for unified management of goods export), construction enterprise safety production permits (for construction enterprise safety production management), etc. In addition, there was a permit system, which was an administrative system that required actors who engaged in activities with environmental impacts to apply for a permit and carry out the corresponding activities after obtaining the permit. In summary, permits were necessary documents in different fields to ensure the legitimacy and regulation of activities.
In my view, 'bracket fiction' could also be something specific to a certain literary movement or group of writers. It might be a way to play with the traditional format of fiction. The use of brackets could be a device to create a sense of fragmentation or to juxtapose different ideas or voices. For instance, a writer could use brackets to insert historical facts or cultural references within a fictional narrative, adding depth and context to the story.
It could mean having the permission or the right to narrate a story. Maybe it's like getting the green light from someone or some authority to share a particular tale, whether it's a personal experience, a fictional creation, or a historical account.
I'm not sure specifically as it could cover a wide range of stories. It might be related to the 'Licence to Kill' concept in a graphic novel format, perhaps involving a character with a special licence to take certain actions, like in a spy or action - themed story.
There may be some experimental short stories or self - published works that are examples of 'bracket fiction'. Maybe a story where the main character's dreams are presented in brackets within the regular narrative. So, as the story progresses, the bracketed parts about the dreams add a different layer of understanding to the character's waking life and actions. Another possibility could be a story that uses brackets to show alternative endings or different paths the story could take, making the reader more involved in the decision - making process of the narrative.
There are multiple ways to get a 'licence to tell a story'. Firstly, build your credibility. If you're known for being honest and reliable, people are more likely to trust you with their stories or allow you to tell related ones. Secondly, educate yourself about the subject matter. If you're telling a story about a scientific discovery, study the topic thoroughly. And finally, be empathetic. Understand the emotions and implications of the story you want to tell. This will help you gain the internal and external 'licence' to share it.
Well, 'poetic licence' gives poets the liberty to play around with language, structure, and even reality in their work. It could be using unorthodox grammar, creating new words, or bending historical facts for artistic purposes. And 'end of story' just sort of seals the deal, like there's no more to be said about it. It's a way of saying this is just how it is in the world of poetry.
I don't know the specific main characters as I haven't read it. But it could have a tough, no - nonsense type of protagonist who has been given the licence to kill.