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You can start by understanding light and shadow. Know where the light source is and how it affects the objects. Use shading to create depth and volume.
The difference between Level 1 and Level 2 was the adjustment range, difficulty, and effect. The first level of color adjustment mainly made global adjustments, including brightness, contrast, color temperature, color tone, etc., while the second level of color adjustment made more local adjustments to highlight or change specific parts of the image. The first level of color adjustment was relatively simple, and the commonly used adjustment tools included curves, color levels, brightness/contrast, etc. The second level of color adjustment was relatively complicated, and usually required more professional adjustment tools and techniques, such as gradual map, color balance, and layer blending. The first level of color adjustment was the basic global color and brightness adjustment. The main purpose was to make the picture more harmonious and natural. The second level of color adjustment was to perform partial processing on the picture to enhance the color saturation of a certain part of the picture and strengthen the theme and atmosphere of the picture. In short, the first level and the second level of color adjustment were different in terms of adjustment range, difficulty, and effect, but they were both essential techniques for film editing, which could make the film more harmonious and appealing.
The main differences between the first-level and second-level color adjustment blockbusters were in the following aspects: adjustment range and depth, visual effects and audience experience, handling details, post-production process order, difficulty, and technical content. The first level of color adjustment focused on the overall effect of the image. The adjustment range was wide but the depth was relatively shallow. By quickly adjusting the global information of the image, the image could reach a harmonious and unified state as a whole. The second level of color adjustment focused more on the in-depth processing of the image details. The adjustment range was relatively small but the depth was large. Through fine adjustment of local or specific areas of the image, the details of the image were richer and more vivid. The picture after the first level of color adjustment usually gave people a sense of harmony and comfort, but it might be slightly dull in the details. On the other hand, the secondary color adjustment could further enhance the texture and layering of the picture on the basis of retaining the advantages of the primary color adjustment, so that the audience could feel a more delicate and realistic visual effect when enjoying it. The second level of toning was more complicated than the first level of toning and required a higher level of skill. In short, the first and second level of color adjustment were different in terms of adjustment range, visual effects, handling details, post-production process order, difficulty, and technical content. However, they were all essential techniques in film and television editing, which could make the film more harmonious and appealing.
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The difference between the first level and the second level was the following: 1. Overall color: The color of the first level was closer to the real scene. The adjustment of the light, contrast, and saturation of the entire picture would try to ensure its naturalness and harmony. On the other hand, the tone style of the secondary color adjustment was more artistic, and some personal colors might be introduced to emphasize certain emotions or topics. 2. Dealing with the details: Level 1 color adjustment was mainly to perform preliminary adjustments to the image, such as correcting the white balance and improving the brightness of the dark parts. Level 2 color adjustment was to adjust specific elements, such as emphasizing a certain emotion or creating a certain visual effect. Therefore, the details were different. 3. The order of the post-production process was different. Usually, after the photographer took the photo, the colorist would first do the overall first-level color adjustment, and then the designer would continue to go deeper into the second-level color adjustment to obtain the best effect. However, the specific operation might depend on the situation. 4. Difficulty and technical content: Generally speaking, the secondary color matching was more complicated than the primary color matching and required a higher level of technical skills.
The difference between Level 1 and Level 2 was the adjustment range, difficulty, and effect. The first level of color adjustment mainly made global adjustments, including brightness, contrast, color temperature, color tone, etc., while the second level of color adjustment made more local adjustments to highlight or change specific parts of the image. The color of the first-level color adjustment was closer to the real scene. The adjustment of the light, contrast, and saturation of the entire picture would try to ensure that it was natural and harmonious. On the other hand, the tone style of the secondary color adjustment was more artistic. It could be adjusted to a specific color area to achieve a specific effect. Level 1 color adjustment was relatively simple and easy to operate. It was suitable for simple image processing. The second level of toning was relatively complicated. It required different adjustments for each part, and the operation required more detail and patience. The first level of color adjustment can quickly adjust the entire image, but sometimes there may be problems such as uneven color distribution. The two-level color adjustment could achieve finer color control, but it required more operation and adjustment.
The difference between the first level and the second level was the following: 1. Overall color tone: The color of the first level was closer to the real scene. The adjustment of the light, contrast, and saturation of the entire picture would try to ensure that it was natural and harmonious. On the other hand, the tone style of the secondary color adjustment was more artistic, and some personal colors might be introduced to emphasize certain emotions or topics. 2. Dealing with the details: Level 1 color adjustment was mainly to perform preliminary adjustments to the image, such as correcting the white balance and improving the brightness of the dark parts. Level 2 color adjustment was to adjust specific elements, such as emphasizing a certain emotion or creating a certain visual effect. Therefore, the details were different. 3. The order of the post-production process was different. Usually, after the photographer took the photo, the colorist would first do the overall first-level color adjustment, and then the designer would continue to go deeper into the second-level color adjustment to obtain the best effect. However, the specific operation might depend on the situation. 4. Difficulty and technical content: Generally speaking, the secondary color matching was more complicated than the primary color matching and required a higher level of technical skills.
There were several differences between the first-level and the second-level toned blockbusters. First of all, the first level of color adjustment was mainly to adjust the overall color tone, making the light, contrast, and saturation of the picture more natural and harmonious. The second level of color adjustment focused more on artistic processing and might introduce individual colors to emphasize emotions or theme. Secondly, the first level of color adjustment was mainly used to perform preliminary calibrations on the image, such as correcting the white balance and improving the brightness of the dark parts. The second level of color adjustment was to adjust specific elements, such as emphasizing a certain emotion or creating a specific visual effect. In addition, the first level of color adjustment was usually done by the designer after the global color adjustment to obtain the best effect. Finally, the secondary color matching was relatively complicated and required a higher level of skill. In short, there were differences in the adjustment range, processing details, post-production process order, difficulty, and technical content between the first-level and second-level toning.