Forgotten relicThe reference mentioned that there were " forgotten sacred objects " in the game scene, but there was no more specific description of it. There was also the Holy Grail, which was a lost sacred object of the Christian religion. In a sense, it could also be considered a forgotten sacred object. Because it was the target of countless people, it had been in a mysterious state for a long time. In addition, the Buddhist sacred object, Sakyamuni's hair, was buried in the underground palace of Leifeng Pagoda. Before it was excavated, it was also in a similar state of forgetting. However, there was a lack of a unified definition and more detailed content regarding the " forgotten sacred objects."
While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Relic vrVR technology was widely used in the field of cultural relics.
In terms of museum, VR and traditional museum were combined to form a VR museum. For example, Nanjing Museum, Henan Museum, etc., through VR technology 1:1 reproduction of the interior and exterior scenes of the museum, extending the exhibition space and retaining the functions of the museum to the maximum, breaking the traditional limitations, allowing tourists to browse the real scenes of the museum around the world online without leaving their homes, and also allowing people to experience the museum scenes personally, meeting the multi-level viewing needs of the masses. For example, the Yunnan Province Museum launched a new way to open the "AR + VR". From September 28th, one could experience the "Moon Walk" immersively, and there was also a VR immersive experience project based on the theme of the ancient Dian Kingdom in the museum.
In the education and promotion of cultural relics, college students used VR technology to reproduce cultural relics. For example, the female team of Nankai University developed the "Virtual Simulation Ancient Porcelain Culture Course", which adopted the online and offline combination mode, including online learning software, offline basic courses and other supporting projects, so that small and medium-sized towns and rural students who could not see cultural relics due to the uneven educational resources of the museum could experience cultural relics with the help of virtual simulation technology and do in-depth research.
In specific periods or under special needs, such as the special period of epidemic prevention and control in Tianjin City, the Dagukou Fort Ruins Museum launched a new media product called "VR Dagukou Fort", which included multiple exhibition halls and ruins scenes. The exhibition maps and cultural relics could be opened for browsing, providing the public with a new way to travel and learn cultural knowledge.
In terms of cultural and travel integration, the tomb of Marquis Haiying in Nanchang was deeply integrated with VR technology. People could walk into the Marquis of Haiying with VR glasses and have an interaction experience. There was also a VR film,"Exploring the Tomb of Marquis Haiying", which made the experiencers feel as if they had traveled through time and space to view cultural relics.
In addition, in terms of documentary production, the 8K historical relics documentary "Millennium Cultural Relics" incorporated 8K +VR and other cutting-edge scientific and technological means in the filming and production, allowing cultural relics to be reborn in the narrative space that combined reality and reality.
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Fire RelicI'm not too clear about your specific question about the "fire relics". If you want to ask which cultural relics have suffered a fire, for example, at about 23:20 on May 2,2024, the auditorium of Minglun Campus of Henan University (a national key cultural relic protection unit) caught fire during the renovation and some roofs collapsed and damaged; At about 14:00 p.m. on May 30,2019, a fire broke out in the Martial Temple, a county-level cultural relic protection unit in Pingyao Ancient City, Jinzhong City, Shanxi Province, causing the main building of the main hall of the Martial Temple to burn and collapse.
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Wizarding relicHere are some relics related to wizards:
1. ** The jade-faced statue of a god that may have been unearthed from the Shijiahe ruins in Hubei Province, China **: It is a cultural relic of the late Neoliths. It is speculated that it is a mask worn by wizards when they cast spells. It can be seen as the image of the god that is respected locally.
2. ** Witchcraft Ritual Relics Discovered in the Ruins of Pompei **: In the ancient city of Pompeii, a box known as the "Wizard's Treasure House" was found, which contained many jewels, including turquoise, amber, agate, crystal, amethyst, and some bone products. There were also beetles, amulets, dolls, bells, small skeletons, and miniature male genitalia. These items were mysterious witchcraft items. Archeologists believed that these items might be used for rituals related to blessing (such as marriage, child-seeking, and childbirth).
3. ** Skull Ornaments Carved by a Tibetan Sorcerer **: Carved by a Tibetan Sorcerer in 1670. The second son of a serf family was used as a blessing for the master. It was engraved with various totems and patterns of receiving blessings and exorcism.
4. ** The Golden Mask in the Jinsha Ruins (Mentioned in a related cultural relic poem)**: From the related cultural relic poem "Wearing a mask and setting off from Shu Kingdom", it can be seen that wearing a mask is like a wizard. Through the big eyes, you can ask the gods to exorcise ghosts. Although it may be a trick, it can also entertain yourself and help others to exorcise the demons in their hearts.
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Relic of LotusThe following are some relics related to Lotus:
1. ** Qing Dynasty Jingdezhen Qianlong kiln blue and white entwined lotus pattern ox-head statue **: shaped like a cow head, also known as deer head statue. This type of artifact was first created during the Kangxi period of the Qing Dynasty and was widely popular during the Qianlong period. The whole body is decorated with blue and white flowers and lotus patterns. Its characteristic is that the flowers and branches are constantly twirling. In the Qing Dynasty, the Blue-and-White Bull-head Zun was also called the Green Lotus Zun. The Green Lotus Zun was homonym for incorruptness and had the meaning of warning officials to be honest and upright. This kind of object was often used by the emperor to reward meritorious officials. This statue was full of lines, majestic, and had a compact decorative layout. The blue and white hair color was calm, and the main body of the abdomen was painted with twining lotus. The flowers were large and full, and the branches and leaves were graceful. The patterns were complicated but not messy, and it was very layered. It was a masterpiece of the Qianlong period.
2. ** Blue and white porcelain incense burner with lotus and crane patterns (Sichuan Museum Collection)**: It will be exhibited in the Sichuan Museum's "Prosperous Lotus Blooming--Special Exhibition of Lotus Images in China Culture".
3. ** Yaozhou Kiln Green Glazed Lotus Leaf Cover Jar (Yaozhou Kiln Museum Collection)**: It will also be exhibited in the Sichuan Museum's "Lotus Blooming in Prosperity-Lotus Images in China Culture" Special Exhibition.
4. ** Yuan Dynasty lotus-shaped glass cup (Gansu Province Bo)**: The body of the cup is in the shape of a seven-petal lotus flower. The abdominal wall of the cup is straight and tilted outwards in the shape of an octagon. The outer edge is in the shape of an eight-petal lotus flower. The cup and the cup complement each other. They are shaped like lotus flowers. One cup and one support. The whole body is translucent and blue. With it as the prototype, the literary creation team of Gansu Province Museum, after three years of research and development and polishing of details, used the ancient method of glaze to fire the same literary creation-"Liuyun Glass Color" blue lotus cup.
5. ** The lotus seat of the Guanyin statue in the first year of Wuping in the Northern Qi Dynasty (507 AD)(hidden in the White Pigeon Art Museum in Japan)**: White marble painting, garden carving, gorgeous color, exquisite carving. There were two layers of lotus petals on the top, and a layer of lotus petals on the bottom. Eight strong men were holding the eight-petal lotus.
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Relic Stone ShoesThere were cultural relics like stone soles in the Qin and Han Dynasties in China. At that time, jade was rare, but the ancients loved jade. They would use chalk or other stones to carve stone-soled shoes as funerary objects. For example, many broken stones were found in the tomb of Qin Jinggong. After piecing them together, they were a pair of stone-soled shoes, the soles of which were covered with cinnabar to ward off evil spirits. This pair of shoes was big and heavy. Whether it was to protect the soles of the tomb owner, to kick ghosts and ward off evil spirits, or to restrict the tomb owner from walking quickly, cultural relics experts were not sure of its exact use.
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jar cultural relicThere were many situations where jars could be used as cultural relics. In China, for example, a porcelain jar from the Yuan Dynasty (which could be regarded as a kind of jar) was unearthed in Huxi Village, Jintan County, Zhenjiang City, Jiangsu Province. At that time, it was used by villagers as a jar for pickled vegetables. Later, it was discovered by cultural relics experts that it was blue and white porcelain of the Yuan Dynasty. Although it was incomplete, it was worth at least 100 million yuan. Sour jars were unearthed in Guilin from the Sui and Tang Dynasties, the Northern Song Dynasty to the Ming and Qing Dynasties, which also reflected the long history of Guilin people eating sour food. In other countries, jars had been unearthed from Tutankhamun's tomb in ancient Egypt. The jars were filled with bandages, and there were special words on the bandages that indicated that they were related to Pharaoh Tutankhamun. In addition, there were also some old objects such as pottery jars in the countryside that might have collectible value. They were regarded as items with certain cultural and historical significance.
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As a cultural relic lover,Please clarify the question. For example, do you want to know the classification and value of cultural relics, or other specific questions about cultural relics?
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cultural relic indicatorThe following are some indicators related to cultural relics:
1. ** Number of collections **: For example, in 2023, there were 6,820,500 pieces/set in the collections of Shanghai City relics institutions, of which 1,237,400 pieces/set were in the collections of state-owned museum under the management of cultural relics system, accounting for 18.14% of the total collections; in 2021, there were 3,407,500 pieces/set in the collections of Shanghai City, of which 440,400 pieces/set were in the collections of cultural relics.
2. ** Organization and personnel related indicators **:
- ** Number of institutions **: By the end of 2023, there were 112 cultural relics institutions of various types in Shanghai City; by the end of 2021, there were 176 cultural relics institutions listed in the statistics system in Shanghai City.
- ** Personnel situation **: At the end of 2023, there were 5023 employees in Shanghai City relics institutions, of which 320 were senior titles, accounting for 6.37%; 889 were intermediate titles, accounting for 17.7%; at the end of 2021, there were 5124 employees in Shanghai City relics institutions.
3. ** Museum exhibition and visitor reception index **:
- ** Exhibitions **: In 2023, various cultural relics institutions in Shanghai City held a total of 688 exhibition, including 252 basic displays and 436 temporary displays; in 2021, the Shanghai City (Memorial Hall) held 348 basic displays and 388 temporary displays.
- ** Visitor reception **: In 2023, various cultural relics institutions in Shanghai City received 27,737,500 visitors. The state-owned museum managed by the cultural relics system received 12,257,100 visitors, accounting for 44.19% of the total number of visitors received by cultural relics institutions. In 2021, the number of visitors to the Shanghai City (Memorial Hall) was 20,039,100.
4. ** Qualification indicators related to cultural relic protection projects **: For example, the Grade A qualification for cultural relic survey and design, Grade A qualification for cultural relic protection project construction, Grade A qualification for cultural relic protection supervision, and other relevant qualifications are also important indicators in the field of cultural relic protection projects. They are of great significance in the general survey of cultural relics and the implementation of protection projects.
5. ** Standard-related indicators **: For example, the formulation and revision of standards in the sub-fields of immovable cultural relics, movable cultural relics, archaeological investigation and excavation, cultural relics safety, museum, cultural relics digitizing, special equipment for cultural relics protection, etc. are also indicators to measure the standardized and scientific aspects of cultural relics protection, including terms, classification, protection and repair technology, management, safety prevention and control, digitizing, etc.
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Cultural relic boneThe following are some relics related to bones:
- Jiahu Bone Flute: Discovered in 1987 in Wuyang County, Henan Province, at an ancient site between 7,000 and 9,000 years ago. It is made from the leg bone of a crane. There are seven holes on the bone. It is very similar to the modern flute, and its melody is almost the same as the modern one. This discovery rewrote the history of music before the Qin Dynasty and even the entire history of China music, confirming the long history of Chinese civilization.
- In 1981, after the collapse of the pagoda, four Buddha Finger relics were found in the underground palace. In 1987, it was identified as a first-class cultural relic by experts. For Buddhists, the Buddha Bone Sarira symbolized the high monks and their pure and flawless cultivation. It had great cultural significance.
- The bone-wrapped clay sculpture of the Northern Song Dynasty was at Zhengguo Temple in Jiexiu City, Shanxi Province. Inside the clay sculpture was the remains of Daoist Songfeng, the head of the Jiegong Temple. After he passed away, his disciples first put on layers of clothes for his bones, then wrapped them in mud and painted them on the outside. Today, there were more than ten of such bone-wrapped true statues in the temple, which had maintained their original form after more than a thousand years. There were also nearly 20 clay sculptures from the Tang, Song, and Yuan Dynasties preserved in Mianshan, Shanxi Province. Among them was a bone-wrapped clay sculpture 800 years ago. The owner of the skeleton was the master of the Mianshan Palace Porcelain. It was also made in a similar way.
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