Enamel PaintingsFilament Enamel Color Painting was an innovative application of Filament Enamel Craftsmanship. The traditional cloisonné was made from copper, with flat copper wire, and then it was filled with colored glaze. And on this basis, the embroidery on the silk could be innovative, such as changing the carrier medium.
From the examples, there were works such as the Western figure clock painted with stringed silk, as well as some painted objects with stringed silk from the Qing Dynasty, such as the "Qianlong Year" bronze body painted with the picture of the teacher's son. At the same time, there were also some homemade filigree paintings that could be made at home. This process might simplify some traditional processes and allow ordinary people to experience the joy of filigree painting.
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Enamel phoenix peony patternEnamel phoenix and peony patterns were a combination of decorative patterns that appeared on the surface of the porcelain ware. On the back of the golden ground, the peony phoenix holding box was painted with blue glaze. The collection was dignified and the porcelain body was delicate. The glaze was bright and even, and the workmanship was exquisite. There was also a yellow porcelain vase with a phoenix pattern and peony blessing bag. It was exquisite, dignified, and smooth. The phoenix pattern was exquisitely decorated, and the carving was exquisite. It had a profound meaning and the workmanship was complicated. From the perspective of historical development, the Qing Dynasty advocated sensory aesthetics, and the glaze color became a commonly used decorative technique for peony patterns. Moreover, the Yuan, Ming, and Qing dynasties had high artistic achievements in painting peonies. The glaze phoenix peony pattern also reflected the craftsmanship and aesthetic taste of that time.
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Filament Enamel Gilded FurnaceThere are many forms of gold-plated copper gilded glaze furnaces. For example, the gold-plated copper gilded glaze furnace made in the Qianlong period of the Qing Dynasty is a three-legged, two-eared, circular furnace. The gold-plated hollow bat and cloud pattern cover are decorated with four groups of glazed ruyi-shaped lotus patterns, gold-plated hollow cloud dragon pattern buttons, gold-plated inscriptions on the furnace mouth, colorful thunder patterns on the lower part of the mouth edge, ruyi patterns on the body, and lotus patterns on the twining branches. The bottom has the four-character regular script of "Qianlong Year System". The total height is 32 cm, and the maximum width is 38 cm. Exhibits and collections in the Museum of the Summer Resort; There was also a silk-strung enameled beast-face-patterned stove, which was 17.4 cm high, 8 cm in diameter, and 2.6 cm in foot distance. The shape of the stove imitated the bronze ware of the Western Zhou Dynasty. The top of the stove was a steamer and the bottom was a Li. The rope pattern stood on the ears. The top of the stove was gilded with a lotus seat and a dragon pattern button. The whole body was covered with sky-blue glaze. The cover was decorated with beast-face patterns, the abdomen was decorated with banana leaf patterns, and the inside was decorated with beast-face patterns. The three bags were also decorated with beast-face patterns. The images of the beast-face patterns were different and varied. The feet were gilded with gold. The middle of the bottom is engraved with the words "Qianlong Year System" in regular script. It is now in the collection of the National Palace Museum in Taiwan.
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Cast Body Gilded EnamelThe technique of casting and pinching the silk and making the glaze originated from the royal palace in the 13th century and reached its full prosperity during the Qianlong period of the Qing Dynasty. This technique combined bronze casting, porcelain painting, traditional painting, carving, gilding, and many other techniques. It could be said to be the epitome of traditional China craftsmanship. The production of casting body and stringing silk ware reached its peak during the Kangxi and Qianlong periods of the Qing Dynasty. Later, with the decline of the Qing Dynasty, the prosperity gradually declined. Finally, due to the dismissal of the palace craftsmen, this traditional national skill flowed into the folk.
In the process of making the casting body, according to the design requirements of the pattern, the copper wire must be pinched into the outline of the pattern, and then the outline of the pattern must be sewn on the surface of the metal body. Then, the pattern must be filled with the glaze, and then it must be baked in the kiln. This process must be repeated several times, and then it must be polished and gilded to become the finished product.
Among the many types of enamelware, some specific works of stringed-wire enamelware often showed unique artistic charm. For example, some of the stringed-wire enamelware in the old collection of the Forbidden City had a flat vase with a pattern of pine crane and reed goose with a gilded copper body. The carcass was thick, full of gilding and exquisite patterns. There was also a square casket with a dragon pattern made of stringed-wire enamelware imitated the bronze ritual ware Fang Yi of the Shang Dynasty. The carcass was thick, the production was neat, and the color was calm, giving people a solemn feeling. These could be used as a reference for the artistic style and craftsmanship of the gilded and inlaid inlaid porcelain ware.
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What are the features of comic enamel pins?Comic enamel pins typically stand out with their eye-catching visuals. They can showcase unique comic art, be made with durable materials, and have a backing that makes them secure when worn or displayed. Some even have limited editions that make them collectible items for comic enthusiasts.
What does Enamel Color mean?Enamel color was one of the decorative colors of porcelain. It was made in the late Kangxi period of the Qing Dynasty. It was also known as "painted porcelain". It was a new type of porcelain that successfully transplanted the copper body painting technique to the porcelain body. It was a very precious imperial porcelain, which was first burned in the middle and late Kangxi period, and flourished in the Yongzheng and Qianlong dynasties. It was first made of imitation copper body porcelain.
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Enamel flower vase with peony patternPorcelain-body painting was first created in the late Kangxi period of the Qing Dynasty, developed in the Yongzheng period, and flourished in the Qianlong period. At present, there were porcelain related collections such as the Enamel Peony Celestial Crane Celestial Ball Bottle, Enamel Flower and Bird Pattern Bowl. If you want to know more about the vase with the peony pattern, such as its production process and artistic value, due to limited reference materials, we cannot provide more detailed information.
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Cutlery rack for bowls and platesThere were a variety of tableware racks to choose from. For example, Chef's Story Kitchen Storage Shelves, Bowl Shelves, Draining Dish Shelves, Table Top Storage Dish Shelves, 304 stainless steel utensils, Storage Shelves, Complete Collection [Glorious Stone Black *2 Layers], 42cm long, with accessories, has 20000 reviews. In addition, there was also a multi-functional vegetable shelf in the kitchen, multi-layer dish storage rack, and a three-layer black shelf on the wall and countertop. It had 500 reviews. However, the exact type of cutlery rack to choose depended on the individual's needs and preferences.