love yourself her notes translation

Cizhuo was a kind of silk fabric in ancient China, mainly produced in Fujian, Guangdong, Zhejiang and other places. Its production process was complicated and required spinning, weaving, dyeing, finishing, and many other processes. Its pattern is exquisite and colorful, often used as a gift to give to relatives and friends or important holiday gifts. Original text: Zhōu wù shù jiā guófù yùn zhì shéiZhōu wù shù jiā guófù yùn zhì shéi (Zhōu wù shù jiā guófù yùn zhì shéi) Note: Cuzhi: A type of silk fabric in ancient China with intricate patterns. It was often given as a gift to relatives, friends, or important holiday gifts. Crouching, also known as "Luo skirt", was a kind of women's clothing made of Luo as the fabric and silk as the raw material through spinning, weaving, dyeing, finishing and other processes. Its pattern was exquisite and colorful, and it was often used as an ornament for ancient Chinese women and clothes for weddings and celebrations. The beautiful and colorful patterns were often used as decorations for ancient Chinese women and costumes for weddings and celebrations. Its production process was complicated and required spinning, weaving, dyeing, finishing, and many other processes.

" Yuewei Cottage Notes " was a notebook novel written by Ji Yun, a writer of the Qing Dynasty. It was divided into two parts, written by Ji Yun Yun and continued by others. It mainly narrated the stories of some famous people in the late Qing Dynasty, corruption in officialdom, social unrest, war and love, etc. The novel was translated into many languages and widely disseminated.

The online translation of classical Chinese referred to the process of translating modern classical Chinese into modern Chinese. Due to the differences between classical Chinese and modern Chinese in terms of pronunciation, grammar, vocabulary, etc., translation needs to be adjusted according to the rules and characteristics of modern Chinese.

The original text of the Magpie Bridge Immortal was as follows: The fine clouds are clever, the flying stars are hateful, and the silver Han is far away. When the golden wind and jade dew met, they surpassed countless people in the world. Gentle as water, beautiful as a dream, bear to look at the magpie bridge return road. If the two feelings are long, how can they be in the morning and evening? The thin clouds in the sky are ever-changing, the meteors in the sky convey the sorrow of lovesickness, and I quietly cross the distant and boundless Milky Way tonight. Meeting in the autumn wind and white dew on the seventh day of the seventh lunar month was better than those couples in the mortal world who stayed together for a long time but seemed to be apart. The tender feelings were like flowing water, and the reunion date was like a dream. When they parted, they could not bear to look at the Magpie Bridge Road. As long as the two loved each other until death, why would they crave for love? [Note: The fine cloud refers to the light clouds, and the clever cloud refers to the clouds transforming into various ingenious patterns in the sky.] Flying star refers to meteor, one said refers to morning glory, Weaver two stars. The silver man referred to the Milky Way, the distance referred to the distant appearance, and the darkness referred to quietly crossing. Golden Wind Jade Dew referred to the autumn wind and the crystal-clear dewdrops. She couldn't bear to look back. Morning and evening referred to day and night, and here it referred to gathering day and night.

The translation of the two classical Chinese articles in Dream Creek Pen Talks is as follows: - "Controlling Insects with Insects" During the Yuanfeng period of Emperor Shenzong of the Song Dynasty, the Zifang worm was born in the Gyeongju area and was about to harm the crops in the autumn fields. Suddenly, a kind of insect appeared. It looked like a " dog scorpion " in the soil. They had pincers on their mouths. There were thousands of them everywhere. When they met the child worms, they used the pincers on their mouths to fight with the child worms. The child worms were all bitten into two pieces. Ten days later, all the Zi Fang worms were killed, and Nian Cheng obtained a great harvest. This kind of insect had existed in the past, and the locals called it " - Wooden Pagoda of Brahma Temple When the Qian Dynasty ruled Liangzhe, they built a wooden pagoda in Hangzhou's Brahma Temple. It was only two or three stories tall. Qian Shuai climbed up the wooden pagoda and complained that it was shaking. "There are no tiles on the wooden pagoda, so it's light. That's why it's like this," said the craftsman. So he asked people to lay the tiles on the tower, but the wooden tower was still shaking as before. When he had no other choice, the craftsman secretly sent his wife to meet Yu Hao's wife and gave her a golden hairpin, asking her to ask Yu Hao about the reason for the wooden pagoda's shaking. Yu Hao smiled." That's easy. You just have to lay the planks layer by layer and nail them down. They won't sway." The craftsman followed his instructions and the tower stabilized. Because the wooden planks were nailed down, the top and bottom were tightly bound together. The top, bottom, left, right, front, and back were connected to each other like a box. When a person stepped on the floor, the top, bottom, and surrounding walls supported each other, so of course, they would not shake. Everyone admired Yu Hao's cleverness. If you want to know more about the follow-up, click on the link and read it!

I'm not a fan of online literature. I'm just a person who likes to read novels. I can't provide short notes and translation of classical Chinese. If you need to know more about classical Chinese, you can provide more specific information and questions. I will try my best to answer them.

There were a few apocalyptic novels that recommended female protagonists: " Female Supporting Character: No Interlude " was a fast-paced novel, in which the male protagonist of the apocalyptic world was very novel;" Green Glow of Doomsday " was a novel about a strong female protagonist, Lin Qingqing, who struggled to survive in a world full of zombies;" God of War: I Protect China with Billions of Resources " was a novel about supernatural powers, in which the female protagonist, Su Leyan, was determined to protect China." Doomsday: The Descent of the Demon Seed " was a novel about the strong female protagonist. The female protagonist, Chu Qianxun, used the memories of her previous life to fight monsters and level up." Doomsday: The Cannon Fodder Is Not Bad " was about the female protagonist turning into a zombie, but she still maintained contact with her mother and tried her best to collect supplies. These novels all had plots where the female lead was self-reliant.

The Tang Dynasty's Di Gongan's Complete Translations and Annotated Revisions was a series of novels about Di Renjie, the prime minister of the Tang Dynasty. The series was written by the Dutch author, Gulik Gloroppe, translated by Chen Laiyuan, Hu Ming, and published by Hainan Press. The series consisted of eight volumes, including The Broken Finger, The Four Lacquer Screens, The Bronze Bell Case, The Black Fox, The Jade Beads, The Labyrinth Case, The Nail Case, and The Guangzhou Case. These stories described Di Renjie's legendary experience as an official in the state, county, and Jingdou to resolve cases and eliminate evils for the people. Di Renjie was famous for his unique style of handling cases and his intelligence. He was called Sherlock Holmes of ancient China by Western readers. The plot of this series of novels was thrilling, the case was dangerous, and the answer was compelling. These books had a high reputation and influence in China and internationally.

The Tang Dynasty Digong Case was a series of eight novels, written by the Dutch author, Gulik van Gulik. This set of books was translated by Chen Laiyuan, Hu Ming, and others, and published by Hainan Press. Each volume had a different case, such as "Four Lacquer Screens","Bronze Bell Case","Black Fox" and so on. The plot was thrilling and the answer was compelling. This series of novels was sold on Kongwang at a lower price.

The Classic of Mountains and Seas was a mythological and geographical work of ancient China. It contained many myths, legends, and geographical landscapes. The full text was as follows: The original text of the Classic of Mountains and Seas was as follows: " Classic of Mountains and Seas " was a mythological and geographical work of ancient China. It mainly recorded the geography, landforms, animals, plants, and other strange landscapes of eastern and southern China. The content was divided into two parts, the Mountain Scripture and the Sea Scripture, which recorded the mountains, rivers, caves, blessed lands, mythical figures, rare treasures, and so on. The Mountain Scripture included: 1. Nanshan Sutra: It recorded the geography, climate, topography, and various mythical figures and rare treasures on Nanshan. [2. Northern Mountain Scripture: Records the geography, climate, topography, and various mythical figures and rare treasures of the Northern Mountain.] 3. Xishan Sutra: It recorded the geography, climate, topography, and various mythical figures and rare treasures of Xishan. 4. The Book of the East Sea: It recorded the geography, climate, topography, and various mythical figures and rare treasures of the East Sea. The Sea Scripture section included: [1 East Sea Note: Records the geography, climate, topography, and various mythical figures and rare treasures of the East Sea.] [2. South Sea Note: Records the geography, climate, topography, and various mythical figures and rare treasures of the South Sea.] 3. North Sea Note: Records the geography, climate, topography, and various mythical figures and rare treasures of the North Sea. [4. West Ocean Note: Records the geography, climate, topography of the West Ocean, as well as various mythical figures and rare treasures of the West Ocean.] In addition, the Classic of Mountains and Seas also recorded many myths and legends, mysterious stories, rare treasures, and legends of people. They were an important part of Chinese culture and myths.