"Straightforward as if bent, clever as clumsy, eloquent as slow-witted" came from Lao Tzu's "Tao Te Ching, De Jing, Chapter 45". It meant that upright people were like submission, dexterous people were like stupidity, eloquent people were like slowness, and people with real talent did not show themselves. From the perspective of his own thinking, Lao Tzu believed that the surface and the essence of some things were sometimes completely opposite. If the principle of inaction was implemented in politics, when some kings and generals achieved great achievements, if they could see their own shortcomings and shortcomings, and treat them as shortcomings, coupled with a humble and clumsy attitude, their influence would be endless. From the specific performance and examples,"straightforward as a bend" meant that when faced with adversity and setbacks in life, one could be wronged and retreat for the sake of advancement. For example, Zhang Liang, Bo Langsha, concealed his identity after failing to assassinate him and finally became a wise sage of a generation." Clever as clumsy " meant that when one's personality reached a high point, they would return to their original nature, forget the little tricks, and return to their noble personality. For example, Zeng Guofan studied, did things, and became a famous minister with a clumsy spirit. Einstein advocated that everything should be simple and grasp the essence. Mei Lanfang achieved the " world's number one green clothes " through hard work." Great eloquence is slow " refers to a truly eloquent person who speaks cautiously. For example, the emissary sent by Emperor Taizu of Song Dynasty responded silently to Xu Xuan, who was eloquent. Confucius also advocated that a gentleman should be slow in speech and quick in action. A true wise man would accumulate strength in silence, perfect himself in listening, and realize value in action.
It meant that upright people looked like they were submissive, dexterous people looked stupid, and eloquent people looked slow. It meant that people with real talent did not show themselves. This statement came from the 45th chapter of Lao Tzu's Classic of Virtue. It embodied Lao Tzu's philosophical thought of "doing nothing but doing nothing" and analyzed the relationship between straightness and bending, cleverness and clumsiness, debate and slowness. The real cleverness lies in following the laws of nature instead of showing off intelligence. In this way, the purpose can be naturally achieved. It also expressed a core idea, which was to be quiet and do nothing.
"Straightforward as if bent, clever as if clumsy, eloquent as if slow-witted" contained profound principles. From the perspective of personality image, Dacheng, Daying, Dazhi, Daqiao, and Dabian represented the most perfect and ideal personality image, such as the most complete, accomplished, rich, upright, selfless, sensitive, and eloquent person. However, their outward appearance was the opposite. The most perfect person seemed to be lacking, the richest person seemed to be lacking, the most upright person seemed to be bent, the most dexterous person seemed to be clumsy, and the most eloquent person seemed to be dull. This was because they were perfect, but they didn't show off their talents. They chose to hide their talents and integrate with others. This was a strategy to maintain perfection in the secular world. Second, because things would turn against each other when they reached an extreme. People who were too perfect would go to the opposite side. Therefore, they deliberately showed their shortcomings and left room for others to do things. In terms of social strategies, these expressions reflected a kind of survival skill and strategy. The main characteristic was to hide one's brilliant appearance, not to show a tough and sharp appearance, but to hide one's own strength and not to compete with others. This warned people to look at things in a more critical way. When they saw the "straight, clever, and eloquent" side of things, they should also think of the "crooked, clumsy, and slow" side, and vice versa. When dealing with things, one must understand the truth of seeking justice with injustice and defeating cleverness with stupidity. If one wanted to achieve a big goal, small compromises were necessary. From a philosophical point of view, this expression embodied the laws of the world. It was a law of the world that was discovered from the phenomena of life. Moreover, the core idea of this sentence was to explain the concept of "inaction, lack as success". It emphasized the importance of inaction and compliance with nature through the seemingly missing parts to achieve the integrity and perfection of things.
The original text in the Tao Te Ching was "straightforward as if bent, clever as if clumsy, eloquent as if slow." It means that the most upright thing is like bending, the most dexterous thing is like clumsy, and the most excellent eloquence is like not being good at words. This expressed that the external performance of things might be different from their intrinsic nature. Laozi used this to explain his own approach to doing things, that is, the face of wisdom can be covered by low-energy, weakness and dullness, and not show toughness and sharpness. Wuwei is not doing nothing, but an external form of expression.
It means that the upright people are like submission, and the dexterous people are like stupidity; The most upright people seem to be gentle and easy-going, while the really smart people don't show themselves. It also means that people with real talent don't show themselves. This expression reflected a kind of contradictory relationship." Straightforward as if bent " meant that a truly upright person might seem to succumb to others or the environment on some appearances, while " clever as clumsy " meant that a truly agile thing or person might look clumsy on the surface.
"It's better to be clumsy than clever" originated from Fu Shan's calligraphy theory of "four nines and four nots", namely,"it's better to be clumsy than clever, it's better to be ugly than charming, it's better to be detached than light and slippery, and it's better to be true than arranged". The meaning is that writing a book would rather pursue the ancient clumsy than the gorgeous; It is better to write ugly than servile; It is better to pursue loose and uneven, but also can not have frivolous and slippery phase; It is better to write straightforwardly than to deliberately arrange. This theory later had a general and far-reaching impact on the entire art world. It was not only reflected in calligraphy creation, but also reflected in the aspect of being a person. The highest realm of being a person was considered to be better to be clumsy than skillful, to hide the skillful in the clumsy, and to hold the simple and keep the clumsy. In terms of traditional Chinese painting works, Wang Qingzhou created a traditional Chinese painting work called " Better clumsy than clever " in 2012. It used paper and color ink, and the painting size was 180cm x 97cm. It was included in the 2012 People's Fine Arts Press's " Happy Red and Quick Green-Wang Qingzhou's Painting Collection." Although the painting was titled " rather clumsy than clever ", giving people a sense of modesty and prudence, the colors were actually bright, and the cold and warm colors were intertwined and coordinated, giving a strong visual impact. In terms of performing arts, for example, Liu Lian in " You Have Something " pursued technique, perfection in the process, and accent too much. Instead, it exposed the little thoughts under the grandiose appearance. On the other hand, Banon's simplicity and simplicity reflected " better clumsy than clever." In the end, Liu Lian's cleverness and ingenuity lost to Banon's simplicity and simplicity. If you want to know more about the follow-up, click on the link and read it!
Taoism is a Chinese religion that originated in ancient China. Lao Tzu was one of the founders of Taoism. He was regarded as the representative of the Taoist school. Lao Tzu lived in the Spring and Autumn Period. He wrote a classic called Tao Te Ching, which was regarded as the basic teaching material of Taoism.
Slow-Witted Song was Song Lan's nickname, and Song Lan was a character in " Demonic Patriarch ", while Cheng Lin was a famous official from the Northern Song Dynasty and a modern pop singer. From the reference materials, there was no direct connection between the two.
Lao Tzu's works mainly included the Tao Te Ching and the fable of Lao Tzu. Tao Te Ching was Lao Tzu's masterpiece and one of the classics of ancient Chinese philosophy. It was divided into 85 chapters. The first to fifth chapters were about moral philosophy, and the sixth to eighth chapters were about cosmic philosophy.
Yes, Laozi was once the treasure-keeper of the Zhou Dynasty. According to the current saying, the " treasure room " was equivalent to the national library, and I could be regarded as a " librarian." The Guardian Room was the place where the Zhou Dynasty's ancient books were collected. It was said that a large number of literary books were collected there. The novel " Shou Zang " is equally exciting. Everyone is welcome to click and read it!
Chapter 20 of the Tao Te Ching reflects Lao Tzu's inner monologue. The original text is as follows: How much is the difference between the two? What is the difference between good and evil? What people fear cannot be feared. It's too wild, too young! Everyone was cheering, as if enjoying a prison, as if climbing a stage in spring, but I was alone, and there was no sign of it, just like a baby who had not yet been born, as if I had no place to go. Everyone has more than enough, but I don't have enough. This is the heart of a fool. The layman is clear, but I am confused; The layman is clear, but I am confused. It's as light as the sea, and it's as if it's endless. Everyone has a reason, but I'm stupid and mean. I am different from others, but I value eating my mother. The translation was: What was the difference between a respectful response and a slow response? What was the difference between beauty and ugliness? I have to be afraid of what everyone fears. The path was deep and distant, as if it had no end. Everyone was in high spirits, as if they were attending a grand banquet, as if they were on stage in spring to admire the beautiful scenery. I alone am indifferent to peace, confused, like a baby who does not yet know how to laugh. Luo Luo didn't belong to the group, like a prodigal son who couldn't find a home. Everyone had something left over, but I didn't seem to have anything. I really only have the heart of a fool! If you want to read the full text of Tao Te Ching online, you can search for relevant Chinese culture websites or e-book platforms through search engines. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>