" The elephant is invisible " came from the 41st chapter of Lao Tzu. Its meaning could be understood as the larger the image, the more difficult it was to have a specific fixed shape. It could also mean that the magnanimity often contained all things, and the greater the thing, the more difficult it was to describe the form." Great skill but not craftsmanship " meant that truly ingenious and superb things often did not pursue the external form of fine carving. These two concepts contained profound philosophy, reflecting a philosophical concept that respected nature, authenticity, and simplicity. They had a far-reaching impact on literature, art, and many other aspects of life.
The following was a creative idea of integrating the concept of an elephant's formlessness into a simple drawing: First, a simple outline of the elephant was outlined. For example, the outline of the elephant's huge body could be represented by simple lines, but the details could be blurred. For example, details such as the elephant's skin texture could be omitted or represented by virtual lines. This would reflect the feeling that the elephant was formless. The bigger it was, the more uncertain its shape was. The ears could be roughly shaped by simple curves, the legs could be represented by simple lines, the nose could be represented by a slightly thicker curve, and the eyes and tusks were just simple gestures. The whole picture emphasized the overall shape of the elephant but did not stick to the details. It allowed the viewer to recognize the elephant and feel an invisible artistic effect that surpassed the concrete.
"The elephant is invisible" and "the sound is loud" came from Taoist thinking. " The elephant is invisible " meant that the most magnificent image had no specific shape. It reflected Taoism's deep understanding of the relationship between the essence and appearance of things. The truly great and essential things often transcended the limitations of specific forms and forms. "Great Sound Hope Sound" meant that the loudest and most beautiful sound was soundless. This reflected Taoism's perception of nature and the profound and subtle places in the universe. The most shocking and profound sound was often not the sound that could be heard directly, but a sound that transcended the senses and was closer to nature and the true nature of the universe. Although " Da Kai Da He " did not have a direct and specific common origin with " Elephant Invisible " and " Da Yin Xi Sheng ", there were similarities in terms of concept and meaning. It could be used to describe the grandeur of things, not rigidly stuck to small details, and had a kind of open-minded and majestic temperament. In literary creation, artistic expression, philosophical thinking, and so on, these concepts were often used to express an extraordinary, profound, and grand artistic conception or concept.
"The elephant is invisible" and "the beauty is silent" were concepts in traditional China culture. "The elephant is invisible" came from Lao Tzu's Tao Te Ching. It meant that the grand scene seemed to have no fixed shape, just like the most grand square (image). It emphasized a grand and elusive concept or existence that transcended concrete forms. "Great Beauty Speechless" was a powerful expression of extreme beauty. In front of this kind of beauty, language became weak, and evaluation became redundant. There was no need to use words to describe and define this kind of beauty. People would feel a shock beyond the expression of words in front of this kind of beauty. The embodiment of these two concepts could be seen in many fields. For example, in the field of interior design, the living room background wall used natural texture patterns to echo the outdoor scenery of the mountains and lakes, eliminating unnecessary colors and shapes. This reflected the cultural pursuit of the China scholar-bureaucrats, which was "beautiful without words, elephant invisible". In the modern luxury residential design, through simple design to achieve the effect of simplicity and complexity, it also reflected this cultural pursuit. In terms of philosophy, the concepts of adapting to nature and inaction in Zhuangzi's philosophy were also similar to this understanding of "elephant" and "great beauty". They both pursued a realm beyond appearance and indescribable.
The main character of the manga, Thangka, was born in the Secret Workshop of Dao. He entered the world to subdue demons, and his goal was to maintain order between humans and demons. In the manga, he got to know the money-grubbing and kind-hearted female lead and the two-faced necromancer. The comic received a rating of 9.9 on QQ and performed well in terms of plot, content, and quality.
The characters in "The Invisible Elephant" manga included Tangka (the main character), who was born in the Secret Workshop of Dao. He entered the world to subdue demons to maintain order between humans and demons; Zhuang Xiaoran (the female protagonist), a working girl with many jobs. When she was young, her mother left her due to family problems. She simply wanted to become rich and was once possessed by a mandrill; Xianyu Xiu (the second male lead), a black-bellied alchemist; and Su Yeqiao, whose identity was a mandrill.
The expressions such as "the elephant is invisible","the great love is silent" and "the great way is simple" contained profound philosophical and cultural implications. " Elephant formless " usually meant that the grandest and most perfect image often had no specific form. It was a state of existence that transcended appearances and contained infinite possibilities. This concept embodied a deep understanding of the nature of things, surpassing the limitations of understanding specific forms. The phrase " great love without words " emphasized that true deep and broad love didn't need too many words to express. Love could be expressed through silent devotion, dedication, and tolerance. This kind of love could be expressed in the silent protection of family relationships, such as the unassuming but deep feelings of children's gratitude to their parents, or in the broader social relationships where they gave without asking for anything in return. In the philosophical context, the "Great Dao" often represented the most fundamental laws, principles, or truths of the universe. " The simplicity of the Great Way " meant that these fundamental laws were often simple and uncomplicated. Although their forms of expression might be ever-changing, the core essence was simple and direct. These ideas were reflected in many fields such as culture, art, ethics, and morality, reflecting a profound way of thinking about the world, human nature, and values.
" Standing with Tao " referred to the establishment and existence of a certain principle, principle, or law. " Elephant is invisible " was a Chinese idiom, which meant that one should not be too deliberate, over-assertive, and be tolerant of all kinds of things. This phrase came from the 41st chapter of Laozi's Tao Te Ching. When Laozi talked about the highest realm of Tao, he quoted such sayings as 'white as shame, magnanimous without corners, late blooming',' loud voice is rare to hear 'and' elephant formless 'etc. It could be understood as the greatest, magnificent, and noble style and realm in the world. It was often not limited to certain things and patterns, but showed the appearance and scene of myriad climates.
Chapter 41 of the Tao Te Ching says,"When a sergeant hears the Tao, he will diligently carry it out. When a sergeant hears the Tao, he will be as if he is alive and as if he is dead. When a corporal hears the Tao, he laughs." If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." This expression reflected an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. The general explanation was: The better the music, the quieter it is, the better the image, the more ethereal it is The best music has no sound, and the best image has no image. Human hearing has a range. People can't hear sounds beyond the range. They can't hear sounds that are smaller than the range, and they can't hear sounds that are larger than the range. The shape of the universe can't be described by what people see and hear, because such a big image is invisible. It means that the greater the achievement, the more immeasurable it is. The greater the magnanimity, the more indescribable it is. The original meaning of "Xiang" was "Tao" or "reason". When saying "Great sound is rare, elephant is invisible", it can also be roughly said that "Great sound is rare, Tao is invisible", which is equivalent to what Lao Tzu said,"Tao is hidden and nameless". Ancient and modern scholars had many understandings of "Great Sound Hope Sound". First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion. Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best.
Elephants were the largest land animals in existence. In an environment like the mountain forest, elephants were indeed very large compared to other creatures in the mountain forest. Elephants had thick cylindrical legs, huge fan-shaped ears, long trunks, and huge bodies. Their size made them occupy a large space in the forest environment and were very conspicuous.
Elephants were the largest land animals in existence. They were divided into Asian elephants, African grassland elephants, and African forest elephants. Male Asian elephants had a shoulder height of 261 - 289 cm and a weight of 3500 - 4600 kg, while females had a shoulder height of 228 - 252 cm. African grassland elephants were the largest, weighing up to 13.5 tons, more than 4 meters tall, 7 meters long, and 4 meters tall. African forest elephants were relatively small. Elephants had a slender trunk, which was 2 - 3 meters long. Their ears were as big as fans, their skin was 2.5 centimeters thick, their tusks were long and protruding (but some elephants only had short tusks or no tusks due to hunting and other reasons), and their legs were cylindrical.