Mother-of-pearl was a kind of floral decoration on the face of ancient Han women. There were two forms of expression, one as a face decoration and the other as a headdress. Face ornaments referred to ornaments that were pasted on the forehead or cheeks. The mother of flowers was usually made of gold and jade jewelry into flower-shaped jewelry. The colors could be red, green, or yellow. Red was the most common color. Other than the plum blossom shape, there were also many beautiful and novel styles such as birds, small fish, and ducklings. The common method of making it was to first stick the cut pattern on the forehead, then use gold, silver and other materials to make a flower shape, and finally fix it on the hair accessory. The materials used to cut the flower include gold foil, paper, fish gills, fish scales, tea oil flower cake, etc. Its origin could be traced back to the Spring and Autumn Warring States Period. It was used in the Qin and Han Dynasties. In the Tang Dynasty, it rose again and reached its peak because of Shangguan Wan 'er and others. It continued to flourish in the Five Dynasties and Ten Kingdoms, and gradually disappeared in the Song and Yuan Dynasties. There were two explanations for the rise of mother-of-pearl. One was that when Princess Shouyang, the daughter of Emperor Wu of the Southern Song Dynasty, slept under the eaves of Hanzhang Hall, plum blossoms fell on her forehead and formed five flowers. They disappeared three days later, and the palace maids imitated them to form "plum blossom makeup" or "Shouyang makeup". The other explanation was that Shangguan Wan 'er was scratched on the face because she angered Wu Zetian. She used mother-of-pearl to cover the wound, and the palace maids imitated it to form a popular makeup called "Flower Lady". "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In movies and television works, the mother of pearl on the forehead could have many hints. It can make a character more beautiful and attractive, sometimes hinting at a power struggle between the characters.(It is more common in palace dramas, etc.); In some movies and television works with the theme of Xianxia, it can also hint at the identity of the character; It can also show the noble and mysterious or elegant temperament of the female character in the play (It is more reflected in the movies and television works with the theme of Tang Dynasty, Wuxia, and Xianxia, etc.). Different styles can also reflect the different identity characteristics of the character, such as the status of a noble lady, noble dignity, etc. In ancient times, mother-of-pearl was a type of female makeup. Different styles reflected different aesthetic tastes. There were differences such as the jade of a small family, graceful and luxurious, but they did not have special implications. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
The flower ornament was a kind of floral ornament on the face of ancient Han women. There were various shapes. In addition to the common plum blossom shape, there were also bird, small fish, duckling and other shapes. However, there was no specific flower shape for the flower ornament. However, it was recorded that the "plum blossom makeup" formed when the plum blossom fell on Princess Shouyang's forehead was very popular. There was also a flower ornament style like "peach blossom makeup". It could be seen that plum blossoms and peach blossoms might be the source of the flower ornament, but it was not limited to these two kinds of flowers. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In ancient times, the pattern on a woman's forehead was called a flower, but it was also called a face or a charm. Its color is mostly red. There were two explanations for the origin of mother-of-pearl. One explanation was that a flower fell on the forehead of the emperor's daughter in the Southern Dynasty. The princess washed the flower print for three days before it was washed away. The palace maid saw that the princess was very beautiful, so she tried to draw mother-of-pearl on her forehead. This kind of makeup was called plum blossom makeup and passed down. The other explanation was that during the late Tang Dynasty, a palace maid was injured on the forehead after angering Wu Zetian. The palace maid drew plum blossoms on her forehead to cover up the scar. Everyone thought it was beautiful and imitated it. In the imperial harem of the Tang Dynasty, there would be such an exquisite pattern on the forehead of the concubines, but the forehead of ordinary palace maids who were not favored by the emperor might not have it. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In ancient times, the pattern on a woman's forehead was called a mother of flowers. It also had other names such as facial dimples and bewitching children. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In ancient times, the pattern on a woman's forehead was called a mother of flowers. It was also called a face or a charm. There were many styles of flower makeup, but the most popular ones were "peach blossom makeup" and "plum blossom makeup". The most popular color was red. There were many explanations for it. One was that when Princess Shouyang, the daughter of Emperor Wu of the Southern Song Dynasty, was taking an afternoon nap, the plum blossom petals fell on her forehead and stuck to it for three days before falling off. After seeing it, the palace maids all followed suit. Princess Shouyang was also known as the ancestor of flowers. There was also a saying that it could be traced back to the Spring and Autumn Period and the Warring States Period. During the Qin Emperor's period, the palace maids had their faces pasted with colorless flowers (petals and mother-of-pearl flowers) when they combed their hair into a bun. In addition, there were also palace maids who painted plum blossom makeup to cover up the scars left behind by Wu Zetian's injuries on their foreheads. Everyone followed suit and spread the saying. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
There were many kinds of patterns for ancient flower ornaments. Common ones were flowers and plants (such as maple leaves, plum blossoms, peonies, etc.), birds and animals, simple shapes, etc. There were also shapes such as clover. In addition, there were some unique patterns, such as the sunflower. These patterns could be made into flower shapes with gold and silver, or they could be made into mother-of-pearl flowers with gold foil paper, black light paper, fish gills, and other raw materials. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
The ancient mother-of-pearl flower was a kind of flower ornament on the face of ancient Han women. It could be red, green, and yellow (red was the most common). It had a variety of shapes. In addition to the plum blossom shape, there were also birds, small fish, ducklings, and many other shapes. It was a kind of ornament that ancient women pasted on their eyebrows or cheeks. When making it, the common practice was to paste the cut pattern on the forehead, then use gold, silver and other materials to make a flower shape, and finally fix it on the hair accessory. The materials used to cut the flower mother-of-pearl included gold foil, paper, fish gills, fish scales, tea oil flower cakes, and so on. It had two forms of expression. One was used as a face ornament, and the other was used as a headdress. It could also be extended to describe the exquisite beauty of a woman's makeup. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In the ancient style, there were different painting methods for the mother-of-pearl. The following were some common ones: ** 1. Restoration Style ** 1. ** Tang Dynasty gradually changing flowers and mother-of-pearl ** - Before hand-drawing the mother-of-pearl, he had to maintain the glossy and refreshing state of the hand-drawn area to facilitate subsequent operations. - He placed the trimmed hollowed-out mother-of-pearl cardboard in the middle of his forehead. - He used his eyeshadow brush to take out the dark orange eyeshadow. After gently smudging it in the center of the cardboard, he removed the cardboard and observed whether the position of the mother of pearl was suitable. - She stacked the cardboard again and used her eyeshadow to brush the dark orange eyeshadow. From the center to the surroundings, from dark to light, she stacked it a few times. - He removed the cardboard and used a clean eyeshadow brush to smudge the edges of the mother of pearl so that it would blend naturally with the foundation. - Using a wine-red eyeliner pen, he outlined the veins of the petals from the center of the pattern to the edge, making the details of the mother of pearl more rich. - He brushed a small amount of dark orange-red eyeshadow with his eyeshadow and further dyed the veins drawn by the mother-of-pearl eyeliner pen to make the color of the mother-of-pearl transition natural. Finally, he finished the operation by modifying the details. 2. ** Chestnut, flower, mother-of-pearl ** - Before hand-painting the mother-of-pearl, the hand-painted area should be kept in a glossy and refreshing state. - He used a brush to take out the eyeshadow and smudged it in the center of his forehead. He focused on deepening the middle area to create a gradual change. - Using a lipstick brush, he took out the Matt Lip Glaze and placed a spot in the center of his forehead. It was convenient to observe whether the mother of pearl was in the center. - He used a lipstick brush to draw a chestnut-shaped pattern from the center and then covered it with a glossy lipstick. - After determining the area in advance, he used the quick-drying white eyeliner to point at the center of the pattern. - Using the quick-drying white eyeliner as the center point, he outlined six petals and finally checked the details. ** 2. Photographic style ** In most of the ancient style portraits, they would create a second creation based on the patterns handed down from ancient times. The design was more in line with the modern aesthetic, but the reference materials did not give the specific drawing method. In addition, there was a simpler way. He could place the hollowed-out mother-of-pearl cardboard on his forehead, apply eyeshadow on the mold, and use a sponge brush to dip in the painting paste to draw the mother-of-pearl. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Mother-of-pearl was a special accessory used by ancient women to make up their faces. There were many styles and names. In terms of style, other than the common plum blossoms, there were also birds, small fish, ducklings, and other shapes. There were also various animal and plant patterns, pavilions and pavilions, and even lines. In addition to painting between the eyebrows, it could also be painted on the cheeks and sideburns. The red dots at the dimples of women in the Tang Dynasty in ancient dramas (dimples or smiles) were also a kind of mother-of-pearl. From the name, the mother-of-pearl flower was also known as flower, flower, and decal. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Mother of Flowers was a floral ornament on the face of an ancient Han woman. It was a part of the ancient style makeup. There were usually three colors: red, green, and yellow. Red was the most common. Other than the plum blossom shape, there were many other shapes such as birds, small fish, and ducklings. The production materials included gold foil, paper, fish gills, fish scales, tea oil flower cakes, etc. The common practice was to paste the cut pattern on the forehead, then use gold, silver, etc. to make a flower shape and fix it on the hair accessory. The origin of mother-of-pearl could be traced back to the Spring and Autumn Period and the Warring States Period. It was used in the Qin and Han Dynasties and reached its peak in the Tang Dynasty. It continued to be popular during the Five Dynasties and Ten Kingdoms Period and gradually disappeared during the Song and Yuan Dynasties. There were some legends about its origin. For example, Princess Shouyang, the daughter of Emperor Wu of the Southern Song Dynasty, had a flower print on her forehead. The palace maids imitated it. This kind of makeup was called "plum blossom makeup" or "Shouyang makeup". There was also Shangguan Wan 'er who used mother-of-pearl to cover up the scratches on her face. The palace maids imitated it and gradually became popular makeup. In some ancient dramas, especially palace dramas, it was common to see women with mother-of-pearl makeup on their foreheads. In ancient times, besides sticking mother-of-pearl on the eyebrows, there were also cases of sticking mother-of-pearl on the cheeks. There was also a kind of makeup technique called facial dimples or smiling dimples. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!