The flower ornament was a kind of floral ornament on the face of ancient Han women. There were various shapes. In addition to the common plum blossom shape, there were also bird, small fish, duckling and other shapes. However, there was no specific flower shape for the flower ornament. However, it was recorded that the "plum blossom makeup" formed when the plum blossom fell on Princess Shouyang's forehead was very popular. There was also a flower ornament style like "peach blossom makeup". It could be seen that plum blossoms and peach blossoms might be the source of the flower ornament, but it was not limited to these two kinds of flowers. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Mother-of-pearl was a kind of floral decoration on the face of ancient Han women. There were two forms of expression, one as a face decoration and the other as a headdress. Face ornaments referred to ornaments that were pasted on the forehead or cheeks. The mother of flowers was usually made of gold and jade jewelry into flower-shaped jewelry. The colors could be red, green, or yellow. Red was the most common color. Other than the plum blossom shape, there were also many beautiful and novel styles such as birds, small fish, and ducklings. The common method of making it was to first stick the cut pattern on the forehead, then use gold, silver and other materials to make a flower shape, and finally fix it on the hair accessory. The materials used to cut the flower include gold foil, paper, fish gills, fish scales, tea oil flower cake, etc. Its origin could be traced back to the Spring and Autumn Warring States Period. It was used in the Qin and Han Dynasties. In the Tang Dynasty, it rose again and reached its peak because of Shangguan Wan 'er and others. It continued to flourish in the Five Dynasties and Ten Kingdoms, and gradually disappeared in the Song and Yuan Dynasties. There were two explanations for the rise of mother-of-pearl. One was that when Princess Shouyang, the daughter of Emperor Wu of the Southern Song Dynasty, slept under the eaves of Hanzhang Hall, plum blossoms fell on her forehead and formed five flowers. They disappeared three days later, and the palace maids imitated them to form "plum blossom makeup" or "Shouyang makeup". The other explanation was that Shangguan Wan 'er was scratched on the face because she angered Wu Zetian. She used mother-of-pearl to cover the wound, and the palace maids imitated it to form a popular makeup called "Flower Lady". "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In movies and television works, the mother of pearl on the forehead could have many hints. It can make a character more beautiful and attractive, sometimes hinting at a power struggle between the characters.(It is more common in palace dramas, etc.); In some movies and television works with the theme of Xianxia, it can also hint at the identity of the character; It can also show the noble and mysterious or elegant temperament of the female character in the play (It is more reflected in the movies and television works with the theme of Tang Dynasty, Wuxia, and Xianxia, etc.). Different styles can also reflect the different identity characteristics of the character, such as the status of a noble lady, noble dignity, etc. In ancient times, mother-of-pearl was a type of female makeup. Different styles reflected different aesthetic tastes. There were differences such as the jade of a small family, graceful and luxurious, but they did not have special implications. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Mother of Flowers was a floral ornament on the face of an ancient Han woman. It was a part of the ancient style makeup. There were usually three colors: red, green, and yellow. Red was the most common. Other than the plum blossom shape, there were many other shapes such as birds, small fish, and ducklings. The production materials included gold foil, paper, fish gills, fish scales, tea oil flower cakes, etc. The common practice was to paste the cut pattern on the forehead, then use gold, silver, etc. to make a flower shape and fix it on the hair accessory. The origin of mother-of-pearl could be traced back to the Spring and Autumn Period and the Warring States Period. It was used in the Qin and Han Dynasties and reached its peak in the Tang Dynasty. It continued to be popular during the Five Dynasties and Ten Kingdoms Period and gradually disappeared during the Song and Yuan Dynasties. There were some legends about its origin. For example, Princess Shouyang, the daughter of Emperor Wu of the Southern Song Dynasty, had a flower print on her forehead. The palace maids imitated it. This kind of makeup was called "plum blossom makeup" or "Shouyang makeup". There was also Shangguan Wan 'er who used mother-of-pearl to cover up the scratches on her face. The palace maids imitated it and gradually became popular makeup. In some ancient dramas, especially palace dramas, it was common to see women with mother-of-pearl makeup on their foreheads. In ancient times, besides sticking mother-of-pearl on the eyebrows, there were also cases of sticking mother-of-pearl on the cheeks. There was also a kind of makeup technique called facial dimples or smiling dimples. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In the Tang Dynasty, the mother-of-pearl flower between the eyebrows was a kind of ornament that ancient women pasted on their foreheads. It reached its peak in the Tang Dynasty. There were many kinds of them, and their shapes and patterns were very beautiful. There were more than 30 shapes, such as moon, round, cone, peach, plum blossom, pomegranate flower, three-leaf, and all kinds of flowers, birds, insects, and fish. There were two types of mother-of-pearl flowers. One was to draw patterns on the forehead with paint, and the other was to use silk paper, or even gold, jade, pearls, and jade to make mother-of-pearl flowers. The shapes included the moon, auspicious clouds, water drops, pomegranate, birds, and so on. There was also a kind of "jade mother-of-pearl" made of various kingfisher feathers. It was green in color and sparkled with crystal spots. It was fresh and unique. There were many legends about the origin of mother-of-pearl. The relevant documents recorded that it first appeared during the Qin Shihuang period, developed to the peak of the Tang Dynasty, and faded out of the women's dressing table in the Yuan Dynasty. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Mother-of-pearl was an ornament that ancient women pasted between their eyebrows, cheeks, or temples. For Han clothing, mother-of-pearl was an important makeup element. It had a long history, and its origins could be traced back to the Spring and Autumn Warring States Period or even earlier. In the Tang Dynasty, other than circular shapes, there were also various complicated shapes. The colors were red, green, yellow, etc., of which red was the most common. There were various materials used to make mother-of-pearl flowers, such as gold foil, paper, fish gills, fish scales, tea oil cakes, etc. After cutting, they could be pasted with fish bladder glue or glue. The charm of the mother-of-pearl flower between the eyebrows of Han clothes could also be seen in some film and television styles. For example, Jing Tian played Shen Zhenzhu in Glory of the Tang Dynasty. In the wedding scene, there was a complicated and exquisite peony flower symbol in front of her forehead, which matched with the big red wedding dress, making her look graceful and luxurious. Zhang Ziyi's mother-of-pearl makeup in Ambush on Ten Sides matched her eyebrows and the whole face, making her bright and elegant. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
The mother-of-pearl flower was a floral ornament on the face of an ancient Han woman. There was a saying that when Princess Shouyang, the daughter of Emperor Wu of the Southern Song Dynasty, slept under the eaves of Hanzhang Hall, plum blossoms fell on her forehead and formed five flowers. They disappeared three days later. The palace maids followed suit. This kind of makeup was called "plum blossom makeup" or "Shouyang makeup". The mother-of-pearl had many shapes. Other than plum blossoms, there were also birds, small fish, ducklings, and other shapes. The colors could be red, green, and yellow, with red being the most common. It could be made of gold foil, paper, fish gills, fish scales, tea oil cakes, and many other materials. The common practice was to stick the cut pattern on the forehead, then use gold, silver, etc. to make a flower shape and fix it on the hair accessory. Mother-of-pearl originated from the Spring and Autumn Period and the Warring States Period. It was used in the Qin and Han Dynasties. In the Tang Dynasty, Shangguan Wan 'er and others made it rise again to its peak. It continued to be popular in the Five Dynasties and Ten Kingdoms, and gradually disappeared in the Song and Yuan Dynasties. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
In different cultures, mothers were symbolized as different flowers. In Western culture, carnations were regarded as mother flowers. This was mainly due to the tradition of Mother's Day in the United States. When Anna Jarvis founded Mother's Day in the United States, she used her mother's favorite carnation as the symbol of the festival. In China culture, day lilies were the traditional mother flowers. Day lilies had a long history. In ancient times, before a wanderer traveled far away, they would plant day lilies in front of the north hall where their mother lived. Day lilies represented forgetting worries, healing worries, comforting the mother's spirit, and showing filial piety. Hemerocallis was also often used to refer to mothers in ancient China poetry, such as " Hemerocallis grows on the steps of the hall, and the wanderer travels to the end of the world; a loving mother depends on the hall, but the hemerocallis can't be seen ", etc." Xuantang " also became a substitute for mothers. The original work was equally exciting. You could click on the original work of " The Story of Rose " to understand the plot in advance!
There were many shapes of mother-of-pearl, including peach-shaped and water-chestnut-shaped, which could be pasted between the eyebrows. However, the reference materials did not indicate which shape was more commonly used between the eyebrows, so it was not certain whether the mother-of-pearl pasted between the eyebrows was a peach heart or a water-chestnut. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
The following was a painting method of ancient costume patterns: 1. He first drew the middle part of the mother-of-pearl, which was shaped like a grain of rice with a thin top and a thick bottom. This helped to determine the position of the mother-of-pearl, making it more beautiful and exquisite. 2. Draw petals from the root of the middle part to the left and right sides. The shape of the petals should be consistent and the size of the left and right petals should be the same as much as possible. 3. He drew the bottommost petals and the flower holder down. The bottommost petals were inclined at a larger angle than the upper petals, and the flower holder had a larger arc and was symmetrical to the left and right. 4. Finally, he painted the mother-of-pearl red. When he applied it, he was careful not to exceed the outline. You could also use a flower template and paint it with eyeshadow or paint cream. You could also dye it in other colors. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!