Pu Yi's calligraphy
Pu Yi's existing calligraphy mainly consisted of letters. His calligraphy was rooted in tradition and had a high level of traditional cultivation. His regular script was dignified and beautiful, with the charm of Yan Zhenqing. He paid attention to the style of writing in seal script. His stippling was mainly light in horizontal and heavy in vertical, and he had his own opinions. The whole script was dignified and rigorous, but it also had some of Ouyang Xun's danger. His running script was free and easy, with the charm of Dong Qichang and Zhao Ziang. His strokes were free and easy, and his stippling and painting were closely connected. The lines were smooth and natural, and the contrast between thickness and thickness was obvious. The list was vigorous and vigorous. The arrangement of stippling and structural processing were in place. Words such as" tiger"," blessing" and" longevity" had been handed down to this day. His calligraphy was also influenced by the "Pavilion Style" and followed the path of calligraphy as a whole. His 28-character calligraphy was full of personality. The strokes were straight and the words were firm. The angle of the individual strokes was unexpected. The whole was tilted, the size of the characters was scattered, and they echoed closely, revealing a strong feeling. In addition, he was also good at official script and had the charm of the Rites Stele. When Pu Yi was in the palace, the vast collection of calligraphy in the Qing Dynasty were all his copybooks. He also brought a large number of treasures (including many famous calligraphy works) out of the Forbidden City. All of this reflected his high artistic cultivation and the fact that he had come into contact with many authentic calligraphy works. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
What was Pu Songling's calligraphy?
Pu Songling's calligraphy was Strange Tales from a Chinese Studio.
Pu Yi's Memoirs
I recommend a few good novels. In Ji Yue Guan's " Reborn in the Early Years of Kangxi ", the female protagonist was reborn as the third empress of Kangxi. Her aunt was Empress Zhang of Xiaokang, and she even gave birth to Yongzheng. It was about the warm life of Tong Jia's Yuying in the Qing Palace. There was also " The Secret History of Concubine Tong " written by Jiu Duo. After the little actress was violated by the unspoken rules, she transmigrated into Concubine Tong of Shunzhi. Without a script, she could only act as she was and try her best to fight for the favor of Concubine Dong E when she was favored and had children. The awesome " Jade Water Paradise " was a light novel. Souls could reach the strange Jade Water Paradise in their dreams. There were many characters in it, and the plot was not bad. However, the moves and techniques were listed in the doujin world under the names of others. Xi Zhen's " Qing Dynasty's Legend " was also not bad. The outstanding graduate of Butler Elite Academy, Lin Jinxi, was nearly thirty years old and had not married yet. In the end, her marriage was actually connected to Emperor Yongzheng. In Xi You's " Poison in the Qing Palace," the female protagonist returned to the 14th year of Guangxu and became Tata La Zixi. Six months later, she would marry into the palace and become a precious concubine. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Genuine calligraphy works of Pu Ru
Pu Ru's calligraphy had its own unique style and characteristics. He learned Liu Gongquan's regular script and was once known as the " first person in the Liu style " during the Republic of China. His handwriting was vigorous and beautiful, elegant and elegant. His strokes were light and slow, undulating and full of changes. He had the characteristics of Liu Gongquan's law script that emphasized the skeleton and momentum, and Yan Zhenqing's mellow and vigorous style. In the appraisal of Pu Ru's works, one could consider the lines of calligraphy, the movements of pressing, the flow of qi, the accuracy of the handwriting lines, the flexibility of the writing, the structure of the words, and the overall charm. For example, some works with clear calligraphy lines, good handwriting, and natural handwriting could be considered authentic, while some works with weak calligraphy lines and poor movement could be considered high-quality imitations. If some works could show Mr. Pu Ru's consistent strength of burnt ink on the paper, and the handwriting lines and charm were obvious, they could also be judged as authentic works. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Ding Yi's calligraphy and painting
Mr. Ding Yi was a famous calligrapher and painter. His works were loved and widely collected by celebrities at home and abroad. His calligraphy works were unique and experienced, showing traditional seriousness and piety. However, the search results provided did not mention any specific information about Ding Yi's calligraphy and painting works. Therefore, I don't know much about Ding Yi's calligraphy and paintings.
Yi Bingshou's Calligraphy Works
Yi Bingshou's calligraphy works were rich in variety, and he had excellent works in official script and cursive script. In official script, his works included official script banners, official script festival Han Ren stele, official script five-character couplet, official script seven-character couplet, etc. His official script was mainly based on the Ode to Xixia and Zhang Qian's stele. The pen was vigorous, the structure was broad, and the style was strong, showing an elegant and generous style. He omitted the silkworm head and goose tail of the official script of the Eastern Han Dynasty and purely used the incantation writing technique. The brush was strong and even in thickness, round and handsome. His big characters and official script had an ancient and broad atmosphere. Just as Zhao Guang, a calligrapher of the Qing Dynasty, commented," Mo Qing can get rid of the Khan and become bigger. The bigger it is, the stronger it is." Mr. Sha Menghai thought that he used Yan Zhenqing's regular script to write official script. The small inscription was written in a continuous and subtle manner, as if it was deep in thought. The contrast between the main text and the small inscription was clear and harmonious. In the aspect of cursive writing, he studied calligraphy in his early years and studied under Liu Yong. Later, he was fascinated by Yan Zhenqing's cursive writing and deeply learned the calligraphy style and interest of calligraphy. He was influenced by various schools who were good at official script and worshiped the theory of stele learning, and entered cursive with the ancient official script. For example, his "Running Script Lin Yu Shinan Tie" axis, paper running script, this piece of running cursive calligraphy Lintie section to Tang Yu Shinan "Arm Pain Tie", running cursive alternate, individual strokes still have the meaning of cursive script, more reflect Yi's own calligraphy characteristics. There were also some cursive works such as "Running Script Rose Flower Poem Scroll","Running Script Zhang Yong Sent to Chuan Yi Ren Poem Scroll","Running Script Excerpt Yan Kejun Iron Bridge Manuscript Sentence Scroll", etc., each with its own characteristics. " Yun Anlu's Body Sacrifice " is equally exciting. Everyone is welcome to read it!
Ding Yi Calligraphy
Mr. Ding Yi was a China calligrapher. His real name was Yu Long. He was known as Yi He and his vegetarian name was Wuwei. He was an academician of the China International Celebrity Painting and Calligraphy Academy and the Secretary General of the China International Confucius Institute Federation. Mr. Ding Yi also served as the cultural director of Hong Kong TV and the honorary chairman of the Calligrapher Association in Haerbin. He was also appointed by the United Nations as the World Peace Culture Ambassador and the Honorary Chairman of the World Cultural Conference. Mr. Ding Yi enjoyed a high reputation in the calligraphy world and was known as the contemporary Ji Xiaolan. His works were displayed and collected in the Forbidden City, the Great Hall of the People and other places all year round. Mr. Ding Yi's calligraphy works focused on both form and rhyme, striving to be exquisite. He was good at writing long scrolls, especially the Wei Stele. Mr. Ding Yi's calligraphy works were considered to be the inheritance and promotion of the traditional Chinese culture.
Present situation of Pu Yi's descendants
Puyi had no direct descendants. Puyi married five times in his life, but he did not have any offspring. There was no definite answer as to why Pu Yi had no descendants. However, Pu Yi's younger brother, Pu Jie, had descendants, including Pu Yi's nephew, Pu Ren, and his second daughter, Yu Sheng. Pu Ren was the son of Pu Yi's younger brother, Pu Yi. He had three children. She lived in Japan and had five children. Although Pu Yi's descendants did not exist, his younger brother's descendants continued the family bloodline.
The Empress and Cousin Pu Yi's novel
I recommend a few ancient romance novels. Li Mu's " The Biography of Empress Qianlong's Fu Cha " talked about Fu Cha Jinyao as Hongli's wife and Qianlong's favorite empress. Her kindness changed due to the increase of women in the backyard and the death of her child. Hongli only doted on her. In Li Xuhua's " Biography of Consort Wenxi," the protagonist was the only " double posthumous " consort in the Qing Dynasty. Her sister was the empress. She missed the age of the draft and was given special treatment. She gave birth to children and was given grace after her death. The story was little known. Yan Shang's " The Legend of Concubine Xian " was about the second empress of Qianlong, Jing Xian. After many years of forbearance, she still had to be careful. In Nine Flowers 'Secret History of Concubine Tong, the little actor had transmigrated to Shunzhi's Concubine Tong. He wanted to win the emperor's favor and give birth to a child when Concubine Dong E was favored. In Ji Yue Guan's " Reborn in the Early Years of Kangxi ", the female protagonist was reborn as the third empress of Kangxi, opening a chronicle of the warm life of the Qing Dynasty. The author also recommended his other VIP concluding stories. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>