Translated by Bai Juyi of the Spring River
Spring River It has been two years since I moved to Zhongzhou. (Cold, hot, cold, from morning to night, the years passed by painfully. Unknowingly, he had already spent two years in Chungju.) I closed the door and listened only to the morning and evening drums. I went upstairs and looked at the ships coming and going in vain. (When you close the door, you can only hear the drums in the morning and evening. When you climb up the pavilion, you can only watch the ships coming and going.) Orioles lured flowers, grass color sentence left sitting on the water's edge. (The song of the oriole lures me to the flowers, and the scenery of the grass keeps me sitting by the water.) Only the spring river is not enough to see, winding sand around the stone green ripples. (Only the scenery of the spring river was never boring. The river was surrounded by gravel and green as it flowed slowly.) "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Pipa Translated by Bai Juyi
In the 10th year of Yuanhe, I was demoted to the rank of Sima of Jiujiang Prefecture. In the autumn of the second year, when he was seeing off guests at Qipukou, he heard the sound of pipa playing at night on the boat. Judging from its tone, it had the charm of Jingdou. The person who asked her was a singer from Chang 'an. She had once learned from Mu and Cao Pipa Masters. After she grew old and lost her beauty, she married a merchant and became his wife. So he ordered people to set up wine and let her play a few songs to her heart's content. After playing the song, he looked sad and recounted the happy things of his youth. Now he was wandering and haggard, wandering in Jianghu. I've been an official for two years and have always been calm and peaceful. I was moved by her words and only began to feel demoted tonight. So he wrote this long poem and gave it to her. It was a total of 616 words and was named "Song of the Pipa." At night, I went to the head of Xunyang River to bid farewell to the guests. The maple trees and reeds rustled in the autumn wind. My guests and I dismounted and went to the boat to hold a farewell banquet. We raised our glasses to drink, but there was no music to liven things up. The wine was not happy, but it was more sad to be separated. When they parted, a cold moon was immersed in the vast river. Suddenly I heard the sound of pipa from the river; I forgot to return to the guest and didn't want to leave. She looked for the source of the sound and asked softly who was playing the pipa. The pipa stopped for a long time without saying a word. We moved the boat closer and invited her out to meet us. We asked the servants to refill the wine and return the lamps to set up the banquet again. After a long time, she slowly walked out and covered her face with the pipa in her arms. She tightened the shaft of the zither and plucked the strings a few times. Before she could play the tune, she had feelings. Xianxian's mournful voice contained a hint of contemplation, as if she was talking about the unhappiness in her life. She lowered her eyebrows and played the piano slowly, pouring out the endless sadness in her heart. Gently close, slowly twist, wipe and pick, first play "Rainbow Feathers Song" and then play "Six Eleven." When the big strings were played, the sound was heavy and long like the rapid rain, while the small strings were soft and subtle like whispers. The light and heavy notes were played in a crisscross manner, like big and small beads falling on a jade plate. The pipa was like a yellow oriole chirping under the flowers, or like a quiet spring water flowing with difficulty under the ice. The spring water under the ice was cold and sluggish. The zither strings seemed to be frozen, and the sound stopped temporarily. There was another kind of sorrow and hatred growing within. At this moment, the silence was more moving than the sound. Suddenly, it was like a silver bottle breaking and water splashing, or like a cavalry charging out with swords and spears. At the end of the song, he used a plectrum to stroke the center of the pipa, and the four strings made a sound like silk being torn at the same time. The boats on the east and west sides were silent. Only the reflection of the autumn moon in the middle of the river could be seen. The pipa girl muttered to herself as she inserted the plucking tool into the string. She straightened her clothes and got up, concealing her expression. She said that she was originally a woman in the capital and lived at the foot of Toad Tomb. He learned to play the pipa at the age of thirteen, and his name was listed in the first volume of the Jiaofang. After playing a song, it made the pipa master sigh in admiration. After dressing up, it was often envied by beautiful singers. The rich and noble children competed to give him a bun, and the red silk obtained from playing a song was countless. The beat broke the silver comb, and the blood-colored dress was stained with wine. Year after year of laughter and joy, the autumn moon and spring breeze passed easily. His brother joined the army and his aunt died. As time passed, his face aged. There were few carriages and horses in front of the door. When she was old, she married a merchant. The businessman valued profit and despised parting. He went to Fuliang to buy tea last month. She came and went by the river's mouth alone, guarding the empty boat. The moonlight around the boat accompanied the cold river water. In the middle of the night, she suddenly dreamed of her youth. In her dream, her tears had wet her makeup. I have already sighed after listening to the pipa song, and I lament even more after listening to her life experience. They were both people who had fallen from grace, so why should they have known each other before? Ever since I left the capital last year, I fell ill and lived in Xunyang City after being banished. Xunyang was remote and had no music, and the sound of silk and bamboo could not be heard all year round. The residence was close to the Qijiang River, low-lying and humid. Yellow reed and bitter bamboo grew around the residence. What would he hear here sooner or later? Only the cries of cuckoos and the cries of apes. On the morning when the spring flowers bloomed and on the moonlit night in autumn, he could only drink alone. Don't they have folk songs and village flutes? It was just that the sound was noisy and unpleasant. Tonight, hearing your pipa music, my ears suddenly became clear as if I heard immortal music. Don't refuse to sit down and play another song. I'll compose a song for you, Song of the Pipa. She was moved by my words and stood for a long time. Then she sat down and plucked the strings. The sound of the strings became hurried. The mournful voice was different from before. When the people in the room heard it again, they covered their faces and cried. Who cried the most among the people present? Jiang Zhou Sima's tears drenched my green robe. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Song of Everlasting Regret, Translated by Bai Juyi
Song of Everlasting Regret was a long narrative poem by the Tang Dynasty poet Bai Juyi. It was not a translation. Song of Everlasting Sorrow was about the tragic love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. At the beginning of the poem, it was written that Emperor Xuanzong of the Tang Dynasty valued beauty and Yang Guifei entered the palace to be favored. "The Yang family has a daughter who has just grown up and is raised in a boudoir. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred charms, and the six palaces were colorless." It vividly depicted Yang Guifei's beauty and the scene of her being favored in the palace. Following that, the An Shi Rebellion broke out. Emperor Xuanzong of the Tang Dynasty fled with Concubine Yang. On the way, there was a mutiny at Mawei Slope, and Concubine Yang was ordered to die. "If the six armies don't act, they will die in front of their horses. The mother-of-pearl fell to the ground and no one collected it, and the jade hairpin was decorated with golden sparrows. The emperor covered his face and could not save him. When he returned, he saw blood and tears flowing in harmony." Later on, it described how Emperor Xuanzong of the Tang Dynasty missed Yang Guifei. He searched for Yang Guifei's soul through Taoist priests, such as "Up to the sky and down to the Yellow Spring, two places are nowhere to be seen." Suddenly I heard that there was an immortal mountain on the sea. The mountain was in the void." In the end, it ended with the words,"As long as the heavens and earth last, this hatred will never end." It expressed endless regret. If you were looking for a modern translation of the Song of Everlasting Sorrow, it would probably be as follows (a brief translation example): The Emperor of the Han family valued beauty and was determined to find a peerless beauty. It was a pity that he had been in the country for so many years and had never been able to find it. The Yang family had a young girl who had just grown up. No one had seen her face before. Her natural beauty could not be buried, and she was finally chosen to be by the Emperor's side. She turned around and smiled sweetly, revealing all kinds of coquettishness at the same time. All the women in the six palaces immediately paled in comparison. An Lushan's rebellion shocked the singing and dancing of the "Song of Rainbow Feathers" in the palace. Dust billowed from the imperial palace as the emperor fled southwest with a large group of chariots and horses. The Emperor's flag fluttered as the carriage stopped and went. They had only reached Mawei Slope, which was more than a hundred miles away from Chang 'an, when the imperial guards who needed to protect the emperor refused to go any further. They demanded the execution of Yang Guifei. The emperor had no choice but to let Yang Guifei hang herself in front of the horse. The accessories on the imperial concubine's head were scattered all over the ground, and no one cleaned them up. The jade hair was made of jade, and there were many precious headdress. The Emperor wanted to save her but could not. He covered his face and cried. Looking back at the scene of the Imperial Consort's tragic death, blood and tears flowed uncontrollably. …… However, this was only a rough translation of the modern language. If he wanted to understand the meaning of the Song of Everlasting Sorrow, he still needed to carefully study every sentence of the original poem. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Spring Pool Tang Bai Juyi
You mentioned "Spring Pool Tang Bai Juyi". Bai Juyi had a poem called "Spring Pool Leisure", which is a regular poem. The poem depicted the scenery of the Spring Pond, such as " The green pond is at a new level, and the small boat on the red sill is light." It outlined the new green pond and the scene of the boat sailing on the water. At the same time, it also described the various creatures and natural scenes by the pond, showing the poet's love for the scenery of the Spring Pond and the leisure feelings when playing in the Spring Pond. In addition, there was also a description of the Eight Nine Songs of the Spring Pool in the poem "Sent to Pei Linggong, who stayed behind in the North Capital." "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Song of the Sunset River Tang Bai Juyi
Bai Juyi (772 - 846 AD), also known as Letian, called himself Xiangshan Jushi and Mr. Drunken Yin, was a famous poet in the middle Tang Dynasty. He was known as the three great poets of the Tang Dynasty together with Li Bai and Du Fu, Yuan Zhen as Yuan Bai, and Liu Yuxi as Liu Bai. His ancestral home was Yangyi, Taiyuan (now Taigu County, it is said that his ancestral home was Hancheng in the same state, today's Hancheng City). Later, he moved to Xiayu (now Weinan and North of Shaanxi Province). He was the official of Prince Shaofu, known as Bai Fu and Bai Wengong. Bai Juyi was intelligent when he was young and studied hard. In his early years, he wandered in many places and saw the sufferings of the people. He was a scholar at the age of 27. He rose and fell in his official career. He successively held many official positions, such as the county captain of Xi'an Zhouzhi County, Hanlin, the remonstrant Zuo Shiyi, Jiangzhou Sima, Zhongzhou governor, Hangsu governor, secretary supervisor, etc. Finally, he was granted the title of the founding Marquis of Fengyi County. In the sixth year of Huichang and the first year of Dazhong (AD 846), he died of illness and was buried in Xiangshan, Longmen, Luoyang. He was 75 years old and was given the title of Shangshu Youpushe. He wrote 3,840 poems in his life, of which nearly 3,000 are now available. There are Bai's Changqing Collection and the theoretical work Yu Yuan Jiu Shu handed down from generation to generation. He was the main advocate of the New Yuefu Movement. His poems were realistic, easy to understand, and emphasized irony. His achievements in narrative poems were quite high, such as Pipa Song and Song of Everlasting Regret. His poetry theory and Yuefu poems had an important influence on the development of China classical poetry. His literature, philosophy, and music were diverse in Confucianism, Buddhism, and Taoism. His works were read and imitated by readers in many countries. While waiting for the TV series, he could also read the exciting content related to this site!
Bai Juyi's Song of Everlasting Regret Translated in Mandarin
The Emperor of the Han family valued beauty and had not found a beauty in his heart for many years. There was a girl in the Yang family who had just grown up. She was raised in a boudoir and no one knew about her beauty. Her natural beauty would not be buried, and she was finally chosen to be by the king's side. When she turned around and smiled, she was so charming that the concubines of the six palaces paled in comparison to her. In the cold spring, the emperor gave her a bath in Huaqing Pool. The hot spring water washed her skin that was like condensed oil. When the maid helped her up, she was weak and weak. This was when she had just been favored by the emperor. Her hair was like clouds and her face was like flowers. She wore a golden headband and spent the spring night in the warm hibiscus tent. The spring night was short, and the sun rose before he got up. From then on, the king no longer went to the morning court. She had no free time to flatter and entertain the king. She followed the king out in spring, and only she accompanied him at night. Although there were 3,000 beauties in the harem, the king's love for 3,000 people was concentrated on her. She dressed herself up in a beautiful house to serve the emperor for the night. After the banquet in the jade tower, she was drunk with spring. Her brothers and sisters were all enfeoffed, and her family was enviable. As a result, parents all over the world changed their minds. They no longer valued boys and instead hoped to have girls. Li Palace towered into the clouds, and immortal music could be heard everywhere in the palace. The emperor could not get enough of watching the light singing and dancing accompanied by the sound of silk and bamboo. Who would have thought that the Yuyang rebel army's war drums would shake the sky and break the "Rainbow Feathers Song". Smoke and dust rose everywhere in the capital. The emperor fled southwest with a large number of chariots and horses. The flag decorated with green feathers fluttered and stopped. It was only a hundred miles west of the capital. The army refused to move forward, and the king was helpless. The beautiful concubine died in front of the king's horse. Her mother-of-pearl flowers fell to the ground and no one picked them up. There were also Cui Qiao, Jin Que, and the jade hairpin. The king covered his face and wanted to save him, but he couldn't. When he looked back, blood and tears flowed. The yellow dust filled the air, and the wind blew. They climbed up the boardwalk that reached the clouds and ascended the Sword Pavilion. There were very few people at the foot of Mount Emei, and the flags did not have any luster. The rivers of Shu are green and the mountains of Shu are green. The king misses them day and night. When the people in the palace saw the moon, they were also sad. When they heard the bell at night, their hearts were broken. The situation improved and the king returned to Beijing. He lingered at the foot of Mawei Slope and could not bear to leave. In the mud, where the beauty had died, the monarch and his subjects looked at each other with tears dripping down their clothes. Looking east at the capital, she let the horse go back slowly. After returning, the pool garden was still the same. The hibiscus of the Taiye Pool and the willow tree of the Weiyang Palace were still there. The hibiscus was like her face, and the willow leaves were like her eyebrows. How could she not cry when she saw this? When the spring breeze blew the peach and plum flowers open, and when the autumn rain knocked down the leaves of the parasol tree. The West Palace and South Court were covered with autumn grass, and the fallen leaves piled up on the steps, but no one swept them away. The hair of the pear garden disciples had turned white, and the female officials in the harem had also aged. Fireflies danced in the palace at night. The king missed him silently and could not sleep. The lonely lamp burned out and he did not fall asleep. The bell and drum were slow. The long night had just begun. The Milky Way was bright and the sky was about to brighten. The mandarin duck tiles are cold and the frost is thick. The jade quilt is cold. Who sleeps with the king? After so many years of separation, her soul had never entered a dream. When Linqiong Taoist priest came to the capital, he could summon souls with sincerity. Moved by the king's longing for him, the Taoist priest went to look for him attentively. Riding on the clouds and mist, he flew like lightning, searching through the heavens and the earth. He searched the heavens and the earth, but he couldn't find her. Suddenly, he heard that there was an immortal mountain on the sea. The immortal mountain was illusory. The pavilion was exquisite like a rising cloud, and there were many beautiful fairies inside. One of them had the character Taizhen, and his skin was as fair as snow and his appearance was similar to that of a flower. Go to the west of Jinque knock on the jade door, let Xiaoyu tell Shuangcheng. When he heard that it was the messenger of the Han Emperor, he woke up from his dream in the Jiuhua tent. He put on his clothes and pushed his pillow up, pacing back and forth. The bead curtains and silver screens opened one after another. Yunbin half side just woke up, corolla not neat down the hall. Her sleeves fluttered in the wind as if she was dancing the " Rainbow Feathers Dance." Rong Yan's tears flowed down her face like a pear flower in the rain. Thank the king with affection, and after parting, the voice and face are faint. The love in Clear Sun Hall was cut off, and the years in Penglai Palace were long. Looking back at the world, I couldn't see Chang 'an, only dust and fog. He could only express his deep feelings with old things and send the golden hairpin. Keep one hairpin and one box, separate the gold hairpin and the mother-of-pearl box. As long as one's heart was as firm as gold, they would meet again in heaven and earth. Before he left, he eagerly sent another message. Only the two of them knew the oath in his words. 7th day of the 7th month, the Longevity Palace, a private conversation in the middle of the night. In heaven, I wish to be a pair of birds flying together, and on earth, I wish to be a pair of branches growing together. Although the world was long, it had an end. This hatred would never end. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Longevity Bai Juyi Bian River Poetry Conference
If you are going to participate in the poetry competition with Bai Juyi's "Long Lovesickness: Bian River Flow" as the theme, the following is some knowledge that may be useful. The original text of "Long Xiangsi·Bianshui Flow" was "Bianshui Flow, Surabaya Flow, Flow to Guazhou Ancient Dutou." on Mount Wu I feel a little melancholy. I miss you long, I hate you long, I hate you until I go home. The moon is bright and the people lean against the tower." From the perspective of imagery, the Bianshui River and Sishui River in the poem were tributaries of the Huai River. The poet used the endless flow of water to describe the endless longing. They flowed all the way to the ancient ferry in Guazhou, creating a sense of distance in space. Mount Wu was a little sad, which personified the mountains of Jiangnan. The mountains seemed to be infected with sadness, and Mount Wu here also became an image to express the feelings of longing. In terms of emotional expression,"thinking for a long time, hating for a long time, hating until it's time to return" directly expressed the feelings of longing and resentment. Moreover, this kind of emotion would only stop when the person who missed returned, deeply reflecting the deep longing of the person in the boudoir for the person who was far away. In terms of artistic techniques, the first film was mostly about scenery, using metaphor, symbolism and other techniques to express emotions in the scenery. For example, the flow of Bianshui River and Sishui River implied that the heart of a young woman followed her husband's whereabouts far away. First, the scenery was described, then the lyrics were expressed. Finally, the theme of the protagonist leaning against the building on a moonlit night and missing her husband was pointed out, leaving the readers with suspense. From the background of the creation, some scholars believed that it might have been written in the spring of the fourth year of Kaicheng (839), when Bai Juyi was parting with the willow branches. This knowledge was helpful in understanding, appreciating, memorizing, and answering related questions in the poetry competition. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
The Character of the Hero in Bai Juyi's White Cloud Spring
Bai Juyi's " White Cloud Spring " had the following description of the main character's characteristics: The protagonist was an adventurous young man named Wang Zhihuan from Chang 'an. He grew up in his hometown, but he had always been eager to explore the wider world, so he decided to leave his hometown and travel to Dongting Lake and Mount Lu in the south. Wang Zhihuan had met many different characters in White Cloud Spring, including a Taoist priest named Cui Shi, a farmer named Lu Sheng, a literary scholar named Liu Zongyuan, and so on. Through the interactions with these characters, Wang Zhihuan gradually understood the true meaning of life and began to think about his future. The image of the protagonist showed a spirit of pursuing freedom, exploring the unknown, and bravely advancing forward. He had the courage to step out of his comfort zone and go far away to find the meaning of his life. At the same time, he was also a kind and open-minded person who had passion and care for the people and things around him. He was not afraid of danger or failure and always maintained his confidence and courage for the future. The protagonist in " White Cloud Spring " was full of inspiration. His image represented the young people's pursuit of freedom, exploration of the unknown, courage, and positive thinking about life and the future.
Song of Everlasting Regret: Bai Juyi's Spring Breeze
In the Song of Everlasting Sorrow, there were poems that involved the spring breeze, such as "When the peach and plum flowers bloom in the spring breeze, and when the leaves of the phoenix tree fall in the autumn rain". Through the description of the peach and plum blossoms in the spring breeze, these poems formed a sharp contrast with the scene of the fallen leaves of the parasol trees in the autumn rain. In the span of time, they showed the emotion of things being the same and people changing. It also further highlighted the deep thoughts of Emperor Xuanzong of the Tang Dynasty for Yang Guifei and the complicated emotions of their love, such as the beauty and sadness. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
"On the Pool" by Bai Juyi
There were two poems in Bai Juyi's "On the Pool." The first was: " The cold wind is blowing, and the cold dew is zero. The flowers of orchids begin to turn white, and the leaves of lotuses are still green. Alone perched on the sand crane, flying in pairs, shining on the water fireflies. If it's a lonely place, it's still worth waking up from wine." This poem depicted the scene on the pond during the cold dew season. The cool wind curled up, the cold dew descended, the orchids withered, and the lotus withered. There were sand cranes standing alone, and water fireflies flying in pairs. It displayed a desolate but autumn-like beauty. The second was,"Little Baby, hold the boat and steal the white lotus back." If you don't hide your tracks, you'll open up the duckweed together." This poem described the scene of a little child secretly picking white lotuses. The child's innocent, childish, lively, and mischievous image was vividly portrayed on the paper. It was a poem describing the life of a child. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's hot spring water glides and cleanses the coagulated fat
The original sentence was," In the cold of spring, you are given a bath in Huaqing Pool, and the hot spring water is smooth and slippery to wash the coagulated fat." The Song of Everlasting Regret by Bai Juyi depicted the scene of Yang Guifei bathing in Huaqing Pool. This description showed the delicate and fair skin of Yang Guifei, reflected her beauty from the side, and also hinted at the love of Tang Xuanzong for her.