The Value of Wu Zhen's Paintings in Yuan Dynasty
The price of Wu Zhen's work was 8,050 yuan (estimated to be 5,000 - 10,000 yuan). Its "Wild Bamboo Painting" was sold for 77.625 million yuan on June 5th, 2016, setting a personal auction record. However, the value of a work would vary greatly depending on the specific circumstances of the work (such as authenticity, preservation, artistic value, etc.). The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Wu Zhen's Painting Poem in Yuan Dynasty
Wu Zhen was a famous painter, calligrapher, and poet of the Yuan Dynasty. He was good at painting mountains, rivers, plum blossoms, bamboo and stone. Together with Huang Gongwang, Ni Zan, and Wang Meng, he was known as the "Four Artists of the Yuan Dynasty". He had inscribed many poems in his paintings, such as " The song of the Yin Stream of Jiemao Mountain, I love the bamboo by the window. At four seasons the wind blows, and the three paths are cold and clear." "Wild bamboos are absolutely adorable, and their branches and leaves are lush and true. All his life, he has always been guarding the remote thorns and thickets, walking on cliffs and rocks. Humbly embrace the festival mountain ah, the breeze white moon chat whirling. How will the cold shoot be a thousand feet long? There is much wind and smoke in Wei River and Qi Ao." There is also a poem titled bamboo,"Relying on the clouds near the stone too vertical and horizontal, frost section muddy useless world situation." If there is someone in the world who can write, it is an old scholar in the oak forest." Ni Zan also mentioned Wu Zhen when he wrote a poem with Wu Zhen's Painting of Plain Forest and Wild Water. I live in Plum Blossom Village and dream about Baiyun Village. Nonghan from Qingyi, singing poetry more long. Remembering the man in the picture, looking at the cloud staff and the betel." These poems reflected Wu Zhen's artistic thoughts and aesthetic taste. The combination of poetry and painting showed a unique artistic realm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The artistic style and historical value of the figure paintings in the Song Dynasty
Song Dynasty figure painting was one of the important schools of ancient Chinese painting. Its artistic style was mainly realistic, focusing on the posture, movement and expression of the characters while taking into account the background and environment of the characters. In the Song Dynasty, figure painting was not only a kind of artistic creation, but also an important part of the social culture at that time. The historical value of the Song Dynasty figure painting was mainly reflected in two aspects. On one hand, the Song Dynasty was one of the most prosperous periods in Chinese history. As one of the cultural and artistic forms, figure painting reached an unprecedented height in the Song Dynasty. On the other hand, the Song Dynasty figure painting not only showed the social style and cultural characteristics at that time, but also reflected the life and psychological state of the Song Dynasty people, which had important historical and cultural value. The representative works of the Song Dynasty's figure paintings included "Along the River During the Qingming Festival","Tokyo Dream of China" and so on. These works not only depicted the prosperity of society and people's lives at that time, but also demonstrated the superb skills and artistic value of the Song Dynasty's painting. At the same time, the Song Dynasty figure painting had a profound impact on the later generations of painting art, becoming one of the important schools in the history of ancient Chinese painting.
Paintings by Ma Yuan of the Southern Song Dynasty
Ma Yuan (1140 - 1225), also known as Yaofu, also known as Qinshan, was born in Hezhong (now Yongji, Shanxi) and grew up in Lin 'an (now Hangzhou, Zhejiang). He was a master painter of the Southern Song Dynasty. He was born into a painting family, and he was in the Southern Song Dynasty, Song Guangzong and Song Ningzong. He is good at painting mountains and rivers, figures, flowers and birds. The landscape painting was taken from Li Tang. His brush strength was sharp and broad, and the texture was tough. The leaves were often sandwiched between leaves, the trunk was thick, and most of them were horizontal and inclined. The boundary painting of the pavilion was exquisite and dyed. It liked to make small scenes at the corners, known as "Horse Corner" in the world. Its composition method broke the traditional panoramic layout and only selected a corner of the landscape to paint, leaving a wide imagination for the viewer. For example, the steep peak directly went up without seeing the top, the cliff directly went down without seeing the feet, the nearby mountain was towering and the distant mountain was low, or only a fishing boat was painted. The picture had a strong sense of space. It highlighted the artistic effect of close-up shots and symbolized the characteristics of the Southern Song Dynasty landscape painting. The characters were drawn from a wide range of materials, including Buddhism, nobles, literati, fishermen, farmers, etc. The characters painted were elegant and imposing. Flowers and birds often take mountains and rivers as the scenery, love intersection, life is full of interest. His surviving works include "Singing Painting,""Water Painting,""Plum Stone Creek Duck Painting,""West Garden Elegant Collection Painting,""Autumn River Fishing Painting,""Cold River Fishing Painting,""Mountain Path Spring Travel,""Snow Beach Double Egrets Painting,""Pine Pavilion Watching Tide Painting," etc. Together with Li Tang, Liu Songnian, and Xia Gui, he was known as the "Four Schools of the Southern Song Dynasty". He had a great influence at that time and was known as the only painting academy. His style and skills had a far-reaching impact on later generations, especially in the Japanese painting world. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Is Wu Zhen the Four Yuan Families?
Yes, Wu Zhen was one of the Four Families of the Yuan Dynasty. In the middle and late Yuan Dynasty, Wu Zhen, Huang Gongwang, Ni Zan, and Wang Meng made important contributions to the creation of landscape paintings. They were highly praised in the history of painting and were known as the "Four Masters of the Yuan Dynasty". On the basis of widely absorbing the ink landscape paintings of the Five Dynasties and the Northern Song Dynasty, they were deeply influenced by the painter Zhao Mengfu of the early Yuan Dynasty. They raised the role of the charm of brush and ink in painting to a new height, emphasizing the literary interest of landscape painting. They made poetry, calligraphy, and painting consciously integrate into one, each with its own style. They created a new generation of landscape painting with "literati painting" as the mainstream, which had a great influence on the painting circles of the Ming and Qing Dynasties. The novel " Primitive Law " is equally exciting. Everyone is welcome to click and read it!
Wu Jiayue's Paintings
Wu Jiayue had many pieces of information related to her paintings. There is a China painting character work during the undergraduate period,"The Aftertaste"(60×60cm×9 paper line drawing); There was also the fine brush painting "Scream" created by the China Painting Department of the School of Fine Arts and Calligraphy of Nanjing Art College, which depicted the last scene of the heroic speech of the martyr Yun Daiying on the execution ground; In addition, he also participated in the 11th Cross-Strait Art New World Forum's "Youth Future Art Development and Care" activity and the "Tongxinyuan" Cross-Strait Youth Chinese Story Painting Competition. "Her Shenzhen-Writing the Future" is equally exciting. Everyone is welcome to click and read it!
The Collection Value of Du Jinsheng's Brocade Paintings
Du Jinsheng's brocade painting had a certain collection value. Dujinsheng Brocade was the golden name card of Hangzhou's silk industry. It had a hundred years of history and carried the vision of serving the country. It sold well throughout the country and was famous overseas. From the market point of view, there was a price in the collection market for the brocade portrait of Mao Tse-tung (Du Jinsheng). The price of the eighth grade was 100 yuan, which reflected the collectible value of Du Jinsheng's brocade painting. In addition, the brocade craft had a long history. The China brocade craft had a complex structure, rich colors, and exquisite craftsmanship. As a part of the brocade craft, the complex craftsmanship and cultural content also gave it a collection value. The novel "Dream of Silk Fate" is equally exciting. Everyone is welcome to click and read it!
Wu Hufan's landscape paintings
Wu Hufan's landscape paintings have a unique artistic style. The following are some of the selected works: ** 1."A Time of Clear Snow"** 1. ** Creation Information ** - It was created in 1930, when Wu Hufan was 37 years old. - It imitates the works of Yang Sheng, a painter of Tang Dynasty. 2. ** Art features ** - Take the meaning of Yang's snow Ji painting, pure use no bone method. The painting depicted mountains covered in snow, layers of forest, and the rising sun. It was beautiful. - The technique was ancient, and although it was beautiful and bright, it was not vulgar at all, showing Wu Hufan's deep traditional foundation. ** 2. Landscape Painting ** This was a landscape painting created by Wu Hufan, which reflected his artistic level in landscape painting creation. ** 3. Colored Landscape ** 1. ** Creation period ** - It was created in the middle of the 20th century. 2. ** Art Connection ** - Wu Hufan's landscape paintings were known for their unique color setting style. This work was also the embodiment of his color setting style in landscape paintings. His color setting technique broke the shackles of tradition and boldly created. He emphasized the decorative effect of color, perfectly combining nature and subjective, realism and freehand painting. He pursued artistic conception and used color as a tool to express emotions and create an atmosphere. In addition, There were also "Fishing in Willow Creek","Jade Forest","Snow on Ten Thousand Peaks","Rain in Xiaoxiang","Spring River Fishing","Spring Clouds and Mist Willow in 1939","Pine Valley Spring in 1938","Green Landscape in 1931","Spring Mountain Ancient Wood in 1932","Qiao Yue Pine Cloud in 1934","Cloud Peak in 1936","Landscape in 1937","Mountain Village in 1938"(vertical axis),"Tower Rain in 1939" In 1939, he created a lonely village with flowing water, in 1943, he created an ancient pine stream spring, in 1948, he created a mountain road with pine sounds, and in 1948, he created a painting of steep rocks and ravines. These works either reflected his unique understanding of mountains and rivers, or showed his artistic achievements of integrating the techniques of the North and South schools and his unique color design. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Ancient Paintings of Ma Yuan and Xiao Zhao of the Southern Song Dynasty
Ma Yuan was a famous painter in the Southern Song Dynasty. His representative works included the Painting of Fishing Alone in the Cold River. Xiao Zhao was also a painter of the Southern Song Dynasty. He had studied painting with Li Tang for many years and had inherited his skills. His strokes were steady and firm, and his ink color was thick and heavy. He also had a simple, light, and natural style. He was good at painting landscapes, people, boats, houses, and so on. He was especially good at painting strange pines and strange stones. His works had the momentum of surging waves and clouds. His artistic activities were around 1131 to 1162. However, based on the current information, it is difficult to make a more in-depth and accurate explanation of the expression "Ma Yuan and Xiao Zhao's ancient paintings". I wonder if you want to understand the style characteristics, artistic value, or other related content of their ancient paintings? The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Yuan Zhen's character
Yuan Zhen's character was controversial in history. On the one hand, Yuan Zhen's poems showed his deep affection. For example, his poems such as " Thinking of Separation " and " Remembering Sorrow " were all mourning poems for his deceased wife, Wei Cong. The poems were full of thoughts for his deceased wife, such as " It is difficult to see the water after passing through the sea, and it is impossible to see the clouds except for Mount Wu." The famous phrases such as "I'm lazy to look back at the flowers, half because of cultivation and half because of the monarch" and "I know that everyone has this hatred, and the poor couple have all kinds of sorrows" all reflected his deep feelings for his wife. On the other hand, some of his actions were criticized by others. He had promised his cousin Cui Shuangwen that he would come back to get married after entering the capital to take the Jinshi examination, but in the end, he became the live-in son-in-law of the famous Wei family. In addition, while he was writing the eulogy poem, he was also in love with Xue Tao, a famous prostitute in Shu. Moreover, Yuan Zhen had no moral integrity, and during his time as an official, he had also suffered a lot of controversy. He had been framed, impeached, and demoted many times. Although there was a factor of jealousy, it also reflected his complicated interpersonal relationships and poor reputation in the officialdom, so much so that later generations classified him as a " villain." While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Appreciation of Tang Dynasty's Figure Paintings
The Tang Dynasty was an important period in the history of Chinese painting. Many outstanding painters and works appeared. In the Tang Dynasty, figure painting was an important form of expression, and there were many paintings worthy of appreciation. The representative paintings of the Tang Dynasty included the Painting of Spring Travel, the Painting of Listening to the Guqin, and the Painting of Sitting and Listening to the Pine Wind. These paintings depicted the work and life scenes of famous people in the Tang Dynasty, showing the style and humane feelings of the Tang Dynasty society. The Painting of Spring Tour depicted the scene of the Tang Dynasty poet Li Bai's spring tour. The characters, plants, and props in the painting all showed the characteristics of the Tang Dynasty painting. The Painting of Listening to the Guqin depicted the Tang Dynasty musician Zhang Guolao listening to the guqin. The figures and details in the scene showed the artistic level of the Tang Dynasty painting. Sitting and Listening to the Pine Wind Painting depicted the Tang Dynasty poet Bai Juyi listening to people's stories under the pine trees. The characters and scenery in the painting all showed the superb level of painting in the Tang Dynasty. The paintings of Tang Dynasty characters not only showed the social style and human feelings of the Tang Dynasty, but also showed the artist's artistic talent and creative inspiration. These paintings were not only an important part of ancient Chinese painting art, but also a precious heritage of Chinese culture.