Yes, Wu Zhen was one of the Four Families of the Yuan Dynasty. In the middle and late Yuan Dynasty, Wu Zhen, Huang Gongwang, Ni Zan, and Wang Meng made important contributions to the creation of landscape paintings. They were highly praised in the history of painting and were known as the "Four Masters of the Yuan Dynasty". On the basis of widely absorbing the ink landscape paintings of the Five Dynasties and the Northern Song Dynasty, they were deeply influenced by the painter Zhao Mengfu of the early Yuan Dynasty. They raised the role of the charm of brush and ink in painting to a new height, emphasizing the literary interest of landscape painting. They made poetry, calligraphy, and painting consciously integrate into one, each with its own style. They created a new generation of landscape painting with "literati painting" as the mainstream, which had a great influence on the painting circles of the Ming and Qing Dynasties. The novel " Primitive Law " is equally exciting. Everyone is welcome to click and read it!
The Four Great Masters of the Jin and Yuan Dynasties referred to the four medical experts of the Jin and Yuan Dynasties in ancient China. They were Liu Wansu, Zhang Congzheng, Li Dongyuan (Li Gao), and Zhu Zhenheng (Zhu Danxi). They created the Fire Theory, the Evil Attack Theory, the Spleen and Stomach Theory, and the Yin Cultivation Theory, which had a great influence on later generations. The novel "Primitive Law" is equally exciting. Everyone is welcome to click and read it!
Yuan Zhen's Four Great Masterpieces referred to the four beautiful novels in ancient Chinese novels, specifically," Cloud Breaker,"" Fake Camouflage,"" Broken Jade Throwing Pearls," and " AWM PUBG." These four novels enjoyed a high reputation and influence in Yuan Dan's literary circle. They attracted many readers with different subjects and plots, showing the variety and charm of the literature of indulgence.
The four great masters of the Yuan Dynasty in China referred to the famous musicians, writers, and dramatists of the Yuan Dynasty-Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu. The works they wrote occupied an important position in the history of Chinese literature and were known as the "Four Great Yuan Qu Artists".
There were two main theories about the Four Schools of the Yuan Dynasty. One theory was Zhao Mengfu, Wu Zhen, Huang Gongwang, and Wang Meng, while the other theory (which was more popular) was Huang Gongwang, Wang Meng, Ni Zan, and Wu Zhen. There were also cases where Zhao Mengfu, Gao Kegong, Huang Gongwang, Wu Zhen, Ni Zan, and Wang Meng were collectively referred to as the Six Families of the Yuan Dynasty. The novel "Primitive Law" is equally exciting. Everyone is welcome to click and read it!
Wu Zhen was a famous painter, calligrapher, and poet of the Yuan Dynasty. He was good at painting mountains, rivers, plum blossoms, bamboo and stone. Together with Huang Gongwang, Ni Zan, and Wang Meng, he was known as the "Four Artists of the Yuan Dynasty". He had inscribed many poems in his paintings, such as " The song of the Yin Stream of Jiemao Mountain, I love the bamboo by the window. At four seasons the wind blows, and the three paths are cold and clear." "Wild bamboos are absolutely adorable, and their branches and leaves are lush and true. All his life, he has always been guarding the remote thorns and thickets, walking on cliffs and rocks. Humbly embrace the festival mountain ah, the breeze white moon chat whirling. How will the cold shoot be a thousand feet long? There is much wind and smoke in Wei River and Qi Ao." There is also a poem titled bamboo,"Relying on the clouds near the stone too vertical and horizontal, frost section muddy useless world situation." If there is someone in the world who can write, it is an old scholar in the oak forest." Ni Zan also mentioned Wu Zhen when he wrote a poem with Wu Zhen's Painting of Plain Forest and Wild Water. I live in Plum Blossom Village and dream about Baiyun Village. Nonghan from Qingyi, singing poetry more long. Remembering the man in the picture, looking at the cloud staff and the betel." These poems reflected Wu Zhen's artistic thoughts and aesthetic taste. The combination of poetry and painting showed a unique artistic realm. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The price of Wu Zhen's work was 8,050 yuan (estimated to be 5,000 - 10,000 yuan). Its "Wild Bamboo Painting" was sold for 77.625 million yuan on June 5th, 2016, setting a personal auction record. However, the value of a work would vary greatly depending on the specific circumstances of the work (such as authenticity, preservation, artistic value, etc.). The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Four Great Families of the Yuan Dynasty referred to the four major families of the Jia, Shi, Wang, and Xue in the novel, which were important characters in the novel. The Jia family was one of the most important families in the novel and was known as the "Ancestor of the Yuan Dian". The other three clans were the Shi Clan, the Wang Clan, and the Xue Clan.
Yuan Qu referred to the operas of the Yuan Dynasty, namely Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu. There were four tragedies in their opera works: Bai Pu's "Tianjing Sand·Autumn Thoughts", Ma Zhiyuan's "Han Palace Autumn", Zheng Guangzu's "Chinese Ghost Story" and Bai Pu's "Wutong Rain". The four great love dramas referred to the works that depicted love in the Yuan Dynasty. They were Guan Hanqing's "Lord Bao's Confession," Bai Pu's "The Wall's Horses," Zheng Guangzu's "A Chinese Ghost Story," and Ma Zhiyuan's "Tianjing Sha·Autumn Thoughts."
The Painting of Pine Springs was an ink China painting created by Wu Zhen in the fourth year of the Yuan Dynasty (1338). It is now in the Nanjing Museum. The content of the painting was: There was an old and lonely tree in the painting. The middle part was painted with a flying spring, and the lower part was painted with small trees. They were all in the fog. Although there was no person painted, the combination of pine trees and flying springs showed the arrogance of a noble man. The spring flowed down like a white ribbon on the hillside. Beside the spring, there were pine trees with strange shapes, thick trunks, curved branches, and branches hanging upside down from the spring. From the bottom of the spring, one could see the trees on the opposite mountain. At the top of the picture, there was a poem inscribed by himself: "Long pine trees, pavilions, flowing springs, cold." Wash the white stone to disperse the clear snow, dance the wind to chant the sound of autumn, the scenery is quiet and beautiful, enough to enjoy quietly, there are people in the middle, eyebrows are always green. Pine ah table ah how to draw, grinding pool Yin ah clear and thorough. Hanging in the high hall, oh, between the white walls, in the middle of the night, the wind and clouds are flying." The title was: "On the summer solstice of the fourth year of the Yuan Dynasty, it was given to Zi Yuan as a play for Pine Spring, written by Plum Blossom Taoist." In terms of the background of the creation,"fishing and reclusive" had a long tradition among Jiangnan literati. Zhang Zhihe's "fishing and reclusive" creation in the Tang Dynasty made it an everlasting painting theme. Wuzhen was influenced by the era and living area, and resonated with Zhang Zhihe's spirit of fishing and reclusive. The Painting of Pine Spring also reflected this meaning. In terms of artistic appreciation, the theme looked strange and dangerous, and the strokes were simple. The large section of the poem was an important part of the composition and had rich content, expressing the appreciation of the pure personality, the yearning for a quiet life, and the desire for immortality. The composition was strange and dangerous, with many ways of framing. The mouth of the water was covered by branches and leaves, and the layers were rich. Although there was no pool water, it was misty. The brush and ink techniques were obviously different from those of Huang Gongwang, Wang Meng, and Ni Zan. Wu Zhen paid special attention to ink and liked to use wet ink. The ink in this painting was moist and the strokes were round. It had its own characteristics in the description of pine trees, trees, stones, streams, springs, and other trees. It accommodated the bone style of the Southern Song Dynasty but abandoned the strong and clear taste in the painting method. It tended to be gentle and moist. The characteristics of ink painting were vividly expressed by ink painting. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The four great writers of the Yuan Dynasty were Bai Pu, Zheng Sixiao, Ma Zhiyuan, and Zhao Mengfu. They were known as the four great writers of the Yuan Dynasty. Their representative works were: 1 Bai Pu: "Tianjing Sand·Autumn Thoughts" 2 Zheng Sixiao: "On the Wall" 3. Zhao Mengfu: "The River is Red, Writing Thoughts"