Encyclopedia of Freehand Flower and Bird Paintings, Works Appreciation
Although there was no specialized freehand flower-and-bird painting collection, he could introduce some famous freehand flower-and-bird paintings for appreciation. For example, Xu Xi's Snow Bamboo Painting, Zhao Mengfu's Peach Branch Squirrel Painting, and Xu Wei's Clear Lotus Painting. These works reflected the different styles and characteristics of freehand flower-and-bird painting. Freehand flower-and-bird painting had a unique aesthetic value. It used concise and open techniques to describe flowers, bamboo, stones, birds, animals, insects, fish and other natural creatures. On the basis of pursuing "shape", it expressed the author's strong personal feelings, reflected the humane spirit and aesthetic ideals at that time, and influenced the aesthetic pursuit of later generations. The painting techniques included concise summary, simple simplicity, unrestrained and casual presentation of various aesthetic feelings. The painter integrated his personal spirit into his creation, showing the beauty of brush and ink, the beauty of life, the beauty of poetic realm, and the beauty of cultural spirit. Through these aspects, it was also helpful to understand freehand flower-and-bird paintings. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Who are the China freehand flower and bird painters?
China freehand painting artists of flowers and birds included Qi Xinmin, Guo Shifu, Sun Zhuli, Lu Yifei, Lou Jianguo, Cui Shuxuan, Wang Peidong, etc. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Appreciation of Chinese Paintings in Art Works
The Chinese painting of art works referred to works of art with Chinese painting techniques and styles as the theme. Chinese painting has a unique artistic style and expression techniques, usually using traditional pen and ink techniques and color application to show a strong Chinese style and cultural heritage. The techniques of Chinese painting were rich and varied, including ink painting, colored ink, line painting, splashing ink, stippling, and so on. Among them, ink painting was a basic technique of Chinese painting. It used the interaction between water and ink to show the layering of ink and the wetness of ink painting. Colored ink, on the other hand, was based on ink painting and added with paint to form color changes and contrast. Line painting was a unique technique of Chinese painting. Through the thickness, curve, smoothness, speed, and other changes of the lines, it showed the three-dimensional and texture of the object. Splashing ink and stippling were the use of large amounts of water or ink to produce the effect of splashing and stippling. The use of color in Chinese painting was also very unique, focusing on the contrast and harmony of colors. Common colors include red, yellow, blue, green, etc. However, different colors and combinations will be used in different creations. In the process of Chinese painting creation, the painter would usually pay attention to the layout, composition, artistic conception, and theme of the painting, as well as the details of the painting and the overall effect. Chinese painting is an important part of Chinese culture. It has a profound history and cultural heritage. It is a treasure of art forms. Appreciating Chinese paintings required a certain degree of artistic accomplishment and aesthetic ability. One could feel the essence and charm of Chinese traditional culture from the works.
Man Tingfang's Flower and Bird Paintings
There were many flower and bird paintings called 'Full Court Fragrance.' Yun Shouping had related works. He was a famous painter and painter of the Qing Dynasty. He created the Changzhou School of Painting, especially in boneless flowers. Zhou Bing's boneless flower and bird painting, Spring Fragrance in the Courtyard, was selected for the 13th National Art Exhibition. Li Yuntao also had a 180×200cm paper painting of flowers and birds from 2020. There were also works in the topic of " Man Ting Fang·Spring follows the heart ". This topic was to record the special period and invited the three generations of Guangdong artists to launch. Zhu Kunlie's flower-and-bird painting exhibition also had a work called " Man Tingfang." " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Zhao Mengfu's Flower and Bird Paintings
Zhao Mengfu's flower-and-bird paintings were relatively detailed. He proposed that " painting should have an ancient meaning " and combined it with the scholar-bureaucrat paintings that did not seek the shape of the painting. Then, he integrated it with the " natural imitation " and laid the theoretical foundation of the Yuan Dynasty literati painting. His flower and bird painting," The Painting of the Dark Bamboo and the Hoplite," was his exquisite work. The painting was neat and meticulous. It used many outlines and the style was rigorous and delicate. It had the legacy of the Southern Song Dynasty's flower and bird painting style. The colors were elegant and harmonious, and the composition was simple and bright. In the painting, the hoops were painted with fine brush strokes. The combination of hook dyeing and silk hair method was used in some parts. The color was mainly light ink, the back was covered with light ochre yellow, and the feathers of some heavy colors were dyed with flower green. The whole bird was full of feathers and full of spirit. The bamboo branches and leaves behind the bird were painted with double hooks. The strokes were dense and not messy. The strokes were exquisite and varied, showing his skill. The bamboo branches are tall and dense, and the strokes are strong and elastic. The whole painting did not have the shortcomings of the Southern Song Dynasty's flower and bird paintings, nor did it have the crude paintings of scholars since the Northern Song Dynasty. While emphasizing the importance of expression in literati paintings, it also abandoned the playful attitude of literati paintings that ignored images. He had also painted flowers and birds such as apricot flowers, sunflowers, autumn chrysanthemums, plum blossoms, mandarin ducks, swimming fish, etc., but there were very few works that were handed down. The only one that could be seen was the painting of the secluded bamboos. While waiting for the TV series, he could also read the exciting content related to this site!
Every year there are fish freehand paintings
Fish every year was a very representative theme in traditional art, and it had a unique way of expression in freehand painting. In terms of composition, freehand flower-and-bird paintings used the diagonal composition method more often. It was a change in balanced composition, which could break the average and rigid layout. In terms of using ink and pen, taking the painting of 'Fish in the Year of Lotus' as an example, different ink colors would be used to represent the fish. For example, use a big sheep hair brush to adjust the light ink pen tip to adjust the heavy ink side edge to draw the lotus leaf, adjust the heavy ink to draw the lotus leaf on the top, and the light ink to draw the lotus leaf in the middle to express the level; Use light ink to sketch lotus flowers and poles, and use ink to be lighter than lotus leaves; Use light ink to sketch lotus buds and water plants, and adjust the heavy ink to draw the unopened small curly leaves. When painting fish, you can first use the pen belly to adjust the vermilion pen tip to adjust a little rouge, sketch the red carp, use heavy ink to sketch the mouth and eyes, then use the pen belly to adjust the light ink pen tip to adjust the heavy ink to sketch the carp, use the heavy ink to hook the mouth and eyes, and when painting the fish, you have to show a sense of movement. From a historical point of view, the subject of painting fish had a long history. There were records of painting fish during the Three Kingdoms period. Yuan Xi was good at painting fish during the Five Dynasties and Later Tang Dynasty. Xu Bai and others specialized in painting fish in the Northern Song Dynasty and their works were recorded in the Xuanhe Painting Manual. There were also painters famous for painting fish in the Yuan, Ming and Qing Dynasties. The Mustard Seed Garden Painting Manual summarized the key points of painting fish as: It must be lively, get the swimming image, and reflect the vivid image of the fish in the water. It cannot be a rigid portrait. It must express the spiritual freedom and carefree ease with the help of the fish painting. For example, when drawing a black carp, one could use a thicker brush to dip in ink to outline the head and body of the fish, pay attention to the thinning of the tail, draw the fins and fish tail with a stippling method, draw the fish belly with a thin brush with light ink, draw the fish mouth, fish whiskers, fish eyes with thick ink, and draw the fish scales with crossed lines. When drawing the red carp, he first used a thick brush to draw the red ink (the black ink had to be washed to prevent the color from becoming dirty) to outline the fish body. After drawing the fins, he changed to a thin brush to draw the fish belly with light ink. With thick ink, he drew the fish mouth and whiskers, crossed the lines to draw the fins, and then pointed out the eyes. In addition, the woodcutter's ink painting "Nian Nian Yu" used catfish as a homonym for "Nian Yu". The two catfish in the picture fit the meaning of "Nian Nian". Through a unique concept, the painter gave a new aesthetic meaning to "Nian Nian Yu" with vivid pen and ink language. The novel "Watching the Moon on Fish Island" is equally exciting. Everyone is welcome to click and read it!
What were the famous representatives and main works of ancient Chinese flower-and-bird paintings?
There were many representative figures and works of ancient Chinese flower and bird paintings. Here are a few famous representative figures and representative works: 1 Tang Dynasty peony painter Wang Qia's "Luo Shen Fu Tu": This is a painting with peony as the theme, showing the beauty and charm of Luo Shen. 2. The Painting of Bamboo and Stone by Shi Tao, a painter of plum blossoms and stones in the Song Dynasty: This painting is based on the theme of plum blossoms and stones. It shows the tenacity of plum blossoms and the unyielding posture of stones. 3. The Painting of Lion Forest by Wu Zhen, a turquoise artist of the Yuan Dynasty: This is a painting with the theme of Lion Forest, showing the prosperity and magnificence of Lion Forest. 4. The Painting of Peony by Wen Zhengming, a peony painter of the Ming Dynasty: This painting is based on the theme of peonies, expressing the wealth and elegance of peonies. 5. Lotus Painting by Ba Da Shan Ren, a lotus artist of the Qing Dynasty: This is a painting with the theme of lotus flowers, expressing the purity and elegance of lotus flowers. These are some of the famous representative figures and works of ancient Chinese flower and bird paintings. Each period has its own unique style and characteristics.
Appreciation of landscape paintings and Chinese paintings
The following are some landscape paintings and Chinese paintings for appreciation: - Yan Wengui of the Northern Song Dynasty painted a painting of a building on a mountain stream. The mountains were stacked on top of each other by the stream. The outline of the mountain was thick. The stone surface was covered with small cracks. The mountains were scattered. There were waterfalls and mountain paths connected to create a deep space. There were shrubs on the top of the mountain and buildings in the valley. The courtyards and travelers were scattered among them. Although the houses and figures were small, they were carefully drawn. - Song Guo Xi's Painting of Early Spring, Song Mi Fu's Painting of Auspicious Pines in Spring Mountains, Song Li Di's Painting of Spring Tide with Rain, Song Li Song's Painting of Paddling on Spring River, Song Ma Yuan's Painting of Mountain Path in Spring, Song Xia Gui's Painting of Willow Boat on West Lake, and other works of the Song Dynasty. - "Spring Dawn on Qingjiang River" by Wu Zhen of Yuan Dynasty,"Spring Mountain Painting" by Yuan Dynasty people, and other works of Yuan Dynasty. - Ming Dynasty works such as Dai Jin's 'Return Late from a Spring Outreach,' Tang Yin's 'Huaxi Fisherman's Hiding,' Wen Zhengming's 'Spring Trees in the Rain,' and Qiu Ying's 'Return Late from a Spring Outreach,' etc. - Qing Dynasty works such as Liu Yan by Wang Hui and Yun Shouping of the Qing Dynasty, Spring Dawn in Painting Water Village by Wang Hui of the Qing Dynasty, and Spring Clouds Out of the Mountain by Wang Yuanqi of the Qing Dynasty. In modern times, there were many famous landscape paintings by Huang Binhong, Zhang Daqian, Fu Baoshi, Li Keran, and many others that were worthy of appreciation. While waiting for the TV series, he could also read the exciting content related to this site!
Appreciation of Foreign Paintings
Appreciation of Foreign Paintings Foreign art paintings referred to the art forms created in the native language with a foreign culture as the background, including oil paintings, watercolors, sketches, gouache, prints, sculptures, etc. When appreciating foreign art paintings, you can start from the following aspects: 1. Styles and techniques: Understand the artistic styles and techniques of the works, such as realism, impressionism, abstract, pre-examination, etc., as well as the characteristics and applications of each style and technique. 2. The theme and background: Understanding the theme and background of the work helps to understand the author's creative intentions and the way the theme is expressed, as well as the reflection of the work on society, politics, culture, etc. 3. The composition and image: Understand the composition and image of the work, including proportion, perspective, light and shadow, color, etc., as well as how the author uses the composition and image to express the theme and emotion. 4. Skills and Cultivation: When appreciating a work, you can pay attention to the author's skills and cultivation, such as lines, light and shadow, texture, color, space, etc., as well as the author's painting experience and artistic style. 5. Meaning and influence: Understand the meaning and influence of the work, including the influence on contemporary art, the protection and development of traditional culture, the aesthetic feelings of the audience, and the contribution of the work to the development of contemporary art and culture. Appreciating foreign art paintings requires a combination of many factors to understand and evaluate. It requires continuous accumulation and improvement of appreciation ability.
Appreciation of the Peony Paintings
The following are some of the main points to appreciate freehand peony paintings: * * 1. Zhu Jizhan's freehand painting of peony ** 1. * * Overall Style ** - Zhu Jizhan's freehand painting of peony was bright and resounding, with a strong sense of rhythm, power and layering. In his later years, he became more and more vigorous and vigorous. 2. * * The performance of peony flowers ** - The peonies in his pen were not "one by one", but "one by one". Often, a few huge flowers were blooming, graceful and generous, and their beautiful flower posture was enough to make people fall over. 3. * * Branches and leaves ** - The branches were written as "unkempt", and the thick hair was messy and charming; the dark green branches and leaves were full, but a few strokes were full of charm and vitality, forming a strong contrast with the peony in the middle, but also integrated into one. In the picture, he could only move his brush as if it was flying, and there was almost no clue of the beginning. There was a feeling of "the brush was neat without drawing" and "sometimes the brush was sloppy". He wrote the biochemical heavenly secrets without the brush and forgetting the method. * * 2. Shi Guozhi's freehand painting of peony ** 1. * * Colors and Renderings ** - In the work, Only Peony Is the True Beauty of the Country, the artist painted it in a freehand style. The heavy makeup was just right. The thick black and green leaves, the colorful peony flowers, through freehand rendering, under the heavy ink rendering, it was exceptionally beautiful. The peony's beautiful flower shape, rich leaves, and strong branches were vividly depicted. 2. * * Concept expression ** - It conveyed a strong sense of fortune and wealth in the similar artistic conception. While it highlighted the beauty of the peony, it also paid attention to the expression of emotions. These freehand peony paintings all displayed the artist's unique artistic style and unique understanding of peonies. They each had their own merits in expressing the shape, charm, and emotion of peonies. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
What is the difference between ancient Chinese palace flower and bird paintings and literati flower and bird paintings? Give a work to explain and explain their realm and emotions at that time
Ancient Chinese palace flower-and-bird painting and literati flower-and-bird painting were two different types of painting. The main differences lay in their creation background, creation purpose and expression methods. The palace flower and bird painting was a painting project organized by the emperor or other senior officials in the ancient palace to show the palace culture and aesthetic taste. The purpose of their creation was usually to decorate the palace environment and display the emperor's preferences. It could also be to express loyalty and admiration to the emperor and the palace. Therefore, the paintings of flowers and birds in the palace were often gorgeous, elegant, exquisite, and decorative. The literati's flower-and-bird painting was a type of painting that mainly consisted of literati and scholar-bureaucrats. The purpose of its creation was to express the thoughts and emotions of literati. The style of literati's flower-and-bird painting was relatively fresh, concise, simple, and natural, focusing on expressing the literati's inner feelings and emotions. In the way of expression, literati often used simple lines and brush and ink to express plants, animals, mountains and rivers and other subjects in a natural, smooth and fresh style. The realm and emotions of palace flower-and-bird paintings and literati flower-and-bird paintings were also different. The paintings of flowers and birds in the palace often showed the elegance and magnificence of the nobles and the palace. The paintings were full of colors, gorgeous, and the attention to details and decorations showed the palace culture and aesthetic taste. On the other hand, the literati's flower-and-bird paintings displayed a fresh, concise, simple and natural style, focusing on expressing the literati's inner feelings and emotions, expressing the literati's independence, freedom and pursuit. Representative works: Painting of Flowers and Birds in the Palace: Painting of Peony. Painter Wang Changling of the Tang Dynasty painted a picture of a blooming peony, showing the wealth and elegance of the palace. The painting of flowers and birds by literati: Painting of Peach Blossoms. Li Tang, a painter of the Northern Song Dynasty, depicted the nature and freshness of peach blossoms, expressing the sentiment and emotion of literati.