Doubtful Dragon Sutra, Tang Dynasty Yang Yunsong
The old title of Doubtful Dragon Scripture was written by Yang Yunsong of Tang Dynasty. The whole book was divided into three parts, mainly introducing the method of finding dragon veins according to the terrain of mountains and rivers. The first part talked about finding branches in the trunk, mainly at the mouth of the customs bureau. The second part talked about the method of looking for the dragon to the end and looking at the back of the face. The second part talked about the situation of the acupoints. The book also contained the Ten Questions of the Doubtful Dragon, the Dragon Guard Chapter, the Changing Stars Chapter, and so on. The novel "Taoist Qianshan" is equally exciting. Everyone is welcome to click and read it!
What is the Dragon Sutra?
The full name of the Dragon Sutra was the Ni Jin version of the Tibetan Dragon Sutra. It was built under the order of the Qing Emperor Kangxi's grandmother, Empress Dowager Xiaozhuang, Boerjijite's Bumubutai. There were 108 boxes in total, written on special magnetic green paper with Tibetan mud gold. 756 Buddha statues were painted on the upper and lower scriptures, decorated with various inlaid jewels, and protected by yellow, red, green, blue and white silk curtains. The decoration style was Sanskrit, which originated from the palm-leaf sutra in India. Each box or folder contained the sutra leaf with the text recorded on it, as well as the protective board, sutra clothes, and other accessories to protect the sutra leaf. The sutra leaves were made of dark blue magnetic green paper, 87.5 cm long and 33 cm wide. The scriptures were written on both sides in the Tibetan regular script of "Bird's tip". Each side had eight lines. The text was surrounded by gold paint to draw the side column of the scroll grass. The left side of the side column was marked with the letter number and leaf code. There were more than 300 to 500 sutra leaves in each letter. After being arranged in order, the four sides were painted with the pattern of eight treasures. The materials used to protect the sutra leaves were exquisite, and the incantations carved and embroidered were exquisite and rich, deeply containing Buddhist principles. This sutra was extremely costly. Empress Dowager Xiaozhuang poured her heart and soul into it from the beginning to the end. With the support of Emperor Kangxi, it took two years to complete in the eighth year of the reign of Emperor Kangxi (1669). At that time, the sutra-writing team was divided into two groups: the monk class had 117 lamas in charge of writing the sutra, and the secular class was responsible for purchasing and dispatching materials, taking care of the diet and daily life of the sutra-writers, as well as security and defense. After the outbreak of the Anti-Japanese War, the Dragon Sutra, originally hidden in the Cining Palace of the Forbidden City, moved southward with the cultural relics in the collection of the Palace Museum in Beijing and flowed into Taiwan. It is now collected in the Palace Museum in Taiwan. The Palace Museum in Taiwan has also remade it and published relevant books. In addition, the Dragon Sutra, which was engraved between Yongzheng and Qianlong of the Qing Dynasty and printed in the tenth year of Tongzhi of the Qing Dynasty, was one of the three existing books in Sichuan and the only existing Buddhist classic ancient book in Luzhou. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Kangxi Dragon Sutra
The full name of the Dragon Sutra was the Tibetan Dragon Sutra. It was built under the order of Empress Dowager Xiaozhuang, the grandmother of Emperor Kangxi. There were 108 boxes in total, written on special magnetic green paper with Tibetan mud gold. 756 Buddha statues were painted on the upper and lower scriptures, decorated with various inlaid jewels, and protected by yellow, red, green, blue and white silk curtains. Each box was 33cm in length and 87.5cm in width, with a thickness of 300 - 500 leaves and a weight of about 50kg. Each box was also equipped with silk, cotton and other materials for binding, five-color rope and sutra clothes. According to the Manchu version of the Records of the Chief Internal Affairs Office, Empress Dowager Xiaozhuang poured her heart and soul into the project. With the support of Emperor Kangxi, she broke through many obstacles and difficulties. With the support of her mother, the Horqin tribe of Mongolia, it took two years to complete the project in the eighth year of Kangxi of the Qing Dynasty (1669). At that time, the sutra writing team was divided into two groups: the monk class had 117 lamas in charge of writing sutras, and the secular class was responsible for purchasing and dispatching materials, arranging food and daily life, and security (the number of people was unknown). The Internal Affairs Office was in charge of this matter. On October 27, the sixth year of Kangxi, Minister Mi Sihan and others wrote a report on the estimated number of gold powder used to copy the Ganjuer Sutra. Each of the 108 upper scriptures required five pieces of flying gold and 50,300 sutra leaves. Every four leaves required three pieces of flying gold, so a total of 38,265 pieces of flying gold were needed. Each piece was calculated by nine taels of silver, so a total of 371,175 taels of silver was needed. There were 756 Buddhas on the sutra board, so a total of 1,782 taels of gold powder was needed. When writing scriptures, the flying gold in the north was used up and purchased from the south. The curtains and bundles used for binding were woven by Jiangning, Suzhou and Hangzhou. Before the official writing of scriptures, white paper was used to make samples. During the drafting period, lamas were provided with one meal and two tea breaks per day. During the writing period, lamas were provided with two meals and three tea breaks per day to ensure the quality of the Dragon Sutra. From the physical object, the gold color was full, the Tibetan writing was correct, the statue was gorgeous and solemn, and the binding was exquisite. It was very royal. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The meaning and symbol of Yunsong
Cloud Pine's meaning and symbol included many aspects. From the literal meaning, the cloud symbolized prosperity, longevity, lofty, broad, far-reaching, etc., while the pine represented noble morality, honesty, perseverance, and tenacious vitality. In the idiom " Cloud Pine ", the word " Cloud Pine " was used to describe a person's noble and noble character, as pure and noble as the clouds and pine trees. The clouds symbolized flying high and flying far away, while the pine trees symbolized unyielding loyalty. This idiom was often used to describe a person's character and personality. It could be used to praise a person's noble and pure character and indomitable spirit. In ancient poems, such as Du Mu's related works, the clouds and pines were connected to form a unique image, showing the vitality and color between mountains and rivers. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Noble Consort Yang of the Tang Dynasty
Concubine Yang of the Tang Dynasty was the beloved concubine of Emperor Ming of the Tang Dynasty, Li Longji. She was famous for her beauty and talent. The appearance of Yang Guifei made the Tang Empire even more prosperous, but as the Tang Empire declined, the demand for her gradually decreased. Concubine Yang played an important role in the prosperous Tang Dynasty, but she was eventually betrayed by Xuanzong and strangled to death. Her story was widely told and acted out in literary works, television dramas, and movies.
Information on the Tang Dynasty poet Yang Wanli
Yang Wanli was one of the famous poets of the Tang Dynasty. He was born in 772 AD and died in 819 AD. His poems were fresh, natural, lively, and unrestrained. He was known as one of the representative poets who listened to the sound of the waves from the window. Yang Wanli's representative works included "A Journey to Lingnan at Dawn" and "A Boat Passing through Anren"."A Journey to Lingnan at Dawn" described the magnificent scenery the author saw on his way to the south and was hailed as a masterpiece in the morning poems of the Tang Dynasty. Yang Wanli's life story was relatively rich. He once served as secretary of the provincial Zhengzi, school secretary Lang, supervisory censor and other positions. He was demoted to Qianzhou because he opposed the powerful ministers at that time. He was demoted to Chaozhou twice and finally died in Chaozhou. Yang Wanli's poems were not only widely circulated at that time, but also deeply loved by people today. His poetry style had a profound impact on the literary creation of later generations.
The actress of the imperial concubine Yang of the Tang Dynasty
There were many actors who had played the role of the imperial concubine Yang of the Tang Empire. Some of the actors included Wang Luyao, Fan Bingbing, Yin Tao, Zhang Rongrong, Hou Junjie, Bai Yu, Li Shengsu, Lin Fangbing, Zhou Jie, Xiang Hailan, and so on. These actors had outstanding performances in different TV series or movies, and each of them had their own unique way of acting and characteristics. Therefore, there was no clear answer to this question.
Yang Xuwen, the Strange Record of the Tang Dynasty
" Tang Dynasty Mysteries " was an ancient mystery drama with Yang Xuwen as the main character. The play was featured by strange characters, strange cases, and visual effects of wonders. It presented a creative style that combined emotion and reason, and strange and truth. Yang Xuwen played Lu Lingfeng in the play, a general of the Golden Guards. His excellent performance and fighting skills were praised. "The Strange Stories of the Tang Dynasty" was recognized and loved by the audience, with a score of 8.9. In addition, the second film," The Strange Records of the Tang Dynasty: Journey to the West," was about to start filming. Yang Xuwen would continue to star in the play.
The Tang Dynasty is full of splendor, Yang Yuyao
Yang Yuyao was a character in " Colorful Tang ". She was the third sister of the Du family, Lady Guo, and Yang Yuhuan's confidante. She was described as a beautiful female character who often played dominoes with the emperor and others. In the novel, she had a relationship with Yang Yuhuan, but later her feelings began to favor the protagonist. However, I'm not sure about her character development and storyline.
How beautiful is Yang Guifei of the Tang Dynasty?
There was no specific description of the beauty of Yang Guifei from the Tang Dynasty. However, the Tang Dynasty's aesthetic concept of fullness as beauty was widely accepted. During the Tang Dynasty, women's aesthetic standards were no longer thin and weak, but plump and rich. Yang Guifei was considered one of the representatives of the beauties of the Tang Dynasty. She was famous for her gorgeous colors and gorgeous posture. However, there were inconsistent descriptions of her specific weight and height. Some said she weighed 138 pounds, while others said she was 1.64 meters tall. In any case, Yang Guifei's beauty was a subjective evaluation, so it was impossible to draw a definite conclusion.
The actress of the imperial concubine Yang of the Tang Dynasty
There were many different actors who played the role of Yang Guifei, the imperial concubine of the Tang Empire. Some of the actors included Wang Luyao, Fan Bingbing, Lin Fangbing, Zhou Jie, Xiang Hailan, Zhao Yazhi, Zeng Li, and others. These actors had played the role of Yang Guifei in different TV dramas and movies. However, no clear information was provided to answer this question.