The background of the painting of Fuchun Mountain Residence
Huang Gongwang, the creator of 'Residence in Fuchun Mountain', had a rough life. He lost his father when he was young, and when he was middle-aged, he first served as a scribe. When he was a rafter official under the bureaucrat Zhang Lu, he was framed and imprisoned because Zhang Lu committed a lawsuit. After he was released from prison, he gave up on officialdom and joined Quan Zhen Sect. He transcended the secular world and once made a living by selling divination. He loved mountains and rivers and often observed the changes of mountains and rivers. Huang Gongwang observed the scenery of Yushan Mountain when he lived in Changshu. He was also obsessed with observing the landscape when he lived in Songjiang. When he lived in Fuchun River, he always brought painting tools with him and painted the beautiful scenery in the mountains. In his later years, he lived in seclusion in Daling Mountain, north of Fuchun River. At the age of 50, he had achieved nothing. When he was nearly 80 years old, he came to Fuchun River. After seeing the mountains and rivers here, he was excited and inspired. So he began to create "Residence in Fuchun Mountain". It took about seven years from conception, writing to completion. During this time, he rushed to the two banks of Fuchun River all day long, observing the changes of clouds and clouds, enjoying the beautiful scenery of rivers, mountains and fishing beaches, and accumulating materials for his creation.
The Painting of Residence in Fuchun Mountain
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Fuchun Mountain Residence background
The background of the painting was closely related to Huang Gongwang's experience. When Huang Gongwang was young, he was once a local official. After he was wrongly imprisoned, he gave up on officialdom and joined the Quan Zhen Sect. He transcended the secular world and once made a living by selling divination. He loved mountains and rivers and often observed the changes of mountains and rivers and painted them. When he lived in Yushan Mountain in Changshu, he observed the scenery of Yushan Mountain. When he lived in Songjiang, he was fascinated by the scenery. When he lived in Fuchun River, he always carried painting tools with him. When he met the beautiful scenery, he would sketch. Daling Mountain, north of Fuchun River, was where he lived in seclusion in his later years. He also painted the Painting of Fuchun Daling. From the perspective of the social environment, Huang Gongwang, who was almost 80 years old in 1347, had experienced the destruction of his country and his family. He integrated the last of his life into the mountains and rivers of Fuchun River, thus creating the Painting of Residence in Fuchun Mountain. The background of the painting was the Fuchun River in Zhejiang Province. The Fuchun River was the middle section of the river in Zhejiang Province, flowing through Fuyang and Tonglu. The scenery here was beautiful, with strange mountains and rivers. It had attracted many celebrities and poets in history. For example, Yan Guang of the Eastern Han Dynasty lived in seclusion here. Xie Lingyun, Li Bai, Meng Haoran, Zhang Ji, Wu Rong, Su Shi, and other poets had left poems about the Fuchun River. Under such a cultural atmosphere and natural environment, Huang Gongwang created the Painting of Living in Fuchun Mountain. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Painting of Residence in Fuchun Mountain was copied.
The Painting of Residence in Fuchun Mountain had been copied by many artists. Dong Qichang, Shen Zhou and Wang Wei all painted the painting of Fuchun Mountain Residence. After Shen Zhou's collection of authentic works was hidden by the son of the person who inscribed the picture and lost it, he relied on his excellent memory to memorize a volume. There were also modern artists who copied it. For example, Li Qi copied the Painting of Residence in Fuchun Mountain four times. These copies reflected the artists 'understanding of the painting from different angles, and also reflected the artistic charm and influence of this painting. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fuchun Mountain Residence Painting Chinese Painting Scroll
The Painting of Residence in Fuchun Mountain was a paper ink painting created by Huang Gongwang, a painter of the Yuan Dynasty, in 1350. It was one of the top ten famous paintings in China. The original painting was drawn on six pieces of paper, which were then mounted into a long scroll of about 700 centimeters. It was set against the Fuchun River in Zhejiang Province. The painting was painted in elegant ink. The arrangement of mountains and rivers was appropriate. The ink color was thick and clear, and it was mixed with dry and wet colors. It was extremely rich in variety and was known as the "Orchid Pavilion in Painting". The painting changed hands several times, and the body and head were cut into two pieces due to the "burning of the painting and burial". The first half of the volume is the Painting of the Remaining Mountains, which is now collected in the Zhejiang Province Museum, and the second half is the Useless Master Volume, which is now collected in the National Palace Museum in Taiwan. From the structure of the painting, the painting could be divided into several parts. The first part of the painting,"The Remnant Mountain Painting", started from a thick mountain. The peaks converged and were round and thick. The earth piles were piled up layer by layer and then tilted to the left. Huang Gongwang used the "long and thin" brush technique to show the thick texture of the soil. The mountain mist was misty, showing the humid climate of Jiangnan. In the second part, the development of the mountain range had a turning point. As the level of the mountain range changed, the trees, slopes, houses, and boats in the river gave people a feeling of being surrounded by layers of mountains and desolate mountains. At the end, the main mountain range was on the left, and the mountains echoed on the left. The nearby pine and cypress swayed to the right and echoed the distant mountains. The third part was rich in ink color and space. From the second part to the third part, the painting changed from dense to relaxed, alienated and beautiful. The water waves, silk grass, wide water and fine sand were sketched with thick ink and fine brush. The scenery was lively. The fourth part had the least amount of brush and ink. There was no chapped dye, only mountains and rivers, which restored the original nature. The composition spanned across the fifth part. There was a large blank space as if the four seasons were flowing, and the years were rushing. There were dried moss, small trees, and small bridges on the river bank connecting the fifth part. From the fifth to the sixth part, there was a wide white sand. In the blank space, there were two boats running parallel in the river. The fisherman on the boat was the point scene, and there were distant mountains in the distance. The line drawing of the pen and the dragging of the ink continued in the blank space. The whole picture is full of mountain rocks and chapped strokes, turning naturally. The long hair is covered with hemp and chapped dry and wet. The skill is profound, free and easy, and there is spiritual aura. The picture is full of beautiful forests and lush vegetation. It is full of the poetry of recluse leisurely wandering in the forest and spring. It exudes a strong literary atmosphere of Jiangnan. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fuchun Mountain Residence background introduction
The Painting of Residence in Fuchun Mountain was a paper ink painting created by Huang Gongwang, a painter of the Yuan Dynasty, in 1350. It was one of the top ten famous paintings in China. This painting was painted by Huang Gongwang for his junior brother, Zheng Chu, with the Fuchun River in Zhejiang as the background. On the painting, the arrangement of mountains and rivers was appropriate. The ink color was mixed with dry and wet colors, which was very varied. The ink was elegant. Only a layer of almost transparent ink was dyed on the mountain rocks. The sand stains and ripples on the distant mountains and the riverside were dyed with a slightly darker ink color. The moss and leaves were dotted with thick ink, which was eye-catching and natural. The entire scene was full of beautiful trees and lush vegetation. It was full of the poetic feeling of a hermit wandering in the forest and spring, and it emitted a strong aura of Jiangnan literati. The original painting was drawn on six pieces of paper, and the six pieces of paper were mounted into a long scroll about 700 centimeters long. Huang Gongwang didn't follow the size of the paper to design the structure. Instead, he created it freely. He browsed, moved, overlapped, or zoomed in from a wide angle. The viewing method was free and the angle was ever-changing. The painting had changed hands several times, and because of the "burning of the painting and burial", the first half of the painting is now in the collection of the Zhejiang Province Museum, and the second half is now in the collection of the National Palace Museum. In addition, there was also the painting "Residence in Fuchun Mountain" by Wang Yuanqi of the Qing Dynasty. The Spring Festival Gala program,"Memories of Jiangnan," was based on Huang Gongwang's "Residence in Fuchun Mountain". Through the actors 'performances, recitals, and singing, it showed the charm of Fuchun's mountains and rivers. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fuchun Mountain Residence background information
"Residence in Fuchun Mountain" was a paper ink painting created by Huang Gongwang, a painter of the Yuan Dynasty, in 1350. It was one of the top ten famous paintings in China and was created with the Fuchun River in Zhejiang as the background. The painting was painted by Huang Gongwang for his junior brother Zheng Chu (Useless Master) and took three years to complete. The painting was 33cm in length and 636.9cm in width. The original painting was drawn on six pieces of paper, which were then mounted into a 700cm long scroll. When Huang Gongwang created, he did not follow the size, length, width, and structure of the paper. Instead, he created freely. He browsed, moved, overlapped, or had a wide-angle and far-reaching view. He also had a close-up. The viewing angle was free and ever-changing. This painting has changed hands several times. During the Shunzhi period of the Qing Dynasty, it was burned by fire and broken into two sections. The first section was named "The Remnant Mountain Painting" and is now stored in the Zhejiang Province Museum. The second section followed the original name "Useless Master Scroll" and is now stored in the National Palace Museum in Taiwan. The ink used in the painting was elegant, the arrangement of mountains and rivers was appropriate, and the ink color was mixed with dry and wet colors, which was very varied. In the picture, the hook and crack of the mountain stone are natural with the pen, and the long and wet cracks are formed. The skill is profound and free. The whole picture was only covered with a layer of almost transparent ink color on the mountain rocks, and the sand stains and waves of the distant mountains and riverside were dyed with a slightly darker ink color. The moss and leaves were dotted with thick ink, which was eye-catching and natural. The whole scene was full of beautiful trees and lush vegetation. It was full of the poetic feeling of a hermit wandering in the forest and spring, and it emitted a strong aura of Jiangnan literati. In addition, there was also a paper and ink painting created by Wang Yuanqi in the Qing Dynasty, also known as the Painting of Residence in Fuchun Mountain. There were also songs with the theme of "Residence in Fuchun Mountain" written by Li Xiaobai, composed by Luan Kai, and sung by Wang Xiaomei. There was also a 3D action adventure movie "Tianji·Residence in Fuchun Mountain" with the story of protecting and fighting for the "Residence in Fuchun Mountain" written by Huang Gongwang of the Yuan Dynasty. There were also people who had participated in the "Residence in Fuchun Mountain" puzzle challenge, such as challenging the 16,000 pieces of the "Residence in Fuchun Mountain" puzzle.
Tianji Fuchun Mountain Residence Painting Introduction
Tianji: Residence in Fuchun Mountain was a 3D action-adventure movie directed by Sun Jianjun and starred by Liu Dehua, Lin Zhiling, Zhang Jingchu, Tong Dawei, and Siqin Gaoba. The film mainly revolved around the famous painting of China Yuan Dynasty,"Residence in Fuchun Mountain", which was about to be exhibited in the National Palace Museum in Taiwan. It told the story of the treasure fight between China agents, Japanese gangsters, and British thieves to protect and compete for the painting. The film was released in the mainland of China on June 9, 2013, in China Hong Kong on June 12, 2013, China Taiwan on June 21, 2013, in Japan on December 7, 2013, and in Korea on January 29, 2014. The film was nominated for Best Film at the 10th Movie Channel Media Awards and the most disappointing film at the 5th Golden Broom Awards. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Painting of Wang Jian in Fuchun Mountain Residence
Wang Jian had copied Huang Gongwang's Painting of Residence in Fuchun Mountain. He made the long scroll into a vertical axis and dyed it light crimson. This work was blended with brush and ink, and the color was elegant, expressing Wang Jian's respect for the classics of the senior masters. Wang Jian was good at painting mountains and rivers. He followed Dong Yuan and Ju Ran far away, and Wang Meng and Huang Gongwang near him. His painting techniques integrated the strengths of various schools. In the imitation of Fuchun Mountain Residence, the actual and false, thickness, weight, urgency and urgency were varied, appropriately expressing the spatial distance of the scenery before and after, as well as the beginning and ending. The fine and smooth center was subtle and smooth, and the scenery of mountains and rivers was clear and deep. Tianjin Museum has Wang Jian's "Residence in Fuchun Mountain Painting" vertical axis, paper color, showing his superb painting skills. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Who acted in the painting of Fuchun Mountain Residence?
The actors of the movie "Tianji: Residence in Fuchun Mountain" included Andy Liu, Lin Zhiling, Zhang Jingchu, Tong Dawei, Siqin Gaowa, etc., and the actors of the TV series "Residence in Fuchun Mountain" included Liu Duanduan, Pan Zhilin, Wang Wei, Guo Tiecheng, etc. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Where is the painting of the Fuchun Mountain Residence taken?
You might be confused, but there is no information about the film and television work named "Tianji Fuchun Mountain Residence Painting" that indicates its filming location. However, there was a TV series called " Residence in Fuchun Mountain " that was shot in ancient villages such as Dongzi Pass and Longmen in Fuyang, Zhejiang Province. "Residence in Fuchun Mountain" was a painting created by Huang Gongwang, a painter of the Yuan Dynasty, with the two banks of Fuchun River as the scene. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!