An Introduction to the Painting of Residence in Fuchun Mountain
" Residence in Fuchun Mountain " was an ink-wash landscape painting created by the Yuan Dynasty painter Huang Gongwang in 1350. It was 33 centimeters long and 636.9 centimeters wide. It took three to four years to complete. It was one of China's top ten famous paintings, known as the " Preface to the Orchid Pavilion in the Painting ". It was now collected on both sides of the Taiwan Strait. The first part was named " The Remnant Mountain Painting " and was collected in the Zhejiang Province Museum. The second part followed its original name and was collected in the National Palace Museum. On June 1, 2011, the two parts were exhibited for the first time in the National Palace Museum. This painting was shot on both sides of the Fuchun River, depicting the early autumn scenery around the Fuchun River. On the painting, there were undulating mountains, flowing water, villages, flat slopes, grass pavilions, water pavilions, small bridges, fishing boats, etc. The painting of mountains was mostly done in a neat and free manner. When painting trees, the brush was old and elegant, while the brush was used in the distance. The ink was rich in layers, transparent and dignified. The painting scroll was painted with elegant ink, and the layout extended from the plane to the depth. The space was natural, and it had the artistic effect of " scenery changes with people, and people move with the scenery." It was a landscape painting that was " improvised, supplemented, and echoed." It was a great lyrical landscape masterpiece that was a turning point. It was also an important link to the harmonious and friendly relations between the two sides of the Taiwan Strait. In addition, there was also a paper and ink painting created by Wang Yuanqi in the Qing Dynasty, also known as the Painting of Residence in Fuchun Mountain. The Spring Festival Gala program "Memories of Jiangnan" was based on "Residence in Fuchun Mountain" as a blueprint. Through the recitation, singing, and dance of the actors, it showed the charm of Fuchun's mountains and rivers. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Tianji Fuchun Mountain Residence Painting Introduction
Tianji: Residence in Fuchun Mountain was a 3D action-adventure movie directed by Sun Jianjun and starred by Liu Dehua, Lin Zhiling, Zhang Jingchu, Tong Dawei, and Siqin Gaoba. The film mainly revolved around the famous painting of China Yuan Dynasty,"Residence in Fuchun Mountain", which was about to be exhibited in the National Palace Museum in Taiwan. It told the story of the treasure fight between China agents, Japanese gangsters, and British thieves to protect and compete for the painting. The film was released in the mainland of China on June 9, 2013, in China Hong Kong on June 12, 2013, China Taiwan on June 21, 2013, in Japan on December 7, 2013, and in Korea on January 29, 2014. The film was nominated for Best Film at the 10th Movie Channel Media Awards and the most disappointing film at the 5th Golden Broom Awards. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Painting of Residence in Fuchun Mountain
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The Painting of Residence in Fuchun Mountain was copied.
The Painting of Residence in Fuchun Mountain had been copied by many artists. Dong Qichang, Shen Zhou and Wang Wei all painted the painting of Fuchun Mountain Residence. After Shen Zhou's collection of authentic works was hidden by the son of the person who inscribed the picture and lost it, he relied on his excellent memory to memorize a volume. There were also modern artists who copied it. For example, Li Qi copied the Painting of Residence in Fuchun Mountain four times. These copies reflected the artists 'understanding of the painting from different angles, and also reflected the artistic charm and influence of this painting. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The background of the painting of Fuchun Mountain Residence
Huang Gongwang, the creator of 'Residence in Fuchun Mountain', had a rough life. He lost his father when he was young, and when he was middle-aged, he first served as a scribe. When he was a rafter official under the bureaucrat Zhang Lu, he was framed and imprisoned because Zhang Lu committed a lawsuit. After he was released from prison, he gave up on officialdom and joined Quan Zhen Sect. He transcended the secular world and once made a living by selling divination. He loved mountains and rivers and often observed the changes of mountains and rivers. Huang Gongwang observed the scenery of Yushan Mountain when he lived in Changshu. He was also obsessed with observing the landscape when he lived in Songjiang. When he lived in Fuchun River, he always brought painting tools with him and painted the beautiful scenery in the mountains. In his later years, he lived in seclusion in Daling Mountain, north of Fuchun River. At the age of 50, he had achieved nothing. When he was nearly 80 years old, he came to Fuchun River. After seeing the mountains and rivers here, he was excited and inspired. So he began to create "Residence in Fuchun Mountain". It took about seven years from conception, writing to completion. During this time, he rushed to the two banks of Fuchun River all day long, observing the changes of clouds and clouds, enjoying the beautiful scenery of rivers, mountains and fishing beaches, and accumulating materials for his creation.
Fuchun Mountain Residence Painting Chinese Painting Scroll
The Painting of Residence in Fuchun Mountain was a paper ink painting created by Huang Gongwang, a painter of the Yuan Dynasty, in 1350. It was one of the top ten famous paintings in China. The original painting was drawn on six pieces of paper, which were then mounted into a long scroll of about 700 centimeters. It was set against the Fuchun River in Zhejiang Province. The painting was painted in elegant ink. The arrangement of mountains and rivers was appropriate. The ink color was thick and clear, and it was mixed with dry and wet colors. It was extremely rich in variety and was known as the "Orchid Pavilion in Painting". The painting changed hands several times, and the body and head were cut into two pieces due to the "burning of the painting and burial". The first half of the volume is the Painting of the Remaining Mountains, which is now collected in the Zhejiang Province Museum, and the second half is the Useless Master Volume, which is now collected in the National Palace Museum in Taiwan. From the structure of the painting, the painting could be divided into several parts. The first part of the painting,"The Remnant Mountain Painting", started from a thick mountain. The peaks converged and were round and thick. The earth piles were piled up layer by layer and then tilted to the left. Huang Gongwang used the "long and thin" brush technique to show the thick texture of the soil. The mountain mist was misty, showing the humid climate of Jiangnan. In the second part, the development of the mountain range had a turning point. As the level of the mountain range changed, the trees, slopes, houses, and boats in the river gave people a feeling of being surrounded by layers of mountains and desolate mountains. At the end, the main mountain range was on the left, and the mountains echoed on the left. The nearby pine and cypress swayed to the right and echoed the distant mountains. The third part was rich in ink color and space. From the second part to the third part, the painting changed from dense to relaxed, alienated and beautiful. The water waves, silk grass, wide water and fine sand were sketched with thick ink and fine brush. The scenery was lively. The fourth part had the least amount of brush and ink. There was no chapped dye, only mountains and rivers, which restored the original nature. The composition spanned across the fifth part. There was a large blank space as if the four seasons were flowing, and the years were rushing. There were dried moss, small trees, and small bridges on the river bank connecting the fifth part. From the fifth to the sixth part, there was a wide white sand. In the blank space, there were two boats running parallel in the river. The fisherman on the boat was the point scene, and there were distant mountains in the distance. The line drawing of the pen and the dragging of the ink continued in the blank space. The whole picture is full of mountain rocks and chapped strokes, turning naturally. The long hair is covered with hemp and chapped dry and wet. The skill is profound, free and easy, and there is spiritual aura. The picture is full of beautiful forests and lush vegetation. It is full of the poetry of recluse leisurely wandering in the forest and spring. It exudes a strong literary atmosphere of Jiangnan. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Painting of Wang Jian in Fuchun Mountain Residence
Wang Jian had copied Huang Gongwang's Painting of Residence in Fuchun Mountain. He made the long scroll into a vertical axis and dyed it light crimson. This work was blended with brush and ink, and the color was elegant, expressing Wang Jian's respect for the classics of the senior masters. Wang Jian was good at painting mountains and rivers. He followed Dong Yuan and Ju Ran far away, and Wang Meng and Huang Gongwang near him. His painting techniques integrated the strengths of various schools. In the imitation of Fuchun Mountain Residence, the actual and false, thickness, weight, urgency and urgency were varied, appropriately expressing the spatial distance of the scenery before and after, as well as the beginning and ending. The fine and smooth center was subtle and smooth, and the scenery of mountains and rivers was clear and deep. Tianjin Museum has Wang Jian's "Residence in Fuchun Mountain Painting" vertical axis, paper color, showing his superb painting skills. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Who acted in the painting of Fuchun Mountain Residence?
The actors of the movie "Tianji: Residence in Fuchun Mountain" included Andy Liu, Lin Zhiling, Zhang Jingchu, Tong Dawei, Siqin Gaowa, etc., and the actors of the TV series "Residence in Fuchun Mountain" included Liu Duanduan, Pan Zhilin, Wang Wei, Guo Tiecheng, etc. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Where is the painting of the Fuchun Mountain Residence taken?
You might be confused, but there is no information about the film and television work named "Tianji Fuchun Mountain Residence Painting" that indicates its filming location. However, there was a TV series called " Residence in Fuchun Mountain " that was shot in ancient villages such as Dongzi Pass and Longmen in Fuyang, Zhejiang Province. "Residence in Fuchun Mountain" was a painting created by Huang Gongwang, a painter of the Yuan Dynasty, with the two banks of Fuchun River as the scene. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fuchun Mountain Residence background introduction
The Painting of Residence in Fuchun Mountain was a paper ink painting created by Huang Gongwang, a painter of the Yuan Dynasty, in 1350. It was one of the top ten famous paintings in China. This painting was painted by Huang Gongwang for his junior brother, Zheng Chu, with the Fuchun River in Zhejiang as the background. On the painting, the arrangement of mountains and rivers was appropriate. The ink color was mixed with dry and wet colors, which was very varied. The ink was elegant. Only a layer of almost transparent ink was dyed on the mountain rocks. The sand stains and ripples on the distant mountains and the riverside were dyed with a slightly darker ink color. The moss and leaves were dotted with thick ink, which was eye-catching and natural. The entire scene was full of beautiful trees and lush vegetation. It was full of the poetic feeling of a hermit wandering in the forest and spring, and it emitted a strong aura of Jiangnan literati. The original painting was drawn on six pieces of paper, and the six pieces of paper were mounted into a long scroll about 700 centimeters long. Huang Gongwang didn't follow the size of the paper to design the structure. Instead, he created it freely. He browsed, moved, overlapped, or zoomed in from a wide angle. The viewing method was free and the angle was ever-changing. The painting had changed hands several times, and because of the "burning of the painting and burial", the first half of the painting is now in the collection of the Zhejiang Province Museum, and the second half is now in the collection of the National Palace Museum. In addition, there was also the painting "Residence in Fuchun Mountain" by Wang Yuanqi of the Qing Dynasty. The Spring Festival Gala program,"Memories of Jiangnan," was based on Huang Gongwang's "Residence in Fuchun Mountain". Through the actors 'performances, recitals, and singing, it showed the charm of Fuchun's mountains and rivers. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fuchun Mountain Residence Painting Aisin Gioro Qixing
Aisin Gioro Qixing was an actress. The connection between her and 'Residence in Fuchun Mountain' was that she had acted in the movie 'Tianji: Residence in Fuchun Mountain'. In the movie, she played the mute Ge Ge, but she was actually an undercover police officer. " Residence in Fuchun Mountain " was one of the top ten famous paintings in China. The author was Huang Gongwang, and it depicted the scenery of Fuchun River. Fuchun River first had celebrities, then famous poems, and finally gave birth to this famous painting. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!