It was true. In his later years, Bai Juyi raised a total of 33 concubines. Most of them were girls around the age of 15. When these girls reached the age of 18, he would either sell them or give them away, and then exchange them for a batch of younger concubines. His poems also mentioned concubines. For example, in Chasing Pleasure," Ten years of spring cries changed into orioles 'tongues, and three dislikes of old ugliness changed into crescent eyebrows." It described the situation of changing concubines three times in ten years. In addition, he had the more famous Ji Fansu and Xiao Mang. Fan Su was good at singing, and Xiao Mang was good at dancing. They were described as "Cherry Fan Sukou, Willow Small Waist". The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's family background was as follows: There was a dispute over his ancestral home. Some people believed that the Bai family claimed to be the descendants of the famous general Bai Qi of the Qin Dynasty. The famous historian Chen Yinke speculated that the Bai family was related to the Bai or Bo surname in the Western Regions. Yao Weiyuan's research believed that Bai Juyi's ancestors came from the royal family of the Qiuci Kingdom in the Western Regions. According to Xue Zongzheng's research, Bai Xiaode, who was born in the Qiuci royal family, led the Qiuci army to the mainland to help the king quell the rebellion during the An Lushan Rebellion. He died in the Tang Dynasty and was granted the title of Changhua Prince. Bai Juyi was a descendant of Bai Xiaode. He was born in a scholarly family. His grandfather was good at five-character poetry. At the age of seventeen, he passed the imperial examination and was once the county magistrate of Gong County. His father, Bai Jigeng, was born in the Ming Jing and served as the governor of Xuzhou. His grandfather was born in the Ming Jing Department and served as the county captain of Ruicheng County. He was a famous poet during the Dali Dynasty. His grandmother and mother were highly educated, and many others in the family were officials. Bai Juyi's thoughts integrated Confucianism, Buddhism, and Taoism, with Confucianism as the main focus. While waiting for the TV series, he could also read the exciting content related to this site!
There were two poems in Bai Juyi's "On the Pool." The first was: " The cold wind is blowing, and the cold dew is zero. The flowers of orchids begin to turn white, and the leaves of lotuses are still green. Alone perched on the sand crane, flying in pairs, shining on the water fireflies. If it's a lonely place, it's still worth waking up from wine." This poem depicted the scene on the pond during the cold dew season. The cool wind curled up, the cold dew descended, the orchids withered, and the lotus withered. There were sand cranes standing alone, and water fireflies flying in pairs. It displayed a desolate but autumn-like beauty. The second was,"Little Baby, hold the boat and steal the white lotus back." If you don't hide your tracks, you'll open up the duckweed together." This poem described the scene of a little child secretly picking white lotuses. The child's innocent, childish, lively, and mischievous image was vividly portrayed on the paper. It was a poem describing the life of a child. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Li Bai (701 - 762) was a romantic poet of the Tang Dynasty. He was also known as Li Shier and Li Shiyi. He was born in Changlong County, Mianzhou, Shu Prefecture (now Qinglian Village, Jiangyou City, Sichuan Province). He was from Longxi and was a descendant of Li Guang, a general of the Han Dynasty. Li Bai had been gifted in literature since he was a child. He recited the Six Arts at the age of five, read the Hundred Schools of Thought at the age of ten, and began to write poems at the age of fifteen to seek the attention of the upper class. He was recognized and rewarded by some celebrities. When he was young, he traveled to many places and was influenced by Taoism and chivalrous thoughts. His career was bumpy. He was once summoned by Emperor Xuanzong of the Tang Dynasty to the capital to worship the Hanlin Academy, but he was only regarded as a royal scholar and could not display his political ambitions. Later, he left Chang 'an because his wild and unruly character offended the upper class. During the An Lushan Rebellion, he was sentenced to exile in Yelang for participating in King Yong's eastern tour and was later freed. In his later years, he lived in poverty and finally died in the first year of Baoying (762) at the place of Li Yangbing, the county magistrate of Dangtu County (now Ma 'an Mountain, Anhui Province). He was praised by later generations as the "Poet Immortal" and was called "Big Li Du" with Du Fu. Bai Juyi, a poet of the Tang Dynasty, was known as the "Poet Devil" and "Poet King". His poems were natural and simple. Most of his poems were written by the eye and recorded by the heart. They were easy to understand and were praised as "readable by women and children." Bai Juyi's official career was not smooth and he was demoted to Jiangzhou Sima. He had many works, such as Song of Everlasting Regret and Song of Pipa. He had the same birthday as Li Bai. Thirty-seven years after Li Bai's death, the 28-year-old Bai Juyi came to Li Bai's tomb and wrote "Li Bai's Tomb." Together with Li Bai and Du Fu, he was one of the three great poets of the Tang Dynasty. While waiting for the TV series, he could also read the exciting content related to this site!
Bai Juyi was a great poet in the Tang Dynasty. His poems had a wide range of topics, varied forms, and simple language. He was known as the "Poet Devil" and "Poet King". His representative works include Song of Everlasting Regret, Charcoal Merchant, Pipa Song, etc. His poems expressed his concern and sympathy for the sufferings of the working people, showing the great influence of his kind nature. His works not only depicted the beautiful scenery of Jiangnan, but also expressed his love for the beauty of nature and his hope for social equality. Bai Juyi's poems were of a high level in terms of artistry and ideology, which had a profound influence on later poets.
Bai Juyi's "Long Lovesickness" was a poem about a woman leaning against a building and thinking of someone. The poem used mountains and rivers as a metaphor for melancholy, expressing the heroine's longing and resentment for her distant lover. In the poem," Bianshui River flows, Sishui River flows, flows to the ancient ferry of Guazhou, and the sorrow of Mount Wu " depicted the twists and turns of the water flow and the ups and downs of the mountains in the south of the Yangtze River, expressing the deep longing and the strong sorrow. In the poem," I miss you, I hate you, I hate you until I return, and I lean against the building at dawn " expressed the endless longing and resentment that was difficult to give up. This poem displayed Bai Juyi's poetic talent and deep insight into the ways of the world with its concise and smooth language and harmonious temperament.
Bai Juyi's " Everlasting Lovesickness " was a poem that described lovesickness. The poem used mountains and rivers as a metaphor for melancholy, expressing the heroine's longing and resentment for her distant lover. In the poem," Bian River flows, Surabaya flows, flows to the ancient ferry of Guazhou, and the sorrow of Mount Wu " described the feelings of longing like the Bian River and Surabaya River, and the sorrow is like the ups and downs of Mount Wu. And " thinking long, hating long, hating until the time of return, the moon is bright and the person is leaning against the building " expressed that the feelings of longing and resentment could not be ended, and could only be stopped when the lover returned. This poem expressed the pain of deep longing with simple and smooth language and harmonious melody.
'Fishing for Children' was a poem by Bai Juyi. This poem was about children fishing and described a disheveled child learning how to fish from an adult. The poem described a child sitting in the weeds, the weeds hiding his body. When a passerby asked for directions, the child waved from afar, afraid to alarm the fish, and did not dare to respond to the passerby. This poem showed the innocence and concentration of children through the description of children fishing. Bai Juyi was a great realist poet of the Tang Dynasty. His poems were diverse in form and his language was plain and popular. He was known as the "Poet Devil" and "Poet King". His works covered a wide range of topics, and 'Fishing for Children' was one of his best poems.
Bai Juyi had a close relationship with the piano. He had created many poems with the theme of the piano. He wrote at least 14 poems related to the "qin", including playing the piano, listening to the piano, etc., especially at night. He wrote poems about playing the piano, such as "Thinking of Autumn" and "Living in Spring". In "Playing Autumn Thoughts", when playing autumn thoughts leisurely, the tone is clear, the rhyme is sparse and late, expressing a leisurely state of mind when playing the piano; In "Lvdao Spring Residence," it is mentioned that there is still a string piano while describing the scene of spring. The poems describing listening to the piano include "Listening to the Resentment of Xiang Concubine,""Listening to the Orchids,""Listening to the Ancient Green Water," etc. The artistic conception of Listening to Xiangfei's Resentment is the same as that of Song of Pipa; in Listening to Orchids, he thinks that playing by himself is not as good as listening to others to cultivate one's character; in Listening to Ancient Lushui, one's heart is filled with infinite emotion when listening to the music. In addition, there were also " Gin Wine " and " Gin Wine ", which connected the piano and wine, reflecting the pleasure of listening to the piano while drinking. There were also works such as "Boat at Night Helping the Guqin". Bai Juyi's creation of so many poems related to the "qin" was related to his family style for generations. He was born into an official family and had been taught the four arts of a scholar since he was young. As one of them, the piano naturally became an important theme in his creation. Whether he was in a high position or far away from the court, he was always happy with the piano.
Bai Juyi's life was full of love and controversy. He loved his first love, Xiang Ling, but because of his mother's opposition, the two could not get married. At the age of 37, Bai Juyi reluctantly married. In his later years, he raised a total of 33 domestic prostitutes, most of whom were around 15 years old. When these girls were 18 years old, he would either sell them or give them away, and then change them to a younger batch. His behavior was speculated by many later generations. Many people thought that he hoped to find the shadow of Xiang Ling from these prostitutes to comfort his regret. In the social environment at that time, many dignitaries had the habit of raising young prostitutes to satisfy their own desires and to please others. Therefore, his actions were not too out of line at that time, but in the eyes of modern people, it was indecent. In addition, his wife accompanied him until old age, and he also privately raised Fan Su and Xiao Mang, two famous geisha. They could only share joy but not white hair. Together, these women formed Bai Juyi's controversial love life. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
There were many classic works by Bai Juyi. The following are some of them: - Song of Everlasting Sorrow was about the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. There were famous lines such as " The Emperor of Han was obsessed with women and wanted to destroy the country. He couldn't get the imperial palace for many years." - "Dream of Wei Zhi" expressed the deep feelings of missing a friend, such as "At night, hand in hand, dream together, and in the morning, tears will not be collected." - The first four lines of his famous work," Farewell to the Ancient Grass," The wildfire cannot burn, the spring wind blows and it grows again."The poem was widely circulated. The whole poem used the weeds on the ancient plains to express the feelings of parting when bidding farewell to friends. - "Peach Blossom in Dalin Temple", with the words "April in the human world is over, and the peach blossoms in the mountain temple are in full bloom." It depicted the scene of flowers withering in April, but the peach blossoms in the temple had just bloomed, full of surprise, surprise, and joy. - " Spring Walk on Qiantang Lake " was closely related to the environment and the characteristics of the seasons." North of the Gushan Temple, west of the Jia Pavilion, the water level is low and the clouds are low. Where early orioles compete for warm trees, whose new swallows peck spring mud. The flowers are gradually mesmerizing, and the shallow grass cannot hide the hooves. I love the lack of the lake in the east, the white sand embankment in the shade of green poplars,"describing the West Lake in spring. - "Song of the Sunset River","A setting sun spreads on the water, half the river rustles and half the river is red." Poor third night of the ninth month, dew like a pearl and moon like a bow."Through a novel metaphor, he wrote two sets of scenery between the red sun sinking in the west and the new moon rising in the east, creating a harmonious and peaceful mood. - "Ask Liu Nineteen","Green Ant New Fermented Wine, Red Mud Small Stove." It's snowing late. Can I have a drink?" The language was simple, but the feelings were sincere. The words were filled with warm and cheerful colors and warm and passionate friendship. - "Memories of Jiangnan","Jiangnan is good, the scenery is familiar." At sunrise, the red flowers on the river are brighter than the fire. In spring, the river is as green as blue. Can you not remember Jiangnan?" It vividly depicted the beautiful scene of spring in Jiangnan, filled with beautiful memories of Jiangnan. - " The Charcoal Merchant " was a famous realistic work. It satirized the corrupt social reality of the time through the experience of the charcoal seller and expressed deep sympathy for the working people. For example," Poor clothes are single, my heart is worried about charcoal, and I hope the weather is cold." - Song of the Pipa, in which lines such as " We are both people who have fallen from grace, why should we meet before?" were widely praised. This poem was written with the story of Bai Juyi, who was demoted to Jiangzhou Sima in the eleventh year of Yuanhe, encountering a singer girl at the head of Xunyang River as the background. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!