The original text of Gao Lian's appreciation of the four seasons in the Ming Dynasty
Gao Zi said: The mountain people like to enjoy the four seasons of seclusion, and the scenery is very real. If you are in the martial arts world, you can list a few things and record them together with your colleagues. However, there is no end to the true realm of seclusion and appreciation, and those who like it are not true, so everyone is guilty of seclusion and reward, not the true realm is guilty of others. We can be noble and open-minded, open-minded and open-minded, extraordinary and refined, with a pair of eyes, grasp the scenery and understand the heart, so that we can enjoy the wonderful scenery. Besides, I can enjoy all kinds of things in seclusion, take them without restriction, use them inexhaustible, get them at will, look at them all day long, dream of wandering in the world, I will never be careless. How can you win? I haven't finished all kinds of things, but I should show them by analogy. |In the spring, I'll give you twelve rewards| Looking at the plum blossoms under the moon on the lonely mountain In the old site of Gushan, 360 old plum trees were planted, which had been abandoned, and few people were planted again. Sun Zhonggui Gong replanted the original number of trees. In early spring, the jade trees were uneven, the ice flowers were scattered, and the Qiongtai leaned against it, sitting in the Xuanpu Luofu. If it weren't for the moonlight at dusk, I would have sung and enjoyed it with you, and the fragrance would have floated in the air, and the shadow would have been so beautiful, how could it have been real? Eight Trigrams Field Watching Cauliflower Song Jitian, with the eight trigrams line painted ditch, round cloth image, still so today. In spring, vegetables and flowers bloom. Looking from the high mountains in the sky, there are gold and jade fields. The river waves shake. It seems to be from the "Heluo Painting" that the yin and yang lines are distributed. The sea and sky were vast, as far as the eye could see, there were even more thoughts outside the elephant. Tiger running spring trying new tea The spring water of the West Lake is the best, and the tea of the two mountains is the best. Before the rain, I picked tea leaves and baked them. At that time, I stirred the tiger to run to the spring to cook and enjoy them. The fragrance was clear and the taste was cold. The cool water seeped into my poetry. Every spring, I should lie high in the mountains and drink tea for a month. Looking at Xiaoshan from Baochu Pagoda Stewed bamboo shoots in Xixi Restaurant Climbing to the east of the city, looking at the mulberry and wheat Looking at the spring grass on the three towers Looking at the spring trees on the balcony The mountains are full of buildings and willows Looking at the peach blossoms on the Su Cavern Playing with falling flowers on Xiling Bridge Watching the rain on the natural pavilion |Twelve rewards in summer| Looking at the new green on the Su Cavern Playing with Silkworms in the Eastern Suburbs Mountain Three Lives Stone Tanyue Feilai Cave to avoid the heat Overnight at the Bridge Picking water ulva at the pavilion in the middle of the lake The lake is clear, watching the rainbow flowing on the water surface In the evening, I hear the light thunder and the broken rain Riding on the dew to cut open the lotus roots Sitting in an empty pavilion, the moon plays the zither Looking at the lake, a storm is coming Walking on the mountain path, wild flowers and secluded birds |Twelve rewards in autumn| Drunken Red Trees by Xiling Bridge Looking at the tower lights at the foot of the Gem Mountain Enjoy the osmanthus flowers in the whole house Listen to the geese falling on the tower's base Shengguo Temple Moon Cliff Looking at the Moon Listening to the spring after the rain in Shuile Cave Looking at stalagmites at the foot of Ziyan Mountain Looking at the sea clouds on the top of the North Peak Walking on a stick in the forest garden to visit chrysanthemums Riding a boat, listening to the wind and rain Watching the Sea on the Top of Baochu Pagoda Liuhe Tower, playing at night |Twelve rewards in winter| The lake is frozen and the first clear sky is far away When the snow is clear, I'm looking for the plum blossoms On the top of Sanmao Mountain, the sky is clear with snow Playing in the snow on the West Stream Road Enjoy the tea flowers on the top of the mountain Climbing to the top of Tianmu Peak Living in the mountains, listening to people tell stories Sweeping snow, brewing tea, playing with paintings On a snowy night, stewing taro and talking about Zen Listening to the snow and bamboos through the window On New Year's Eve, I climbed Mount Wu to see the pine basin After the snow, we have dinner in the Sea-suppressing Tower Temple. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
The original text of Tao Yuanming of the Jin Dynasty in the Four Seasons was annotated and translated.
"Four Seasons" original text: Spring water full of four Ze, summer clouds more strange peaks. The autumn moon shines brightly, and the lonely pine trees on the winter ridge are beautiful. Note: - The four marshes referred to the fields and the marshes. - "Yang" means bright. After the dead of winter, the spring water overflowed the fields and swamps; the clouds in summer were unpredictable, most of them like strange peaks rising suddenly, with thousands of postures; the autumn moon was bright, and under the bright moonlight, everything was covered with a layer of blurred color; in winter, a pine tree in the cold showed its vitality. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
Appreciation of Mr. Fujino's Original Text
Mr. Fujino was a short story written by Lu Xun. It described Mr. Fujino, a China student studying in Japan. Mr. Fujino deeply pondered and reflected on his experience of studying abroad, interpersonal relationships, and Japanese society and culture. Mr. Fujino was a person with a distinct personality. He was smart, diligent, upright, and passionate about academic research. However, he was also influenced by Japanese society and culture, resulting in some contradictions and confusion. In his article, he described Mr. Fujino's life as an overseas student, which was full of opportunities and challenges. At the same time, he also reflected the cultural, political, and social difficulties that China faced at that time. Mr. Fujino's image has an important symbolic meaning in the novel. He represents the collision and conflict between China traditional culture and values and modern international culture. At the same time, he also reflects Lu Xun's reflection on the difficulties and challenges faced by China scholars at that time. The whole article is centered on Mr. Fujino. Through his description, it shows the characteristics of Japanese society and culture, and also reflects the cultural and political difficulties faced by China at that time. It is a novel with profound ideology and symbolic meaning.
Appreciation of Chen Hui's Lychee in the Ming Dynasty
Chen Hui's " Litchi " was a long novel set in the background of litchi cultivation and trade. It described the story of the people struggling to survive in the natural and man-made disasters in the late Ming Dynasty when the litchi season arrived in Fujian's litchi production area. The novel vividly depicted the lives, thoughts and emotions of the people in the litchi producing area with an infectious narrative technique. It showed the kindness, diligence and wisdom of human nature and also reflected the darkness and cruelty of the society at that time. The characters in the novel were vivid and the plot was full of ups and downs. The protagonist, Chen Hui, was a hardworking, brave, kind, intelligent, and conflicted character. Although he worked as an official in the lychee production area and engaged in trade for his livelihood, he still retained his concern and longing for his hometown and family in the depths of his heart. Through his experience, the novel shows the life, thoughts and emotions of the people in the litchi producing area of Fujian at that time, and also reflects the darkness and cruelty of the society at that time. The description of lychees in the novel was very vivid and full of literary flavor. Lychee was a fruit with a unique fragrance and texture. Its image and taste were fully displayed in the novel. The novel described the growth process, picking, processing, and transportation of lychees, making readers feel the preciousness and difficulty of lychees. In addition, the novel also reflected the commercial situation of the society and the greed and selfishness of human nature through the description of the lychee trade. Lychee is a novel full of appeal and literary value. Through vivid stories and profound characters, it shows the darkness and cruelty of the society at that time, as well as the kindness, diligence and wisdom of human nature. Reading this novel not only allowed one to feel the charm of literature, but also allowed one to understand the historical background and cultural style of the society at that time.
The classical Chinese once written by Ming Gao-lian
The classical Chinese that Ming Gao Lian once wrote was "Preface to Lu Yiyang's Jingxuan Poetry."
Appreciation of the works of the four schools of the Yuan Dynasty
The four families of the Yuan Dynasty were Huang Gongwang, Wu Zhen, Wang Meng and Ni Zan. The following are some of their works: - Huang Gongwang: - "Stone Wall Painting of Tianchi Lake"(collected by the Palace Museum in Beijing), the composition of the painting was imitated by Dong Ju of Jingguan in the Five Dynasties. He was skilled in writing and was good at writing. - The Painting of Red Cliff and Jade Tree (Beijing Palace Museum). - Painting of Snow on Nine Peaks (Beijing Palace Museum). - The Painting of Quiet Water Pavilion (collected by Nanjing Museum). - "Fuchun Ridge Painting"(collected by Nanjing Museum). - The Painting of the Strange Peak of Dongting Lake (collected by the National Palace Museum in Taibei). - "Nine Peak Green Painting" and other works. - His painting, Residence in Fuchun Mountain, was especially famous. - ** Wu Zhen **: - Fisherman Painting (Beijing Palace Museum collection). - "Twin Cypress Trees at Pingyuan"(collected by the National Palace Museum in Taiwan). - "Dongting Lake Fishing Hidden Painting"(Collection of the National Palace Museum in Taiwan). - [Painting of the Reed Flower and the Wild Geese](Beijing Palace Museum). - [Autumn River Fishing Hidden Painting](Collection of the National Palace Museum, Taibei). - Spring Dawn on the Qingjiang River (Collection of the National Palace Museum, Taibei). - Bamboo and Stone Painting (Collection of the National Palace Museum, Taibei). - The Painting of Many Blessings (collected by Tianjin Museum). - Ni Zan: - "Water Bamboo Residence Painting"(National Museum of China). - "Painting of Rong Xi Zhai"(collected by the National Palace Museum in Taiwan). - Painting of the Fishing Village in Autumn (Shanghai Museum Collection). - Yu Mountain and Forest Valley Painting (Princeton University Art Museum Collection). - The Painting of Cold Pine Trees in the Serene Stream (Collection of the National Palace Museum, Taibei). - Autumn Pavilion and Beautiful Trees (Beijing Palace Museum). - Wang Meng: - "Qingbian Seclusion Painting"(Shanghai Museum Collection). - Reading in Spring Mountain (Shanghai Museum Collection). - Ge Zhichuan's Relocation Map (Beijing Palace Museum Collection). - Summer Mountain Residence Painting (Beijing Palace Museum Collection). - "Hidden Painting of Summer Mountain"(Beijing Palace Museum). - The Painting of the Cottage on Dongshan Mountain (collected by the National Palace Museum in Taiwan). The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Rebirth of Ming Dynasty, Appreciation of Wei Zhongxian
" In some novels about the Ming Dynasty, there was a plot setting where Wei Zhongxian was put in an important position after his rebirth. For example, in " Rebirth: The Apocalypse of the Ming Dynasty," the protagonist traveled to the Ming Dynasty and helped Emperor Zhu Youxiao by accident. Wei Zhongxian was an important figure in the court at that time. In such a story background, it might involve different ways of using or treating Wei Zhongxian. Although Wei Zhongxian was a controversial figure in history, some people believed that he had a certain role in a specific power structure. Rebirth novels often used this complicated historical evaluation to unfold the plot of the protagonist using his modern knowledge or special abilities to treat Wei Zhongxian again after rebirth, or to use him to achieve a certain purpose, such as stabilizing the situation in the court, balancing the various forces, etc. The novel " The Unorthodox Great Ming " is equally exciting. Everyone is welcome to click and read it! "
The original text and appreciation of the famous passages
The original text and appreciation examples of the famous passages are as follows: Original text: The love life of Baoyu and Daiyu in Dream of the Red Chamber was considered a classic in the history of Chinese literature. Daiyu was Baoyu's cousin, and the relationship between the two gradually sublimated from the initial mutual affection to deep love. In the novel, Daiyu's personality was clear. She was kind, sensitive, talented, but also very lonely and fragile. Her emotional experience and life experiences reflected the various drawbacks of feudal society and the complexity of human nature. Appreciation: The love life of Baoyu and Daiyu in Dream of the Red Chamber was one of the main plots of the novel. Baoyu was a talented and emotional young man. His encounter with Daiyu showed the kindness, sincerity and sensitivity of human nature. On the other hand, Daiyu was a woman full of personality and talent. Her loneliness, fragility and deep affection could not help but resonate with people. The characters and plots in the novel had a high artistic appeal and aesthetic value. In addition,'Dream of the Red Chamber' also showed the various drawbacks of feudal society, such as the hierarchy, family inheritance, interpersonal relationships, and other elements. These elements were of important reference value for understanding Chinese traditional culture and social background. At the same time, the description and dialogue in the novel were also full of literary charm and language arts, allowing readers to deeply feel the meaning and charm of the novel. Original text: Journey to the West was a masterpiece in the history of Chinese literature. It told the story of Sun Wukong and the others protecting Tang Sanzang, who went to the West to obtain scriptures. In the novel, Sun Wukong was a monkey with infinite magic and wisdom. His ability and courage were admirable. At the same time, the novel also showed the kindness and justice of human nature. The journey of Tang Sanzang and others to the Western Heaven was also full of philosophy and enlightenment. Appreciation: Journey to the West was a classic work in the history of Chinese literature. The plot was compact, the characters were vivid, and the language was beautiful. In the novel, Sun Wukong was a monkey with infinite magic and wisdom. His ability and courage were admirable. Tang Sanzang and the others 'journey to the Western Paradise was also full of philosophy and enlightenment, while also showing the kindness and justice of human nature.
Urgent request for Lu Xun's "Twenty-four Filial Piety Painting" original text and appreciation!
The original text of Lu Xun's "Twenty-four Filial Piety" is as follows: "Twenty-four Filial Piety Painting" is an old-style painting in China. From left to right, from top to bottom, there are twenty-four scenes on the map. Each scene has a title and a story. In ancient China, filial piety was the most important thing, so the painting took twenty-four filial piety as the theme to express the spirit of filial piety. The filial piety that we value has not declined for a long time since the Han and Wei Dynasties. The story of twenty-four filial piety began in the Han Dynasty, and its origin can be traced back to the Wei, Jin, Southern and Northern Dynasties. Although these stories are not necessarily true, their gist is to show the sincerity of filial piety and leave behind hypocrisy, so that future generations can clearly distinguish the origin of filial piety. The stories of the twenty-four filial piety are now described as follows: The first filial piety is to warm the mat with yellow incense. Huang Xiang lost his father when he was young. His mother often slept on the ground when it was cold in winter. Huang Xiang covered his mother with his own blanket and warmed her mat every night. The second filial piety Dong Yong sold himself. When Dong Yong was young, his mother wanted to sell him to an official's family, but Dong Yong vowed not to let her go. Later, his mother died of poverty and illness. Dong Yong sold his body to bury his mother. The third is the bamboo of Emperor Xiaomeng. Meng Zong's mother was seriously ill and wanted to buy a coffin to bury her, but her mother refused to cry loudly. When Meng Zong arrived, he hugged the bamboo and cried bitterly. His mother was cured. The fourth filial grandson, Simiao, is filial to his parents. Sun Simiao lost his father when he was young. His mother often slept on the ground in the cold every winter. Sun Simiao covered his mother with his own clothes and warmed her clothes every night. The fifth filial piety is Li Yixiao's mother. Li Yi lost his father when he was a child. His mother often slept outdoors in the cold every winter. Li Yi used his own flame to warm his mother so that she would not suffer from the cold. The sixth filial piety Wang Xiang is lying on ice. Wang Xiang lost his father when he was a child. His mother often slept on the ground when it was cold in winter. Wang Xiang slept in the snow every day to keep his mother warm. The seventh filial piety Pengzu filial piety parents. Pengzu was older than him. His mother wanted to sell him to an official's family, but Pengzu vowed not to. Later, his mother died of poverty and illness. Peng Zu sold his body to bury his mother. The eighth filial son respects his father. When Sun Jing was young, his father often slept on the ground in the cold winter. Sun Jing used his own flame to warm his father so that he would not suffer from the cold. The ninth filial piety Dong Yong sold himself to bury his mother. When Dong Yong was young, his mother wanted to sell him to an official's family, but Dong Yong vowed not to let her go. Later, his mother died of poverty and illness. Dong Yong sold his body to bury his mother. The tenth is Emperor Xiaozhuang of Liang. Emperor Wu's mother died early, and his brother Xiao Yan wanted to sell him to a noble family, but Emperor Wu refused. Later, Emperor Wu of Liang proclaimed himself emperor and built a temple for his mother to commemorate his filial piety. The eleventh filial piety Cao Boqi filial piety mother. Cao Boqi's father died early, and his mother often slept outdoors in the cold every winter. Cao Boqi covered his mother with his own clothes and warmed her clothes every night. The twelfth filial piety Zhou Xing filial mother. Zhou Xing's father died early, and his mother slept on the ground every winter. Zhou Xing, on the other hand, used his own flame to warm his mother so that she would not suffer from the cold. The 13th filial piety Wu filial piety mother. Wu's father died early, and his mother often slept on the ground when it was cold in winter. Wu covered her mother with her own sweater to protect her from the cold. The 14th filial piety is Zheng's filial father. Zheng's father died early, and his mother slept on the ground every winter when it was cold. Zheng, on the other hand, used her own flame to warm her mother so that she would not suffer from the cold. The 15th filial piety is Chen Zhixiao's mother. Chen Zhi's father died early, and his mother often slept on the ground when it was cold in winter. Chen Zhi covered his mother with his own cotton coat to protect her from the cold. The 16th filial piety Kong Wen recommended filial piety father. Kong Wenju's father died early, and his mother often slept on the ground in the cold winter. Kong Wenju used his own flame to warm his mother from the cold. The 17th filial mother Huang Xiang. Huang Xiang lost his father when he was a child. His mother often slept on the ground when it was cold in winter. Huang Xiang covered her mother with her own blanket to protect her from the cold. The 18th filial piety Wu Guo Xie filial piety mother. Guo Xie's father died early, and his mother often slept on the ground every winter. Wu Guojie used his own flame to warm his mother from the cold. The 19th filial piety Li Yixiao's mother. Li Yizhi's father died early, and his mother often slept on the ground when it was cold in winter. Li Yi used his own flame to warm his mother so that she would not suffer from the cold. The 20th filial piety Pengzu filial piety parents. Pengzu was older than him. His mother wanted to sell him to an official's family, but Pengzu vowed not to. Later, his mother died of poverty and illness. Peng Zu sold his body to bury his mother. The twenty-first Xiao Meng Zong cried for bamboo. Meng Zong's mother was seriously ill and wanted to buy a coffin to bury her, but her mother refused to cry loudly. When Meng Zong arrived, he hugged the bamboo and cried bitterly. His mother was cured. The twenty-second filial grandson Simiao filial piety parents. Sun Simiao lost his father when he was young. His mother often slept on the ground in the cold every winter. Sun Simiao covered his mother with his own clothes and warmed her clothes every night. The twenty-third filial piety king Xiang lay on ice. Wang Xiang lost his father when he was a child. His mother often slept on the ground when it was cold in winter. Wang Xiang slept in the snow every day to keep his mother warm. The 24th filial piety Zhou Xing filial mother. Zhou Xing's father died early, and his mother slept on the ground every winter. Zhou Xing, on the other hand, used his own flame to warm his mother so that she would not suffer from the cold. The above is the original text in the "24 Filial Piety Painting". It can be seen that Lu Xun attached great importance to filial piety and criticized the traditional spirit of filial piety in ancient China, revealing the hypocrisy and superficial components. At the same time, Lu Xun also conveyed his thoughts and reflections on filial piety to the readers through the narration of these stories.
The full text of the four seasons landscape poems
The original text of "Four Seasons Landscape Poetry" is: Orioles sing on the shore, willows make spring clear night moonlight, fragrant lotus green water moving wind cool summer long. In autumn, Chu Yan stayed on the sandbar with shallow water, and the red furnace burned charcoal to resist the cold wind in the middle of winter. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!