Urgent request for Lu Xun's "Twenty-four Filial Piety Painting" original text and appreciation!
The original text of Lu Xun's "Twenty-four Filial Piety" is as follows: "Twenty-four Filial Piety Painting" is an old-style painting in China. From left to right, from top to bottom, there are twenty-four scenes on the map. Each scene has a title and a story. In ancient China, filial piety was the most important thing, so the painting took twenty-four filial piety as the theme to express the spirit of filial piety. The filial piety that we value has not declined for a long time since the Han and Wei Dynasties. The story of twenty-four filial piety began in the Han Dynasty, and its origin can be traced back to the Wei, Jin, Southern and Northern Dynasties. Although these stories are not necessarily true, their gist is to show the sincerity of filial piety and leave behind hypocrisy, so that future generations can clearly distinguish the origin of filial piety. The stories of the twenty-four filial piety are now described as follows: The first filial piety is to warm the mat with yellow incense. Huang Xiang lost his father when he was young. His mother often slept on the ground when it was cold in winter. Huang Xiang covered his mother with his own blanket and warmed her mat every night. The second filial piety Dong Yong sold himself. When Dong Yong was young, his mother wanted to sell him to an official's family, but Dong Yong vowed not to let her go. Later, his mother died of poverty and illness. Dong Yong sold his body to bury his mother. The third is the bamboo of Emperor Xiaomeng. Meng Zong's mother was seriously ill and wanted to buy a coffin to bury her, but her mother refused to cry loudly. When Meng Zong arrived, he hugged the bamboo and cried bitterly. His mother was cured. The fourth filial grandson, Simiao, is filial to his parents. Sun Simiao lost his father when he was young. His mother often slept on the ground in the cold every winter. Sun Simiao covered his mother with his own clothes and warmed her clothes every night. The fifth filial piety is Li Yixiao's mother. Li Yi lost his father when he was a child. His mother often slept outdoors in the cold every winter. Li Yi used his own flame to warm his mother so that she would not suffer from the cold. The sixth filial piety Wang Xiang is lying on ice. Wang Xiang lost his father when he was a child. His mother often slept on the ground when it was cold in winter. Wang Xiang slept in the snow every day to keep his mother warm. The seventh filial piety Pengzu filial piety parents. Pengzu was older than him. His mother wanted to sell him to an official's family, but Pengzu vowed not to. Later, his mother died of poverty and illness. Peng Zu sold his body to bury his mother. The eighth filial son respects his father. When Sun Jing was young, his father often slept on the ground in the cold winter. Sun Jing used his own flame to warm his father so that he would not suffer from the cold. The ninth filial piety Dong Yong sold himself to bury his mother. When Dong Yong was young, his mother wanted to sell him to an official's family, but Dong Yong vowed not to let her go. Later, his mother died of poverty and illness. Dong Yong sold his body to bury his mother. The tenth is Emperor Xiaozhuang of Liang. Emperor Wu's mother died early, and his brother Xiao Yan wanted to sell him to a noble family, but Emperor Wu refused. Later, Emperor Wu of Liang proclaimed himself emperor and built a temple for his mother to commemorate his filial piety. The eleventh filial piety Cao Boqi filial piety mother. Cao Boqi's father died early, and his mother often slept outdoors in the cold every winter. Cao Boqi covered his mother with his own clothes and warmed her clothes every night. The twelfth filial piety Zhou Xing filial mother. Zhou Xing's father died early, and his mother slept on the ground every winter. Zhou Xing, on the other hand, used his own flame to warm his mother so that she would not suffer from the cold. The 13th filial piety Wu filial piety mother. Wu's father died early, and his mother often slept on the ground when it was cold in winter. Wu covered her mother with her own sweater to protect her from the cold. The 14th filial piety is Zheng's filial father. Zheng's father died early, and his mother slept on the ground every winter when it was cold. Zheng, on the other hand, used her own flame to warm her mother so that she would not suffer from the cold. The 15th filial piety is Chen Zhixiao's mother. Chen Zhi's father died early, and his mother often slept on the ground when it was cold in winter. Chen Zhi covered his mother with his own cotton coat to protect her from the cold. The 16th filial piety Kong Wen recommended filial piety father. Kong Wenju's father died early, and his mother often slept on the ground in the cold winter. Kong Wenju used his own flame to warm his mother from the cold. The 17th filial mother Huang Xiang. Huang Xiang lost his father when he was a child. His mother often slept on the ground when it was cold in winter. Huang Xiang covered her mother with her own blanket to protect her from the cold. The 18th filial piety Wu Guo Xie filial piety mother. Guo Xie's father died early, and his mother often slept on the ground every winter. Wu Guojie used his own flame to warm his mother from the cold. The 19th filial piety Li Yixiao's mother. Li Yizhi's father died early, and his mother often slept on the ground when it was cold in winter. Li Yi used his own flame to warm his mother so that she would not suffer from the cold. The 20th filial piety Pengzu filial piety parents. Pengzu was older than him. His mother wanted to sell him to an official's family, but Pengzu vowed not to. Later, his mother died of poverty and illness. Peng Zu sold his body to bury his mother. The twenty-first Xiao Meng Zong cried for bamboo. Meng Zong's mother was seriously ill and wanted to buy a coffin to bury her, but her mother refused to cry loudly. When Meng Zong arrived, he hugged the bamboo and cried bitterly. His mother was cured. The twenty-second filial grandson Simiao filial piety parents. Sun Simiao lost his father when he was young. His mother often slept on the ground in the cold every winter. Sun Simiao covered his mother with his own clothes and warmed her clothes every night. The twenty-third filial piety king Xiang lay on ice. Wang Xiang lost his father when he was a child. His mother often slept on the ground when it was cold in winter. Wang Xiang slept in the snow every day to keep his mother warm. The 24th filial piety Zhou Xing filial mother. Zhou Xing's father died early, and his mother slept on the ground every winter. Zhou Xing, on the other hand, used his own flame to warm his mother so that she would not suffer from the cold. The above is the original text in the "24 Filial Piety Painting". It can be seen that Lu Xun attached great importance to filial piety and criticized the traditional spirit of filial piety in ancient China, revealing the hypocrisy and superficial components. At the same time, Lu Xun also conveyed his thoughts and reflections on filial piety to the readers through the narration of these stories.
Lu Xun's " Twenty-four Filial Piety "?
Lu Xun's Twenty-four Filial Piety was a famous novel. It mainly told the story of a poor family who sold their mother to pay for their son's school fees, which eventually led to the breakdown of the family. Through the discussion of family ethics, moral values and human nature, the novel profoundly reveals the darkness and hypocrisy of feudal society. At the same time, it also showed Lu Xun's criticism of the feudal morality of the old society and his pursuit of democracy, freedom and equality in the new society.
The main content of Lu Xun's "Twenty-four Filial Piety"
Lu Xun's 'Twenty-four Filial Piety Paintings' was a work that recorded the filial piety culture of ancient China, including the stories of 24 dutiful sons. These stories mainly talked about the importance of filial piety and how dutiful sons repay their parents 'love with their filial piety. One of the stories was about a boy who made soup for his mother every day after his mother passed away in order to remember her and keep her healthy. Even though he was very hungry, he had to wait for his mother to finish eating before eating. Another story was about a girl who gave up her lover to take care of her grandmother after her father died. These stories emphasized the importance of filial piety culture, believing that filial piety was an eternal virtue and an important guarantee for family harmony and social harmony. Lu Xun criticized and reflected on these stories in the Twenty-four Filial Piety Paintings. He believed that some of these stories were too extreme and some were too superstitious. We should understand and treat the filial piety culture with a more objective and rational attitude.
What are the stories of Lu Xun's "Twenty-four Filial Piety"
Lu Xun's Twenty-four Filial Piety Paintings was an important Chinese novel that told many stories of ancient filial piety. These included: The Filial Son tells the story of a son who sacrifices himself to save his mother. " The Oil Man Owns the Courtesan Belle ": It tells the story of a poor oil man and a rich Courtesan Belle's love story. Although it does not conform to the current values, it was very popular in the society at that time. 3. Bai Xiaowen: It tells the story of a son who does not hesitate to give up everything to recover his lost mother. [4]" Guo Jumei 'er ": A story about a father who, in order to educate his son not to be bewitched by money, deliberately threw his rich son into the sea while he dug for treasure. The story of a mother leaving her bitter body to her son for the sake of his future. 6. Dong Yong and the Seven Fairies: It tells the story of a cowherd who sacrificed everything to marry a Weaver Girl. Chen Shimei: It tells the story of a man who abandoned his wife for his own benefit. "Mencius's Mother Moved Three Times": It tells the story of a mother who constantly moved to give her child a better education. Su Wu Shepherding the Sheep: It tells the story of Su Wu, who refused to yield even in adversity for the benefit of the country. Song of the Wanderer: It tells the story of a mother who constantly misses and cares about her son after he leaves home.
Write two allusions about filial piety in the Twenty-four Filial Piety Painting
The Twenty-four Filial Piety Paintings was a famous scroll of Chinese history and culture. It contained many touching stories of filial piety. There were two allusions about filial piety: Mencius 'mother moved three times Meng Zi's mother was Meng Zi's first teacher. She once brought Meng Zi to a guest's house. Meng Zi quickly learned some bad habits there, such as stealing and lying. Mother Meng knew that these habits were not good for Meng Zi's growth, so she decided to move him again. This time, she brought Mencius to a place called "Righteousness". The people there were very honest. Mencius quickly learned good habits such as honesty and justice. In the end, Mencius 'mother finally determined where Mencius lived and nurtured him into a great ideologist and politician. 2. A Civet for a Prince This story was about Emperor Wu of the Han Dynasty. During the reign of Emperor Wu of the Han Dynasty, there was an empress called Madam Li. However, she was not a real empress but was replaced by Emperor Wu of the Han Dynasty's favorite concubine. Emperor Wu of the Han Dynasty was very angry after knowing this, so he ordered the Secretary to abolish Mrs. Li and demote her to a commoner. When Liu Ju, the crown prince of Emperor Wu of the Han Dynasty, learned of this news, he decided to secretly replace the crown prince. He found a civet cat and replaced it with a portrait of the crown prince. Emperor Wu of the Han Dynasty was very happy to know that the crown prince had replaced his favorite concubine, so he made the crown prince Liu Ju emperor. This story tells us to respect the wishes of our parents and not to change their trust and hope.
"Twenty-four Filial Piety Painting" Story Synoptic
The Painting of 24 Filial Piety is a painting of filial piety culture in ancient China. It includes 24 stories about 24 filial piety characters in ancient China. These people were all models of high morality and filial piety. Their behavior was respected and imitated by future generations. The following is the outline of the story of the Twenty-four Filial Piety Painting: 1 " Guo Ju Buried His Son ": Guo Ju's father died for his son. He buried his son under a hill and personally cooked for his son to ensure that his son could eat and wear warm clothes. Dong Yong is an ordinary young man. After his father passed away, he was forced to sell himself to a rich man. However, Dong Yong has always been filial to his master and returned to his hometown to take care of his family after his master passed away. Bai Xiaowu's filial piety: Bai Xiaowu has been filial to his master after his father's death and continues to take care of his family after his master's death. In order to express his gratitude to his master, he specially made a Xiaozhuang Cup and passed it on to future generations. 4. Meng Zong Crying Bamboo: Meng Zong was an ordinary farmer whose bamboo was stolen by thieves. He was so sad that he cried until he fainted. After his father passed away, Meng Zong buried his father in the bamboo forest and went to pay his respects every day. 5. Zheng's Filial Daughter: Zheng was an ordinary woman. After her parents passed away, she donated all her property to her parents 'family. She often took care of her parents, cooked for them, washed their clothes, and wiped their bodies. "Wu's Filial Wife": Wu was an ordinary woman. After her husband passed away, she took care of his parents and family alone. She cooked for them every day, did housework, and washed clothes until her parents passed away. Lu Sheng's Filial Wife: Lu Sheng was an ordinary man. After his wife passed away, he continued to take care of his parents and family.
The general content of the "Twenty-four Filial Piety Painting"
The Painting of Twenty-four Filial Piety was an important cultural heritage in ancient China. It was a classic work on filial piety. It recorded 24 stories of filial piety in ancient China. These stories reflected the importance of filial piety and the values of filial piety in traditional Chinese culture. The plot of the Twenty-four Filial Piety Painting was as follows: The First Filial Piety: Dong Yong and the Yellow Fairy Dong Yong was a poor young man. His mother was seriously ill and needed medical expenses. He borrowed money everywhere but still could not pay for his mother's medical expenses. Finally, he met the Yellow Fairy, who provided him with medical expenses and helped him pay off the loan. The second filial piety: Xiang Yu and his mother Xiangyu's mother is sick and needs treatment, but he is fighting the enemy. Xiangyu asked for leave to return home and used his martial arts skills to save his mother and observe mourning for three years. The third filial piety: Meng Zong crying bamboo Meng Zong was a young man whose mother had been stolen by a thief. He searched everywhere and finally found the truth of his mother's murder. He cried himself to death. The fourth filial piety: Guo Ju buried his son Guo Ju was a wealthy businessman. He had a son, but he was a selfish person. He often stole money and squandered it. Guo Ju knew his son's behavior and decided to bury all his money and sponsor a poor child. The fifth filial piety: Yellow Fragrance Fan Pillow Huang Xiang was a woman. Her parents were old and weak, and they needed her to take care of them. She fanned them and massaged them every day until they died. The sixth filial piety: Sun Simiao saved his mother Sun Simiao was a famous doctor. His mother was sick and needed treatment. He looked for herbs everywhere and finally cured his mother's illness. The seventh filial piety: Wang Xiang lying on ice Wang Xiang was a filial son. His mother was sick and needed treatment, but he was hunting in the cold weather. He immediately went home, put on his clothes, and lay down beside his mother to warm her with his body temperature until she recovered. The eighth filial piety: Liu Hong's mother Liu Hong was a filial son. His mother was old and weak and needed his care. He took care of his mother's diet and life until she passed away. The Ninth Filial Piety: Dong Yong and the Yellow Fairy Dong Yong is a young man whose mother is seriously ill and needs
The general content of the Twenty-four Filial Piety Painting?
The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.
"Twenty-four Filial Piety Painting" Story Synoptic
The Painting of Twenty-four Filial Piety was a Chinese historical novel that told the story of twenty-four filial sons. Most of these stories showed that the ancient Chinese filial piety culture emphasized the importance of family and the kindness of parents. The protagonists of the story were all filial sons who would do anything to repay their parents 'love. Among them, the most representative stories were "Mencius's mother moved three times" and "The oil seller monopolizes the top courtesan." In the story, Meng Ke's mother moved three times in order to give him a good education. Finally, she chose a suitable environment for her son to study. This story showed the importance of parents to their children's education and also emphasized the importance of family. In the story of " The Oil Merchant Owns the Courtesan Belle," the protagonist, Joseph Needham, was a young man from a poor family. However, he was very filial. In order to repay his parents 'love, he did not hesitate to spend a lot of money to please the Courtesan Belle. This story shows the selfless dedication and love of parents to their children, but also reveals that wealth does not mean everything.
The full text of the "Twenty-four Filial Piety Painting" was summarized in the morning and evening
The Painting of Twenty-four Filial Piety was a classic of ancient Chinese traditional culture. It described 24 different stories of filial piety, involving parents 'diet, daily life, education, care, and so on. Some of the stories emphasized the importance of filial piety, while others talked about how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety.
The full text of the "Twenty-four Filial Piety Painting" was summarized in the morning and evening
The Painting of Twenty-four Filial Piety was a traditional classic in ancient China. It recorded the stories and deeds of twenty-four filial sons in ancient China. This book mainly talked about the inheritance and development of filial piety culture in ancient China, as well as the efforts and dedication of dutiful sons to be filial to their parents. The content of the Twenty-four Filial Piety Portrait included: The story of Empress Dowager Xiaozhuang taking care of Emperor Kangxi The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Meng Zong Crying Bamboo Liu Shuzi's Filial Piety Touched the Ancestor's Story The Story of Burying a Son to Serve His Mother The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven Emperor Wu of Liang was moved by his mother's filial piety story The Story of Li Mixiao's Foster Parents Xue Taoxiao's Story of Touching Grand-Ancestor The Story of Mr. Lu's Filial Parents The Story of Huo Qubing's Filial Parents The Story of Zhou Yafu's Filial Foster Parents The Story of Meng Zong Crying to Save His Mother The Story of Chen Fanxiao's Moved Ancestors 16 packs of stories of midwives taking care of newborns The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Liu Bei's Three Visits to the Cottage, Xiaogan and Zhuge Liang The Story of Dong Yong and the Weaver Girl, the Filial Piety of the White Emperor City that Moved Heaven The Story of Mr. Lu's Filial Parents The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven The Story of Meng Zong Crying to Save His Mother The Story of Zhou Yafu's Filial Foster Parents The 24 Filial Piety Paintings mainly talked about the inheritance and development of ancient Chinese filial piety culture, as well as the efforts and dedication of dutiful sons to be filial to their parents. This book was widely praised and became an important part of Chinese culture.