The stele of Suilong Temple
The Stele of Longzang Temple was engraved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). It was called the Stele of Longzang Temple, which was built by the governor of Hengzhou, Duke of E, for the country. It was hidden in Longxing Temple in Zhengding, Hebei Province. The original Longzang Temple of Sui Dynasty was built by Wang Xiaoxian, the governor of Hengzhou at that time, who was ordered to organize more than 10,000 people in the state to donate money. The stele was 3.15 meters tall and had 1500 words in total. There were 30 lines of inscriptions on it, 50 words per line, written in regular script. There is no name of the author, Ouyang Xiu's "Collection of Ancient Records" believes that the author is Zhang Gongli, who signed at the end of the stele, but the word is damaged and difficult to identify the author. The stele was in the middle script style and was of great significance. In terms of the art of calligraphy, its diction was exquisite and its calligraphy skills were wonderful. It was the first of its kind in Tang Dynasty and occupied an important position in the history of the development of regular script. It was called "the first in Sui Dynasty". His pen is thin and vigorous, depressed, deep and sincere, and his body is flat and elegant, graceful and clear. It melts elegant, ancient, clumsy, broad and deep in a furnace. The pen is square outside and round inside, straight and square, vigorous and sharp, integrating the solemn and solemn stele with the graceful and exquisite post. It gathered the strokes of the Northern and Southern Dynasties, and sometimes came out of the Han Li style. It was square, straight, tall, broad, elegant, flat, and natural. It made the graceful, beautiful, thin, hard, and steep into one, forming a "new regular script". It had an impact on the shape, development, and maturity of the regular script of the Tang Dynasty. The regular script masters of the early Tang Dynasty and the middle and late period were more or less influenced by it. However, there was a controversy over the term "ancestor of regular script" because regular script had gradually matured at the end of the Han Dynasty. There were two to three hundred years between Zhong Yao and the Stele of Longzang Temple. Although the Stele of Longzang Temple retained some official script, it was a standard regular script. In addition, Ouyang Xun, who was an old minister of the Sui Dynasty in the early Tang Dynasty, was already very mature in the Sui Dynasty. Therefore, it was not very objective to call it "ancestor of regular script". In addition, there was also a Longzang Temple built in the Tang Dynasty in Sichuan Rongjun Hospital in Long 'an Community, southwest of Xinfan Town, Chengdu. It was originally called Cihui Temple. It was expanded into a temple during Emperor Zhenzong of Song Dynasty. After being destroyed and rebuilt, it was once a cultural gathering during the Xianfeng period of Qing Dynasty. In 2019, it became a national cultural protection unit. It is still not open now. Only the hexagonal pavilion and stele pavilion outside the mountain gate can be used for the patient's family members to rest. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Longxing Temple Stele
There were many inscriptions in Longxing Temple, among which the more famous one was Longzang Temple Stele. The Stele of Longzang Temple was carved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). It was a very valuable inscription in Longxing Temple. It was established by Wang Xiaoxian, the governor of Hengzhou, who was ordered by the emperor to encourage more than 10,000 common people in Hengzhou to build Longzang Temple. Not only did this monument have historical value, but it also had extremely high calligraphy value. The inscription mainly recorded the construction of the temple, such as the process of the Hengzhou governor persuading the construction of Longzang Temple, the scale of the temple at that time, the architectural landscape and the surrounding environment, etc. It was an important historical material for studying the history of Longxing Temple. In terms of calligraphy, his handwriting was "neat, dense, thin, and strong, the first in the Sui Dynasty". His strokes were deep and powerful, with a combination of hardness and softness. The composition was rigorous and elegant, and the square was neat. It was already a mature image of regular script. It inherited the remnant wind of the Northern and Southern Dynasties and opened the first calligraphy of the early Tang Dynasty. It nourished a group of calligraphers such as Ouyang Xun, Yu Shinan, and Chu Suiliang. It was praised by Kang Youwei as "this integrated monument of the Six Dynasties, not only the first in the Sui Dynasty". There is also a "Holy Lord's Life Longevity Zhuyan Stele" in the temple, carved in the fourth year of Yuan Yanyou (1317), now standing in Zhengding Longxing Temple behind the wheel. In addition, there are five imperial steles of the Qing Dynasty in the temple, including one imperial stele of Kangxi, three imperial steles of Qianlong and one imperial stele of Jiaqing. Among them, the imperial stele of Longxing Temple in the fifty-second year of Kangxi and the rebuilding of Zhengding Longxing Great Buddha Temple in the forty-fifth year of Qianlong are located in the pavilions covered with yellow glazed tiles on the east and west sides of the moon platform of Great Compassion Pavilion. The other two imperial steles of Qianlong (engraved with six poems in total) and one imperial stele of Jiaqing are imperial poetry steles, which are respectively located in the side hall of Great Compassion Pavilion-Cishi Pavilion. Behind the Wheel Collection Pavilion and south of the Ci Pavilion. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Version
There are several good copies of Longzang Temple Stele handed down from generation to generation: First, Qing Huangyun, Tang Handi, Shen Shuyong and others handed over the rubbings of Yuan and Ming Dynasties, which are now stored in Shanghai Library; Second, Wang Yirong and Wang Daxie handed over the rubbings of the early Ming Dynasty. Unfortunately, half a page and twenty-eight words were missing. Zhang Yansheng added Jiadao's edition to complete the whole edition. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Similar to the stele of Longzang Temple
The inscriptions similar to the stele of Longzang Temple include Gao Zhan's Epitaph, which is similar in style to the stele of Longzang Temple taken by Chu Suiliang; there is also the Stele of Temple Hall, which is very similar to the stele of Longzang Temple, but it is difficult to know the degree of similarity between the two without seeing the old version. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Inscription
The stele of Longzang Temple mainly recorded the process of the governor of Hengzhou, Duke of E, Wang Xiaoxian, persuading more than 10,000 commoners in Hengzhou to build Longzang Temple under the emperor's order. At the same time, it also introduced the scale, architectural landscape and surrounding environment of the temple at that time. The inscription is written in regular script. There are 30 lines on the front of the tablet, each line is about 50 words, a total of 1446 words. There are titles and the names of Hengzhou counties on the back and left of the tablet, divided into 5 sections and 30 lines, with different words per line. The original author of the stele and the author of the book did not sign their names. Ouyang Xiu believed that the author was Zhang Gongli, who signed at the end of the stele, but the author of the book could not be verified. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Calligraphy
There was no information about the copybooks of the 'Longzang Temple Stele' that were being sold or published. However, from the information provided, it could be seen that the Stele of Longzang Temple was of great significance in the history of calligraphy. It was a representative stele of the Sui Dynasty. The font was simple and pure, and the font was slightly square. It retained the style of official script and was hailed as the first stele of the Sui and Tang Dynasties. The pen was powerful, and the strokes were carved into the bones and muscles. The structure was square, the arrangement was symmetrical and wide, the layout was horizontal and vertical, the characters were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. Many calligraphers of the Tang Dynasty absorbed its essence and formed Tang Kai. If you want to find the copybook of Longzang Temple Stele, you can search through calligraphy bookstores, online calligraphy platforms, or related cultural and art stores. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Pronunciation of Longzang Temple Stele
The pronunciation of the stele of Longzang Temple was: The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The Calligraphy Characteristics of the Stele of Longzang Temple
The calligraphy features of Longzang Temple Stele were mainly as follows: 1. ** Strokes and strokes **: The strokes were varied and precise, which laid the foundation for Tang Kai's " advocating Dharma ". The writing style of regular script was close to the appearance of a mature period. Although there was a hint of official script when it was drawn horizontally, the overall technique and structure of regular script were quite mature. 2. ** Space frame structure **: The structure is full of aesthetic meaning, and the use of space is " appropriate and intricate ". It has the beauty of open space. The beauty of this space, coupled with the characteristics of the pen, made it seem elegant, empty, and elegant. It had the meaning of "insight", like "golden flowers everywhere, fine and exquisite". 3. ** Overall Style **: It has the beauty of "moderate and tranquil". The style was a combination of graceful beauty and ancient simplicity. There was a gentle beauty in the thin and hard, without the dangerous and steep habits of the epitaph carved on the Six Dynasties. The writing style is subtle, the structure is grand and broad, flat and elegant, with a solemn and quiet charm. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele, Brush Calligraphy
The Longzang Temple Stele was carved in the sixth year of Emperor Kaihuang of the Sui Dynasty (586 years). From the perspective of its calligraphy art, it occupied an important position in the history of the development of regular script. His pen is thin and vigorous, deep and sincere, square outside and round inside, straight pen square edge, thick and sharp, integrating the solemn and solemn stele with the graceful and exquisite post. The body is flat and elegant, graceful and beautiful, clear and sparse, melting elegant and elegant, ancient and clumsy, broad and deep in a furnace. From the perspective of writing style, it gathered the writing style of the Northern and Southern Dynasties, and sometimes came from the Han Dynasty. It was straight, straight, wide, elegant, flat, and natural. It made the graceful, beautiful, thin, hard, and steep into one, forming a "new regular script", which played a leading role in the emergence of calligraphy in the Tang Dynasty. The famous works of many calligraphers in later generations flashed with the light and shadow of "Longzang Temple Stele". Many scholars had high comments on it. For example, Ouyang Xiu of the Song Dynasty thought that "the calligraphy and painting were vigorous, with the style of Ou and Yu"; Bao Shichen of the Qing Dynasty said that "Longzang Temple" was enough to inherit the right army, all in the middle of fairness and understanding, with inconceivable changes "and so on. Its calligraphy techniques and structure had developed quite well at that time. Its style had broken away from the dangerous habits of the previous six dynasties 'epitaphs and became gentle and graceful. The strokes were varied and precise, laying the foundation for Tang Kai's style. The structure of the frame was full of aesthetic meaning, and the overall performance was peaceful and thorough, with the beauty of space and clarity. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The stele of Huadu Temple is the best to copy
The most reliable version of the stele was the Sioutang version, but although there was no problem with its charm, the words were not clear. There were also people who mainly studied the Sioutang version and the Dunhuang version, and compared other versions and famous masters 'copies. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The calligraphy style of Longzang Temple Stele is
The stele of Longzang Temple was carved in regular script, but it retained a certain sense of official script. The handwriting was simple and pure, and the font was slightly square. The overall style of the book is broad and broad, and the pen is fine and straight. It shows a peaceful atmosphere and has the style of a gentleman. The pen was powerful, and the strokes were carved into the bones and muscles. The body was square, the arrangement was well-proportioned, broad, generous, mature and steady, and the words echoed each other. The layout was arranged vertically and horizontally, the words were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. It was not only different from the rough and strong Wei steles of the Northern and Southern Dynasties, but also different from the strict rules of the Tang Dynasty. It had the characteristics of connecting the past and the future. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!