Mr. Nan Yi Transplanted Guqin Music Collection
Mr. Nanyi's Transplanted Guqin Music Collection is a simplified musical score, which includes ancient musical scores adapted from popular songs, instruments, and music songs. For example, Mr. Nanyi Transplanted Guqin Music Collection I was published by People's Post and Television Press in January 2018. This collection is a transplanted work. In addition, Mr. Nanyi transplanted three sets of Guqin music collections, priced at 128.36 yuan (118.36 yuan after deducting 10 yuan from 99 yuan). He adapted the ancient music scores for the simplified musical score, reduced the word score, and mixed the popular songs, musical instruments, and song collections, and indicated the music. There were also two copies of "Mr. Nanyi Transplanted Guqin Music Collection 1 + 2", which was a book of guqin music scores adapted from ancient pop songs. The price was 158 yuan. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Mr. Nan Yi's profile
Mr. Nanyi is a guqin artist. He had a strong interest in the guqin since he was a child. He had studied under many guqin masters. After years of hard work and practice, he had formed a unique performance style and teaching system. He had deep attainments in guqin performance and was committed to the inheritance and promotion of guqin culture. Through holding concerts, opening guqin courses, publishing teaching materials, and other methods, more people were exposed to the art of guqin. The Guqin course was systematic and comprehensive, focusing on the combination of theory and practice, emphasizing music performance and emotional communication, using multi-camera teaching to show the details of performance, and also establishing a community to facilitate students to communicate and learn. In January 2018, the People's Post and Television Press published his collection of Mr. Nan Yi's Transplantation of Guqin Music. From 2016 to 2019, he brought about a craze for the transplantation of guqin. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
100 Guqin Music Scores
The following are some common guqin songs: Xianweng Cao, Guqin Yin, Qiufeng Ci, Xiangfei Resentment, Crouching Dragon Song, Drunkard, Phoenix Seeking Phoenix, Good Night Guide, Yangguan Sandie, Guanshan Yue, Wild Goose Falling on the Sand, Ou Lu Forgetting Machine, Pu 'an Mantra, Plum Blossom Sannong, Flowing Water, Guqin Yin (According to Introduction to Guqin (1864)), Phoenix Seeking Phoenix (According to Mei An Guqin Music Score (1931)), Guyin (Biography of Gong Guangbiao and Yu Weichun in the late Qing Dynasty), Orchid Flower (Li Xiangting's fingering method), Little Cabbage (Li Xiangting's fingering method), Autumn Wind Ci (According to Gong Yi's Guqin Playing Method), Autumn Wind Ci (According to Mei An Guqin Music Score (1931)), etc. However, it was difficult to directly list 100 Guqin music scores. From the Six Dynasties period to the 35th year of the Republic of China (AD 1946), Pei Tiexia compiled "Shayan Guqin Collection". There were more than 3,360 different schools of music scores recorded. Excluding the repetitions, there were more than 650 pieces of music with different names.(The new music pieces and the collection of music books created after the founding of the People's Republic of China are not included.) If you need more music scores, you can refer to the collection of music pieces and other related books.
Fuxi Guqin Music
There were records of Fuxi's guqin music, such as the Duke of Zhou's Yue Shang Cao. Although Fuxi's guqin music was mostly legendary, from the perspective of legends, Fuxi Guqin had its special significance. There were Fuxi style guqin music. For example, in some modern ancient BGMs, there were guqin songs named after Fuxi, but no more detailed information about their specific tunes, performance styles, etc. was found. It was difficult to describe the specific characteristics of Fuxi guqin songs in detail.
Guqin Music: Wind and Thunder
"Wind and Thunder Guide" was a famous China zither piece. Legend had it that it was composed by He Yun, a native of the State of Lu during the Zhou Dynasty (also known as the Spring and Autumn Period). There were more than 40 guqin pieces named "Wind and Thunder" in the ancient zither music library of the zither world, which showed its importance. This song was recorded in "Song Xian Guan Qin Pu", which was written by Yan Tianchi in the Ming Dynasty. It was regarded as an authentic music piece and was also included in "Si Ku Quan Shu". The style of this song was different from the quiet and elegant style of most guqin songs. Instead, it had a unique charm and strength. The rhythm was strange and abrupt, gloomy and steep, and the momentum was mighty and majestic. It could emit the spirit, temperament, and charm of the traditional culture of the Han nationality. The music started with the brewing of a storm, then developed to the majestic momentum of thunder and fierce wind, then to the rumbling of thunder and the whistling of the wind. Finally, it ended with the clear sky after the rain, as if it was showing a picture of the changes in the thunderstorm. Other than that, there was also Zhou Tongsheng's performance of Wind and Thunder Guide (Guqin version), which was included in the album Plum Shadow Clear Sound. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
High mountains and flowing water, guqin music
"High Mountains and Flowing Water" was one of the top ten ancient songs in China. Legend had it that when the Qin musician Bo Ya played the zither in the wilderness, the woodcutter Zhong Zi Qi could understand the artistic conception of " E'e like Mount Tai " and " Yangyang like a river ". "Good, your heart is the same as mine," Boya exclaimed. Later on, after Zhong Zi Qi passed away, Boya lost his bosom friend and broke the strings. He never played again, hence the song " High Mountains and Flowing Water ". This song was a metaphor for a confidant or a bosom friend, and also a metaphor for a wonderful piece of music. Its melody was gentle, melodious, and smooth. Its style was elegant and fresh, and its artistic conception was profound and long.
Guqin Music: Three Strokes of Plum Blossom
" Plum Blossom Three Strokes " was also known as " Plum Blossom Guide "," Plum Blossom Song ", and " Jade Concubine Guide ". It was one of the top ten famous China guqin songs. The music score was first recorded in the "Magical Secret Score" compiled by Zhu Quan in the early Ming Dynasty. It was said that it was originally a flute music composed by Huan Yi in the Eastern Jin Dynasty, and later adapted into a zither music by Yan Shigu in the Tang Dynasty. It was mainly composed of a pantonic performance, and the melody representing the image of plum blossoms was repeated three times in different emblems, hence the name "San Nong". The whole song was a mixed composition, with a total of ten sections and an ending, divided into two topics. The first to the sixth section showed the proud and noble image of the plum blossom. The seventh section began to shape the static beauty of the plum blossom, expressing the appreciation and praise of the noble quality of the plum blossom. In terms of performance forms, the early stage was the solo zither. As the instruments developed, they began to use instruments such as Xiao, flute, pipa, etc. to perform or ensembles. After the Qing Dynasty, there were more than 40 versions. From the point of view of the music, it showed the noble character of the plum blossom, which was tall and straight, proud of the snow and frost. It used the characteristics of the plum blossom, which was white, fragrant and not afraid of the cold, to express people's praise for the unyielding nature and noble sentiment. Different people would have different styles and effects when playing this song. For example, the flute music was crisp and loud but might be "impatient". The flute music was slow and long but lacked some firmness. In comparison, the zither music was the most suitable. Its tone was restrained and quiet, reserved and far-reaching, matching the temperament of plum blossoms. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Guqin Music: Moonlit Night on the Spring River
"Moonlit Night on the Spring River" was one of the top ten guqin pieces in China. It was adapted from the pipa piece "Sunset Flute and Drum." It was also a set of pipa pieces. Its score was first found in Ju Shilin and Wu Wanqing's handwritten copies. Through the euphemistic and simple melody and smooth and ever-changing rhythm, this zither song vividly depicted the charming scenery of the spring river on a moonlit night, praised the beautiful charm of the Jiangnan water village, and fully displayed the artistic beauty of traditional China silk and bamboo music. Its artistic techniques included static and moving, moving and still, from far to near, and from near to far. It also expressed emotions with the scenery and expressed feelings in the scenery. Ge Yong, Li Mingzhong and other performers have sung or performed this piece.
Guqin manufacturing, size illustration, complete collection
The following are the size related to the production of the zither: - The distance between Yueshan and the edge of the piano head was 8 - 12 cm. The groove started at 4 cm from Yueshan to the end of the piano. The groove started at 5 cm from the end of the piano to the end of the piano. The most solid wood left in the groove was the above value. The minimum was 2 cm from the head to the groove, and 2 - 5 cm from the end to the groove. The width of the left and right sides of the groove was generally 1 - 1.5 cm. The circumference was the same size except for the two sides. - To make a zither, the board needed to be 1.25 meters long, 21.5 centimeters wide at the shoulder, and 5 centimeters thick (or height). The thickness of the edge of the board was usually about 1.2 centimeters. - The phoenix tongue was 12 centimeters long, 1.8 centimeters long, and 0.2 centimeters long on both sides. - The goose's feet needed to be about 4 centimeters wide or more. If the area was too small, the goose's feet would not be easy to fix and would easily be crooked. - The dragon pond was 21cm long and 2.5cm wide (the size in the ancient book), and the phoenix pond was 10cm long and 2.4cm wide. The dragon pond and the phoenix pond were required to be raised, and the thickness was usually 3 - 2.5cm, with some being 1.8cm thick. - The traditional instruments of the ancients were about 120CM, the Kun Qin (female qin) size about 110 cm, the knee qin size about 90 - 100 cm, and the sleeve qin was about 60 - 70 cm. - The length of the zither mentioned by the sages of the past dynasties was three feet six inches six minutes, which referred to the length of the string. If Longya, Yueshan, Chenglu, and the forehead were added up, it would be about four feet. However, it was difficult to reach a conclusion because of the different measurement systems of the past dynasties. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The Complete Collection of the Top Ten Classic Guqin Songs
The top ten classical China guqin songs included "Guangling San,""High Mountain Flowing Water,""Ambush on All Sides,""Wild Goose Falling on the Sand,""Sunset Flute and Drum,""Autumn Moon in the Han Palace,""Three Strokes of Plum Blossoms,""Question and Answer of Fishermen and Woodcutter,""Drunken Fish Singing Late,""Xiaoxiang Water Clouds," and so on. "Guangling San" was a passionate zither tune, which contained the allusions of Nie Zheng and Ji Kang."High Mountains and Flowing Water" was based on the story of "Boya playing the zither and meeting a bosom friend" during the Spring and Autumn Period and the Warring States Period."Ambush on All Sides" depicted the historical story of the Han army defeating Xiang Yu with the array of "Ambush on All Sides"."Wild Goose Falling on the Sand" described the scene of a flock of wild geese circling in the air before landing, expressing the mind of a hermit with the ambition of the wild geese."Sunset Flute and Drum" is a famous traditional pipa music set, which may be related to Bai Juyi's "Pipa Song";"Autumn Moon in Han Palace" portrays the sadness and sadness of ancient palace maids;"Three Strokes of Plum Blossom" uses plum blossoms to express emotion, praising a gentleman with lofty moral integrity like plum blossoms. Its allusion is the story of Huan Yi playing for Wang Huizhi;"Questions and Answer to Fishermen and Woodcutter" reflects a kind of open-mindedness about the ancient and modern world;"Drunken Fish Singing Late" has the meaning of laughing at the clouds and clouds, drunk and beautiful. The author of "Xiao Xiang Water Cloud" composed this song because the clouds covered Jiuyi Mountain. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Mo Yi Mr
Mo Yi was one of the male protagonists in the game "Undetermined Event Book" and its derivative works. He was voiced by Zhao Lu. He was a well-known psychologist who appeared as the player's personal assistant in the game. Mo Yi had a charming appearance and deep eyes. His intelligence and sense of humor were loved by players. His background and past experiences were full of mysteries, and players needed to gradually uncover his secrets through the game's plot. While waiting for the TV series, you can also click on the link below to read the classic original work of "A Record of a Mortal's Journey to Immortality"!