The Key Points of Replicating the Stele of Longzang Temple
There are the following points to study the Stele of Longzang Temple: 1. When he got the inscription, he would first find a clearly printed version to eliminate the interference of the strokes, and then read it against the inscription. - The main pen is like the backbone of the word, which can make the word stand firm. - Pay attention to the posture of the words, carefully compare the differences between long and short strokes, heavy and light strokes, and the scattered strokes. - Find the strokes, especially those that are repeated side by side, and observe how they show different strokes to make them more vivid. - Pay attention to the relationship between the density of the stippling, because this directly affects the visual effect, so it is necessary to strengthen the memory of the inscription in this aspect. - He analyzed the characteristics of the composition, including the postures between words and lines. He found the rules and remembered the echoing relationship between them. For example, the way to avoid "mountain" and "fire" when they were at the same time or adjacent, the way to give way when multi-point painting was superimposed, try not to close the "mouth" of the word and keep the "exit", avoid when horizontal painting was arranged, etc. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele
"Longzang Temple Stele" was engraved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years), and it was an inscription in regular script. It has 30 lines, each line has 12 or 50 words, the stele is hidden in Hebei Zhengding Longxing Temple. Although there is no name of the author, Ouyang Xiu's "Collection of Ancient Records" believes that the author is Zhang Gongli, who signed at the end of the stele. This stele was huge, with about 1,500 words. The diction was exquisite, and the calligraphy was exquisite. It was the first of its kind in the Tang Dynasty and occupied an important position in the history of the development of regular script. It was praised as the "number one in the Sui Dynasty". From the point of view of calligraphy art, it belongs to the style of Zhongkai calligraphy. The strokes are thin and vigorous, deep and sincere, and the style is flat and elegant, graceful and clear, melting elegant, ancient, clumsy, broad and deep in a furnace. The pen is square on the outside and round on the inside. The straight pen is square and sharp. It combines the solemnity of the stele and the elegance of the post into one. It was influenced by the Northern Stele. Its writing style, strokes, and structure had a strong shadow of the Northern Stele. It also had traces of the Bell King system (Wang Xizhi and others), combining the circular strokes of the Han Li and the square sharpness of the Northern Stele. Many scholars in later generations highly approved of it. For example, Ouyang Xiu of the Song Dynasty thought that "the calligraphy and painting were vigorous and had the style of Ou and Yu"; Bao Shichen of the Qing Dynasty said that "Longzang Temple" was enough to inherit the right army, all of which were in the middle of fairness and understanding, and the mysterious changes were incredible ". Although some people believed that it was the ancestor of regular script, there was also controversy. This was because regular script had gradually matured at the end of the Han Dynasty. There was a gap of two to three hundred years between Zhong Yao and the Longzang Temple Stele. By the Sui Dynasty, regular script had already developed quite well. The Longzang Temple Stele only retained a standard regular script with some official script. It had an important academic value in the evolution of calligraphy and was a rare art treasure. The tablet was semi-circular in shape, embossed six intersecting dragons engraved on it. It was unique in shape and exquisite in carving. It had the simple and unsophisticated style of the Sui Dynasty. In addition, in Sichuan Rongjun Hospital in Longan Community, southwest of Xinfan Town, Sichuan Province (Longzang Temple was built in Tang Dynasty, formerly known as Cihui Temple, and expanded into a temple during Emperor Zhenzong of Song Dynasty), there were also situations related to Longzang Temple. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Pronunciation of Longzang Temple Stele
The pronunciation of the stele of Longzang Temple was: The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Calligraphy
There was no information about the copybooks of the 'Longzang Temple Stele' that were being sold or published. However, from the information provided, it could be seen that the Stele of Longzang Temple was of great significance in the history of calligraphy. It was a representative stele of the Sui Dynasty. The font was simple and pure, and the font was slightly square. It retained the style of official script and was hailed as the first stele of the Sui and Tang Dynasties. The pen was powerful, and the strokes were carved into the bones and muscles. The structure was square, the arrangement was symmetrical and wide, the layout was horizontal and vertical, the characters were dense on the left and right, sparse on the top and bottom, similar to the layout of official script, full of ancient and natural beauty. Many calligraphers of the Tang Dynasty absorbed its essence and formed Tang Kai. If you want to find the copybook of Longzang Temple Stele, you can search through calligraphy bookstores, online calligraphy platforms, or related cultural and art stores. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Inscription
The stele of Longzang Temple mainly recorded the process of the governor of Hengzhou, Duke of E, Wang Xiaoxian, persuading more than 10,000 commoners in Hengzhou to build Longzang Temple under the emperor's order. At the same time, it also introduced the scale, architectural landscape and surrounding environment of the temple at that time. The inscription is written in regular script. There are 30 lines on the front of the tablet, each line is about 50 words, a total of 1446 words. There are titles and the names of Hengzhou counties on the back and left of the tablet, divided into 5 sections and 30 lines, with different words per line. The original author of the stele and the author of the book did not sign their names. Ouyang Xiu believed that the author was Zhang Gongli, who signed at the end of the stele, but the author of the book could not be verified. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple Stele Version
There are several good copies of Longzang Temple Stele handed down from generation to generation: First, Qing Huangyun, Tang Handi, Shen Shuyong and others handed over the rubbings of Yuan and Ming Dynasties, which are now stored in Shanghai Library; Second, Wang Yirong and Wang Daxie handed over the rubbings of the early Ming Dynasty. Unfortunately, half a page and twenty-eight words were missing. Zhang Yansheng added Jiadao's edition to complete the whole edition. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Similar to the stele of Longzang Temple
The inscriptions similar to the stele of Longzang Temple include Gao Zhan's Epitaph, which is similar in style to the stele of Longzang Temple taken by Chu Suiliang; there is also the Stele of Temple Hall, which is very similar to the stele of Longzang Temple, but it is difficult to know the degree of similarity between the two without seeing the old version. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The characteristics of the stele of Longzang Temple
Longzang Temple Stele had the following characteristics: 1. ** font and size **: It is a medium-sized calligraphy style, about 1,500 words, and has a huge volume. 2. ** artistic value ** - ** In terms of diction **, the diction was precise. - Calligraphy: - The brush is thin and vigorous, deep and sincere. The brush is square outside and round inside. The straight brush is square and sharp. It is vigorous and sharp. It combines the solemnity of the stele with the graceful and exquisite style of the post. It not only gathers the strokes of the Northern and Southern Dynasties, but also comes from the Han Li style. It is straight and straight, steep and broad, elegant and flat. The strokes are natural, making the graceful and gorgeous and thin, hard and steep into one, forming a "new regular script". - The body is flat and elegant, graceful and beautiful, clear and sparse, melting elegant and elegant, ancient and clumsy, broad and deep in a furnace. - The strokes were varied and precise, laying the foundation for Tang Kai's advocating of law. The structure of the frame was full of aesthetic meaning. The style was gentle and clear, with the beauty of space and clarity. - The technique and structure of the regular script were quite mature at that time. It broke away from the dangerous and steep habits of the epitaph carved on the steles of the Six Dynasties and became gentle and graceful. The strokes were subtle and had a solemn and quiet charm. It had a unique charm and high calligraphy aesthetic value. 3. ** Historical significance **: It was the first of its kind in the Tang Dynasty and played an important role in the history of the development of regular script. The masters of regular script in the early and late Tang Dynasty were more or less influenced by it. It inherited the Han and Wei Dynasties and started the Three Tang Dynasties. It was the key link in the development of calligraphy. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Longzang Temple stele copy
Many calligraphers had copied the stele of Longzang Temple. For example, Zhang Yu compiled Zhang Yu's Stele of Longzang Temple in the Sui Dynasty; Wang Dongling also studied the Stele of Longzang Temple. In September 1978, when he was 33 years old and working in the creative team of Yangzhou District Cultural Bureau, he studied the Stele of Longzang Temple as his calligraphy class and daily class; Zheng Peiliang had a partial high-definition work of the Stele of Longzang Temple; Deng Sanmu also studied the Stele of Longzang Temple. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Explanation of Longzang Temple Stele
There were 30 lines of regular script on the front of the Longzang Temple stele, each line was about 50 words, a total of 1446 words. The inscription mainly recorded the process of the Hengzhou governor, Duke of E, Wang Xiaoxian, who was ordered by the emperor to persuade more than 10,000 civilians in Hengzhou to build Longzang Temple. At the same time, it also introduced the scale of the temple at that time, the architectural landscape and the surrounding environment. However, the complete content of the interpretation was not found yet. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The meaning of the stele of Longzang Temple
The Longzang Temple Stele was a stone tablet carved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). Its full name was 'The Governor of Hengzhou, Duke of E, advised the country to build the Longzang Temple Stele.' It was located in Longxing Temple, Zhengding, Hebei Province. It was written in regular script with 30 lines and 50 words. There was no name of the author (some people believed that the author was Zhang Gongli, who signed at the end of the stele, but the author could not be verified). The inscription recorded that Wang Xiaoxian, the governor of Hengzhou and Duke of E, was ordered to persuade 10,000 people in the state to build Longzang Temple together. This stele had a great significance in the art of calligraphy. It had about 1,500 words. It was huge in size, exquisite in diction, and exquisite in calligraphy. It belonged to the middle regular script style and was the first of its kind in the Tang Dynasty. It occupied an important position in the history of the development of regular script and was greatly praised by later scholars. It was hailed as the "number one in the Sui Dynasty". His pen is thin and vigorous, depressed, deep and sincere, harmonious, flat and elegant, graceful and clear, elegant and ancient, broad and deep in a furnace. The pen is square outside and round inside, straight and square, vigorous and sharp, integrating the solemnity of the stele with the grace and delicacy of the post. It inherited the Han and Wei Dynasties and started the Three Tang Dynasties. It gathered the writing techniques of the Northern and Southern Dynasties and sometimes came from the Han Li style. It was straight and straight, tall and broad, elegant and flat, and natural. It combined the beauty and sharpness into one, forming a "new regular script", which had an important influence on the shape, development and maturity of the regular script of the Tang Dynasty. The masters of regular script in the early and middle and late Tang Dynasty were more or less influenced by the "Longzang Temple Stele". The top of the tablet was semi-circular, with six intersecting dragons engraved on it. The design was unique and the carving was exquisite. It had the simple and unsophisticated style of the Sui Dynasty. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!