What kind of lighting is good for furniture photography?
In furniture photography, the choice of lighting needed to consider many factors. If you shoot at the sales site, due to environmental constraints, you generally need to have a larger lighting power. The flash should be at least 600W or use a flash with a power box, and a few more should be prepared to meet the complex lighting requirements. When shooting in the studio, the following lighting arrangements can be used as a reference: 1. You can use four strong lights, two on the front side of the left and right sides to measure the front light, two on the back side to illuminate the painting on the wall and the coffee table from the left, and then use a soft light to illuminate the side of the sofa behind the antique shelf. Each light takes a bird's eye view angle, and the intensity of the light distribution is suitable for slight changes in the light and shadow. 2. The furniture was placed in front of the seamless background wall of the studio, and a number of soft lights were used to illuminate the ceiling without projection. The left and right sides of the front were illuminated at a lower angle (the right side was slightly brighter and the left side was slightly darker), and the light ratio on both sides was controlled to be about 1:2. The lower right side of the right light was blocked by black cardboard to create an oblique triangular dark area. Then, the reflective board was used to fill in the light for the right mobile file cabinet. A foot lamp was placed behind the left side of the furniture so that the back board and the ground gap emitted light, and the brightness was controlled to be equal to the highest brightness of the desktop. 3. In order to create artificial sunlight, 5 - 6 flashes could be used. The main light source was placed above the furniture and a soft light screen was added to make the light soft and diffuse to achieve a large area of soft light coverage. Then, a few hard lights were used to choose different honeycomb covers according to the needs. They were placed on the standard cover and shot far away to form a local light area on the main body of the furniture. In addition, when shooting high-light furniture surfaces, pay attention to adjusting the angle of light to control harmful reflections. Different styles and sets of furniture should be handled according to their aesthetic characteristics. Read more exciting novels for free
Lighting skills for furniture shooting
Here are some lighting techniques for furniture photography: 1. ** Light Power and Number ** - If you are shooting in a limited environment such as the sales site, the flash should be at least 600W or use a flash with a power box to ensure a large enough output power, and prepare a few more flashes to meet the complex lighting requirements. When shooting in the studio, it was also possible to use multiple lights, such as four strong lights, two in front from the left and right sides to measure the light, two from the left to illuminate the painting on the wall and the coffee table, and another soft light placed behind the antique shelf to illuminate the side of the sofa. Sometimes, in order to create an artificial sunlight to shoot a piece of furniture, it might take 5 - 6 flashes. 2. ** Light type and angle ** - ** Avoiding shadows and reflections **: The entire photo should be fully illuminated. When lighting, try to avoid direct light to avoid leaving reflective spots on the furniture. During the shooting process, carefully adjust the angle of the light to avoid reflective spots. - ** Create three-dimensional and layered feeling **: - When the furniture was placed in front of the seamless background wall of the studio, a number of soft lights could be used to illuminate the top without projection, and the lights on the left and right sides of the front were lit at a lower angle. The right light was slightly brighter, and the left light was slightly darker. The light ratio on both sides was controlled at about 1:2, which not only increased the brightness at the bottom of the table, but also made the mobile file cabinet in the middle of the table produce a three-dimensional feeling. At the same time, the black cardboard could be used to block the lower right side of the right light, so that there would be a dark area of an inclined triangle on the right side of the shooting scene. Then, the reflective board could be used to fill the light on the right side of the mobile file cabinet, and the front side would be slightly brighter to enhance its three-dimensional effect. - For the main body of the furniture, the main light source could be located above the furniture, and a soft light screen could be added to make the light soft and diffused. The soft light could cover a large area. In addition, a few hard lights could be used. Different honeycomb covers could be selected according to the needs. The standard cover could be used to create a few bright local light areas on the main body of the furniture, thus opening the brightness of the furniture. - ** Lighting in special positions **: Finally, place a foot lamp on the left side of the furniture, so that the gap between the backboard and the ground shines with light, and control its brightness to be equivalent to the highest brightness of the table. - ** Light usage of different furniture materials and surface treatments **: For high-light cabinet furniture, you need to pay attention to adjusting the angle of the light to control the harmful reflection during the shooting; and the furniture in the mat form is relatively easy to handle. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Model photography lighting
The following are some common lighting methods for model photography: 1. Butterfly Light (Paramount Light): - [Effect: It can achieve the effect of slimming the face. There will be a butterfly-shaped symmetrical shadow under the nose, which is a relatively beautiful and likable light.] - Light position setting: Place the light source above the model and point it at the model's cheeks, creating a dramatic shadow under the nose and chin. 2. Ring Light: - [Effect: The light effect created can be flat or narrow.] - Light position arrangement: Starting from the position of the butterfly light, the position of the light should be high enough to cast a perfect arc shadow under the cheekbone. Then, the light source should be moved slightly to the right or left to change the position of the light source until the shadow appears on the other side of the nose, forming a ring. 3. ** Rembrandt Light (Triangular Light)**: - [Effect: The transition is natural and smooth. The most important feature is the "triangle on the cheek." The picture looks both dramatic and natural.] - Light position arrangement: push the light slightly forward to the right or left of the ring light setting, and point the light at a steeper angle. When shooting, the shadow side of the subject's face is facing the camera. Use a light source and a reflective light source, or two separate light sources, to form a triangular light spot on the front part of the face (the projection of the brow bone and nose bridge, and the dark area of the cheekbone). 4. Split Light (Side Light): - [Effect: Easy to achieve indoors. It is suitable for creating a mysterious atmosphere. The scene will show a strong drama, showing the character's personality and temperament.] - Light position arrangement: The main light only illuminated half of the subject's face (the side of the subject, left in the shadows). 5. ** Edge Light **: - Effect: It is very suitable for separating the subject from the background and accentuating the outline. - Light position: Place a light source behind the subject and tilt it toward the back of the head. This auxiliary light source should be stronger than the main light source from the front to get more drama. 6. ** Revealing Light **: - [Effect: Prominent model's wide face.] - Light positioning: Turn the side that receives the light to the camera, or place the light source on the right or left side of the subject and tilt it towards her, and let the model move away from the light source and face the camera. 7. ** Skinny Light **: - [Effect: Makes the face look sharp and has a more three-dimensional feel.] - Light position arrangement: It was the opposite of the wide-light. After the wide-light photo was completed, the light source could be moved to the other side of the model. The model could also turn her body to the side of the light source and push the wide side of the face into the shadow. 8. ** Silhouette Light **: - [Effect: It is suitable for models who ignore the appearance of the model and pursue the outline of the body. It is suitable for models with three-dimensional facial features.] - Shooting method: Let the light part be exposed normally, and the natural dark part be exposed to black. 9. Backlight: - [Effect: It can create a hazy feeling. It is more effective for women.] - [Shooting requirements: It needs to be used with a reflective board, otherwise it will look like a silhouette shot.] 10. Narrow Light: - [Effect: The light can only be displayed at the edge of the model's face. When used with a reflective board, it can reflect a sense of mystery and concentration.] - Light position arrangement: The light position is behind the model. 11. [Contour Light]: - [Effect: Create a solemn and mysterious feeling, highlight the model's focused eyes, suitable for models with three-dimensional facial features.] - Light position arrangement: You can use it as a character's decorative light and place it behind the subject to make the hair have a high level of light, so that the face has a very good outline. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lighting for makeup photography
There were many ways to set up light in cosmetic photography: - ** Use natural light and auxiliary tools to light up **: The main light can be used to soften the bottle cap with a shadowless cover or create a bright effect. In the dark, without the use of a reflective board, the cosmetic picture can be shot with a more layered feeling. Pay attention to the position of the camera. For example, let the bottom of the bottle show a circular arc, and the camera lens is at the bottle cap to better show the shape of the bottle. - ** Multi-light combination and lighting arrangement **: - ** Lighting of specific products **: For example, when shooting cosmetics such as white plastic bottles and white painted aluminum tubes, in order to reduce the reflection and maintain the texture, soft light can be created by increasing the area of the light source and the distance between the light body and the diffusing layer. The methods to obtain soft light were to use tracing paper to shine, to use white fog to reflect light, to use shadowless cover, and to use tracing paper to shine light, and to maintain a considerable distance to achieve the required flexibility. After that, he adjusted the position of the light to make the product white and soft with obvious shadows. Next, light the bottom of the bottom plate with blue light. The intensity should make the shadow light blue but not too bright. Then, use the third light to apply the principle of reflective light. Put a light blue light paper on the light and hit it on the reflective plate to form a light blue to dilute the dark part of the product. The strength of each light is judged by the eyes. The blue light around and below cannot be stronger than the main light. In order to maintain the white impression of the product, it can be overexposed by about half a square. - ** Eye shadow tray lighting **: Take the Kazilan eye shadow tray as an example, you can use a flash plus a standard mask and a soft light screen to brighten the entire background; a flash plus a 30-degree beehive to brighten the eye shadow tray at the 2 o'clock direction of the camera; a flash plus a strip-shaped soft light box and soft light screen at the 11 o'clock direction of the camera to illuminate the side of the product to outline the structure of the right edge of the product and highlight the details of the dark side of the box; A white reflective cardboard was placed at the 1 o'clock position of the camera. It reflected the light from other flashes to illuminate the dark mirror area on the mirror. - ** Universal lighting settings (for reference only)**: If you use a Canon 6D camera and a 100mm 2.8 lens to shoot creative cosmetics scenes, you can use three SK400W, two radars, one standard mask, and two 145*250 soft screens. With the cube props, the setting parameters are: aperture: f13, shutter: 1/100, USB: 100, focal length: 100mm, white balance: 5200K, but when the lighting environment and light output are different, you should not completely copy the parameters. You should learn the lighting method and ideas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry photography lighting
There were many ways to set up lighting for jewelry photography. The following were the common ones: ** 1. Single lamp lighting method ** - Usually, the camera was shot from a side angle. This angle was more suitable for shooting jewelry such as diamonds, because the side angle did not have to worry about the camera lens creating shadows. A single lamp could make the light and shadow more three-dimensional and more penetrative. ** 2. Double Light Illumination Method ** - It was shot with two sheets of paper and two lights. When shooting, pay attention to adjusting the angle and distance of the lights to control the change of light and shadow on the surface of the product, so as to achieve the desired effect. Moreover, he had to pay attention to the light ratio between the two lights and make sure that the primary and secondary lights were clear. ** Three-lamp lighting method (Surrounding lighting method)** - The product was completely surrounded from three angles, leaving only the position of the camera to enter the light. Then, the light distribution was adjusted in three directions around the camera to capture the desired effect. The main light, auxiliary light, and outline light would change according to the subject of the shoot. This method was more friendly to newbies. There were different considerations for the lighting of different materials: - ** Diffuse reflective material **: For example, ancient gold, ancient silver, ivory, rhinoceros horn and other decorative ornaments. The material feature is that the light projected on the rough surface will be reflected in all directions. A beam of light will hit the product and reflect aimlessly. This kind of material was relatively easy to shoot, as long as the product was bright. - ** Fully reflective material **: Mainly made of pure gold, platinum, gold, platinum, silver, alloy, other synthetic metals, and other rare metals. The reflective surface is smooth, and the light is reflected in parallel. When a beam of light shines on the product, the light will produce a directional reflection characteristic according to the principle that the angle of incidence is equal to the angle of reflection. - ** Refraction material **: Most of them are gemstones, such as diamonds, red sapphires, emeralds, jadeites, corals, pearls, amber and other natural rare species. Tourmaline, turquoise, amethyst, agate, lapis lazuli and other semi-precious stones. When light slanted from one transparent medium into another, the direction of transmission would generally change. When a beam of light hit a product, a portion of the light would be reflected by the mirror, and a portion of the light would brighten the internal material. When setting up the light, they would usually use tracing paper, black, white, gold, silver reflective plates, spotlights, soft light boxes, and other tools to meet the needs of different jewelry. For example, for diamond jewelry, if you want to shoot a bright effect, you can use the fill light method to make the brightness of different sides and the highlight of different edges. If you want to completely eliminate the reflection on the jewelry, you can use tent-type lighting. Set up a "tent" on the top and around the jewelry with seamless paper to cover the surroundings, the top, and the front (only a hole that can be inserted into the lens and the light). The "tent" is illuminated softly and indirectly to make the light uniform. For gold and silver jewelry, most of them used direct light to make their color shine, achieving a golden effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Foreign photography furniture
The following are some of the situations involving furniture in foreign photography: - In Berlin, Germany, photographer Vikoria's home was dominated by neutral colors and furniture with strong lines. The living room had a sofa, butterfly chair, AJ table lamp and other modern home classics. Black lighting and light-colored furniture created a peaceful and quiet atmosphere. The calm rice, gray tones and textile texture ensured the warmth and comfort of the sofa area. The wooden floor provided a neutral foundation for the furniture. The kitchen space used rice, white, and black neutral tones. Black countertops, shelves, and other kitchen items made the kitchen full of layers. The bedroom was not mentioned in detail, but the furniture in the house was exquisite and simple, reflecting the high rationality of modern style. - American photographer Jonathan Beyer began to take pictures of milk bottles in the 1970s. In 2004, he produced a photography collection, Bottle in Smoke. In terms of furniture shooting: - You can use different magnifying lenses to shoot. For example, you can choose to lead the 5x scope to start shooting, slide to the left, or use the 0.5x scope to surround and push forward to shoot the main body. There were also storyboard shooting ideas, such as the first shot using a double lens to shoot the character walking forward, the second shot picking up things, and so on. - If you're not good at oral broadcasting, you can use the VLog-format to shoot a video of a furniture case. According to customer information, service process, and customer feedback, you can form a copy, split the copy, and match it with a simple picture. Finally, you can add text to read the video. - There were specialized furniture photography bases, such as Fangda's furniture e-commerce photography base. It had a studio of more than 4000 square meters and had more than ten years of experience in furniture photography. It could shoot main picture videos, grass planting videos, buyer shows, etc. It could shoot photos and videos of furniture in various styles such as Italian minimalist style, surprised silence style, cream style, new Chinese style, American style, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
furniture photography parameters
When shooting indoor furniture, the key parameters were as follows: 1. ** Shutter Speed **: When shooting static furniture, you can choose a slower shutter speed to capture more light and show the details of the furniture. If the furniture or environment has dynamic elements, such as curtains fluttering, you should choose a faster shutter speed to freeze the action. 2. ** Aperture size **: Aperture affects the depth of field of the photo. If you want the furniture to stand out from the background, you can choose a larger aperture (such as f/2.8 or larger). If you want the front and back to be clear, you can choose a smaller aperture (such as f/8 or smaller). 3. ** Iso-value **: When there is sufficient light, you can choose a lower Iso-value (such as 100 or 200) to reduce noise. When the light is dim, you can increase the Iso-value appropriately, but pay attention to noise. 4. ** Focus mode **: You can choose the single-point focus mode to control the focus point more accurately. If the furniture is larger, you can choose the area-focus mode. 5. ** White balance **: The indoor light may be yellowish or bluish. You can correct the color deviation by adjusting the white balance. If you cannot confirm it, you can choose automatic white balance. Other than that, there were also things to note: 1. ** Composing **: Use composition principles such as the rule of thirds or the golden ratio to make the furniture more balanced and harmonious in the photo. 2. ** Lighting **: Try to use natural light. If you need supplementary light, you can choose soft light or a reflective board to avoid using flash directly. 3. ** Angles **: Try shooting from different angles, including bird's eye view, side view, 45-degree angle, etc., to show different sides of the furniture. 4. ** Shooting environment **: Try to keep the shooting environment simple and avoid too many background elements from interfering with the line of sight. 5. ** Post-processing **: You can adjust brightness, contrast, saturation, etc. through post-processing software to make the furniture photos more beautiful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Metal accessories, photography, lighting
In order to express the metallic texture and sturdiness of the metal parts, you can use hard light to illuminate them from the side or from the side. For flat metal accessories, you can use a high angle side backlighting, so that the light transmission angle is basically the same as the camera's top view angle or slightly lower, so that the uneven texture of the handle appears shadow to enhance the three-dimensional sense; If the main light source is too hard and the light ratio is too large, you can add a soft light on the front, and the light ratio should be controlled at 1:4 or above. When shooting metal parts, use a slightly soft side to reflect the light so that the blade can be reflected into the lens so that the words on the back of the blade can be observed. Pay attention to the appearance of the blade's luster, and add some light sources. For cylindrical or spherical metal accessories, such as a single shot, it should be measured at a slightly lower angle or side-lit to show the three-dimensional effect, and the light should be added in front of the side. Small precision metal parts or metal parts that need to be shot in sets should be placed in an overall shape to avoid stray light or scattered photoelectricity. For metal devices with a vertical surface, the light source should be arranged according to the vertical position to form a reflective effect with the camera shooting angle. Pay attention to adjusting the light ratio. If necessary, a white reflective plate can be used to replace the auxiliary light source to expose the front brightness. When shooting from a bird's eye view or a bird's eye view angle, a large-format camera should be used for perspective adjustment. The metal parts that were only burned blue or white embryo, and the larger ones could be treated with low-key and hard light. They could be placed vertically or horizontally in front of a dark or gradually changing background. The low-angle backlighting would make the structural lines clear and the main image tough and cold. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Illustration of sofa photography and lighting
The following is a sofa photography lighting method: 1. Four strong lights were used, two of which were in front, and the front light was measured from the left and right sides. This could illuminate the front part of the sofa from different angles, so that the entire front of the sofa had a more uniform light coverage. 2. Two strong lights were behind them, illuminating the painting on the wall and the coffee table from the left. Not only could it illuminate the painting and coffee table in the background, but it could also increase the layering of the sofa and the atmosphere of the environment by reflecting light or setting off the background. 3. A soft light was placed behind the shelf to illuminate the side of the sofa. This could fill in the light on the side of the sofa to prevent the side from being too dark. At the same time, the soft light could make the light transition more natural and reduce the shadows. 4. Each lamp was arranged at a bird's eye view angle, and the intensity of the light distribution was suitable for slight changes in the light and shadow. 5. If it was in the studio, the sofa could be placed in front of the seamless background wall, and multiple soft lights could be used to illuminate the ceiling without projection. The lights on the left and right sides of the front were lit at a lower angle. The lights on the right side were slightly brighter, and the lights on the left side were slightly dimmer. This not only increased the brightness of the bottom, but also made the sofa feel three-dimensional. He controlled the light ratio on both sides to be around 1:2. However, it should be noted that during the lighting process, it was necessary to avoid leaving reflective spots on the sofa, carefully adjust the angle of the light, and ensure that there were no shadows in the entire photo. Try to achieve a comprehensive flat lighting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Guangdong furniture photography organization
There was a professional furniture photography agency in Huizhou, Guangdong Province. It had a 4000-square-meter large photography base that could provide photography services such as main pictures, videos, buyer shows, etc. It could be rented or filmed, with a variety of styles and scenes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Foshan large furniture photography base
There were some large furniture photography bases in Foshan. For example, there was an 8000-square-meter photography base on the sixth floor of Lin's Wood Industry Headquarters in foshan. It was operated by Cheng and Cheng, which could provide integrated services such as commercial portrait photography, product imaging, video creative planning, and film and television production. In addition, there was a photography base in Shunde District, Shunde District. In Huakou Community, Ronggui Street, Shunde District, there was a professional custom-made film set, such as the Light Moving Film Set [Japanese Scenery]. The whole house suite design covered a variety of functional areas, with Japanese wood color space and other features, which could be used for advertising shooting and production. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>