Jewelry photography lighting
There were many ways to set up lighting for jewelry photography. The following were the common ones: ** 1. Single lamp lighting method ** - Usually, the camera was shot from a side angle. This angle was more suitable for shooting jewelry such as diamonds, because the side angle did not have to worry about the camera lens creating shadows. A single lamp could make the light and shadow more three-dimensional and more penetrative. ** 2. Double Light Illumination Method ** - It was shot with two sheets of paper and two lights. When shooting, pay attention to adjusting the angle and distance of the lights to control the change of light and shadow on the surface of the product, so as to achieve the desired effect. Moreover, he had to pay attention to the light ratio between the two lights and make sure that the primary and secondary lights were clear. ** Three-lamp lighting method (Surrounding lighting method)** - The product was completely surrounded from three angles, leaving only the position of the camera to enter the light. Then, the light distribution was adjusted in three directions around the camera to capture the desired effect. The main light, auxiliary light, and outline light would change according to the subject of the shoot. This method was more friendly to newbies. There were different considerations for the lighting of different materials: - ** Diffuse reflective material **: For example, ancient gold, ancient silver, ivory, rhinoceros horn and other decorative ornaments. The material feature is that the light projected on the rough surface will be reflected in all directions. A beam of light will hit the product and reflect aimlessly. This kind of material was relatively easy to shoot, as long as the product was bright. - ** Fully reflective material **: Mainly made of pure gold, platinum, gold, platinum, silver, alloy, other synthetic metals, and other rare metals. The reflective surface is smooth, and the light is reflected in parallel. When a beam of light shines on the product, the light will produce a directional reflection characteristic according to the principle that the angle of incidence is equal to the angle of reflection. - ** Refraction material **: Most of them are gemstones, such as diamonds, red sapphires, emeralds, jadeites, corals, pearls, amber and other natural rare species. Tourmaline, turquoise, amethyst, agate, lapis lazuli and other semi-precious stones. When light slanted from one transparent medium into another, the direction of transmission would generally change. When a beam of light hit a product, a portion of the light would be reflected by the mirror, and a portion of the light would brighten the internal material. When setting up the light, they would usually use tracing paper, black, white, gold, silver reflective plates, spotlights, soft light boxes, and other tools to meet the needs of different jewelry. For example, for diamond jewelry, if you want to shoot a bright effect, you can use the fill light method to make the brightness of different sides and the highlight of different edges. If you want to completely eliminate the reflection on the jewelry, you can use tent-type lighting. Set up a "tent" on the top and around the jewelry with seamless paper to cover the surroundings, the top, and the front (only a hole that can be inserted into the lens and the light). The "tent" is illuminated softly and indirectly to make the light uniform. For gold and silver jewelry, most of them used direct light to make their color shine, achieving a golden effect. Read more exciting novels for free
Jewelry photography, lighting, main light
In jewelry photography, different lighting methods had different settings for the main light. In the dual-lamp lighting method, by adjusting the angle and distance of the two lights (main light and auxiliary light), the light and shadow on the surface of the product were controlled. The special nature of the main light was not clearly pointed out, but it was emphasized that the light ratio between the two lights should be paid attention to. In the three-lamp lighting method (enveloping lighting method), the main light, auxiliary light, and outline light would change according to the shooting subject. The characteristics of the main light were not separately described. The multi-light lighting method included the main light, auxiliary light, outline light, background light, decorative light, structural light, etc. Similarly, the main light was not separately explained in detail. From the light distribution law, since the incident angle is equal to the reflection angle, the light reflection effect should be considered when determining the angle of the main light. According to the nature of the light source, if the main light is used to shoot metal, the soft light may be used, and the hard light may be used to shoot gemstones. In terms of light position angle, the back light can represent the material, and the forward light can represent the structure. The light position angle of the main light will affect the styling effect. Moreover, the size of the light source was related to the size of the object being photographed. If the size of the main light source was smaller than the object being photographed, the illumination range would be small and the shadow would have a specific gravity. If it was larger than the object being photographed, the illumination range would be large and the shadow contrast would be weak. Only when it was close to or slightly larger than the object being photographed could the light and shadow be uniform. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry photography
Jewelry photography was known as jewelry photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lighting for makeup photography
There were many ways to set up light in cosmetic photography: - ** Use natural light and auxiliary tools to light up **: The main light can be used to soften the bottle cap with a shadowless cover or create a bright effect. In the dark, without the use of a reflective board, the cosmetic picture can be shot with a more layered feeling. Pay attention to the position of the camera. For example, let the bottom of the bottle show a circular arc, and the camera lens is at the bottle cap to better show the shape of the bottle. - ** Multi-light combination and lighting arrangement **: - ** Lighting of specific products **: For example, when shooting cosmetics such as white plastic bottles and white painted aluminum tubes, in order to reduce the reflection and maintain the texture, soft light can be created by increasing the area of the light source and the distance between the light body and the diffusing layer. The methods to obtain soft light were to use tracing paper to shine, to use white fog to reflect light, to use shadowless cover, and to use tracing paper to shine light, and to maintain a considerable distance to achieve the required flexibility. After that, he adjusted the position of the light to make the product white and soft with obvious shadows. Next, light the bottom of the bottom plate with blue light. The intensity should make the shadow light blue but not too bright. Then, use the third light to apply the principle of reflective light. Put a light blue light paper on the light and hit it on the reflective plate to form a light blue to dilute the dark part of the product. The strength of each light is judged by the eyes. The blue light around and below cannot be stronger than the main light. In order to maintain the white impression of the product, it can be overexposed by about half a square. - ** Eye shadow tray lighting **: Take the Kazilan eye shadow tray as an example, you can use a flash plus a standard mask and a soft light screen to brighten the entire background; a flash plus a 30-degree beehive to brighten the eye shadow tray at the 2 o'clock direction of the camera; a flash plus a strip-shaped soft light box and soft light screen at the 11 o'clock direction of the camera to illuminate the side of the product to outline the structure of the right edge of the product and highlight the details of the dark side of the box; A white reflective cardboard was placed at the 1 o'clock position of the camera. It reflected the light from other flashes to illuminate the dark mirror area on the mirror. - ** Universal lighting settings (for reference only)**: If you use a Canon 6D camera and a 100mm 2.8 lens to shoot creative cosmetics scenes, you can use three SK400W, two radars, one standard mask, and two 145*250 soft screens. With the cube props, the setting parameters are: aperture: f13, shutter: 1/100, USB: 100, focal length: 100mm, white balance: 5200K, but when the lighting environment and light output are different, you should not completely copy the parameters. You should learn the lighting method and ideas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Model photography lighting
The following are some common lighting methods for model photography: 1. Butterfly Light (Paramount Light): - [Effect: It can achieve the effect of slimming the face. There will be a butterfly-shaped symmetrical shadow under the nose, which is a relatively beautiful and likable light.] - Light position setting: Place the light source above the model and point it at the model's cheeks, creating a dramatic shadow under the nose and chin. 2. Ring Light: - [Effect: The light effect created can be flat or narrow.] - Light position arrangement: Starting from the position of the butterfly light, the position of the light should be high enough to cast a perfect arc shadow under the cheekbone. Then, the light source should be moved slightly to the right or left to change the position of the light source until the shadow appears on the other side of the nose, forming a ring. 3. ** Rembrandt Light (Triangular Light)**: - [Effect: The transition is natural and smooth. The most important feature is the "triangle on the cheek." The picture looks both dramatic and natural.] - Light position arrangement: push the light slightly forward to the right or left of the ring light setting, and point the light at a steeper angle. When shooting, the shadow side of the subject's face is facing the camera. Use a light source and a reflective light source, or two separate light sources, to form a triangular light spot on the front part of the face (the projection of the brow bone and nose bridge, and the dark area of the cheekbone). 4. Split Light (Side Light): - [Effect: Easy to achieve indoors. It is suitable for creating a mysterious atmosphere. The scene will show a strong drama, showing the character's personality and temperament.] - Light position arrangement: The main light only illuminated half of the subject's face (the side of the subject, left in the shadows). 5. ** Edge Light **: - Effect: It is very suitable for separating the subject from the background and accentuating the outline. - Light position: Place a light source behind the subject and tilt it toward the back of the head. This auxiliary light source should be stronger than the main light source from the front to get more drama. 6. ** Revealing Light **: - [Effect: Prominent model's wide face.] - Light positioning: Turn the side that receives the light to the camera, or place the light source on the right or left side of the subject and tilt it towards her, and let the model move away from the light source and face the camera. 7. ** Skinny Light **: - [Effect: Makes the face look sharp and has a more three-dimensional feel.] - Light position arrangement: It was the opposite of the wide-light. After the wide-light photo was completed, the light source could be moved to the other side of the model. The model could also turn her body to the side of the light source and push the wide side of the face into the shadow. 8. ** Silhouette Light **: - [Effect: It is suitable for models who ignore the appearance of the model and pursue the outline of the body. It is suitable for models with three-dimensional facial features.] - Shooting method: Let the light part be exposed normally, and the natural dark part be exposed to black. 9. Backlight: - [Effect: It can create a hazy feeling. It is more effective for women.] - [Shooting requirements: It needs to be used with a reflective board, otherwise it will look like a silhouette shot.] 10. Narrow Light: - [Effect: The light can only be displayed at the edge of the model's face. When used with a reflective board, it can reflect a sense of mystery and concentration.] - Light position arrangement: The light position is behind the model. 11. [Contour Light]: - [Effect: Create a solemn and mysterious feeling, highlight the model's focused eyes, suitable for models with three-dimensional facial features.] - Light position arrangement: You can use it as a character's decorative light and place it behind the subject to make the hair have a high level of light, so that the face has a very good outline. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lighting for macro photography
Lighting for macro photography refers to the technology and equipment used to illuminate small objects at close range. The goal was to create a perfect balance between shadows and highlights to highlight the beauty of the subject and reveal its subtle differences, allowing the photographer to evoke emotions and tell stories in the image by controlling the interaction between light and the subject. In macro photography, proper lighting was very important. Light affected all aspects of photography, such as color, contrast, focus, and depth of the image. The subjects of macro photography were often small and fragile. Some subjects were easy to disappear in the shadows or overexposed under strong light. Precise control of light could convey the beauty, texture, and details of the subject, giving the audience an intimate experience of the subject. The key concepts of macro photography lighting are as follows: 1. ** Strength **: It measures the intensity of the light shining on the subject. By adjusting the intensity, you can create a dynamic range of brightness and contrast in the macro photo, shaping the visual effect. 2. ** Direction **: The direction of the light is like the angle at which the performer on the stage projects the light. It determines the position of the shadows and highlights on the subject. Different angles will greatly change the mood and visual texture of the photo. 3. ** Diffuse **: Can be regarded as a natural light softening filter. Using a diffusing device or regulator to disperse light could reduce the glare of shadows and produce soft and uniform illumination on the entire subject. It was an important means to achieve a delicate balance between light and shadow. 4. ** Color temperature **: It is measured in Kelvin. It is similar to the filter in the photo application. It can determine whether the macro lens is warm (gold) or cold (blue). Mastering the color temperature helps to convey emotions and atmosphere through the interaction of light. 5. ** contrast **: refers to the contrast between the brightest and darkest areas in the image. The use of contrast can enhance the dramatic effect, emphasize the texture, and draw the audience's attention to specific details, thus creating a visual narrative. The lighting equipment used in macro photography included flashes. The flash at the top of the camera is more convenient, but pay attention to its strong shadows. You can use a diffusing device to soften its effect to achieve balanced lighting. In the actual shooting, different lighting conditions had different shooting techniques. For example, it was more suitable to shoot macro shots on cloudy days. The light was uniform, the light ratio was balanced, and the composition was good. On sunny days, due to the influence of clouds, trees, buildings, etc., there would be high and dark light areas. The subject should be selected to be shot with more uniform light. If it was all in the sun, the picture could be taken with less exposure to preserve the details, and the brightness could be repaired later. The lighting in the room was more complicated, and the principle of choosing a scene with uniform lighting was also followed. There were also some special lighting techniques, such as using fairy tale lights (miniature LED lights) for creative macro photography. Fairy lights came in many colors, and different colors would bring different tones to the photo. Because the fairy tale lights were not very bright compared to the ambient light, it was necessary to shoot later in the day. If the subject had shadows or it was cloudy, the shooting could start a few minutes before sunset. When using fairy lights, the lens aperture is usually selected to be as large as possible (such as f/2.8). After measuring the subject, the image can be deliberately underexposed. You can also use a macro lens or a fast lens such as 50mm f/1.8. When using the fairy tale lamp, the lamp can be placed directly behind or in front of the main body. When placed at the back, the shooting distance will be shortened if it is under high magnification or large aperture. The distance should be increased if it is further away from the subject or when using a narrow aperture. When placed in front, it should be close enough to the lens to maintain out-of-focus. In the case of insufficient light, using a flash is a better choice. When there is sufficient light, you can achieve pure natural light shooting, but sometimes in order to achieve certain shooting effects, you can use light even if there is sufficient light, such as to highlight the subject, simplify the messy background, or to make the subject appear special (such as when shooting a young ladybug that has just shed its skin). On the other hand, if there is enough light in the environment, do not use the light when it should not be used. You can judge whether the light is used from the perspective of the subject's eyes and legs. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Glasses, photography, lighting
The lighting of glasses was difficult because the materials of the glasses were different. For example, the transparent glass properties and the metal transition were difficult to balance under normal lighting. When taking photos of sunglasses, you can refer to the relevant light distribution map. At the same time, some portrait photography lighting techniques could also be inspired. For example, using a large soft light cloth (such as 3 meters x 3 meters) and a video light behind it could make the light soft and the shadow edge transition natural. There were also devices like the Brokeh System soft light mask that had unique advantages in portrait photography. It could reduce reflections, especially when shooting a subject wearing glasses for an interview. It could absorb most of the reflections around the eyes, making the eyes of the subject deeper and more uniform. Different lighting settings required consideration of how to express the material of the glasses, reflect its structure, control the transition and level of light and shadow, etc. There was no omnipotent light, and it had to be analyzed according to the specific situation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry photography method
Here are some ways to take photos of jewelry: 1. ** Selection of lens and equipment settings ** - ** Use of lens **: You can use a macro lens, such as the EF100mm f/2.8L Macro IS USM or the RF100mm f/2.8L Macro IS USM, which can capture the details of the jewelry and highlight the designer's creativity. - ** camera parameters **: to make more images focus, you can use a small aperture, such as f/22 for deep depth of field; the shutter speed is usually set to 1/100; the camera should be installed on a tripod to prevent hand shake from blurring the photos. For black gemstone images, you can use multiple light sources to create layering, and you can also use a mask to create striped lighting patterns on a lamp to increase its attractiveness. If you lack ideas when shooting, you can find inspiration from magazines or Social networks and try to copy the photos. At the same time, determine the position of the light source and the angle of the shot. 2. ** Reflective treatment ** - ** Control of the environment **: Since the surrounding light will affect the reflective surface and the color temperature of the jewelry, the studio should be kept dark and the degree of light reflection should be adjusted by controlling the lighting. - ** Reflecting Plate and Diffuser Usage **: White reflecting plate can reflect the light back to the jewelry and hide the surrounding objects; correct positioning of black or white reflecting plate can eliminate the reflection of flat gold jewelry; Diffuser can reduce the reflection of metal surface, and the position of the reflecting plate should be close enough to the subject to make the light softer. 3. ** Jewelry arrangement and composition ** - ** Clear focus **: When shooting jewelry, you need to be clear about the focus of the accessories, which will affect the appearance, mood, and composition of the image. - ** Backgrounds and props **: The background and props should be kept simple so that the lighting can best show the elegance of the jewelry. For color selection, you can consider the depth of the jewelry's color tone, choose complementary colors to create a harmonious appearance, or use cool colors to make the jewelry stand out. 4. ** Shooting Techniques ** - ** Choosing the shooting angle **: It is important to observe every corner of the jewelry before shooting. Different angles will make the diamonds look different. When drawing the lighting plan, you need to pay attention to each part of the jewelry. - ** Increase the image dimension **: Can take photos with reflections. The reflections can add luster to the accessories, making the picture more perfect and making the jewelry shine. - ** Model display (option)**: Arrange a model to display the jewelry on the body. This will help to show the jewelry's decorative effect to potential buyers and increase sales. - ** background selection **: You can use a background of the same color as the gem to make its color stand out. In addition to choosing a specific color to make the gem stand out, using a black background will help the image stand out and fully display the gem's color. If you take a photo of gold jewelry, choose a high-contrast color (such as red or blue background) to help highlight the gold color. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry photography sensitivity
In jewelry photography, there were many choices for the sensitivity (IS) value. For example, in some shooting, the sensitivity can be set to 100. For example, when using common items at home as props to shoot jewelry, the sensitivity is 100 when the focal length is 60mm, the aperture is F18, and the shutter speed is 1/160s. When shooting the dial, the aperture is f/11.0, the shutter is 1/40s, the focal length is 100mm, the exposure compensation is-1.0, the white balance is automatic, and the light measurement mode is evaluating the light measurement. When shooting the watch chain, such as aperture is 5.6, the shutter is 1/250s, the focal length is 100mm, the exposure compensation is-1.0, and the white balance is automatic light measurement mode. When evaluating the light measurement, the sensitivity is also 100. However, there were also cases where the sensitivity was 1600. For example, when using the surrounding light distribution method, the focal length was 100mm, the aperture was F2.8, and the shutter speed was 1/125s, the sensitivity was 1600. Different sensitivity settings depended on the specific scene, requirements, and other photography parameters (such as aperture, shutter speed, etc.). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
photography, jewelry, retouching
Jewelry photography belongs to
Jewelry photography belonged to the category of product photography. It focused on capturing the unique charm, exquisite details, and brilliance of jewelry for commercial promotion (such as attracting potential buyers), art display, and other purposes. Jewelry photography involves many techniques, including but not limited to using special lenses (such as macro lenses) and choosing the right background.(such as the same color as the gemstone, black background, etc.), using different shooting angles, using natural or artificial light (such as light boxes, spotlights, fill light, photography lights, etc.) to light up, and through various creative methods (such as taking photos with reflections, using daily necessities such as A4 paper to shoot, etc.) to show the beauty of jewelry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>