I recommend Siheyuan: Starting from Driving a Big Car. This is a novel about urban life written from east to east. The male protagonist woke up next to Yu Li. The story was about the love of the courtyard. The book list evaluated the character and author as five-star, the material selection as three-star, the writing style as four-star, and the plot as three-star. " Shumei " was a fantasy romance novel written by Qingjiang River. The female protagonist, Su Ting, had no parents and was a waste of cultivation. She relied on calligraphy to make a comeback. " Harem Sign In: Nine Thousand Years Old Is Not For Nothing " was a fantasy novel written by Butterfly Doudou Fei. The male protagonist, Xu Dongxian's soul, dressed up as a little eunuch. He relied on the sign-in system to become stronger and wanted to re-establish his manliness. The Painter and Calligrapher of the Ravine was an urban novel written by Wang Sanchuan. A nameless junior in the ravine became a master of the painting system. His style of writing was unique, but he had small shortcomings such as unnatural posturing. His recommendation index was three and a half stars. Jia Ye was an ancient romance novel about sugar mixed rice. Modern female ink masters traveled back in time to revive their family's ink making industry. They had a cultural heritage, but there were many typos. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
Fu Jiying had a calligraphy work called "Flowers Like Brocade". She was a national first-class artist, Song Qingling's special actress, the founder of Fu calligraphy, and a member of the China Poetry Society. His calligraphy work, Flourishing Flowers (138*34), was created in Beijing in April 2022. In this work, the word "flowers like brocade" meant many colorful flowers, like colorful brocade, describing beautiful scenery and beautiful things. It came from "Golden Flower Beauty at the foot of Diancang Mountain." In addition, Zhao Shaohui also had calligraphy works related to "Flowers Like Brocade", such as "Prosperous Brocade Seeking Peace, Light Clouds, Flowing Water, Passing This Life". There was also the semi-cursive calligraphy of "Flowers Like Brocade". "Prosperous Brocade Record" is equally exciting. Everyone is welcome to click and read it!
Yan Zhenqing's regular script was considered one of the most beautiful works of Yan calligraphy. He created the Yan Style, which had a square and dense font structure. The strokes were light horizontally and heavy vertically, and the strokes were strong, round, and thick. Yan Zhenqing's style of regular script emphasized strength and movement. The font was full and powerful, thin horizontally and thick vertically, thin left and thick right, and the strokes were in the center. His regular script work, Yan Qinli Stele, was regarded as one of the representative works of regular script in Tang Dynasty. It was famous for its strength and structure. In addition, Teacher Li Yuenian's regular script work,"Looking at the Sea," was also praised as one of the most beautiful works of Yan calligraphy. In general, Yan Zhenqing and Li Yuenian's regular script works both showed the unique charm and beauty of the Yan style.
There were many kinds of life motto calligraphy works. For example, there was Meng Hanliang's " 100 famous sayings that influenced the lives of China youths. Meng Hanliang's Calligraphy ", and there were also some calligraphy works that took the philosophy of life as their content, such as Master Hong Yi's handwritten Jiayan Collection. Among them, Master Hong Yi had formed a unique " Hong One Body " after he entered the empty door. His works contained the philosophy of life. In addition, there were also calligraphy works that contained Li Hongzhang's famous sayings, such as," If you have money in your pocket, rice in your granary, and poetry in your belly, you are the prime minister in the mountains." The body is free from illness and the heart is free from illness. The Carefree Sect has no debts. It can be said to be an immortal on earth." There were also some works that did not specify the specific content of the motto, but only used the appreciation of life motto calligraphy as the theme. " Her Shenzhen-Writing the Future " is equally exciting. Everyone is welcome to click and read it!
Gao Yi was a famous calligrapher in the Qing Dynasty. His regular script was known as one of the most beautiful regular script in the Qing Dynasty. His calligraphy style combined the characteristics of Ouyang Xun and Chu Suiliang. It not only had the stability and standard of the European style, but also absorbed Chu Suiliang's fluency and naturalness, forming his own unique writing style. His regular script was exquisitely written and was praised as one of the most beautiful regular scripts of the Qing Dynasty. However, there were also some calligraphy experts who felt that Gao Yi's calligraphy was too standardized and patterned, lacking elegance and style. Experts had different opinions on Gao Yi's regular script.
In the age of the internet, it was still meaningful to practice writing beautifully. Although the way people communicate in the Internet age is more and more dependent on electronic devices, text communication is still one of the important ways of communication. The beauty of writing on social media or online still affected readers 'impression and evaluation of content. In addition, in some formal occasions such as emails, documents, etc., the beauty of handwriting was also very important. Practicing beautiful calligraphy could also improve one's aesthetic ability and self-cultivation. The beauty of handwriting was not only a matter of skill, but also related to one's cultural traditions and aesthetic concepts. Through practicing handwriting, you can cultivate your own aesthetic ability, better appreciate beautiful things, and improve your own cultural accomplishment. Practicing beautiful calligraphy could also enhance one's self-confidence. Beautiful handwriting could make people more confident in communication and writing, thus increasing their self-esteem and self-identity. To sum up, there was still a lot of meaning in practicing beautiful calligraphy in the Internet age.
There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.
The following are some sentences that contain Buddhist sentiments and philosophy of life used in calligraphy creation: - "All forms are false. If you see the appearance and not the appearance, you will see the Tathagata." It expressed that one should not be obsessed with the appearance. If one could see through the emptiness behind the appearance, one would be able to comprehend the Buddha nature. - "Everything that has a way is like a dream, an illusion, a bubble, a dew, and a lightning. It should be viewed as such." This sentence showed that all things that were gathered by karma were not eternal, just like dreams, dews, and lightning. - " Bodhi is not a tree, and a mirror is not a platform. There is nothing in the world, so how can there be dust?" It reflected a state of emptiness. Everything in the world was essentially empty, and there was no need to cling to the dust of the secular world. - "There should be no place to live but a heart." It emphasized that one should not be obsessed with anything, raise a pure heart, and calmly face the interactions of all things in the world. "Let go and become a Buddha, draw your saber!" The novel is equally exciting. Everyone is welcome to click and read it!
If you want to write beautiful words, you can refer to the following steps: 1. Learn the basic strokes and structure of Chinese characters. The basic strokes of hard-pen calligraphy included horizontal, vertical, left-hand, right-hand, and dot strokes. Learning these basic strokes could better master the structure and form of the word. The structure of Chinese characters, including the echo, evasion, and interweaving of strokes, were all important factors in forming beautiful characters. 2. Practice writing skills. Before writing, you can warm up and gently brush the copybook or paper with a soft brush to relax your hand muscles so that you can write better. Pay attention to the continuity and fluency of the strokes when writing to avoid intermittent situations. 3. Choose a suitable font for practice. Different font types are suitable for different occasions. You can choose the font that suits you according to your personal preferences and needs. For example, regular script was suitable for formal occasions, cursive script was suitable for smooth and natural cursive script, and cursive script was suitable for expressing one's emotions. 4. Practice persistently. Writing beautiful words requires long-term persistence and practice. Don't be anxious for success. You must have patience and perseverance. You can practice a certain number of words every day and gradually increase the difficulty and complexity to improve your writing level. 5. Borrowing the writing style of others. When practicing calligraphy, you can learn from other people's writing styles, learn their strengths and weaknesses, and at the same time pay attention to avoid your own shortcomings. It takes a long time to practice and persevere to write beautiful words. As long as you put in the effort, you will definitely gain something.
" Life and Life Pay Each Other " was a work created by Mo Bao Fei Bao. It described the pursuit of the prosperity of the motherland and how to directly read and learn the beautiful pronunciation. Among them," Although the mountain alliance is still there, the brocade book is hard to entrust " expressed the deep nostalgia for the old country and the sigh of the passing prosperity." Have you ever regretted giving your life to each other " expressed that no matter how many reincarnations you experienced, you were willing to give up for the other party.
Chinese calligraphy was a traditional art form in East Asia. There were five basic types of Chinese calligraphy: Lishu: It was the common calligraphy of the Han Dynasty and was a basic form of writing Chinese characters. 2. Regular script: It was a formal form of writing Chinese characters. The strokes were standardized and correct, suitable for various occasions. 3. Running script: It is a smooth and free form of Chinese writing. 4. Cursive script: It is a bold and unrestrained form of Chinese writing. It is often used in poetry, letters, etc. 5. Seal script: It is a type of Chinese character writing that is used for seal engraving. The strokes of the seal characters are more complicated but the structure is clear. Each of these five calligraphy styles had their own unique characteristics and were important components of Chinese calligraphy.