Hope Sound had many levels of comprehension. From a philosophical point of view, it embodied a kind of thought that followed nature and did nothing. Inaction was not about not doing anything or being passive. It was about not going against one's heart when doing things, not demanding results with expectations of others, and adapting to the potential energy of things. In this state,"Great Sound Hope Sound" was an indescribable essence, a manifestation of Dao. Dao was hidden and nameless, and true inaction could not be accurately expressed or described. From the perspective of inner comprehension, Great Sound and Hope Sound was an expression from the depths of one's heart. People needed to maintain inner peace and quiet. In life, the true voice of the heart was often not emitted through the mouth, but from the perception and experience deep in the heart. There was a voice deep in everyone's heart that knew what they should do and what they should do. On the aesthetic level, the sound of music was associated with the beauty of nature. The greatest and most beautiful sound was the sound of nature, which was the sound of nature. The sounds such as the melting of the ice river and the spring thunder were all in line with the Tao, pure and beautiful. However, the sound of nature was silent. It required one to reach a state of emptiness and tranquility, with Tao as the heart and emptiness as the body, to clear the inner obstacles such as knowledge, desire, and emotion, and to forget the external disturbances such as customs, objects, and forms. Only through the "heart fasting" could one hear a thing or two. This reflected the simplicity of beauty. The best things did not need to be showy. From the perspective of interpersonal communication and emotions, Hope Sound could be compared to real feelings. True feelings didn't need to be mentioned every day. It was silent but could bring the greatest touch. It was often reflected in the careless details that couldn't be measured or tested. This was also an invisible power.
"Da Yin Xi Sheng" originated from ancient China traditional culture. From an aesthetic point of view, it was a concept proposed by Lao Tzu that advocated natural beauty rather than man-made beauty. It meant that the better the music, the more distant it was. In a figurative sense, it meant that a person who had truly achieved something would not be so dazzling, just like beautiful music that could not be heard. In terms of the realm of life, although sound was an important tool for people to communicate and express their emotions, true sound depended on the perception and experience in the depths of their hearts. They needed to maintain a calm and quiet heart. This was an expression from the depths of their hearts. In modern society, it not only represented people's demand for information transmission, but also reflected the pursuit of freedom and equality. At a time when information transmission was rapidly developing but there were problems such as information imbalance and flooding, people needed to actively transmit information, listen to the voices of others, and respect the views of others in order to build a harmonious, free, and equal society.
"Da Yin Xi Sheng" was proposed by Laozi.
In Da Yin Xi Sheng,"Xi" had the meaning of few, rare, or silent. From a philosophical and aesthetic point of view, it meant that the most beautiful music could not be heard. This kind of inaudible " Hope Sound " was an existence that surpassed ordinary auditory perception, reflecting an aesthetic concept that respected nature and not man-made.
In the 41st chapter of the Tao Te Ching, there was an expression that said," Great sounds are rare, and elephants are invisible." In a philosophical sense," Great Sound Hope Sound " meant that the loudest and most beautiful sound was soundless sound. It was beyond the scope of sound that could be heard in the general sense. This soundless sound might contain a greater and deeper meaning or power. " The elephant is formless " meant that the largest image was shapeless. It was not a concrete or ordinary image that could be seen directly. It reflected an abstract and infinite understanding of Tao, indicating that the existence of Tao was difficult to be defined by specific shapes or forms. It expressed a profound and mysterious philosophical concept.
" Da Yin Xi Sheng " was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. There were six explanations for its understanding: First, it meant that the loudest voice had no sound; Second, it meant that the loudest voice sounded sparse; Third, it meant that " Xi Sheng " was " silent " and contained " Da Yin ";;; Fourth, it meant that " Da Yin Xi Sheng " was heavenly music, which could not be heard with the ears, but to comprehend and use the eternal and harmonious great heavenly music. Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. From the perspective of translation, the better the music, the more distant it was. It could also be understood as the better the music, the quieter it was. Or it could be said that the human sense of hearing had a range, and sounds beyond this range could not be heard. The shape of the universe could not be described by what people saw and heard. The larger the image, the formless. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.
There were several understandings of the Great Sound and Hope Sound. One was that the loudest sound had no sound; the second was that the loudest sound was sparse; the third was that Hope Sound was soundless and contained Great Sound; the fourth was that Great Sound and Hope Sound was heavenly music that could not be heard with the ears, but one could feel the eternal and harmonious great heavenly music; the fifth was that Great Sound was the sound of Dao, mainly referring to the transcendence of sound and emotion; Sixth, no sound was the strongest sound, which meant that it was best not to say anything. It could also be understood as the better the music, the quieter it was, and the deeper it was. There was a range of human hearing, and sounds that were beyond or smaller than this range could not be heard by the human ear. From this point of view, the best music could not be heard. At the same time, it also meant that the greater the achievement, the more immeasurable it was.
Yes,"Da Yin Xi Sheng" came from Tao Te Ching.
I'm not sure. It depends on how the story was created and presented. Maybe it's based on real events, but with some fictional elements added for drama.
It's hard to say for certain. Sometimes stories labeled as such can draw from real-life experiences but be embellished or fictionalized to make them more engaging. You'd have to look into the background and the author's intentions.
You might want to ask,"Great sounds are heard, but elephants are invisible." It meant that the better the music, the more silent it was, and the better the image, the more ethereal it was (it could also be understood that the best music had no sound, and the best image had no image). This was an aesthetic concept in ancient China literary theory proposed by Lao Tzu, which was intended to praise natural beauty rather than artificial beauty. It could be further understood from many angles: human hearing had a range, and sounds beyond the range could not be heard, and sounds smaller or larger than this range could not be heard. Therefore, it could be said that the loudest sound could not be heard. Or rather, the loudest sound was sparse."Hope Sound" was "soundless", which contained "Da Yin". It could also be understood that "Da Yin" was the music of heaven. It could not be heard with the ears, but one had to feel the eternal harmony of the vast "Heavenly Music"."Da Yin" could also refer to the sound of Dao Integration, which mainly transcended the emotions of sound. There was also an understanding that no sound was the strongest sound, which meant that saying nothing was the best. The original meaning of "image" in "elephant formless" could be understood as "Tao" or "truth". When "elephant formless" was said, it could also be roughly said that "Tao formless", which was equivalent to "Tao is hidden and nameless" as Lao Tzu said. It meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.