Which work does the great sound, the hopeful sound, and the invisible elephant come from?
I recommend " Ear of Evolution ", a fantasy novel written by Super Fatty. The story was about the recovery of the entire universe's reiki. Guo Ruo had awakened a special ability that allowed her to hear the obsessions of mysterious things. She would be rewarded for eliminating them. The setting was novel, the relationship between the characters was normal, and it was humorous, as comfortable as drinking sugar water. Although it was a new book, it was not bad. There were no negative points. It was a four-star recommendation. There was a shortage of books to read. " My Pet Can Transmigrate " was not bad either. It was written by a chubby hippopotamus. After the great change in the world, the potted plants in his house mutated and gave birth to mythical creatures. The protagonist Jiang Bei interacted with these creatures very lovingly. Daily style, combining myth and reality, good writing style, refreshing novel without harem plot, updated and powerful, although the opening is common but attractive, the story and other aspects of the score are high, food ++. There was also 'The Top Is Near, White Beard Regiment Chief Can't Hide,' written by the titled coachman. Krogdahl traveled through the Great Voyage World and became the captain of the White Beard Pirates. He wanted to survive but activated the system, changing the strength of the members. The story was interesting. 'Super Radio' was written by the emotionless monk. Zhang Jian's radio received Dao Ancestor Hongjun's preaching after being struck by lightning. It was a xianxia cultivation novel and related readers. However," Starting from the Village Branch Doctor to Rewalk the Path of Life " was not recommended. There were many mistakes, and the plot was stiff and unreasonable.
Great sound, hopeful sound, elephant, invisible metaphor
When used to describe people, it could be understood that the higher a person's realm was, the more magnanimous he would be. A person with true self-restraint and depth was like a distant and low music that would not be too flamboyant and noisy, just like a distant and distant image that would not show off its abilities and would have an indescribable atmosphere. A person who was truly upright would not have obvious edges and corners, nor would he show his hardness and stubbornness everywhere. Instead, he would know how to live a mellow life. A person who could achieve great things would often not be anxious for success. Instead, he would quietly accumulate and settle down. In the end, such achievements would often have far-reaching influence and a long aftertaste. The image of a magnanimous person could not be simply described with a specific form. His mind and content were inclusive and difficult to define with conventional concepts.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
Big sound, hopeful sound, elephant, invisible term, explanation
"Great sounds are rare, and elephants are invisible" came from the Tao Te Ching, an aesthetic concept in ancient China literary theory. Its meaning was as follows: From the literal meaning, it could be understood that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). This was because the range of human hearing was limited, and the human ear could not hear sounds that were beyond or smaller than this range. The shape of the universe could not be described by what people saw and heard, and such a grand image was invisible. From an aesthetic and philosophical point of view, this concept was intended to promote natural beauty rather than man-made beauty. It symbolized that the greater the achievement, the more distant it would be. The more magnanimous it was, the more inclusive it would be. It was the transcendence of "sound" and the pursuit of "silence". The loudest sound was no sound. With sound, there would be a specific form. It could only be partial and could not be comprehensive, so it could not become "big sound"."Solid formless" could accommodate "multi-form". The sound of the Great Way was the most real, the most touching, and the most touching. It was a realm where "silence was better than sound". Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"Dao is obscure and nameless."
Big sound, hopeful sound, elephant, invisible, full-text annotation
dà yīn xī shēng，dà xiàng wú xíng。dào yǐn wú míng。fāng wú yú，qì wǎn chéng。shàng shì wén dào，qín ér xíng zhī;zhōng shì wén dào，ruò cún ruò wáng;xià shì wén dào，dà xiào zhī。bú xiào bù zú yǐ wéi dào。yǒu jiàn yán zhě：míng dào ruò mèi，jìn dào ruò tuì，yí dào ruò lèi;shàng dé ruò gǔ，guǎng dé ruò bù zú，jiàn dé ruò tōu，zhì zhēn ruò yú;dà bái ruò rǔ。
The sound is loud and the elephant is invisible
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from many angles. From the literal point of view, the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible; it could also be understood as the range of human hearing, beyond or smaller than this range of sound, people could not hear. The shape of the universe could not be described by what people saw and heard, so the big image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable. From a philosophical point of view, this concept had some connection with the idea of "inaction"."inaction" did not mean not doing anything, but not going against one's heart when doing things, not deliberately pursuing a specific result, and doing things in accordance with nature. This concept inspired people to pursue inner peace and harmony, to abandon the outside world's disturbances, and at the same time, it also inspired people to have a consciousness that surpassed the existing cognitive framework, and to constantly explore and comprehend. In terms of achieving great things, it also inspired people to follow the laws of nature and recognize that success was affected by many uncontrollable factors. They did not force the results, but tried their best and resigned themselves to fate. In terms of being a person, it inspired people to have a mind that was tolerant of the world, respect and tolerate all things, and realize their own value.
Great Sound, Hope Sound, Elephant, Invisible Tao Te Ching (Chapter 41)
In the 41st chapter of the Tao Te Ching, there was an expression that said," Great sounds are rare, and elephants are invisible." In a philosophical sense," Great Sound Hope Sound " meant that the loudest and most beautiful sound was soundless sound. It was beyond the scope of sound that could be heard in the general sense. This soundless sound might contain a greater and deeper meaning or power. " The elephant is formless " meant that the largest image was shapeless. It was not a concrete or ordinary image that could be seen directly. It reflected an abstract and infinite understanding of Tao, indicating that the existence of Tao was difficult to be defined by specific shapes or forms. It expressed a profound and mysterious philosophical concept.
The elephant is invisible, the sound is loud, the sound is loud, the road is simple, the love is great
"The elephant is invisible","the sound is loud", and "the Dao is simple" all came from traditional China philosophy. "Elephant Invisible" was meant to express the grander, more noble, and magnificent style and realm. It was often not limited to a certain pattern and had the characteristics of infinite tolerance, just like Chinese culture, which was broad, unconventional, and all-encompassing. " Great music is better than sound " was an aesthetic concept. It meant that the better the music was, the more distant it would be. It could also be understood as silence was better than sound. The content of the thought was rich and could give people a wide imagination. 'The Great Dao is extremely simple' meant that the Great Dao was extremely simple, so simple that it could be understood in one or two sentences. It emphasized grasping the key and essence of things. As for " great love," there was no fixed expression that matched the first three in traditional philosophy. However, in a general sense," great love " could be understood as a kind of broad, selfless, and all-encompassing love, similar to the spirit of " invisible elephant " that encompassed all things. It was a kind of love that transcended ordinary emotions and was not limited to specific objects, forms, or interests. It reflected a noble moral realm.
The great Dao is formless, the great sound is hopeful
The formless Great Dao meant that the general rules and principles of the world's operation often had no concrete and visible form. It was a fundamental existence, and it did not show itself through an intuitive appearance. For example, in philosophy, the original state of many things was simple and simple. The basic logic of their operation was like the development of complex artificial intelligence from simple 0 and 1 in the computer world. Although this fundamental " Tao " was invisible, it could derive the complex representation of all things. "Great Sound Hope Sound" meant that truly grand and profound sounds were often rare or difficult to detect. Hope Voice did not mean that there was no sound, but it was an existence that surpassed the concept of ordinary sound. In terms of cultivation, when a person's cultivation and taste reached a very high level, it was like finding peace of mind in the noisy world, free from the interference of the complicated and artificial sounds of the outside world. This also reflected a realm of " Great Sound Hope Sound ", emphasizing a kind of inner, far-reaching, quiet and grand beyond the surface sound.
The sound is loud, the elephant is invisible, and the wisdom is stupid
" Great music is hopeful,"" elephant is invisible," and " great wisdom appears foolish " were all concepts in traditional China culture. " Da Yin Xi Sheng " meant that the better the music, the deeper it was. Real sound was often not produced by the mouth, but from the perception and experience deep in the heart. This required people to maintain inner peace and tranquility in their lives. The " invisible elephant " meant that the better the image, the more ethereal and grand it would be. The real image did not rely on the appearance of dressing and decoration, but on the inner temperament and grace. This required people to constantly improve their self-cultivation and quality. " Great wisdom appears foolish " meant that true wisdom was not superficial intelligence. People with great wisdom were often beyond ordinary people and could not be understood. Their speech and behavior might be seen as dull. This kind of wisdom needed to go through the tempering of life, the accumulation, and the baptism of setbacks and failures. When faced with complex problems, one should think deeply and calmly instead of acting rashly.
Great sound, hopeful voice, great form, formless
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. This was an aesthetic concept in ancient China literary theory, advocating natural beauty rather than man-made beauty. It meant that the better the music, the more distant and low, the better the image, the more distant and distant. It could also be understood that the greater the achievement, the more distant it would penetrate, and the more magnanimous it would be, the more inclusive it would be. It could also be understood that the most beautiful music would sound lonely and silent, and the tall image would not be able to see its shape.