There were several understandings of "Da Yin Xi Sheng": First, it was believed that the loudest sound had no sound; second, the loudest sound sounded sparse; third,"Xi Sheng" was "soundless", which contained "Da Yin"; fourth,"Da Yin Xi Sheng" was heavenly music, which could not be heard with the ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; fifth,"Da Yin" was the sound of the Tao, mainly referring to the transcendence of sound emotions; Sixth, no sound was the strongest sound, which meant that not saying anything was the best. It could also be understood as the better the music, the quieter it would be. From an aesthetic point of view, it advocated natural beauty rather than artificial beauty. The better the music, the more distant it would be. Human hearing had a range, and sounds beyond the range could not be heard. From this point of view, it was equivalent to no sound. It could also be understood as an expression from the depths of one's heart. One needed to maintain inner peace and tranquility in life.
In Da Yin Xi Sheng,"Xi" had the meaning of few, rare, or silent. From a philosophical and aesthetic point of view, it meant that the most beautiful music could not be heard. This kind of inaudible " Hope Sound " was an existence that surpassed ordinary auditory perception, reflecting an aesthetic concept that respected nature and not man-made.
" Da Yin " could refer to beautiful music. From the meaning of its name, it had the meaning of being broad, profound, and discerning. It implied that one was talented, virtuous, and versatile.
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
There were many explanations for the word "Xi" in "Da Yin Xi Sheng". One explanation was that it was rare and sparse, which meant that the loudest sound sounded sparse. Another explanation was that "Xi" meant "nothing", which believed that the loudest sound had no sound and was the accumulation of "Da Yin". There was also a view that "Xi Sheng" was not heard by the ear, but to feel the eternal and harmonious "Heavenly Music", or that "Da Yin" was the transcendence of sound emotions. The original meaning of the " elephant " in " elephant formless " was " Tao " or " truth ", and could also be understood as images and scenes." elephant " could represent the better and bigger image. Some people believed that " elephant " could also refer to " divinatory symbols ", which represented elements." elephant " was an important element. In short, the better the image, the more distant or important the elements were, the easier it was for people to ignore them.
" He Sheng " meant that he had a prominent reputation, a great reputation, and so on. The original novel of " The Shadow of Beacon Burning Plum Fragrance " was " The Hitman's Diary of the Pseudo Song Dynasty." The original plot was equally exciting. You can click on the link below to read the original novel.
"Sound affinity" had many meanings. Judging from the song "Sound Fate," it was a mutual encouragement (confession) song written by the singer, Young Master Siming, during the graduation season. In the context of the music program "Music Affinity Project,""Sound Affinity" represented the fate between a singer and an original musician, as well as between a singer and a song, due to music. This fate included many aspects such as cooperation, mutual appreciation, and so on. For example, the premiere collaboration between many singers and songs in the program was a manifestation of "Sound Affinity." In addition, in a wider context of music sharing,"sound fate" could also refer to abstract concepts such as the fate between people and music, or between people because of music. The novel "Dream of Silk Fate" is equally exciting. Everyone is welcome to click and read it!
Great Sound and Hope Sound had a rich meaning: First, from an auditory point of view, the loudest or smallest sound could not be heard. The frequency of sound that the human ear could hear was between 20 - 20000 Hertz. The ultrasound and infrasound waves outside this range could not be recognized by the human ear, which reflected the limitations of human hearing. Secondly, within the range of perception, most of the sounds were inaudible. It was not that they could not be heard, but that people turned a deaf ear to them. The sounds of nature between heaven and earth, such as the melting of the ice river, the sound of spring thunder, the sound of wind blowing through sparse bamboo, etc., are all pure and beautiful sounds that conform to the Tao. This is the great beauty of heaven and earth. Chuang Tzu proposed the theory of human sound, earth sound, and nature sound. Human sound was the sound of musical instruments, earth sound was the sound of natural orifices, and nature sound was the Great Path. Although it was silent, it could be heard through the "heart fasting", which meant to empty the heart, clear the internal obstacles, forget the external, reach the state of emptiness and tranquility, and take the Tao as the heart. Only then could one understand the magic of great sound and hope sound. Thirdly, Great Sound and Hope Sound were not only external, but also internal. Fourthly, from the perspective of the extended meaning of the content, the more elegant the music, the fewer people could appreciate it. The more brilliant the suggestion, the fewer people would accept it. In the face of complicated situations, the correct method was often not accepted, and the wrong idea might be welcomed. Truth was often ignored, but lies were easy to be popular. It could also be understood as the more important the elements were, the easier it was to be ignored, just like people did not cherish them when they had them, and only realized their importance after losing them. This concept was meant to advocate natural beauty, not man-made beauty. It also meant that the greater the achievement, the more penetrating it was. The more magnanimous it was, the more inclusive it was.
You might want to ask,"Great sounds are heard, but elephants are invisible." It meant that the better the music, the more silent it was, and the better the image, the more ethereal it was (it could also be understood that the best music had no sound, and the best image had no image). This was an aesthetic concept in ancient China literary theory proposed by Lao Tzu, which was intended to praise natural beauty rather than artificial beauty. It could be further understood from many angles: human hearing had a range, and sounds beyond the range could not be heard, and sounds smaller or larger than this range could not be heard. Therefore, it could be said that the loudest sound could not be heard. Or rather, the loudest sound was sparse."Hope Sound" was "soundless", which contained "Da Yin". It could also be understood that "Da Yin" was the music of heaven. It could not be heard with the ears, but one had to feel the eternal harmony of the vast "Heavenly Music"."Da Yin" could also refer to the sound of Dao Integration, which mainly transcended the emotions of sound. There was also an understanding that no sound was the strongest sound, which meant that saying nothing was the best. The original meaning of "image" in "elephant formless" could be understood as "Tao" or "truth". When "elephant formless" was said, it could also be roughly said that "Tao formless", which was equivalent to "Tao is hidden and nameless" as Lao Tzu said. It meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.
There were several understandings of the Great Sound and Hope Sound. One was that the loudest sound had no sound; the second was that the loudest sound was sparse; the third was that Hope Sound was soundless and contained Great Sound; the fourth was that Great Sound and Hope Sound was heavenly music that could not be heard with the ears, but one could feel the eternal and harmonious great heavenly music; the fifth was that Great Sound was the sound of Dao, mainly referring to the transcendence of sound and emotion; Sixth, no sound was the strongest sound, which meant that it was best not to say anything. It could also be understood as the better the music, the quieter it was, and the deeper it was. There was a range of human hearing, and sounds that were beyond or smaller than this range could not be heard by the human ear. From this point of view, the best music could not be heard. At the same time, it also meant that the greater the achievement, the more immeasurable it was.
" Qingyin " could have many meanings. For example, in " Wang Peiyu's Beijing opera Qingyin Club ", there was a small salon-style concert of " talking and singing ". In music, there was a kind of Zen expression such as " Qingyin Bodhi ", which was related to meditation and no distracting thoughts. " Witchcraft " referred to clever and wonderful words. It described a person who was quick-witted, eloquent, and could express profound meaning or inspire others with simple and vivid words. However, there was no clear meaning or reason for a fixed phrase like " unvoiced witting words." If one looked at the meaning of " unvoiced words " and " witting words " respectively, it might be understood as expressing wisdom or artistic communication in a quiet and quiet atmosphere. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!