The following are some e-books related to architectural design: - "Impression Hand-painted Construction Design Hand-painted Guide 3rd edition", published by the People's Post and Television Press. - The book was published by the People's Post and Television Press. It had 96 architectural hand-drawn examples, covering many aspects of architectural hand-drawing knowledge. The arrangement structure was from easy to difficult, and the steps were detailed and the pictures were clear. - "1000 Impression Hand-Drawing: Hand-Drawing Atlas of Construction, Landscape, and Exterior Design". It selected 1000 hand-drawing cases, including interior design, architectural design, and landscape design. It was divided into two parts: line drawing case performance and color case performance. Each part was divided into seven categories. It also came with three sets of teaching videos. It was suitable for construction and other related professionals and hand-drawing enthusiasts to read and use. It could be found at: (Note: Part of the original website download link, this is the new e-book website). Read more exciting novels for free
Hand-drawn beast designs were a unique form of drawing. Some artists could use pure lines to draw animal-themed hand-drawn works. The animals they drew had rich expressions and were lively. The lines were elegant, agile, and powerful, and they could clearly describe the direction of the animal's muscles. There were many well-known painters in this field whose works covered all kinds of animal images, including but not limited to rare ancient animal images inspired by cultural elements such as the Classic of Mountains and Seas. There were also original animal images such as Tan Beast. Some artists would update their hand-drawn works from time to time in the form of a column, while others would interact with fans through QQ groups (such as 699340126). In addition, there were also artists who welcomed everyone to commission their beast designs.
Brutalism was a popular architectural design trend in Europe and Japan in the 1950s and 1960s. Its core proposition was to use reinforced concrete components without plaster. Through the true performance of the structure and materials, the service facilities of the house were exposed. The exaggerated and heavy concrete components, exposed structures and facilities without decoration were the formal features. This design style formed a rough, heavy, and rough style, giving people a feeling of sloppiness but strength. The shape of the building was usually angular, without too many lines, and there were no whitewashed outer walls. It looked like an unfinished semi-finished product, simple and heavy. Brutalist architecture was not only a matter of form, but also related to the realistic requirements and conditions of the society at that time. For example, during the post-war recovery period in the United Kingdom, there was an urgent need for a large number of residential buildings, primary and secondary schools, and other small and medium-sized public buildings that could be built quickly. In this context, architects believed that the beauty of architecture should be based on the true performance of structure and materials. They should seek a realistic way out from the rough, heavy, and rough reinforced concrete. Le Corbusier's more rugged architectural style was representative of brutalism, such as his Marseille apartments.(1946 - 1957) was known as the symbol of the maturity of Brutalism. The building was equipped with shops, restaurants, and casinos to form a self-sufficient community. At the same time, the thick, sculpture-like exterior wall was used to express the rough concrete details, reflecting the aesthetic sentiments and basic views of Brutalism. The Chandigarh Administrative Center (1951 - 1956) was also a representative of Brutalism. Other masterpieces include the Sydney Opera House, the National Grand Theater of Japan, the Museum of Prehistoric History in Paris, the building of Yale University's Department of architecture and art, and the small coliseum in Rome.
The poster design of the six-person group could be assigned to different tasks according to different tasks. Based on the information provided, the tasks could be divided into strategy analysis, top-level design, executive design, and public relations. One of them could be responsible for strategic analysis, including the analysis of the poster's strengths, weaknesses, opportunities, and threats. One person could be responsible for the top-level design, including determining the positioning, mission, tonality, and story of the poster. The two of them could be responsible for the execution of the design, including poster layout, font design, hand-drawn illustrations, and 3D modeling. As for the design of the animation elements, there was no clear division of labor in the information provided. Therefore, the specific division of labor for the hand-drawn animation elements needed to be discussed and decided according to the abilities and interests of the team members.
Hand-drawn rendering book recommendation: "Hand-drawn architectural rendering techniques." This book was recommended by experienced architects and designers. It introduced the basic principles and practical techniques of hand-drawn architectural renderings in detail. The book contains a large number of cases and examples to help readers quickly master the techniques of hand-drawn renderings and improve their design level. Hand-drawn pop teaching material recommendation: "Hand-drawn comic tutorial" This book was a hand-drawn pop textbook that covered the basic knowledge, techniques, and examples of hand-drawn pop. The book introduced the composition principle and operation method of pop in detail and demonstrated the drawing process of pop through a large number of examples. Through reading this book, readers could quickly master the techniques of hand-drawn pop and apply them to design.
Aud was founded in 2003 by Mr. Guo Nu and Mr. Iyengar in Los Angeles, California. Its predecessor was FAR (Fringe Architecture and Research). In 2009, it was renamed Aud (Architecture + Urban Design Consulting company) in California. He also opened branches in Texas and Shanghai, China. In the China market, Aud was one of the few design companies that could provide international architectural and interior design services. Its founder, Mr. Guo Nu, has participated in the design of many public buildings, such as the Beijing Planetariums, Shanghai New Jiangwan Cultural Center, Los Angeles LA Live! After returning to China, he was also responsible for commercial complex projects such as Chongqing Vientiane City, QingdaoVientiane City and Chengdu Vientiane City Phase II. For example, in May 2022, he won the architectural design rights of the Shengye Building project in Wuxi through an international competition, and in October of the same year, he was appointed as the interior design of the project. After several rounds of international competition selection, the team led by the chief architect of AuD successfully won the planning and architectural design target of Jinwan Real Estate Xi'an Lake and Mountain TOD City Complex (Phase III commercial plot) in 2024.
Based on the information provided, it was impossible to accurately identify the top ten architectural design firms. However, the foreign-invested architectural firms mentioned included Gable architects (Germany), AEOM (United States), Perkins&Will (from the design director of Chris Hardie), SHL, MAD, ennead, CAZA& SARBA, Snöhetta (from the design of the Royal Theater of Delaiye), etc., but there were less than ten of them.
Odd architectural design firm (Odd architectural design company) was located in Beijing and was co-founded by two designers, Tsutomu Okamoto and Keizo Okamoto. The firm focused on architecture and interior design, firmly believing that design should become a mirror of modern people's living conditions and living environment, reflecting the various social phenomena. In the design, he pursued the innovation of the use of materials, insisted on using the latest and most modern technology to explain the unique characteristics of different cultures, and his works respected the culture of others. In today's multiculturalistic society, whether it was urban planning, architectural design, or interior design, they all adhered to the above concepts.
MAD architects, also known as MAD Studio, was an internationally renowned architectural design firm based in Beijing. It was founded in 2002 by architect Ma Yansong in the United States and moved to Beijing in 2004. Yosuke Hayano became a partner of MAD. MAD quickly rose to prominence with its unique design style and deep understanding of the future city, attracting widespread attention from the international architectural community. In 2006, he won the international competition for the super high-rise building, the Monroe-Tower, in toronto, Canada. He became the first China design firm to win the international large-scale architectural design rights. In the same year, he won the New York architectural union's young architect award. In 2014, they won the design rights of Lucas Nargative Art Museum through a competition, becoming the first China architectural firm to obtain the design rights of an overseas cultural building. Its practice is based in China, with a strong international perspective, focusing on real-world social and urban issues, and is committed to shaping future ideals. In the context of China's rapid construction, he carried out active theoretical practice, and his spatial art works gradually became a reality on a global scale. MAD was led by Ma Yansong, Dang Dang, and Hayano Yosuke. They had offices in Beijing, Los Angeles, and Rome. The firm established a branch in Tokyo in 2007. The firm had designed many projects, such as the "vertical canyon" residential building in Stanford, USA (recently completed and undergoing vertical vegetation planting. It was the third project completed in North America), Jiaxing Nanhu Future Plaza (the main building 2 completed the roof ceramic tile project of the venue, the roof curtain wall water closure project was completed, and the interior decoration and outdoor overall project stage was entered), Zhejiang Lishui Airport (about to be completed, estimated to be open to air by the end of 2024), etc.
The architectural design of Chinese Siheyuan usually paid attention to the layout and the embodiment of traditional culture. The core of the courtyard house was an open garden, surrounded by various auxiliary buildings, forming a "four-cornered" architectural structure. Traditional buildings generally used wood, bricks, tiles, and other materials. Combined with modern construction technology, the courtyard villa was more sustainable and functional. The design renderings of Chinese Siheyuan were usually based on the unique Chinese style. They paid attention to the spatial arrangement of the courtyard building, which was in line with the traditional way and also highlighted the ancient charm. The designer would prepare several plans for the householder to choose from to show different views and living experiences. The design of the courtyard house was not only a form of architecture, but also a cultural heritage.
Wowa architectural design firm had a certain level of strength and achievements. For example, its Nanjing Honghua Airport urban regeneration planning and architectural design project won the 2021 A 'Design Award and the 2020 IDA Design Award. Judging from its performance in the Nanjing Honghua Airport project, it was able to undertake the planning and design tasks in the face of many challenges such as rich historical heritage, complex land distribution and diverse functional requirements (such as different height requirements for different plots, total construction area restrictions on the ground, etc.), as well as the need to combine multiple plots separated by the runway park. This showed that the firm had the ability to deal with complex projects and consider a variety of factors for design planning. It had a certain level of professionalism in the field of architectural design.