Most of the authentic products made in the Qianlong period were blue colored seal characters with the words "Qianlong Year System", and a few were the seal of "Qing Dynasty Qianlong Year System". The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
At present, only one Qing Qianlong ink-colored landscape bowl was found. It was 9 cm high, 20.5 cm in diameter, and 7.5 cm in bottom. It was a 95-grade bowl and sold for 8099 yuan. It was located in Chaoyang, Beijing. However, there might be other unmentioned features, historical and cultural values, and more information about the Qianlong ink-colored landscape bowl. The novel "Glittering Four Seasons" is equally exciting. Everyone is welcome to click and read it!
Filament Enamel Color Painting was an innovative application of Filament Enamel Craftsmanship. The traditional cloisonné was made from copper, with flat copper wire, and then it was filled with colored glaze. And on this basis, the embroidery on the silk could be innovative, such as changing the carrier medium. From the examples, there were works such as the Western figure clock painted with stringed silk, as well as some painted objects with stringed silk from the Qing Dynasty, such as the "Qianlong Year" bronze body painted with the picture of the teacher's son. At the same time, there were also some homemade filigree paintings that could be made at home. This process might simplify some traditional processes and allow ordinary people to experience the joy of filigree painting. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
The characters included the male lead, Zhao Xin, who was black-bellied, sympathetic, and tempted by beautiful women. The female lead was Shen Xuan, the only daughter of the Shen family. She was raised by her father's friend, Shen Jingdan, at the age of nine. The survivors of the Dongtai One-Pillar Building Case. Supporting actor-Liu Sheng, Zhao Xin's good friend. Divorced, retired soldier. The person in charge of Beihai Town's military department. Male supporting role-Fu Kangan, did it need to be said? Male supporting role-Xu Dayong, Chongming farmer background, former pirate, former yellow croaker robber, Beihai town spy. The male supporting character, Heshen, and the female supporting character, Amyo, were orphans in Uno Goruma County. Their mother and younger brother were swallowed by the mudslide when Mount Asama erupted. She met a boat in Songdao Town and later became Zhao Xin's little handmaiden. The Forty-eighth Year of Qianlong by Ten Thousand Panda. It was a historical novel with Qing Dynasty, calm, and black-bellied elements. User recommendation: The Great Qing Dynasty, node: Looking at the title of the book, you can know that it was during the Qianlong period of the Qing Dynasty. The author had a long beginning, but the interesting part came later. The protagonist was a growth-type character, and his goal was also growing. It was essential for him to like history. I hope you will like this book.
Enamel phoenix and peony patterns were a combination of decorative patterns that appeared on the surface of the porcelain ware. On the back of the golden ground, the peony phoenix holding box was painted with blue glaze. The collection was dignified and the porcelain body was delicate. The glaze was bright and even, and the workmanship was exquisite. There was also a yellow porcelain vase with a phoenix pattern and peony blessing bag. It was exquisite, dignified, and smooth. The phoenix pattern was exquisitely decorated, and the carving was exquisite. It had a profound meaning and the workmanship was complicated. From the perspective of historical development, the Qing Dynasty advocated sensory aesthetics, and the glaze color became a commonly used decorative technique for peony patterns. Moreover, the Yuan, Ming, and Qing dynasties had high artistic achievements in painting peonies. The glaze phoenix peony pattern also reflected the craftsmanship and aesthetic taste of that time. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
There are many forms of gold-plated copper gilded glaze furnaces. For example, the gold-plated copper gilded glaze furnace made in the Qianlong period of the Qing Dynasty is a three-legged, two-eared, circular furnace. The gold-plated hollow bat and cloud pattern cover are decorated with four groups of glazed ruyi-shaped lotus patterns, gold-plated hollow cloud dragon pattern buttons, gold-plated inscriptions on the furnace mouth, colorful thunder patterns on the lower part of the mouth edge, ruyi patterns on the body, and lotus patterns on the twining branches. The bottom has the four-character regular script of "Qianlong Year System". The total height is 32 cm, and the maximum width is 38 cm. Exhibits and collections in the Museum of the Summer Resort; There was also a silk-strung enameled beast-face-patterned stove, which was 17.4 cm high, 8 cm in diameter, and 2.6 cm in foot distance. The shape of the stove imitated the bronze ware of the Western Zhou Dynasty. The top of the stove was a steamer and the bottom was a Li. The rope pattern stood on the ears. The top of the stove was gilded with a lotus seat and a dragon pattern button. The whole body was covered with sky-blue glaze. The cover was decorated with beast-face patterns, the abdomen was decorated with banana leaf patterns, and the inside was decorated with beast-face patterns. The three bags were also decorated with beast-face patterns. The images of the beast-face patterns were different and varied. The feet were gilded with gold. The middle of the bottom is engraved with the words "Qianlong Year System" in regular script. It is now in the collection of the National Palace Museum in Taiwan. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
The technique of casting and pinching the silk and making the glaze originated from the royal palace in the 13th century and reached its full prosperity during the Qianlong period of the Qing Dynasty. This technique combined bronze casting, porcelain painting, traditional painting, carving, gilding, and many other techniques. It could be said to be the epitome of traditional China craftsmanship. The production of casting body and stringing silk ware reached its peak during the Kangxi and Qianlong periods of the Qing Dynasty. Later, with the decline of the Qing Dynasty, the prosperity gradually declined. Finally, due to the dismissal of the palace craftsmen, this traditional national skill flowed into the folk. In the process of making the casting body, according to the design requirements of the pattern, the copper wire must be pinched into the outline of the pattern, and then the outline of the pattern must be sewn on the surface of the metal body. Then, the pattern must be filled with the glaze, and then it must be baked in the kiln. This process must be repeated several times, and then it must be polished and gilded to become the finished product. Among the many types of enamelware, some specific works of stringed-wire enamelware often showed unique artistic charm. For example, some of the stringed-wire enamelware in the old collection of the Forbidden City had a flat vase with a pattern of pine crane and reed goose with a gilded copper body. The carcass was thick, full of gilding and exquisite patterns. There was also a square casket with a dragon pattern made of stringed-wire enamelware imitated the bronze ritual ware Fang Yi of the Shang Dynasty. The carcass was thick, the production was neat, and the color was calm, giving people a solemn feeling. These could be used as a reference for the artistic style and craftsmanship of the gilded and inlaid inlaid porcelain ware. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
At the age of 88, Emperor Qianlong favored a 13-year-old Jin Changzai. Qianlong doted on Jin Changzai very much. Every day, he would chat with her, reminiscing about the past, talking about politics and poetry. However, half a year later, Qianlong passed away, and before he died, he promoted Jin Changzai's position to Jin Noble. This story was full of legends, but the search results did not provide clear information about the depth of the relationship between Qianlong and Jin Changzai. Thus, it was impossible to determine Qianlong's feelings for Jin Changzai.
At the age of 88, Emperor Qianlong favored a 13-year-old concubine. Qianlong doted on Jin Fei very much. He talked with her every day, reminiscing about the past, talking about politics and poetry. However, the search results did not provide clear information about the depth of the relationship between Qianlong and Consort Jin. Therefore, it was impossible to determine Qianlong's feelings for Consort Jin.