The bronze goose and fish lamp of the Marquis of the Sea
The bronze fish lantern of Marquis Haiying was an ancient lamp that was unearthed from the tomb of Marquis Haiying. It was shaped like a wild goose looking back and holding a fish in its mouth. It was composed of four parts: the head of the wild goose, the body of the wild goose, the lamp plate, and the lamp shade. The wild goose is wide and fat, with a slender neck. Wings are cast on both sides of its body. It has a short tail, two feet standing side by side, webbed palms, and a fish in its beak. The fish is short and fat, and its lower part is connected to the lampshade. This lamp had many charms. From the outside, the design was simple and harmonious, very pleasing to the eye. From a practical point of view, on the one hand, it was very scientific and reflected the ancient people's "environmental protection concept." Lamps in the Han Dynasty mostly used animal fat as fuel, which would produce substances that polluted the air when burned. The Yanyu lamp was a rainbow tube lamp, which used the neck of the wild goose as a rainbow tube. The lamp holder contained water, and the rainbow tube absorbed the lamp smoke and sent it into the lamp holder to dissolve in the water, preventing the black smoke produced by the burning of the lamp oil from polluting the air. On the other hand, the lamp plate and the lampshade could be turned to block the wind and adjust the brightness and angle of the light. The tomb of Marquis Haiying had a complex structure and detailed functional divisions. The wild goose and fish lamp was unearthed in the North Treasury Pavilion, which was a place with the function of treasure storehouse, such as money storehouse, grain storehouse, musical instrument storehouse, wine storehouse, etc. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Introduction of Bronze Wild Goose Fish Lamp
The bronze goose fish lamp was an ancient lamp. The following is its introduction: ** 1. Basic Information ** 1. ** Unearthing Condition ** - It was unearthed in Dianta Village, Shenmu County, Shaanxi Province, and the tomb of Marquis Haiying of the Western Han Dynasty in Nanchang. In August 1985, it was unearthed in Dianta Village, Shenmu County, Shaanxi Province, and is now in the Shaanxi Provincial History Museum. It is a national first-class cultural relic. In 1985, relevant cultural relics were also unearthed in Zhaoshiba Village, Shuo County, Shanxi Province. 2. ** Appearance ** - The overall shape was like a goose turning its head and holding a fish. It was composed of the head, body, lamp cover and lamp plate of the goose holding the fish. Some even included the head and neck of the goose, the body of the goose, the lamp and the lamp cover. The wild goose had a crown on its forehead, a slender neck, a wide and fat body, wings cast on both sides of its body, and two feet standing side by side. The webs were large and flat. The wild goose opened its mouth wide and held a big fish in its mouth. - In terms of size, for example, the painted wild goose fish lamp unearthed from Shenmu, Shaanxi Province was 53.5cm high, 34cm long, 17cm wide, and weighed 4.978kg, while the bronze wild goose fish lamp weighed 2200g, 21cm long, and 34cm high. 3. ** Craftsmanship ** - It was made of bronze, and some parts of the body were painted. For example, some of the beaks, joints under the legs, and webs were painted red. The feathers around the eyes and head were white. The neck, abdomen, and back were decorated with red scales. The inner part was dotted with a white heart, and the eyes were dotted with ink. The outline of the hard feathers on the two wings was raised, as if they were painted with ink first and then painted red. The feather stems were painted with white lines. The body of the wild goose was cast in two parts. The two legs were separately cast and then joined together. Each part could be disassembled and cleaned. ** 2. Function and features ** 1. ** Lighting adjustment function ** - The lamp plate was round, with a handle on one side, which could be turned. The lampshade was an arc-shaped screen plate or two arc-shaped baffles. The upper part was inserted into the fish belly, and the lower part was inserted into the straight wall ring edge of the lamp plate, which could be opened and closed left and right. By turning the handle of the lamp panel and opening and closing the lampshade, one could control the intensity of the light, the direction of the light source, and adjust the angle and brightness of the light. At the same time, it could also block the wind. 2. ** Green Function ** - The neck and abdomen of the wild goose were connected to the fish body of the fish that the wild goose was holding. It was designed to be hollow, and the wild goose's abdomen could hold clear water. The ancient lighting fuel was mainly animal fat, which produced oil smoke when burned. When used, water was first poured into the fish belly. After the lamp oil was lit, the oil smoke entered the belly of the wild goose along the fish belly and goose neck and was absorbed in the belly of the wild goose, which could reduce oil smoke pollution and purify the air. ** 3. Cultural Implication ** - In traditional culture, wild geese symbolized beautiful love (such as being used as betrothal gifts and wedding gifts). Fish bellies had many seeds, representing wealth and reproduction. The combination of wild geese and fish symbolized love, wedding and other beautiful meanings. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Shaanxi Museum, Wild Goose Fish Bronze Lamp
The bronze lantern with wild geese and fish, also known as the painted lantern with wild geese and fish, was a cultural relic of the Western Han Dynasty. It was unearthed in August 1985 in Dianta Village, Shenmu County (now Shenmu City), Shaanxi Province. It is now stored in the Shaanxi Provincial History Museum and is a national first-class cultural relic. It was 53.5cm high, 34cm long, 17cm wide, and weighed 4.978kg. It was cast in bronze and adopted the artistic shape of a goose holding a fish. It was composed of the head of the goose holding the fish, the body of the goose, the lampshade, and the lamp plate. It was mainly painted with red and white paint. The lamp plate was round and could be adjusted and rotated freely. There was a flat curved lamp handle on one side. The lampshade was two curved boards that could be opened and closed left and right. In this way, the angle and brightness of the light could be adjusted, and it could also block the wind. The neck and abdomen of the goose in the copper lamp are connected to the fish body of the fish held by the goose. It is designed to be hollow. The belly of the goose can hold clear water. The smoke of the lamp is directly guided into the belly of the goose through the neck of the goose and dissolved in the water, which can reduce oil smoke pollution and purify the air. In ancient times, wild geese were regarded as auspicious birds. They had the quality of loyalty and were used as betrothal gifts and wedding gifts. Fish represented wealth and reproduction. The combination of wild geese and fish was a beautiful symbol of love and marriage. In addition, copper lamps of similar shapes were unearthed in Dianta Village, Shenmu County, Shaanxi Province, and the tomb of Marquis Haiying of the Western Han Dynasty in Nanchang. Some people named them goose fish lamps. The shape was basically the same as that of goose fish lamps. They were all made of goose head and neck, goose body, lamp and lampshade. The wild goose had a crown on its forehead, a slender neck, a wide and fat body, wings cast on both sides of its body, two feet standing side by side, large and flat webs, and a stable shape. Its neck is connected to the hollow, which is the passage for guiding smoke. On the goose body is a lamp plate, and on one side is a handle that can rotate the lamp plate. The lamp cover is an arc-shaped screen plate. The upper part is inserted into the fish belly, and the lower part is inserted into the straight wall ring edge of the lamp plate, which can be opened and closed left and right. The Shaanxi Museum of History had caused controversy because of the similarities between the creative products of the Yanyu bronze lamp and the image of the Yanyu lamp created by netizens. The museum said that the creative products launched by the museum were designed based on the collection of the Yanyu bronze lamp cultural relics. There was no plagiarism. Instead, it was possible that the museum's cultural relics were borrowed or imitated by others. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Understanding and Comprehension of the Bronze Painted Wild Goose and Fish Lamp
The bronze colored goose and fish lantern was a unique cultural relic of the Western Han Dynasty. From the perspective of plastic arts, it adopted the traditional China style of a swan holding a fish. This style was rich in profound cultural meaning. In ancient times, wild geese were regarded as auspicious birds, symbolizing loyalty and loyalty, and were often used as betrothal gifts and wedding gifts. Fish represented wealth and reproduction, and the combination of the two was a beautiful symbol of love and marriage. In terms of structural design, it displayed the superb wisdom of the ancients. The whole lamp was composed of the head of the goose, the body of the goose, the lampshade, and the lamp plate. Each part could be disassembled and cleaned for easy maintenance. The lamp plate was circular and could be adjusted and rotated freely. The lampshade could be opened and closed left and right. This not only adjusted the angle and brightness of the light, but also blocked the wind. Moreover, the neck and abdomen of the wild goose were connected to the fish body of the fish that the wild goose held. It was designed to be hollow. The wild goose's abdomen could hold clear water. The lamp smoke was directly guided into the wild goose's abdomen through the wild goose's neck and dissolved in the water. This design could reduce oil smoke pollution and purify the air, reflecting the environmental awareness that the ancients had more than 2,000 years ago. In terms of cultural content, it was a microcosm of the culture of that time. It reflected the ancients 'yearning for a better life, such as the expectation of loyal love and a rich life, and also reflected the aesthetic concept of the people at that time. As a lighting device, it was an item used by the aristocrats to reflect the social class differences at that time. Today, it had become a precious cultural relic in the museum. It was an important material basis for studying the culture, crafts, social life, and many other aspects of the Western Han Dynasty. It also allowed modern people to have a glimpse of the wisdom of ancient craftsmen and the glory of ancient civilization. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
The feelings and experiences of the painted bronze wild goose and fish lamp
The painted bronze wild goose and fish lantern was an amazing cultural relic of the Western Han Dynasty. In terms of artistic modeling, it adopted the shape of a goose holding a fish, which was vivid and lifelike. Whether it was the crown on the goose's forehead, the round eyes, the wings on the goose's body, the webs on the palm, or the shape of the fish, it was all lifelike, reflecting the superb casting skills of ancient craftsmen and the precise grasp of details. Moreover, the entire body was painted with exquisite colors. For example, some geese 'crowns were painted red, and their bodies were painted green. On the geese, fish, and lampshades, ink lines and red colors were used to draw feathers, scales, and dragon patterns, which were full of artistic beauty. In terms of functional design, it fully demonstrated the wisdom of the ancients. The lamp panel could be turned and the lampshade could be opened and closed. Not only could it adjust the direction and brightness of the light, but it could also block the wind. Its interior was hollow and interconnected. The fish body, goose neck, and goose body were hollow and interconnected. The goose belly could hold clear water, and the lamp smoke was guided into the goose belly through the goose neck and dissolved in water. This design could reduce oil smoke pollution and purify the air. Under the technical conditions at that time, such an environmental protection design concept was very advanced. In terms of cultural meaning, wild geese and fish had a beautiful meaning. Wild geese were regarded as auspicious birds, symbolizing loyalty, longing, and also related to love and marriage. Fish represented wealth, prosperity, and many children. The Yanyu Lantern combined the two, reflecting the ancients 'yearning and blessings for a better life. It was a manifestation of the culture of that time. It was not only a practical lighting lamp, but also a masterpiece that condensed the wisdom, artistic aesthetics, and cultural content of the ancients. It witnessed the ancient civilization and development, and made people deeply admire the wisdom and creativity of the ancient craftsmen. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Shanxi Museum Painted Wild Goose and Fish Bronze Lamp
The copper lamp painted with wild geese and fish was a first-class cultural relic of the Western Han Dynasty. It was unearthed in Wuxing Village, Xiangfen County, Shanxi Province in 1986. The tomb owner was a noble in the late Western Han Dynasty. The lamp body is shaped like a goose holding a fish, with a height of 53.8 cm, a length of 31.3 cm, and a diameter of 10.5 cm. The overall shape of the lamp was simple and elegant. The goose stood upright and looked back to hold the fish. The goose had a crown on its forehead, round eyes, a slender neck, a wide and fat body, wings cast on both sides of its body, a short tail upturned, two feet standing side by side, and webbed palms. The fish was short and fat. The goose neck and the lamp body are connected by a mother-child mouth, and the fish body is connected with the goose neck and the abdominal cavity. The round lamp plate of the lamp is attached to the handle, which can rotate freely. The foot under the plate is matched with the straight mouth of the wild goose's back. The fish's abdomen and the lamp plate corresponded to a circular cover, and two arc-shaped screens were inserted between the cover and the lamp plate, which could be opened and closed in a staggered manner, which could not only block the wind but also adjust the brightness of the light. When the lights were lit, the smoke was guided into the belly of the goose through the fish belly and the goose neck. Moreover, the ancients would put water in the goose's belly before lighting it. After being diluted by water, it could reduce or eliminate the pollution to the indoor air, which had an environmental protection effect. The four parts of the lamp (goose head and neck, goose body, lamp plate, and lamp cover) were assembled together. They could be disassembled freely and were easy to clean. Its screen board, fish scales and wild goose wings are painted, the wild goose crown is painted with red color, the wild goose body is painted with green color, on the wild goose fish and lampshade with ink line, red color respectively to draw feather, scale and Kui dragon pattern, very exquisite. This cultural relic not only displayed the wisdom and creativity of the ancient China people with its exquisite craftsmanship and unique design concept, but also had far-reaching historical significance because of its environmental protection and practicality. It was a model of the combination of ancient science and technology and culture, and also an important part of the traditional Chinese culture. It helped to understand the lifestyle, aesthetic concept, and scientific and technological development level of the people of the Han Dynasty. It is now collected in the Shanxi Museum and displayed in the Shaanxi Museum. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Western Han Dynasty Painted Wild Goose and Fish Bronze Lamp
The Painted Wild Goose - holding - fish Bronze Lamp in the Western Han Dynasty. This lamp is a bronze ware from the Western Han Dynasty. It is a national - level cultural relic. There are specimens unearthed in different places. For example, one was unearthed in 1985 in Dianta Village, Shenmu County (now Shenmu City), Shaanxi province, and is now in the Shaanxi History Museum; another was unearthed in 1983 from a Western Han tomb in Shuoxian, Shanxi. The lamp is made of bronze, about 53 - 54 centimeters high. It adopts the artistic form of a wild goose holding a fish in its beak, which is a traditional Chinese pattern. It is exquisitely made with vivid shapes. The lamp is mainly composed of four parts: the wild goose head (with a fish in its beak), the wild goose body, the lampshade and the lamp tray. Each part can be disassembled for cleaning. The lamp tray is round and can be freely rotated for adjustment. The lampshade can be opened and closed on both sides, which can not only adjust the angle of light irradiation and the brightness, but also block the wind. The most remarkable feature is its environmental - friendly design. In ancient times, the oil and wax used for lighting would produce soot after burning. The neck, abdomen of the wild goose and the fish body are connected and hollow. The wild goose's abdomen can hold clear water. The lamp smoke is directly led into the wild goose's abdomen through the wild goose's neck and dissolved in the water, thus reducing soot pollution and purifying the air. The wild goose and the fish are also symbols in Chinese culture. The wild goose was regarded as an auspicious bird in ancient times, representing loyalty, and was often used in betrothal and wedding ceremonies. The fish represents affluence and reproduction, so the combination of the wild goose and the fish also symbolizes love and marriage. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Western Han Dynasty Painted Wild Goose and Fish Bronze Lamp Design Description
Based on context alone The Western Han Dynasty painted goose and fish copper lamp was composed of the head of the goose holding the fish, the body of the goose, two lampshades and a lamp plate with a curved hook. It could be disassembled. ** 1. Styling design ** 1. ** Bionic styling ** - The overall shape was a wild goose with a fish in its mouth. The wild goose had a beautiful posture, and the posture of bending its neck to look back was vivid and natural. The shape of the animal was cleverly applied to the design of the lamp. This kind of bionic design not only made the lamps have a unique artistic beauty, but also reflected the meticulous observation of natural creatures and superb artistic expression ability of the ancients. - The wild goose's body was round and full, and the lines were smooth. The fish's shape was also lifelike. The combination of the two was harmonious and natural, showing a dynamic balance. 2. ** Fusion of structure and function ** - The neck of the wild goose was used as a smoke pipe, which was connected to the inside of the wild goose's body. When the oil in the lamp tray burned, the soot produced could be guided into the body of the goose through the neck and then settled in the water in the belly of the goose. This design not only ensured the cleanliness of the indoor air, but also reflected the perfect combination of structural design and functional requirements. - The lamp plate could be rotated, and the two lampshades could be opened and closed freely. It could adjust the direction and brightness of the light. This design was very advanced at that time and met the different lighting needs of people. ** 2. In terms of decoration design ** 1. ** Painted decorations ** - There were colorful decorations on the bodies of the wild geese and fish. These colorful paintings were beautiful and exquisite. They might have depicted some auspicious patterns or natural scenes at that time, which not only increased the aesthetics of the lamps, but also reflected the aesthetic concepts and cultural implications of that time. 2. ** Details handled ** - The feathers on the head and body of the wild goose, as well as the scales of the fish, were meticulously carved. The texture of the feathers and scales was expressed through the use of lines, making the whole lamp look more realistic, reflecting the highly developed bronze ware production technology in the Western Han Dynasty. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
The principle diagram of the goose fish copper lamp
The Yanyu copper lamp was mainly composed of the head and neck of the goose, the body of the goose, the lamp plate, and the lamp cover. The principle was as follows: the goose neck and the goose body were connected by the mother-son mouth, and the fish body, the goose neck, and the body cavity were hollow and connected. When the lights were lit inside the fish, the smoke and exhaust gas would rise to the goose's neck and then be guided into the goose's body using the siphoning principle. Before lighting the copper lamp, the ancients would put some water into the belly of the wild goose (the body cavity of the lamp). After the smoke and exhaust gas produced after the lamp was lit entered the body of the wild goose, it would be diluted by the water to reduce or eliminate the pollution of indoor air, thus achieving environmental protection. One side of the lamp plate was attached with a lamp handle to control the lamp plate to rotate back and forth. There were two straight wall rings in the circular lamp plate. One straight wall ring was fixedly connected with the lamp plate in the form of a mother and son mouth, and the other straight wall ring was connected with two curved plates to form a lampshade that could be opened and closed left and right. It could not only block the wind, but also adjust the illumination of the light. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Western Han bronze wild goose and fish lantern
The Western Han bronze goose fish lantern was a cultural relic of the Western Han Dynasty. It was made entirely of copper and looked like a goose looking back with a fish in its mouth. It was 34.5 centimeters long and 53 centimeters high. This lamp was exquisitely designed and exquisitely crafted. It was a rare art treasure. It was a type of black technology green light that could adjust the brightness. The lighting principle was that the beeswax in the lantern could be lit, and there was a small switch at the bottom of the lantern that could adjust the size of the cage to control the brightness of the light. From the head, neck to the belly of the wild goose was a hollow smoke exhaust pipe. The smoke passed from the top of the lantern to the neck of the wild goose to the belly, and then was purified by water before being discharged. It could remove the harmful substances in the smoke. It was based on the principle of siphoning. After the wild goose's belly was injected with clear water, the smoke and dust could be dissolved into the water. This was equivalent to an automatic smoke purification system. The structure of the lamp was made up of four parts: the goose holding the fish, the goose body, the lamp plate, and the lamp cover. The goose's neck is long and slender, and it looks back to hold the fish. The goose's body is fat, and wings are cast on both sides. The short tail is upturned, and the feet stand side by side. The lamp plate with a handle is located on the back of the goose. The lampshade is made of two curved plates. The lamp plate and the lampshade could be turned to adjust the wind and light. The fish body, the goose neck and the goose body were connected to each other in the hollow to accommodate smoke and dust. Each part could be disassembled for cleaning. Different wild goose and fish lanterns may be collected in different places, such as the National Museum of China, the Beijing Normal University Experimental Middle School Museum, the Yu County Museum, etc. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
An Introduction to the Bronze Lantern Painted with Wild Goose and Fish
The bronze lantern painted with wild geese and fish is a cultural relic of the Western Han Dynasty. It was unearthed in 1985 at Zhaoshiba Village, Shuo County, Shanxi Province, 53 cm high. The overall shape was like a goose standing with a fish in its mouth. It was made of four parts: the goose holding the fish, the goose body, the lamp plate, and the lamp shade. The goose's neck was long and slender. It turned its head and held a fish in its mouth. The goose's body was fat. Wings were cast on both sides of its body. Its short tail was upturned and its feet stood side by side. The lamp tray with a handle was located on the back of the wild goose, and the lampshade was made of two curved plates. The lamp plate and the lampshade could be turned to adjust the wind and light. The fish body, the goose neck and the goose body were hollow and connected to each other to accommodate smoke and dust. Each part could be disassembled for cleaning. It used the traditional artistic shape of a bird holding a fish. It was a treasure among the bronze wares of the Han Dynasty. It was also a kind of lamp with a smoke pipe. The goose neck and the goose body were connected by a mother-son mouth. When the lamp was lit in the fish body, the smoke and waste gas rose to the goose neck and was guided into the goose body. The ancients would also put water in the goose body cavity (goose belly). The smoke and waste gas produced by the lamp would be diluted by water after entering the goose body, which could reduce or eliminate the pollution of indoor air and realize the environmental protection effect. In addition, the details of the casting were exquisite, such as the crown on the goose's forehead, the round eyes, the wings on the goose's body, and the webs on the palm. The crown of the goose was painted with red color, and the body of the goose was covered with green color. On the goose fish and lampshade, rich and exquisite colored patterns such as feathers, scales and dragon patterns were drawn with ink lines and red colors respectively. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!