An Introduction to the Bronze Lantern Painted with Wild Goose and Fish
The bronze lantern painted with wild geese and fish is a cultural relic of the Western Han Dynasty. It was unearthed in 1985 at Zhaoshiba Village, Shuo County, Shanxi Province, 53 cm high. The overall shape was like a goose standing with a fish in its mouth. It was made of four parts: the goose holding the fish, the goose body, the lamp plate, and the lamp shade. The goose's neck was long and slender. It turned its head and held a fish in its mouth. The goose's body was fat. Wings were cast on both sides of its body. Its short tail was upturned and its feet stood side by side. The lamp tray with a handle was located on the back of the wild goose, and the lampshade was made of two curved plates. The lamp plate and the lampshade could be turned to adjust the wind and light. The fish body, the goose neck and the goose body were hollow and connected to each other to accommodate smoke and dust. Each part could be disassembled for cleaning. It used the traditional artistic shape of a bird holding a fish. It was a treasure among the bronze wares of the Han Dynasty. It was also a kind of lamp with a smoke pipe. The goose neck and the goose body were connected by a mother-son mouth. When the lamp was lit in the fish body, the smoke and waste gas rose to the goose neck and was guided into the goose body. The ancients would also put water in the goose body cavity (goose belly). The smoke and waste gas produced by the lamp would be diluted by water after entering the goose body, which could reduce or eliminate the pollution of indoor air and realize the environmental protection effect. In addition, the details of the casting were exquisite, such as the crown on the goose's forehead, the round eyes, the wings on the goose's body, and the webs on the palm. The crown of the goose was painted with red color, and the body of the goose was covered with green color. On the goose fish and lampshade, rich and exquisite colored patterns such as feathers, scales and dragon patterns were drawn with ink lines and red colors respectively. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Understanding and Comprehension of the Bronze Painted Wild Goose and Fish Lamp
The bronze colored goose and fish lantern was a unique cultural relic of the Western Han Dynasty. From the perspective of plastic arts, it adopted the traditional China style of a swan holding a fish. This style was rich in profound cultural meaning. In ancient times, wild geese were regarded as auspicious birds, symbolizing loyalty and loyalty, and were often used as betrothal gifts and wedding gifts. Fish represented wealth and reproduction, and the combination of the two was a beautiful symbol of love and marriage. In terms of structural design, it displayed the superb wisdom of the ancients. The whole lamp was composed of the head of the goose, the body of the goose, the lampshade, and the lamp plate. Each part could be disassembled and cleaned for easy maintenance. The lamp plate was circular and could be adjusted and rotated freely. The lampshade could be opened and closed left and right. This not only adjusted the angle and brightness of the light, but also blocked the wind. Moreover, the neck and abdomen of the wild goose were connected to the fish body of the fish that the wild goose held. It was designed to be hollow. The wild goose's abdomen could hold clear water. The lamp smoke was directly guided into the wild goose's abdomen through the wild goose's neck and dissolved in the water. This design could reduce oil smoke pollution and purify the air, reflecting the environmental awareness that the ancients had more than 2,000 years ago. In terms of cultural content, it was a microcosm of the culture of that time. It reflected the ancients 'yearning for a better life, such as the expectation of loyal love and a rich life, and also reflected the aesthetic concept of the people at that time. As a lighting device, it was an item used by the aristocrats to reflect the social class differences at that time. Today, it had become a precious cultural relic in the museum. It was an important material basis for studying the culture, crafts, social life, and many other aspects of the Western Han Dynasty. It also allowed modern people to have a glimpse of the wisdom of ancient craftsmen and the glory of ancient civilization. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Shanxi Museum Painted Wild Goose and Fish Bronze Lamp
The copper lamp painted with wild geese and fish was a first-class cultural relic of the Western Han Dynasty. It was unearthed in Wuxing Village, Xiangfen County, Shanxi Province in 1986. The tomb owner was a noble in the late Western Han Dynasty. The lamp body is shaped like a goose holding a fish, with a height of 53.8 cm, a length of 31.3 cm, and a diameter of 10.5 cm. The overall shape of the lamp was simple and elegant. The goose stood upright and looked back to hold the fish. The goose had a crown on its forehead, round eyes, a slender neck, a wide and fat body, wings cast on both sides of its body, a short tail upturned, two feet standing side by side, and webbed palms. The fish was short and fat. The goose neck and the lamp body are connected by a mother-child mouth, and the fish body is connected with the goose neck and the abdominal cavity. The round lamp plate of the lamp is attached to the handle, which can rotate freely. The foot under the plate is matched with the straight mouth of the wild goose's back. The fish's abdomen and the lamp plate corresponded to a circular cover, and two arc-shaped screens were inserted between the cover and the lamp plate, which could be opened and closed in a staggered manner, which could not only block the wind but also adjust the brightness of the light. When the lights were lit, the smoke was guided into the belly of the goose through the fish belly and the goose neck. Moreover, the ancients would put water in the goose's belly before lighting it. After being diluted by water, it could reduce or eliminate the pollution to the indoor air, which had an environmental protection effect. The four parts of the lamp (goose head and neck, goose body, lamp plate, and lamp cover) were assembled together. They could be disassembled freely and were easy to clean. Its screen board, fish scales and wild goose wings are painted, the wild goose crown is painted with red color, the wild goose body is painted with green color, on the wild goose fish and lampshade with ink line, red color respectively to draw feather, scale and Kui dragon pattern, very exquisite. This cultural relic not only displayed the wisdom and creativity of the ancient China people with its exquisite craftsmanship and unique design concept, but also had far-reaching historical significance because of its environmental protection and practicality. It was a model of the combination of ancient science and technology and culture, and also an important part of the traditional Chinese culture. It helped to understand the lifestyle, aesthetic concept, and scientific and technological development level of the people of the Han Dynasty. It is now collected in the Shanxi Museum and displayed in the Shaanxi Museum. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The feelings and experiences of the painted bronze wild goose and fish lamp
The painted bronze wild goose and fish lantern was an amazing cultural relic of the Western Han Dynasty. In terms of artistic modeling, it adopted the shape of a goose holding a fish, which was vivid and lifelike. Whether it was the crown on the goose's forehead, the round eyes, the wings on the goose's body, the webs on the palm, or the shape of the fish, it was all lifelike, reflecting the superb casting skills of ancient craftsmen and the precise grasp of details. Moreover, the entire body was painted with exquisite colors. For example, some geese 'crowns were painted red, and their bodies were painted green. On the geese, fish, and lampshades, ink lines and red colors were used to draw feathers, scales, and dragon patterns, which were full of artistic beauty. In terms of functional design, it fully demonstrated the wisdom of the ancients. The lamp panel could be turned and the lampshade could be opened and closed. Not only could it adjust the direction and brightness of the light, but it could also block the wind. Its interior was hollow and interconnected. The fish body, goose neck, and goose body were hollow and interconnected. The goose belly could hold clear water, and the lamp smoke was guided into the goose belly through the goose neck and dissolved in water. This design could reduce oil smoke pollution and purify the air. Under the technical conditions at that time, such an environmental protection design concept was very advanced. In terms of cultural meaning, wild geese and fish had a beautiful meaning. Wild geese were regarded as auspicious birds, symbolizing loyalty, longing, and also related to love and marriage. Fish represented wealth, prosperity, and many children. The Yanyu Lantern combined the two, reflecting the ancients 'yearning and blessings for a better life. It was a manifestation of the culture of that time. It was not only a practical lighting lamp, but also a masterpiece that condensed the wisdom, artistic aesthetics, and cultural content of the ancients. It witnessed the ancient civilization and development, and made people deeply admire the wisdom and creativity of the ancient craftsmen. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Western Han Dynasty Painted Wild Goose and Fish Bronze Lamp Design Description
Based on context alone The Western Han Dynasty painted goose and fish copper lamp was composed of the head of the goose holding the fish, the body of the goose, two lampshades and a lamp plate with a curved hook. It could be disassembled. ** 1. Styling design ** 1. ** Bionic styling ** - The overall shape was a wild goose with a fish in its mouth. The wild goose had a beautiful posture, and the posture of bending its neck to look back was vivid and natural. The shape of the animal was cleverly applied to the design of the lamp. This kind of bionic design not only made the lamps have a unique artistic beauty, but also reflected the meticulous observation of natural creatures and superb artistic expression ability of the ancients. - The wild goose's body was round and full, and the lines were smooth. The fish's shape was also lifelike. The combination of the two was harmonious and natural, showing a dynamic balance. 2. ** Fusion of structure and function ** - The neck of the wild goose was used as a smoke pipe, which was connected to the inside of the wild goose's body. When the oil in the lamp tray burned, the soot produced could be guided into the body of the goose through the neck and then settled in the water in the belly of the goose. This design not only ensured the cleanliness of the indoor air, but also reflected the perfect combination of structural design and functional requirements. - The lamp plate could be rotated, and the two lampshades could be opened and closed freely. It could adjust the direction and brightness of the light. This design was very advanced at that time and met the different lighting needs of people. ** 2. In terms of decoration design ** 1. ** Painted decorations ** - There were colorful decorations on the bodies of the wild geese and fish. These colorful paintings were beautiful and exquisite. They might have depicted some auspicious patterns or natural scenes at that time, which not only increased the aesthetics of the lamps, but also reflected the aesthetic concepts and cultural implications of that time. 2. ** Details handled ** - The feathers on the head and body of the wild goose, as well as the scales of the fish, were meticulously carved. The texture of the feathers and scales was expressed through the use of lines, making the whole lamp look more realistic, reflecting the highly developed bronze ware production technology in the Western Han Dynasty. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Shaanxi Museum, Wild Goose Fish Bronze Lamp
The bronze lantern with wild geese and fish, also known as the painted lantern with wild geese and fish, was a cultural relic of the Western Han Dynasty. It was unearthed in August 1985 in Dianta Village, Shenmu County (now Shenmu City), Shaanxi Province. It is now stored in the Shaanxi Provincial History Museum and is a national first-class cultural relic. It was 53.5cm high, 34cm long, 17cm wide, and weighed 4.978kg. It was cast in bronze and adopted the artistic shape of a goose holding a fish. It was composed of the head of the goose holding the fish, the body of the goose, the lampshade, and the lamp plate. It was mainly painted with red and white paint. The lamp plate was round and could be adjusted and rotated freely. There was a flat curved lamp handle on one side. The lampshade was two curved boards that could be opened and closed left and right. In this way, the angle and brightness of the light could be adjusted, and it could also block the wind. The neck and abdomen of the goose in the copper lamp are connected to the fish body of the fish held by the goose. It is designed to be hollow. The belly of the goose can hold clear water. The smoke of the lamp is directly guided into the belly of the goose through the neck of the goose and dissolved in the water, which can reduce oil smoke pollution and purify the air. In ancient times, wild geese were regarded as auspicious birds. They had the quality of loyalty and were used as betrothal gifts and wedding gifts. Fish represented wealth and reproduction. The combination of wild geese and fish was a beautiful symbol of love and marriage. In addition, copper lamps of similar shapes were unearthed in Dianta Village, Shenmu County, Shaanxi Province, and the tomb of Marquis Haiying of the Western Han Dynasty in Nanchang. Some people named them goose fish lamps. The shape was basically the same as that of goose fish lamps. They were all made of goose head and neck, goose body, lamp and lampshade. The wild goose had a crown on its forehead, a slender neck, a wide and fat body, wings cast on both sides of its body, two feet standing side by side, large and flat webs, and a stable shape. Its neck is connected to the hollow, which is the passage for guiding smoke. On the goose body is a lamp plate, and on one side is a handle that can rotate the lamp plate. The lamp cover is an arc-shaped screen plate. The upper part is inserted into the fish belly, and the lower part is inserted into the straight wall ring edge of the lamp plate, which can be opened and closed left and right. The Shaanxi Museum of History had caused controversy because of the similarities between the creative products of the Yanyu bronze lamp and the image of the Yanyu lamp created by netizens. The museum said that the creative products launched by the museum were designed based on the collection of the Yanyu bronze lamp cultural relics. There was no plagiarism. Instead, it was possible that the museum's cultural relics were borrowed or imitated by others. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The Character Introduction of Wild Goose Returning West
The roles included: supporting role-He Kun, Emperor Yongcheng, the second son of Chengyang King He Zhen, slick and worldly. Supporting role-Cheng Qin, Marquis Weiyuan, a general from a humble family, one of the eight generals of the Tiger Wolf Army of Great Yue. Supporting role-Cheng Yuanen, Grand Scholar of the Profound Language Pavilion, Minister of Civil Affairs. Cheng Qin's eldest son, Cheng Xi's father. He is the son of the Emperor. In the Great Yue Dynasty, King Chengyang rebelled and plotted to seize the world and establish a new dynasty. Supporting role-Zhang Ze, the seventh son of Emperor Zhaohe of the Great Yue. In order to seize the position of the Crown Prince, he did everything he could to frame Rong Qian and Cheng Xi, causing a series of great changes in the situation. The male protagonist, Rong Qian, was the king of Wuling and the son of the Marquis of Cheng 'en in the Great Yue Dynasty. His father died when he was young. Calm and restrained, talented in both civil and military affairs. Female Lead-Cheng Xi, Wuling Princess Consort, Weiyuan Marquis Fu's Eldest Miss. His son, Cheng Shi, was the Great General of Jingyuan and the Fourth Master of Weiyuan Marquis's Mansion. He was rebellious and difficult to tame. He was the talent of a general. The male supporting role was Wang Qian, a Grand Scholar of the Hall of Cultural Splendor. He was born into a century-old aristocratic family and was a descendant of the Ming Dynasty. He had a great reputation among the scholars. Female companion-Jinxin, Mrs. Linzhao, the daughter of a criminal official in Dayue, was saved by Cheng Xi and accompanied her since childhood, both friends and relatives. The author of " Wild Goose Returning to the West " was September Wine. It was an ancient romance novel. User recommendation: The deposed Crown Princess was reborn to the heyday of the family. She abandoned the idea of being a boudoir daughter in her previous life and worked hard to enrich herself and broaden her horizons to change her own destiny. I hope you will like this book.
The Character Introduction of "Return of the Wild Goose in the Clouds"
The characters included the male lead, Gu Xiaotian, and the female lead, Cheng Yunshen. " Return of the Wild Goose in the Clouds " was written by Dong Fang Mu Luo. It was an ancient romance novel. User recommendation: "In my world, only I will not die!" Male Lead: " I beg the author to let me live until the end." "I beg the author to let me die a better death." Author: [I dug a big hole…] In short, this was a story of life and death.. I hope you will like this book.
The Character Introduction of "Wild Goose Homes to Its Nest"
The characters included the protagonist, Su Jingyang, who topped the "Four Talents of Changlin" and was given the title of "The First Scholar of Ming Dynasty" by the emperor. He was extremely talented, gentle, and extremely sentimental. Protagonist-Kou Chengwu, ranked second in the "Four Heroes of Changlin". He was given the title of "Ming Dynasty's First Warrior" by the emperor. He was highly skilled in martial arts, pure and honest, and loyal. The main character was Xiao Zhuo, the son of a rich family. His identity was suspicious. He talked and laughed freely, modest and polite. The male lead, Han Yiyun, was actually a shy chatterbox. The female protagonist was Juexin, a mysterious girl with the alias "Miao Yin." Due to her outstanding zither skills, she was sought after by many children of the capital's aristocratic families as the "number one zither player in Changlin." Female supporting role-Su Jingyue, exquisite talented woman, good at zither, chess, calligraphy and painting, transparent, infatuated without regret. "Wild Goose Returns to Its Nest" by Nan Siwang. It's an ancient romance/classical fictional novel. You can enjoy it without worry now that it's finished. User recommendation: o. (✿ฺ.✿ฺ). I hope you will like this book.
What's the difference between a wild goose and a wild goose?
The difference between "Wu" and "Wu" was as follows: - ** Meaning **: - " Wu " referred to ducks. For example, the " Wu " in " A flock of ducks " referred to a flock of ducks that ran over. It could also be used as an analogy for many people fighting to chase after them. The " Wu " here referred to wild ducks or domestic ducks. - " Wu " meant running around and galloping. It had two main meanings. One was to gallop at will, as mentioned in the Book of Han·Yin Yi." To gallop straight is to gallop, and to gallop randomly is to gallop." It meant to run around aimlessly. The second was to pursue. For example, the idiom " aim too high and reach too far " meant to pursue unrealistic goals that were too high or too far away." No distractions " meant that there was no other pursuit in the heart and described the concentration of the mind. - ** Symbol Head **: - Below the word "Wu" is the base of the word "Bird", which is a pictophonetic character. The "" above is the sound side, and the "Bird" below is the shape side, which is related to birds. - Below the word "Wu" was the base of the word "Ma", which was also a pictophonetic character. The "" above was the sound side, and the "Ma" below was the shape side, which was related to horses. - ** Pronunciation **: The pronunciation of the two is the same, both are pronounced as "wü". "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The Wild Goose Passed by
There was a book called " The Sound of Wild Goose Passing ", which was a collection of essays by the famous historian Jin Yan, not a novel. The book looked back at the 1960s and 1970s, the author's childhood and youth, including his grandmother who was good at managing the family and had a clear mind, his childhood life of hunger and drought, the burden of life, the educated youth cutting in line, the employment of the supply and marketing cooperative, and the experience of being a graduate student after the college entrance examination. The book was full of stories, life attitudes, and reflections. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!