How can the blue glaze be dated?
The method of determining the generation of the blue glaze is as follows: 1. ** The type of object recognized from the macro perspective **: determine whether it is a blue glaze, which is also called a sacrificial blue. It is mostly used for sacrificial ceremonies. 2. [Judging from the shape of the weapon: The shape of the weapon is different in different periods.] For example, in the early Ming Dynasty, the folding bowl was deeper than that in the middle period, and the degree of mouth opening was smaller; in the Zhengde-Jiajing period, the folding bowl style was more common. 3. ** Judged by blue glaze hair color and body texture ** - ** Ming Dynasty ** - ** Early Ming Dynasty **: The blue glaze was made of Su material, the hair color was sapphire blue, the glaze was thick, and most of them had orange peel patterns; The glaze of the folk kiln was not uniform, the hair color was deep, and the bowls were often painted with blue and white patterns. - ** Middle Ming Dynasty (Chenghua, Hongzhi, Zhengde)**: The blue glaze of the folk kiln was gray when it was Chenghua, and the color of the Hongzhi Zhengde was gray and black. Some of the glaze was fat but the thickness of the glaze was uneven. The thin part of the glaze was white and the width was different. In terms of the body quality, for example, during the Zhengde period, the foot was cut inward, and the foot wall was slightly inclined inward. It was not as inclined as in the early Ming Dynasty. The body quality was relatively tight. There were traces of natural oxidization at the junction of the body and glaze, and the bottom glaze was slightly green. - ** Jiawan period **: The color of the sacrificial blue glaze was deep, and the color of the green material was blue with purple, which was more beautiful. The glaze mixed with the stone green was grayish black, thick and deep, and the glaze was more lustrous. - ** Tianqi Chongzhen period **: The blue glaze is thinner and uneven, and the glaze is darker. - ** Qing Dynasty **: For example, the blue glaze of the Qing Emperor Yongzheng. The color of the blue glaze is deep, the glaze does not flow or crack, the color tone is uniform, and the color is relatively stable. The bottom is the six-character blue and white seal script of the Qing Emperor Yongzheng. The blue glazed double-dragon-headed bottle from Jingdezhen kiln in Qianlong of Qing Dynasty has obvious old-fashioned atmosphere and steady glaze color. Its forming process, glaze color and body quality are consistent with the characteristics of the same period. 4. ** Judging from the production process, the color purity of the glaze, and the decoration style of the utensils **: In the early Tang Dynasty, the color purity of the blue glaze was relatively high, the glaze was bright, the utensils were rough, and the decoration was simple. It was greatly influenced by the aesthetic taste of the palace, and the materials and techniques were rough. In the middle of the Tang Dynasty, with the rise of glazed pottery such as the hornet kiln, the technological level improved, the art level of the utensils improved, and the decoration became more diverse. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The meaning of the blue glaze
The blue glaze had a beautiful meaning. "Ji" originally described the especially bright and clean moonlight after the storm. In the idiom "Guangfeng Jiyue", it was extended to the world situation of political clarity and peace in the world, or to the aboveboard and magnanimous heart of the character. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Kangxi Blue Glaze
Kangxi blue glaze was an important glaze color in Jingdezhen official kiln porcelain during the Kangxi period of the Qing Dynasty. I. Craftsmanship 1. ** Firing process ** - The blue glaze was a high-temperature lime soda glaze. After the green body was glazed, it was fired at a high temperature of 1280 - 1300 ° C. This firing method made the glaze not flow or crack, the color tone was even, and the color was relatively stable. 2. ** Glaze color performance ** - The color of the glaze was blue like the deep sea. The color was deep, the glaze was even, and the color was stable. Later generations called it "Ji Qing". Moreover, because its color was stable and bright like a gem, it was ranked alongside white glaze and red glaze, and was promoted as the three "top grade" of Xuande color glazed porcelain. During the Kangxi period, the sacrificial blue and blue and white flowers used materials with a high content of Cobalt. The hair color was strong, and the glaze was thin and smooth, giving people a sense of elegance. 3. ** Production Skill Level ** - During the reign of Emperor Kangxi, porcelain making skills reached an unprecedented height, and blue glazed porcelain was no exception. They displayed superb skills in terms of styling, decorative patterns, and glaze color. During this period, blue glazed porcelain was commonly seen in official kiln color glaze, blue and white, underglazed red porcelain and colored porcelain, most of which were written in two lines of six-character regular script. II. Usage and Model 1. ** Usage * - The traditional use of blue glazed porcelain was partially continued during the Kangxi period. From a historical point of view, the blue glazed porcelain was mainly used as sacrificial vessels and furnishings in the early and middle Ming Dynasty. In the Kangxi period, it still had the function of sacrificial vessels and furnishings. For example, in the royal sacrificial vessels, blue glazed porcelain was also used. 2. ** Styling ** - During the Kangxi period, there were many kinds of blue glazed porcelain, such as long-necked bottles, plates, bowls, plum bottles, elephant ear cong bottles, gold-painted appreciation bottles, etc. The long-necked vase had a straight mouth and a thin neck, a bulging belly and a circular foot, and the outer wall was covered with a blue glaze. III. Comparisons with other periods - Compared to the beautiful colors of the early and middle Ming Dynasty blue glazed porcelain using Su materials and Hui Qing materials, due to the difference in the Cobalt materials, the blue glaze of the Kangxi period of the Qing Dynasty was not the same color as the Ming Dynasty, but it still had its own unique elegance. Moreover, compared to the Yongzheng and Qianlong periods, the color of the sacrificial blue glaze in the Kangxi period was more elegant. The use of tungsten materials in the Yongzheng and Qianlong periods changed, and the iron content in the tungsten materials increased again. Although the color of the blue glaze was dark blue and the glaze color was gorgeous, it was not as elegant as the Kangxi period. IV. Collection Value - The blue-glazed porcelain made in the Kangxi era had a high collection value. On the one hand, the porcelain production skills during the Kangxi period were superb, and the artistic value of the blue glazed porcelain was high. On the other hand, this kind of porcelain was a precious item at that time, and now it was a popular collection in the collection world. With the increasing emphasis on traditional culture, the demand for Kangxi blue glazed porcelain was also increasing, further emphasizing its collection value. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
A novel as good as Blue and White Glaze
Kangxi Blue Glaze Auction Price
In the 24th Autumn Auction of Guardian in Hong Kong, the estimated value of a bowl with a dragon pattern engraved on the inside of the Qing Kangxi outer blue glaze was 280,000 - 320,000 Hong Kong dollars, and a pair of Qing Kangxi blue glaze (double-circle six-character regular script) was estimated to be 1,000,000 - 1,500,000 Hong Kong dollars. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The characteristics of the blue glaze base in Yuan Dynasty
In the Yuan Dynasty, the imported Cobalt material used to fire the blue glazed porcelain was very precious, and the hair color was still unstable. The blue glazed porcelain of the Yuan Dynasty was mainly "white flowers on the blue ground", and it was more common to see clouds and dragons, and it was almost impossible to see a plain glaze without patterns. The thickness of the matrix is moderate, the matrix is dense, hard, and the degree of porcelainization is high. In addition, ancient porcelain bodies may contain purple gold soil (purple gold sand). Due to the use of purple gold soil, a small amount of brown bubbles may appear under the fired porcelain, like the color of bubbles in soybean oil. This bubble can be used as a basis for identification. At the same time, Yuan Dynasty porcelain was limited by the processing technology at that time. There were many flat feet, many papillions and jumping knife grooves, and the knife cutting was irregular. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Candy White Ice Flame Blue Glaze
Just from these few words, the content of the question was not clear. If it was related to the Baojun E100 or E200, these colors were the exterior colors of the Baojun E100 (Ice Flame Blue, Glaze Red, Candy White) and the exterior colors of the Baojun E200 also had Glaze Red, Ice Flame Blue, Candy White and other options. If it is not a question about the color of the car, please provide more detailed requirements to answer. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Distinguishing the new and old porcelain with blue glaze
To identify the new and old porcelain, one could start from the following aspects: 1. [Note: There was no note before the Yuan Dynasty, but it could be distinguished from the glaze and the bottom of the tire.] Ming Yongle and Xuande had a signature. The blue glazed porcelain produced by the official kiln during the Xuande period of the Ming Dynasty would have a double-line six-character regular script with the content of "Ming Xuande Year System". If there were only four words in the signature, it was mostly copied by later generations. In the Qing Dynasty, most of the official kiln blue glazed porcelain had the official style, while most of the civilian kiln was used as sacrificial vessels in temples, with the style of dating. 2. ** Glaze characteristics **: - ** Yuan Dynasty **: The high-quality blue glaze is a high-temperature glaze. It is mixed with a suitable amount of natural tungsten as a coloring agent in the lime soda glaze. It is successfully fired in the kiln at about 1280 - 1300 degrees Celsius. The color was deep, the glaze did not flow or crack, the color tone was even, and the color was relatively stable. At that time, it was monopolized by the official kiln. - ** Xuande period of the Ming Dynasty **: The color was pure and gorgeous, similar to the color of sapphire. Some porcelain was covered with blue glaze inside and outside, while some were covered with white glaze inside and blue glaze outside. The edges of the porcelain were mostly curved and irregular. The shape of the bowl or basin was more common, and the bottle and pot were less common. Occasionally, there were porcelain decorated with white flowers (made by stacking method, so the three-dimensional effect was not obvious). The overall style was simple. - ** Qing Dynasty Yongzheng period **: The fetus is thin, white and dense, with small brown eyes and a thin body. There was a lamp grass mouth on the edge of the mouth. The glaze was plump, the color was calm and bright, and the glaze color was even and moist, like sapphire. - ** Qianlong period of the Qing Dynasty **: The firing became more and more skillful, and the production was exquisite. The main shape was the palace sacrificial ware and furnishings. Generally, when the glaze is applied to the bottom, the circle foot cannot be seen at a level of sight. The shape is commonly seen in bowls and plates, but it is rare to see other shapes such as bottles and pots. Many blue glazes have shallow engravings (dragon and phoenix, cloud dragon, twining flowers, etc.), but they are not three-dimensional. 3. ** Observation of bubbles **: Due to the age, it is difficult for the bubbles in old porcelain to be intact. It can be inferred from the preservation of the bubbles whether it is old porcelain. 4. ** Cow hair pattern **: Generally speaking, the surface of old porcelain basically had traces of "cow hair pattern" formed by natural wear and tear. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Different characteristics of the blue glaze in different ages
1. ** Yuan Dynasty **: Take the plum vase with white dragon pattern of Yuan Ji blue glaze as an example. The whole body of the vase is covered with Ji blue glaze, and the cloud dragon and pearl are covered with bluish-white glaze. The shape of the plum vase is small, the neck is short, the shoulders are abundant, and the lower part of the shoulder gradually converges, and the bottom is slightly tilted outward. 2. ** Ming Xuande period **: - In terms of glaze color, most of them were single-colored glazes, and a small number of them were carved with dark flowers. There were also blue glazes with white flowers, mostly broken branches and fish and algae patterns. - On the text, the official kiln style has blue and white and dark two kinds, are "Ming Xuande Year System" double-line six-character regular script style, four-character style is mostly imitation. - The glaze was applied with blue glaze inside and outside, white glaze inside and blue glaze outside. - The bowl and plate were curved and irregular along the edge of the lamp grass. - The circle foot is glazed to the end, and the circle foot is not exposed at the eye level. - Most of the shallow patterns were dragon patterns, and dragon patterns were rare for white flowers. White flowers were made into protruding three-dimensional patterns by stacking, but they didn't look three-dimensional at a distance. - The shape of the bowl and plate is common, but the bottle and pot are rare among the handed down products. 3. ** Chenghua to Jiajing Period **: - During the Chenghua, Hongzhi, and Zhengde periods, there were not many blue glazed porcelains handed down from generation to generation. There was no complete porcelain ware in the Chenghua period, but there were blue glazed fragments of the Chenghua style unearthed in the Jingdezhen Imperial Factory. - During the Jiajing period, blue-glazed porcelain was more popular. In addition to the traditional palace sacrificial vessels and furnishings porcelain, blue-glazed products were also commonly seen in daily utensils. In addition to the blue glaze color, the new "back green" glaze was created. 4. ** Yongzheng period of Qing Dynasty **: - The body is fine and white, but some blue glazed porcelain will have small brown eyes, the body is thin and light. - There is a lamp grass mouth at the mouth of the mouth. - The glaze was plump, the color was calm and bright, and the glaze color was even and moist like sapphire. - There were orange peel lines on the glaze, which could only be discovered after careful observation. 5. ** Jiaqing period of Qing Dynasty **: Like the Melon Style Washing of the Blue Glaze, it was washed into the shape of a split melon, on which the stem and leaves were plastered. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Kangxi blue glaze pen holder transaction price
There were many situations in which the Kangxi blue glazed pen holder was sold for. For example, in the 2022 autumn auction of Bonhams, the Qing Kangxi·Blue and White Auspicious Beast Pen Pot (D 19.3cm) sold for 40,620 pounds; there was also the Qing Kangxi blue glazed pen pot, which sold for 1950 yuan (ninth grade); The Qing Kangxi year blue glazed blue and white flower twining pattern double-happiness antique pen pot collection old goods, the starting price of two pieces was 42.50 yuan. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Emperor Glaze
Emperor Glaze was a character in the novel Glaze Beauty, played by Liu Xueyi in the TV series Glaze. In the novel, the Emperor was the Lord of the Heaven Realm, and he was once good friends with Emperor Bai Lin. He was handsome and had a cold temperament. He was calm and rational, and he had an indifferent attitude towards everything. Back in the Heaven Realm, he had been transformed into a female body by Rahu Jidu due to Emperor Bai Lin's scheme, becoming the Heaven Realm War God. Later, in order to take revenge on the Heaven Realm, he joined forces with Mo Sha Xing to attack the Heaven Realm, but was persuaded by Emperor Bai Lin at the last moment and gave up the idea of revenge. In the end, he sacrificed himself to save the world. The Emperor's image in the TV series was different from that in the novels. He was the supreme god of the Heaven Realm, possessing great power and boundless wisdom. He was deeply in love with the female lead, Xuanji, and in order to protect her, he was willing to go against the entire Heaven Realm. His personality was also more complicated and multi-faced. There was a cold and ruthless side, as well as a gentle and affectionate side. All in all, the Emperor was a very charming character. His image and personality were deeply loved by the audience.