How can I sing Italian bel canto songs well?

Answer 1

To sing Italian bel canto songs well, you need to start from the following aspects:

** 1. Breathing **
1. ** Breathing method **
- Using the chest and abdomen breathing method, as if smelling the fragrance of flowers, he would naturally relax and inhale slowly through his mouth and nose through his back to his lower back. When inhaling, one had to pay attention to the correct posture. The chest was open, the shoulders were relaxed, and it was unobstructed. The sinking of the breath caused the two ribs to open up. The strength of the breath expansion was the core of inhaling, not just how much breath was inhaled.
- When exhaling, you can use the method of fast breathing and slow exhalation to practice silently. The breath pivot is concentrated on the diaphragm.
2. ** Breath related preparation and maintenance **
- When inhaling, the throat and the diaphragm were lowered together, and the upper jaw was raised at the same time (the hard jaw felt like it was gnawing). Then, he held his breath and maintained the feeling of holding his breath. When you start to sound, you have to maintain this breathing state. Don't breathe up or down, let the sound transition naturally.

** 2. Voice **
1. ** Throat **
- Lower the throat and maintain the position of the throat when inhaling. You can open the throat and throat by "half yawning" and consciously open the throat.
2. ** Resonance cavity **
- The oral cavity and nasal cavity are the most important resonant cavity in singing pronunciation, so we should pay attention to their influence on the quality of singing. When singing in the high notes, pay attention to the soft palates opening the head cavity.
3. ** Start **
- She tried to find her breath, but her voice fell on her chest. When you start to speak, you should use the state of your speech as the basis. Don't imagine the sound you want to make, and avoid problems such as raising your breath or widening your voice when you go down.

** 3. Postures **
- The body was naturally upright, relaxed, and in a positive upward state. The head was maintained at a slightly higher position with the eyes looking forward. The chest was naturally raised, the head was slightly leaned back, the eyes were looking forward, the feet were the same width as the shoulders, and the hands were placed on both sides. Then the body was slightly tilted forward, and the back of the waist, back, and back of the head were in a straight line. Try to maintain the balance of the body. The weight fell on the feet, the shoulders were slightly lower, the lower abdomen was contracted, and the arms were naturally lowered. The whole body was in a state of active movement. When he was singing, he retracted his chin. It felt as if a straight line had formed between his lower abdomen and his eyebrows. His neck, back, and waist were connected in a line, allowing his breathing to be unobstructed.

** 4. In terms of pronunciation **
- Singing pronunciation was based on the pronunciation of the language. In Italian bel canto songs, it was not enough to just sing Italian accurately. For example, in some works, one had to feel the difference between different expressions to make the character more full and vivid. When enunciating words, you can stick to the wall of your throat and suck in the words, hanging the word head and sending it back, just like spitting out jujube seeds in your mouth.

** 5. Emotions and performance **
- Give appropriate movements according to the inner emotions of the song, but the movements must be concise and generous, and must not be artificial. At the same time, through the mastery of vocal and enunciation skills during singing, it was better to express the emotions in the song. For example, when expressing different emotions such as anger and malice, special singing methods should be paid attention to.
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