The divination operator was moved by the old Su Shi
"Bu Suanzi·Feeling the Old" was written by Su Shi. The whole word is "Shu guests to Jiangnan, long memories of Wu Mountain." Wu and Shu have been the same since ancient times, and we should return early. When I came back, I borrowed West Lake grass with the people from last year. Don't worry, if you look carefully, you should be old." The general idea was that after the guests of Shu came to Jiangnan, they would miss the beauty of Wu and Yue for a long time. Since ancient times, the scenery of Shu and Wu and Yue was as praiseworthy. If they wanted to return, they should return as soon as possible. It would be better to sit and drink and compose poems by the West Lake with his old friends from last year. There was no need to worry in front of the wine cup. He drank to his heart's content and looked at it carefully. His face looked a little older. This reflected the idea of "having fun in time", and Su Shi's "Don't miss the old country and try new tea with new fire". Poetry and wine take advantage of time." The poetic realm was the same. What aged was the appearance, and what did not age was the mentality.
Hua Qing is moved by the old Su Shi
"Hua Qing Yin·Feeling the Old" is a poem written by Su Shi. At that time, Su Shi had been a judge for three years and was ordered to return to Beijing. He wrote this poem when he passed by Huaqing Pool in Lintong, Xi'an. Huaqing Pool was built by Emperor Xuanzong of the Tang Dynasty for Yang Guifei during the heyday of the Tang Dynasty. There was a special hot spring here. Emperor Xuanzong and Yang Guifei would come here to rest and have fun every October. The content of the poem was "Usually in October, I'm lucky to have orchid soup." The jade is hung on the beam. The chariots and horses of the five families flowed like water, and the roadside was full of jewels. Cui Hua went to cover the square bed. leaving only the misty trees gray. The moon is still clear in the night, and I pass the Liao wall as before." This poem is double-tone, forty-five words, four sentences and three rhymes on the upper and lower pieces. The meter is represented by Su Shi's Ci, and the meter such as Pingze should follow this example. Some people believe that there might not be such a Ci poem before Su Shi, but Su Shi created this Ci poem after writing it.
Nan Ge Zi was moved by Su Shi
"Southern Songs·Sense of Old" was written by Su Shi of the Northern Song Dynasty. Su Shi was demoted to Huangzhou in December of the second year of Yuanfeng (1080) due to the "Wutai Poetry Case". He arrived in Huangzhou in February of the third year of Yuanfeng (1080). This poem was written by him in Huangzhou in memory of his wife, Wang Run. In the poem,"Who is short of an inch of regret? How can it be easy to cut?" for half a year my green eyebrows have not bloomed. The moon is bright, the wind is gentle, and people are guessing."With delicate strokes, he wrote a long and difficult to break sorrow. The woman (here referred to as Wang Runzhi) frowned for a long time, and no one could understand her inner sorrow. "The spring rain melts the residual frost, and the warm wind turns to cold ashes. For whom is the song before? The song "Keep the last beat of the song, wait for you to come" depicted the scene of the winter cold being melted by the spring rain, and the warm wind blowing away the cold ashes. The song sung when drinking was to wait for someone to come and keep the last beat. The whole poem was full of warmth.
The original text of the divination operator chanting plum blossoms
The original text of Lu You's "Ode to Plum Blossom" was: (The original content was not found). The original text of Mao Ze-dong's "Ode to Plum Blossom" was: Wind and rain send spring back, flying snow welcomes the spring. It was already a hundred feet of ice on the cliff, and there were still beautiful flowers. Beauty does not fight for spring, but only reports spring. When the mountain flowers were blooming, she smiled in the bushes. Guo Moruo also had the "Ode to Plum Blossom", but the original content was not found. There is also an original poem "Bu Suanzi·Yong Mei": Cold plum blossoms from the firm, beautiful standing on the edge of the cliff. Flower pride in the north to raise angels, for the people every day to fight. Why should he be afraid of Mo You Ye? Life and death were hanging by a thread. I forget myself when I die. the heroic song of triumph returns. The novel "Smelling the Jasmine Fragrance Again" is equally exciting. Everyone is welcome to click and read it!
Huanxi Sand Feeling Old Su Shi Pinyin Version
Huanxi Sand, Feeling Old xú miǎo néng zhōng jiǔ shèng xián，liú líng xí dì mù qīng tiān。pān láng bái bì wèi shuí lián。 wú kě nài hé xīn bái fà，bù rú guī qù jiù qīng shān。hèn wú rén jiè mǎi shān qián。
Su Shi, 65
Su Shi died at the age of 65. Su Shi was born in 1036 AD and traveled to the west on a crane in 1101. He was 65 years old. He had experienced many ups and downs in his life, including being demoted to a local official and going to prison. Although his life was full of setbacks, he was still full of love for life and art. His poems and prose were widely spread and had a profound impact on China culture and social development. Su Shi is a giant in the history of China culture. His outstanding achievements and spiritual quality are worth remembering and learning forever.
Su Shi
Su Shi's "Looking at Jiangnan·Transcendental Platform" was written as "Spring is not old, the wind is fine and the willows are slanted." Try to look at the scenery on the detached platform, half of the moat spring water a city of flowers. misty rain darkens thousands of homes. After a cold meal, he sobered up and sighed. Rest to old friends miss the old country, for the time being will be a new fire to test the new tea. Poetry and wine take advantage of time." Chaoran Terrace was located in Zhucheng City, Shandong Province. It was built by Su Shi when he was the prefect of Mizhou in the eighth year of Xining in the Northern Song Dynasty (1075). In this poem, Su Shi expressed his open-minded and detached mind and his attitude of life through the complex changes of the spring scene and his own feelings and expressions. The first part of the poem was about the suburban scenery in late spring when he went on stage, while the second part was about emotion, which was closely related to the scene written in the first part. After the Cold Food Festival, Su Shi sobered up and sighed. Although he missed his hometown and old friends, he advised himself not to immerse himself in it. Instead, he tried new tea with new fire and took advantage of the time to write poems and drink wine, showing a kind of transcendental broad-mindedness.
Su Shi
At the end of the lush forest in the distance, the distant mountains were clearly visible, and the walls behind the green bamboo could be vaguely seen. The cicadas chirped beside the small pond filled with withered grass. From time to time, little white birds flew across the sky, and the red lotus flowers in the pond emitted a delicate fragrance. In the wilderness of the village, beside the ancient city wall, he walked slowly with a cane in his hand. In the blink of an eye, it was already sunset. Last night, the Lord of Heaven poured down a light rain, and today, it can make the wandering people enjoy a day of refreshing. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
According to Su Shi's old school notes, Su Shi and his brother Su Zhe were banished to eat noodles together
According to Su Shi's notes in Laoxue 'an, there was an essay about Su Shi and his younger brother Su Zhe being banished to eat noodles together. We can understand that noodles were a very popular food in ancient times, especially in the case of being banished, people often expressed their feelings and comfort by eating noodles. In this article, Su Shi and Su Zhe were banished to Huangzhou together. Due to the harsh environment, they decided to eat noodles together. This way of going through difficult times together not only comforted each other, but also deepened their feelings. Eating noodles was not only a kind of food, but also a kind of culture. In ancient times, the production of noodles required a high level of skill and experience. The fact that Su Shi and Su Zhe could taste noodles together reflected their tacit understanding and friendship. By eating noodles, Su Shi and Su Zhe showed us the optimism and tenacity of the ancient people in difficult environments. Noodles were not only a kind of food, but also a symbol of culture and spirit.