According to Su Shi's old school notes, Su Shi and his brother Su Zhe were banished to eat noodles together
According to Su Shi's notes in Laoxue 'an, there was an essay about Su Shi and his younger brother Su Zhe being banished to eat noodles together. We can understand that noodles were a very popular food in ancient times, especially in the case of being banished, people often expressed their feelings and comfort by eating noodles. In this article, Su Shi and Su Zhe were banished to Huangzhou together. Due to the harsh environment, they decided to eat noodles together. This way of going through difficult times together not only comforted each other, but also deepened their feelings. Eating noodles was not only a kind of food, but also a kind of culture. In ancient times, the production of noodles required a high level of skill and experience. The fact that Su Shi and Su Zhe could taste noodles together reflected their tacit understanding and friendship. By eating noodles, Su Shi and Su Zhe showed us the optimism and tenacity of the ancient people in difficult environments. Noodles were not only a kind of food, but also a symbol of culture and spirit.
Notes on the key words in Su Shi's biography
The following are some key words in Su Shi's biography: - "Noir": often, always meaning, such as "hearing the success or failure of ancient and modern times, can always tell the main points", indicating that hearing the success or failure of ancient and modern times, often can tell the key points. - [Bi: Wait until…] At that time, the "championship" was to wait until the age of 20. - "Crown" referred to twenty years old. - "Composing articles": writing articles."Composing articles of thousands of words per day" meant that one could write articles of thousands of words per day. - " Chief ": The examiner." Division " meant management. - The palace examination was also known as the imperial examination, the court examination, and the court examination. It was the highest level of examination in the ancient imperial examination system. It was held in the palace and presided over by the emperor. It was implemented since Emperor Wu of the Tang Dynasty. After admission, it was called Jinshi. In the Ming and Qing Dynasties, the rankings were divided into three groups, with three people in each group, known as the number one, second, and third in turn. - [Death: Death.] In the ancient text, people of different identities had different expressions of death, such as "the death of the emperor is called collapse, the death of a vassal is called death, the death of a great officer is called death, the death of a scholar is called no salary, and the death of a commoner is called death." - "Gift": posthumous gift, or posthumous title, posthumous title, that is, the official position of the deceased, meritorious title. - " Remove mourning ": The end of mourning could also be called removal of mourning or the end of mourning. There were also related concepts such as mourning, mourning, and losing emotions.
Su Shi, 65
Su Shi died at the age of 65. Su Shi was born in 1036 AD and traveled to the west on a crane in 1101. He was 65 years old. He had experienced many ups and downs in his life, including being demoted to a local official and going to prison. Although his life was full of setbacks, he was still full of love for life and art. His poems and prose were widely spread and had a profound impact on China culture and social development. Su Shi is a giant in the history of China culture. His outstanding achievements and spiritual quality are worth remembering and learning forever.
Su Shi
Su Shi's "Looking at Jiangnan·Transcendental Platform" was written as "Spring is not old, the wind is fine and the willows are slanted." Try to look at the scenery on the detached platform, half of the moat spring water a city of flowers. misty rain darkens thousands of homes. After a cold meal, he sobered up and sighed. Rest to old friends miss the old country, for the time being will be a new fire to test the new tea. Poetry and wine take advantage of time." Chaoran Terrace was located in Zhucheng City, Shandong Province. It was built by Su Shi when he was the prefect of Mizhou in the eighth year of Xining in the Northern Song Dynasty (1075). In this poem, Su Shi expressed his open-minded and detached mind and his attitude of life through the complex changes of the spring scene and his own feelings and expressions. The first part of the poem was about the suburban scenery in late spring when he went on stage, while the second part was about emotion, which was closely related to the scene written in the first part. After the Cold Food Festival, Su Shi sobered up and sighed. Although he missed his hometown and old friends, he advised himself not to immerse himself in it. Instead, he tried new tea with new fire and took advantage of the time to write poems and drink wine, showing a kind of transcendental broad-mindedness.
Su Shi's Dredging of the West Lake: Translations and Notes
The following is an example of Su Shi's dredging of Hangzhou West Lake. ** I. The relevant parts of the original text and its annotations (Take the "Hangzhou Request for the Opening of West Lake" as an example, partially selected)** 1. ** Original Fragment ** - "I hope that Your Majesty, the Empress Dowager, will give me a detailed look and examine the five things that I have discussed about the West Lake that cannot be abolished…Give me another fifty letters of appointment…and give me the price of fifty letters of appointment to make a hundred letters of appointment. I will do my best to complete my task. In half a year, I will see the West Lake restored to the old Tang Dynasty." 2. ** Note ** - "Voweance": Bow down in hope, expressing a respectful and sincere attitude of request. - "Your Majesty the Emperor, Your Majesty the Empress Dowager": The highest rulers of the Song Dynasty at that time. Su Shi wrote a letter to them requesting support for the governance of West Lake. - "Dudian": In ancient times, the dudian was a certificate issued by the government to the monks and nuns to prove their legal status. Since monks and nuns could be exempted from taxes and labor, the dudian had a certain economic value and could be used to exchange materials or currency. Su Shi asked the court to grant the dudian to obtain funds and other resources for the governance of West Lake. ** 2. Translation (rough)** I sincerely hope that the Emperor and the Empress Dowager will read through my memorial in detail and examine the five conditions that I have discussed about West Lake that cannot be abandoned…In addition, give me 50 military certificates…and give me the equivalent of 50 military certificates, making a total of 100 military certificates. It allowed me to put in all my effort and see West Lake return to its original appearance in the Tang Dynasty within half a year. Su Shi's dredging of Yingzhou West Lake and other situations were described more from the perspective of water conservancy projects. For the time being, there were no detailed requests for the West Lake in Hangzhou that could be interpreted and translated in classical Chinese. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Su Shi's evaluation
Su Shi was a writer, calligrapher, painter, and politician of the Song Dynasty. His literary achievements were known as one of the "Four Scholars of Su School". His literary works were mainly bold and unconstrained. His representative works included "Ode to Red Cliff" and "Water Melody". Su Shi also had high achievements in the arts. His calligraphy was good at official script, and he was famous for his dignified and beautiful style. At the same time, he was also a representative painter. His works included "Spring Tour" and so on. Su Shi was also an influential figure in politics. He had held many official positions, including Zhizhou, Secretary Lang, and Dr. Taichang, one of the central positions in the Song Dynasty. His political views were mainly based on Confucianism, which advocated that "the people are the most important, the state is second, the monarch is light" and advocated reform. Generally speaking, Su Shi was an influential figure in literature, art and politics. His literary and artistic works are still widely praised and influenced.
Su Shi's Life
Su Shi (1037 - 1101) was a writer, calligrapher, painter and one of the most famous writers in the history of Chinese literature. Su Shi was born in today's Lezhi County, Ziyang City, Sichuan Province. In his early years, he worked in Hangzhou and was later demoted to Huizhou, Danzhou and other places. He spent many difficult years in these places, but he never gave up his love for literature and art. Su Shi's literary achievements were very remarkable. His representative works included "Ode to the Red Cliff","Shuidiao Getou", etc. These works were regarded as classics in the history of Chinese literature. Su Shi's calligraphy was also very outstanding. He was the descendant of Yan Zhenqing, a great calligrapher of the Tang Dynasty. He was good at regular script, running script, and cursive script. He was known as one of the "Four Scholars of Su School". In addition to his achievements in literature and calligraphy, Su Shi also had some political achievements. He had once served as the Minister of Rites and Minister of War, but due to his different political views from the officials, he was eventually dismissed from office. Su Shi was a great writer, artist and political figure. His life experience and literary achievements had a profound impact on Chinese literature and culture.
Su Shi's Poem
Su Shi (1037 - 1101), also known as Zizhan and Dongli, was a writer, painter, politician and famous poet in the Northern Song Dynasty. His poems were bold, unrestrained, and full of emotion. His representative works included "Ode to the Red Cliff" and "Shuidiao Letou". His poetry style was unique, and he often used metaphor, symbolism, contrast and other techniques to express profound philosophy and feelings. Su Shi also had outstanding achievements in literature, calligraphy, painting, and other aspects. His paintings were known as one of the "Four Scholars of Su School" and were famous for their landscape paintings. His calligraphy style was unique and he was good at official script. He was known as a calligraphy master who was "after Wen Su and before Yan Lu". Su Shi was an outstanding writer and artist. His works had a profound influence on Chinese literature and culture.
Su Shi's Poem
Su Shi (1037 - 1101) was a famous writer, calligrapher, and painter in the Northern Song Dynasty. His representative works included "Ode to the Red Cliff" and "Water Melody·When Will the Bright Moon Appear".
Su Shi's Poem
Su Shi was a writer, calligrapher, painter, and politician in the Northern Song Dynasty. His representative works included "Ode to the Red Cliff" and "Water Melody·When Will the Bright Moon Appear".
Su Shi's poems
Su Shi (1037 - 1101), also known as Zizhan, was a famous writer, painter, politician, and poet in the Northern Song Dynasty. His representative works included "Ode to the Red Cliff" and "Remembering the Ancient Red Cliff". His poems were bold, unrestrained, fresh and natural, showing a state of transcendence. His works inherited the realistic poetry tradition of Du Fu and Bai Juyi of the Tang Dynasty, and also absorbed many literary schools and thoughts of the Tang and Song Dynasties, such as Zen and Confucianism of the Song Dynasty. Su Shi's poems often expressed his deep understanding and thinking of life, nature and the universe, expressing his open-minded, optimistic and positive spiritual pursuit. Representative works: "Ode to Red Cliff": It described what Su Shi saw and heard in the Battle of Red Cliff during the Three Kingdoms period. It showed Su Shi's deep thoughts on war, history and life. "Niannu Jiao·Remembering the Past at Red Cliff": It depicted Su Shi's heroic deeds in the Battle of Red Cliff during the Three Kingdoms period. It showed Su Shi's reverence and emotion for heroes, history, and life. 3. Shuidiao Gemou: When Will the Bright Moon Appear: Through the description of Su Shi's longing for his wife and family in the distance under the moonlight, it shows Su Shi's cherishment and emotion for family, kinship and love.