Spring Jade
Spring colored jadeite was a kind of jadeite that had both purple and green colors on a piece of jade or a piece of jade jewelry. Spring referred to violet (also known as purple-red or purple-red), and color represented pure green. Spring colored jadeite had the following characteristics: 1. ** Higher value **: Since purple and green are the more precious colors of jade, when they appear on a piece of jade at the same time, its value is even more considerable. At present, jadeite with spring colors was very rare, and the value of good jadeite with spring colors was rising all the way. 2. ** Various color combinations **: In terms of color ratio, it is common to see more purple than green, and purple is usually more condensed and rich. There are also situations where there are less purple and more green, and the green is thicker and the purple is lighter. However, it is rare to see purple and green each occupying half of the color. 3. ** Planting water condition **: Purple jade is not suitable for planting water. It has the characteristics of "ten spring and nine wood". The green jade in spring is usually better. When selecting, one had to pay attention to the purple part of the water, including the finesse of the jade particles, the tightness of the structure, and the clarity. The more transparent, the more delicate, and the cleaner, the higher the value of the spring colored jade. Spring colored jade with high water level (such as glutinous type, ice type) was relatively rare. In terms of the spring colored jade bracelet, a high-value spring colored bracelet should first be mixed with the seed water, with full color as the best, and the color and the seed water should be blended and evenly distributed; The second best was the floating flower texture in the shape of a lump, which had a large continuous area; If the color showed a web-like change and the level was more obvious, the value was slightly lower. At the same time, the color and water should be coordinated with each other, and the color should be full and uniform. Such a spring colored jade bracelet would be more beautiful in a well-lit environment. While waiting for the TV series, he could also read the exciting content related to this site!
Spring in Jade Tower
Spring Jade Tower was a poem written by Wen Zhengming, a writer of the Ming Dynasty. The whole poem was as follows: The pear blossoms are blowing in the clear wind, and the wanderers are looking for spring to come out of the city. The sunset song was packed into the sleeves of the Thousand Sails Dance. Explanation: This poem depicted the beautiful scenery of spring. The poet went out to look for spring and saw the pear blossoms blowing in the wind. Qingming Festival was a good time to travel, so he began to look for the footprints of spring everywhere. On the journey, he saw beautiful scenery and heard many moving songs. Finally, he returned home to pack up and continue his journey with the feelings in his heart. The whole poem expressed the poet's sorrow of parting and his feelings for spring, but also expressed the poet's open-mindedness and broad-mindedness.
Spring in the Jade Hall?
Spring in the Jade Hall was a long novel written by Cao Xueqin, a novelist of the Qing Dynasty. The plot was full of ups and downs, and it was a classic work of Chinese classical novels. The novel mainly narrated the birthday of Jia Baoyu's father, Jia Zheng. Jia Baoyu, Lin Daiyu, Xue Baochai, and other women were in different states at the birthday party. A series of events happened. At Jia Baoyu's birthday banquet, Lin Daiyu was sad because she misunderstood Jia Baoyu. Xue Baochai took the opportunity of her birthday to express her feelings to Jia Baoyu. In order to cater to everyone's taste, Grandmother Jia decided to hold a "crab feast". At the banquet, Jia Baoyu and Xue Baochai's feelings gradually warmed up, but Lin Daiyu unexpectedly learned the truth between Jia Baoyu and Xue Baochai. After the banquet, the relationship between Jia Baoyu, Lin Daiyu, Xue Baochai and other women changed subtly, and the relationship between Jia Zheng and Lady Wang also became more complicated. In the end, Jia Baoyu fell into deep sorrow because of the decline of his family. Lin Daiyu and Xue Baochai married different men respectively, while Grandmother Jia experienced the test of life and death. Spring in the Jade Hall, with its complicated character relationships and profound thoughts, showed the darkness and cruelty of the feudal society in the Qing Dynasty. It was hailed as the pinnacle of Chinese classical novels.
Spring in Jade Tower
The plot of Spring in Jade Tower mainly described the experience of Lin Shaochun, the daughter of an official, who was ruined because her father was wrongly accused of corruption. In order to make a living, she joined a hundred opera troupe to learn opera. There, she met Sun Yulou, the son of a rich family. The two fell in love at first sight. In order to clear his father's name, Lin Shaochun decided to disguise as a man to participate in the scientific examination, but the plan failed. Sun Yulou secretly helped her seek justice after learning about it. Although the Sun family objected to their relationship, Lin Shaochun became a well-known businesswoman in the country with her tenacity and wisdom, and married into the Sun family. Not only did she maintain the relationship between mother-in-law and daughter-in-law within the family, but she also resolved various crises externally. In the end, she won unanimous praise from both inside and outside. However, she accidentally discovered that the mastermind behind the destruction of her family was her father-in-law, Sun Xun, a corrupt figure. For the sake of justice, she finally chose to put justice above her family.
Spring in Jade Hall
I recommend a few ancient romance novels. Hua Huo Qing Ling's " A Strange Journey to the Red Chamber " was a transmigration story. The story revolved around the modern soul entering the ancient person's body and entering the Red Chamber. The relationship between the past and the present had to be sorted out. It also involved characters such as Daiyu and Baoyu. The plot was very exciting. The brocade-woven " Spring in the Jade Hall " was a classical fictional genre. The female protagonist dressed like a child bride and was very calm in the face of various situations. There were also many types of young masters. It was a melodramatic and tangled love story. In Ling Longxiu's " Golden Gate of Jade Hall," a modern woman was reborn in a scholarly family. When she was unmarried, she had to keep a low profile and avoid hidden arrows. When she was married, her life was not satisfactory. The supporting roles were all portrayed well. Whisper Nishang's " Dai Yu " was super interesting. A girl who traveled through time met a reborn mother. A tough woman dressed as Sister Lin wanted to change Daiyu's life and become rich by farming in the Red Chamber. In Jin Wucai's " An Exploration of Fragrant Spring," the female protagonist transmigrated into Jia Tanchun and reversed the Dream of the Red Chamber. It was neither melodramatic nor draggy. The writing style was exquisite and the characters were distinct. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jade Spring TV Series
Spring in Jade Building was a family love comedy drama in ancient costumes, starred by Bai Lu, Jin Chen, and Wang Yizhe. The play was about the love story of the fourth son of the Sun family, Sun Yulou, who met Lin Shaochun, who had entered the troupe to learn skills, at his father's birthday banquet. Due to the participation of screenwriter Yu Zheng, Spring in Jade Building continued its usual relaxed and brainless tone, positioning itself as a love drama. The series was broadcast in 2021 with a total of 43 episodes. The drama showcased the beauty of the Ming Dynasty's Han costume, which was different from the previous ancient costume dramas, allowing the Han costume to reach the masses. Spring in Jade Building clashed with other popular dramas when it was broadcast and faced competition.
Jade Pot and Spring Vase
The jade pot and spring vase of Liao Zhai was a typical shape of Chinese porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in the shape of Chinese porcelain. It was popular in a wide area and had been used for a long time. There were many explanations for the origin of the name of the jade pot spring vase. One of them came from the story of an old man who made porcelain when the great writer Su Dongpo met his friends in Jingdezhen. However, there was no conclusive evidence as to the exact reason why Su Shi gave the jade pot spring bottle its name.
Jade Pot and Spring Vase
The jade pot and spring vase of Liao Zhai was a typical shape of China porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in the shape of China porcelain. It was popular in a wide area and had been used for a long time. There was no conclusive evidence as to why Su Shi gave the jade pot spring bottle its name.
Jade Pot and Spring Vase
The jade pot and spring vase of Liao Zhai was a typical shape of Chinese porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in Chinese porcelain and was called the classic model of porcelain. Jade pots and spring bottles were fired in kilns all over China. They were popular in a wide area and had been used for a long time. It could be used as a container or a tool for flower arrangement. The jade pot and spring vase had an important position in Chinese culture and was known as the queen of porcelain.
Jade Pot and Spring Vase
The jade pot and spring vase of Liao Zhai was a typical shape of China porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It was popular in a wide range of China porcelain and had been used for a long time. After the Song Dynasty, it was fired in various kilns. The characteristics of this kind of bottle were that the neck was relatively thin, the center of the neck was slightly constricted, the neck gradually widened downward and transitioned into an apricot round hanging belly, the curve was round and slow, and the ring foot was relatively large, either inward or outward.
Jade Pot and Spring Vase
The jade pot and spring vase of Liao Zhai was a typical shape of China porcelain. Its shape evolved from the water bottle in the temple of Tang Dynasty. Its basic shape was a curved mouth, a thin neck, a drooping belly, and a circular foot, with a soft curve as the outline. The shape of the jade pot spring bottle was finalized in the Song Dynasty, through the Song, Yuan, Ming, Qing, Republic of China and modern times. It had the characteristics of the times in the shape of China porcelain. It was popular in a wide area and had been used for a long time. There was no conclusive evidence as to why Su Shi gave the jade pot spring bottle its name.