Generous, no corners, loud voice, hope sound, elephant formless
"Generous without corners, loud sound without sound, elephant without form" comes from Tao Te Ching. Its meaning could be understood as: the most square and upright things have no edges and corners; the loudest voice cannot be heard; the largest image cannot be seen. This was an aesthetic concept in ancient China literary theory. It advocated natural beauty and not man-made beauty. It also expressed that the more magnanimous one was, the more tolerant one was of all things.
Generous, no corners, loud voice, hope sound, elephant formless
"Generous without corners","Great sound and hope for sound" and "Elephant without form" came from Tao Te Ching. "Generous without corners" could be understood as the most square and upright thing without corners. There were many explanations for " Da Yin Xi Sheng ". For example, the loudest sound was soundless; the loudest sound was sparse;" Xi Sheng " was " soundless ", which contained " Da Yin ";; Xi Sheng ", which was heavenly music. It could not be heard with the ears, but one could comprehend and use the eternal and harmonious huge heavenly music;" Da Yin " was the sound of the combination of Dao, which mainly referred to the transcendence of sound emotions; No sound was the strongest sound, which meant that saying nothing was the best, and so on. "The elephant is invisible" meant that the biggest image could not be seen. These expressions were an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It was intended to praise natural and not man-made beauty. It expressed that the greater the achievement, the more penetrating it was. The more magnanimous it was, the more inclusive it was of all things. It could also be understood as the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.
The sound is loud and the elephant is invisible and generous
Great sounds are rare, elephants are invisible, and magnanimity is boundless. This comes from the forty-first chapter of Tao Te Ching.
Elephant, shapeless, loud voice, hope for sound, complete version
Chapter 41 of the Tao Te Ching says,"When a sergeant hears the Tao, he will diligently carry it out. When a sergeant hears the Tao, he will be as if he is alive and as if he is dead. When a corporal hears the Tao, he laughs." If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." This expression reflected an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. The general explanation was: The better the music, the quieter it is, the better the image, the more ethereal it is The best music has no sound, and the best image has no image. Human hearing has a range. People can't hear sounds beyond the range. They can't hear sounds that are smaller than the range, and they can't hear sounds that are larger than the range. The shape of the universe can't be described by what people see and hear, because such a big image is invisible. It means that the greater the achievement, the more immeasurable it is. The greater the magnanimity, the more indescribable it is. The original meaning of "Xiang" was "Tao" or "reason". When saying "Great sound is rare, elephant is invisible", it can also be roughly said that "Great sound is rare, Tao is invisible", which is equivalent to what Lao Tzu said,"Tao is hidden and nameless". Ancient and modern scholars had many understandings of "Great Sound Hope Sound". First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion. Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best.
Great sound, western sound, elephant formless
"Great sounds are rare, and elephants are invisible" came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. In layman's terms, the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood as the best music without sound, and the best image without image). The range of human hearing was limited. Sounds beyond this range could not be heard, and sounds smaller than this range could not be heard. The shape of the universe could not be described by what people saw and heard, because such a large image was invisible. This also meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was. The original meaning of "Xiang" was "Tao" or "reason". Therefore, when saying "Great sound is rare, elephant is invisible", it can also be roughly understood as "Great sound is rare, Dao is invisible", which is equivalent to "Dao is hidden and nameless" as Lao Tzu said. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything.
A late bloomer, a loud voice, a faint sound, an invisible elephant
" Late-bloomer " usually referred to a person who realized his potential later than expected. They often had talents that were not discovered by others in the early stages. They would realize their potential in a unique way and move toward success. This was a state that did not meet the expectations of the outside world and moved forward at their own pace. Success required patience and persistence, as well as experience, execution, connections, and other conditions. " Great Sound Hope Sound " was a philosophical concept that meant that the loudest and most beautiful sound was soundless. From a philosophical point of view, this was a manifestation of Tao. The truly grand and profound things often surpassed the general form of expression and were difficult to capture or present with conventional sensory forms such as sound. 'The elephant is formless' was also a philosophical concept. It meant that the biggest image could not be seen. It emphasized that truly great things were not limited to specific forms. They were existences that transcended appearances, contained infinite possibilities, and had far-reaching significance. These three words all contained a profound and grand meaning that transcended convention.
Great sound, hopeful sound, elephant, formless beauty
"Great sounds are rare, and elephants are invisible" came from Tao Te Ching, an aesthetic concept in ancient China literary theory. The meaning of "Da Yin Xi Sheng" was roughly understood in the following ways: First, it was believed that the loudest sound had no sound; Second, it was believed that the loudest sound was sparse; Third, it was believed that "Xi Sheng" was "soundless", which contained "Da Yin"; Fourth, it was believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, it was believed that "Da Yin" was the sound of the combination of Dao, mainly referring to the transcendence of sound emotions. Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best. "Elephant formless" referred to the better the image, the more ethereal and formless (or "the best image is without image"). It could also be understood as the human's vision was limited. If the image was too big, it would be like formless. It meant that the more magnanimous the image was, the more indescribable it would be. When he mentioned 'great beauty', he could see from the aesthetic concept of' great sound is rare, great elephant is formless'. Great beauty might be a kind of beauty that transcends conventional perception, is natural and not man-made, and is inclusive and difficult to define with specific forms or standards. It reflects a kind of magnanimity and realm. It contains the meaning that the grander the beauty, the more limitless it is and cannot be described with conventional methods.
The sound is loud and the elephant is invisible
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from many angles. From the literal point of view, the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible; it could also be understood as the range of human hearing, beyond or smaller than this range of sound, people could not hear. The shape of the universe could not be described by what people saw and heard, so the big image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable. From a philosophical point of view, this concept had some connection with the idea of "inaction"."inaction" did not mean not doing anything, but not going against one's heart when doing things, not deliberately pursuing a specific result, and doing things in accordance with nature. This concept inspired people to pursue inner peace and harmony, to abandon the outside world's disturbances, and at the same time, it also inspired people to have a consciousness that surpassed the existing cognitive framework, and to constantly explore and comprehend. In terms of achieving great things, it also inspired people to follow the laws of nature and recognize that success was affected by many uncontrollable factors. They did not force the results, but tried their best and resigned themselves to fate. In terms of being a person, it inspired people to have a mind that was tolerant of the world, respect and tolerate all things, and realize their own value.
Great sound, hopeful sound, elephant, formless original text
The original text of the 41st chapter of Tao Te Ching: The sergeant heard the Tao and practiced it diligently. The sergeant heard the Tao and seemed to be alive and dead. The corporal heard the Tao and laughed. If you don't smile, it's not enough to be a Dao. Therefore, there is a saying in the Book of Rites: The way to the Ming Dynasty is like ignorance, the way to advance is like retreat, and the way to the Yi Dynasty is like a barrier. The highest virtue is like a valley, the white is like a disgrace, the broad virtue is like a lack of virtue, the moral character is like a thief, and the nature is like a change. The great instrument is slow to mature, the great sound is slow to sound, the great image is invisible, and the Tao is hidden and nameless. If you follow the Tao, you will succeed if you are good at lending money.
Great sound, hopeful sound, elephant, formless full text
Tao Te Ching, chapter 41, originally said: When a sergeant hears the Tao, he practices it diligently. When a sergeant hears the Tao, he seems to exist or perish. When a corporal hears the Tao, he laughs. If you don't smile, it's not enough to be a Dao. Therefore, there is a saying in the Book of Rites: The way to the Ming Dynasty is like ignorance, the way to advance is like retreat, and the way to the Yi Dynasty is like a barrier. The highest virtue is like a valley, the white is like a disgrace, the broad virtue is like a lack of virtue, the moral character is like a thief, and the nature is like a change. The great instrument is slow to mature, the great sound is slow to sound, the great image is invisible, and the Tao is hidden and nameless. If you follow the Tao, you will succeed if you are good at lending money.
The elephant is invisible, the voice is loud, and the voice is full
" When a sergeant hears of the Tao, he does it diligently. When a sergeant hears of the Tao, he looks as if he is alive or dead. When a corporal hears of the Tao, he laughs. If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." These sentences came from Tao Te Ching, an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty.