Canon lens production date code has the following identification methods: 1. Early Canon lenses had a line of white (or gilded) symbols above the rear contacts to represent the lens number. The number similar to U1140F in the film compartment on the back of the camera could also be used to determine. Among them, the first character represented the production date of the camera: 1980, arranged in alphabetic order, A = 1960, B = 1961, T = 1979, U = 1980, until Z = 1985. The last two digits represented the month (sometimes omitting 0 and using a single digit). The following number was Canon's internal factory number, and the last letter represented the place of manufacture (such as F for Fuzhou). 2. The machines produced after 1986 were rearranged from the letter A. The first place became the place of production, and the second place was the date of production (A = 86, B = 87, C = 88, D = 89, E = 90, F = 91, G = 92, H = 93, I = 94, J). 3. For Canon lenses with a 10-digit serial number, the first digit in the body code was the year of production. If the camera was produced in the year of release, the first digit of the serial number would be 0, the second year would be 1, the third year would be 2, and so on. The second, third, and fourth digits of the code were the production batches. According to the production batch code (which may be repeated or different), the batch date could be found by comparing it with the batch code kept by Canon (which may be in a certain month or a certain period of months). The digits after the fifth digit of the code were the serial code of the body. One code for one machine, there was no repetition. According to the serial code of the body, the production date could be found by comparing it with the serial code kept by Canon. Read more exciting novels for free
Canon lenses and Nikon lenses were well-known brands in the field of camera lenses. In terms of Nikon lenses, the new Z-mount lenses were generally of high quality, such as holo-field compatibility and excellent corner resolution. The F-mount was limited by the caliber and the distance between the two sides, while the Z-mount had a great improvement in this aspect, especially in the wide-angle to mid-focal length section. Canon lenses, such as the RF28 - 70mm F2.8 lens, had a constant large aperture of F2.8. It was portable, and the image quality was average, even a little beyond the positioning of the silver ring lens. It also had anti-shake function. However, its price was sometimes affected by marketing routines. For example, during the 11/11 period, the price of Canon RF28 - 70mm was higher than the recommended price on the official website and did not return to normal value. These two lenses had their own optical design features, advantages, and market positioning under different camera mount systems. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lenses had many parameters: ** 1. Type of bayonet ** 1. **EF** - It can be used directly on Canon's Canon's Canon 'Canon's Canon' Canon 2. **EF - S** - Canon's APS-C frame DSLR lens could not be directly installed on a full-frame DSLR. It could be used on the Eos-M series micro-lens and the Eos-R full-frame micro-lens through the transfer ring. 3. **EF - M** - Canon's Canon 'Canon's Canon's Canon 4. **RF** - Canon's Canon 5. **MP - E** - For macro photography, only MP-E 65mm f/2.81 - 5x. 6. **TS - E** - The electronic control shifted the lens. ** 2. Focus ** - The focal length in the lens model was the physical focal length. Standing in the same position, a small focal length meant a wide field of view, and a large focal length meant a good range of vision. For non-full-frame cameras, the actual use may need to consider the equivalent factor conversion according to the camera model. For example, the focal length range of the lens was 70 - 200mm, the angle of view at the 70mm end was relatively narrow, and the telescope ability at the 200mm end was better. ** 3. Maximum aperture ** 1. ** Permanent Aperture ** - For example,"f/2.8" could be set to this aperture value over the entire focal length range. For example, the EF70 - 200mm f/2.8 lens was a constant aperture lens. 2. ** Floating Aperture ** - Two numbers like "f/3.5 - 5.6" indicated that the maximum aperture changed over the entire focal length range. ** 4. Screen Level Identification ** - **L (Luxury) logo ** - It would only appear in Canon's professional lens identification information. It was the logo of the top Canon civilian lens. These lenses usually had a red decorative ring on the front end (red circle head). ** 5. Function ID ** 1. **IS (Image Stabilizer)** - This type of lens was equipped with Canon's unique image stabilizing device, which could offset the image blurring caused by hand shaking within a certain range. It was commonly used in Canon's high-end professional lenses. 2. **USM (ultrasonic motor)** - The lens using USM technology could achieve silent and fast-response autofocus. It was divided into three types: micro, ring, and NANO. There was also the STMs (Stepping Focus Machines), which were divided into two types: gear type and lead screw type. 3. **AL (Aspherical lens)** - It showed that the lens was designed with aspheric lenses to reduce the number of lenses. While reducing the weight and volume, it could provide better optical performance. It could solve the glare and edge distortion problems in wide-angle and zoom lenses, and it could also improve the optical quality of telephoto lenses. 4. **DO (Diffraction Optics)** - Lenses marked with this logo were equipped with multi-layered diffusing optical lenses, which had the characteristics of both fluorite and aspheric lenses. They were generally high-end Canon lenses. 5. ** DPS (a coating technology that optimized bokeh)** - It was commonly used in some Canon lenses to enhance the bokeh effect. 6. ** S-ud (S-ud glass) and UD (UD glass)** - The optical performance of S-KD glass was close to that of fluorite. The effect of one S-KD lens was equivalent to that of one fluorite lens, and the effect of two KD lenses was equivalent to that of one fluorite lens. These labels indicated that the lenses used the corresponding glass lenses. 7. **EMD (Electromagnetic Aperture)** - Lenses with this technology could open and close the aperture by electronic control. 8. **Float (Floating Function)** - When shooting at close range, the floating lens would compensate for the aberrations at close range to obtain better image quality. 9. ** CP (Focus Preset)** - It was Canon's high-end professional lens logo. The focus preset function allowed the lens to remember a certain focus distance. After setting the distance, the lens could automatically return to the set focus distance. This focus recovery function was even effective in manual focus mode. 10. ** ft-m (full-time manual)** - Canon lenses were equipped with full-time manual operation. The focus of the lens could be adjusted manually in the AF-mode. 11. ** Marco/macro ** - It means that the camera has a strong close-up ability. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lenses mainly had the lens mount, which was Canon's full-frame single-lens reflex camera mount, as well as the lens mount, such as the ESF-S mount, the ESF-M mount, and the lens mount. Nikon lenses mainly had the lens mount, such as the F-mount, and the Z-mount. Their bayonet types were different, and their size, the distance between the two sides, the number and location of electronic contacts, and other parameters were also different. These differences determined the compatibility between the lens and the body, as well as the realization of functions. For example, Canon's RF-mount and Nikon's Z-mount were large-caliber mounts, but there were still differences in specific size and other characteristics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many types of Canon DSLR lenses for character photography. Among them, the 35mm f1.4 lens had excellent performance in portrait shooting. It could capture the delicate expression of the character and show the surrounding environment. The f1.4 large aperture background blurring effect was good, suitable for traveling portraits or indoor portraits. The 85mm f1.2 medium-focus lens could capture the details and expressions of the characters while maintaining a certain distance on the full frame. The picture was natural and realistic. The f1.2 large aperture allowed it to take bright and clear photos in low-light environments. The blurring effect was better than that of the 35mm f1.4 lens. The 70 - 200mm f2.8 telephoto zoom lens had a flexible focal length range, and the background blurring effect was better than the 35mm and 85mm lenses. It was suitable for long-distance shots such as stage portraits, athletes, concerts, etc., but indoor shooting required a large space. The EF100mm F2.8L IS USM lens could be used for macro and portrait shooting. It had double IS optical image stabilization, good sharpness and out-of-focus performance, and ideal autofocus speed for macro shooting. The ESF135mm F2LIS USM lens was a close-up shot of a portrait. It could bring a stronger sense of compression and better blurring effect. The focusing speed was fast, the lens body weighed 750g, and the image quality was excellent when the aperture was fully opened. It was sharp inside the focus and soft outside the focus. The 50mm fixed-focus lens was also commonly used for portrait shooting. The F1.2 lens with a large aperture had a better portrait shooting effect. The 50mm focal length belonged to the standard focal length, and the shooting effect was close to what the human eye could see. It would not cause space compression and could better express the surrounding environment of the subject. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The common shooting parameters of Canon lenses were as follows: - ** Shot Type **: - "EP: Can be used with Canon's Canon's Canon 'Canon's Canon' Canon - ESF-S: Canon's APS-C frame single-lens reflex lens. It can't be directly installed on a full-frame single-lens reflex. It can be used on the eos-M series micro-lens and eos-R full-frame micro-lens through the transfer ring. - "ESF-M: Canon's Eos M series micro-lens. It cannot be used on other Canon cameras. - <<PR>: Canon's Eos R series full-frame micro-lens. It cannot be used on other Canon cameras. There were also MP-E (specialized for macro photography) and TS-E (electronic controlled shift lens), two special products. - ** focal length of lens **: A small number means a wide angle of view, and a large number means a good telescope. The focal length in the lens model is the physical focal length. For non-full frame cameras, you may need to consider the equivalent factor conversion according to the camera model. - ** Maximum Aperture **: For a zoom lens, if it is in the form of "f/2.8", it means that it is a constant aperture lens, and the entire focal length range can be set to this aperture; if it is similar to "f/3.5 - 5.6", it is a floating aperture lens, and its maximum aperture changes over the entire focal length range. - ** Lenses Grade **: L (Luxury) means Canon's high-end lenses, which are red circle lenses. These lenses usually have a red decorative ring at the front. - ** Image Stabilizer **: The IS (Image Stabilizer) logo indicates that the lens is equipped with Canon's unique image stabilizer, which can offset the image blurring caused by hand shaking within a certain range. It is commonly used in Canon's high-end professional lenses. - ** Focus motor **: - USM (Ultra-Sonic Motor): The lens using USM technology can achieve silent and fast-response autofocus. It is divided into three types: micro, ring, and NANO. - <strong></strong> - ** Other Marks **: - AL: It means that aspheric lenses are used in the lens design, which can reduce the number of lenses, reduce weight and volume, and provide better optical performance. It is used to solve the problems of glare and edge distortion in wide-angle and zoom lenses. It can also improve the optical quality of telephoto lenses. - DO: Lenses marked with this logo are equipped with multi-layer reflective lenses, which have the characteristics of fluorite and aspheric lenses. They are generally high-end lenses. - EMD: It means that the lens can open and close the aperture by electronic control. - Float: When the lens is used for close-up shooting, the lens will compensate for the aberrations at close range to obtain better image quality. - XP: The lens with this logo is a high-end professional lens. It has a focus presetting function that allows the lens to remember a certain focus distance. After setting it, it can automatically return to the set focus distance. It is also effective in manual focus mode. - FT - M: A lens with full-time manual function. You can manually adjust the focus of the lens in autofocus mode. - S-KD: It means that the lens uses S-KD glass lenses, and its optical performance is close to that of fluorite. The effect of an S-KD lens is equivalent to that of a fluorite lens. - KD: It means that the lens is made of KD glass lenses. The effect of two KD lenses is equivalent to that of a fluorite lens. - <MACRO>: This means that the lens has a strong close-up ability. - [DPS: A coating technology that optimized bokeh.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon's EF24 - 70mm f/2.8L USM first-generation lens was a 135mm full-frame lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lens 'digital correction data included lens correction parameters such as distortion, color difference, halo, and so on. This data could help the photographer better deal with the relevant problems in the image to improve the quality of the image. Not every Canon lens had aberrations, so it was not necessary to turn on the aberrations correction every time. It was only necessary to correct the photos with obvious aberrations or in specific scenes. Different shooting scenes may require different correction parameters. The reasonable use of lens correction data can make the picture more in line with the photographer's intention. For example, when shooting landscape, portrait, and macro, aberrations correction can improve the quality of the photo. For landscape photography, turning on aberrations correction can improve the depth of field and color reproduction ability. In addition, the lens correction data could help reduce the color difference problem. For example, the application of Canon 1dx lens correction data could improve the overall image quality, allowing the photographer to obtain a more delicate and clear picture, and enhance the artistic sense and appreciation of the picture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some Canon lenses suitable for still life photography: - "EF100mm f/2.8L IS USM: It is equipped with dual IS image stabilisers. It works well in macro photography. It can achieve a hand shake compensation effect equivalent to a shutter speed of level 4 at normal shooting distances. The lens body is drip-proof and dust-proof, making it more suitable for outdoor shooting environments. - "RF100mm F2.8L MCROIS USM: The first L-class macro lens in Canon's radio frequency system. The maximum magnification can reach 1.4 times, and it can achieve different visual effects by controlling spherical aberrations." In addition, the fixed-focus lens also had certain advantages when shooting still life. For example, the 50F1.8ATM was suitable for shooting portraits and still life shots, and the blurring effect was better. There was also a portrait fixed-focus lens such as the Sima 30F1.4, which had good image quality, large aperture, and excellent blurring effect. It could also be used for still life shots. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon had two types of 600mm fixed-focus lenses, the RF600mm F11IS, and the RF600mm F4. The RF600mm F11IS ATM lens has the following features: - The price was relatively affordable. For example, on the e-commerce platform, the time limit of the RF600mm F11IS ATM ultra-telephoto fixed-focus lens dropped from 5298 yuan to 4499 yuan. - The lens structure consisted of seven sets of 10 lenses, a filter diameter of 82mm, a closest focusing distance of 4.5 meters, a fixed F11 aperture, and a drive unit driven by an ATM step motor. It weighed 930 grams. - It has a DO lens. One piece of DO lens can achieve the compensation effect of fluorite lens and aspheric lens. It uses a set of seamless double-layer structure DO lens, which can cause more light to be refracted, suppress glare, and improve image quality. - When paired with the RF1.4x or RF2x, they could achieve an ultra-telephoto focal length of 840mm or 1200mm respectively. - The lightweight mirror body and the IS Image Stabilizer with a shutter speed of up to level 5 provided strong support for hand-held shooting. It was suitable for shooting wild birds, animals, airplanes, trains, scenery, outdoor sports, and many other subjects. The RF600mm F4 super telephoto fixed-focus lens weighed 3090 grams. It was an excellent bird-hunting lens that could be used with the Canon R series 'small and portable body to meet the needs of high quality and lightweight. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
If the Canon 60D (half-frame camera) was equipped with a full-frame lens, as long as the camera and lens were both equipped with an EP interface, it could be installed directly. However, it was important to note that when a full-frame lens was used on a half-frame camera, there would be a 1.6x focal length conversion factor, and the lens angle would be narrower. For example, if a 50mm full-frame lens was used on a Canon 60D, the focal length would be 1.6*50 = 80mm. If you wanted a wider angle of view, you could consider using an ESF-S lens designed for half-frame cameras. ESF-S lenses were generally lighter and cheaper than full-frame lenses, and were more suitable for landscape shooting. However, ESF-S lenses could not be used on full-frame cameras. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>