The basketball game in the third document was shot with an AF-S Nikkor 24 - 70mm f/2.8E ED VR lens. However, for shooting basketball games, a medium telephoto zoom lens was generally more suitable. For example, 70 - 200mm f/2.8 lenses were also commonly used for shooting basketball games. Such a lens could capture the player's movements, expressions, and other details from a long distance. The large aperture could ensure enough light in the indoor basketball stadium, which was dimly lit, and blur the background to highlight the main player or basketball. The zooming function made it easy to flexibly adjust the focal length according to different shooting scenes and needs. Read more exciting novels for free
There were many choices of camera angles when shooting a food video. If you have a budget, you can choose the R - 24 - 70 lens of the Sony1; if you have a lower budget, you can choose the 24 - 70 lens of the Sony1; if you have a lower budget, you can choose the 24 - 70 lens of the Sigma2; if you have a lower budget, you can choose the 28 - 70 lens of the Sigma2. He could also use a macro lens, which was convenient for composition and more suitable for close-up shots of food. In addition, a macro lens like the PE 90mm, f/2.8 lens was suitable for shooting food details and close-ups, while the PE 50mm, f/1.8 lens could be used to shoot more scenes such as desks. During specific shooting, multiple shots could be arranged according to different shooting needs and scenes. For example, different shots such as washing vegetables, cutting vegetables, preparing ingredients, cooking food, eating, and so on could be set to enrich the video content. In addition, when shooting food videos, use a lens with a longer focal length (such as 50mm or above) to better capture the details of the food and achieve background blurring to highlight the main body. You can also use a telephoto lens to shoot a panoramic view. When the phone was shooting, it could use its zooming function, such as turning to the side of the table corner and zooming in to 3 times the focal length to shoot a big scene. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
When filming a TV series, some of the relevant parameters of the camera lens were as follows: 1. * * CCD-size **: Originally, it was mostly 1/2-inch, but now 1/3-inch has been popularized, and 1/4-inch and 1/5-inch have also been commoditized. The resolution of the camera was the main performance indicator, which determined the clarity of the image. The higher the resolution, the better the image details. A camera with a resolution of 380,000 or more was a high-resolution camera. 2. * * Horizontal resolution **: The typical resolution of a color camera is between 320 - 500 TV lines, and there are different grades such as 330 lines, 380 lines, 420 lines, 460 lines, and 500 lines. The resolution was related to the CCD-lens, and also directly related to the frequency band width of the camera circuit channel. Usually, the frequency band width of 1 MHZ was equivalent to 80 lines of resolution. The wider the frequency band, the clearer the image. 3. * * minimum illumination (sensitivity)**: refers to the sensitivity of the camera to the surrounding light. The unit is Lux. The smaller the value, the less light is needed and the more sensitive the camera is. 2 - 3 Lux is a normal illumination. 4. * * Scanning System **: There are two types of scanning systems, namely, PDA system and feast system. 5. * * Power supply for the camera **: AC 220V, 110V, 24V, and 12V or 9V for the direct current. 6. * * Signal to noise ratio **: The typical value is 46 dbm. If it is 50 dbm, the image will have a little noise. 7. * * Stream Type **: It is divided into composite stream (recording contains video and audio) and video stream (only contains video information). 8. * * Bitrate Type **: It includes fixed bitrate (code according to the set bitrate upper limit) and variable bitrate (change automatically according to the scene). Under the same video coding method, the higher the bitrate, the clearer the picture will be. However, if the bitrate is too high, the file size will increase, and the picture will not be improved. 9. * * Video frame rate **: refers to the number of video frames per second. The value range is 1/16 fps to the full frame rate (based on the camera parameters). If the frame rate is too low, the image will be stuck. 10. * * Bitrate upper limit **: The theoretical maximum bitrate of the code, which affects the image quality. Lowering this parameters can reduce the connection or transmission of the camera, and reduce the storage size of the video. 11. * * Video coding format **: H.265 (HEVP) can achieve a higher compression ratio than H.264 (AVI) at the same picture quality, reducing the usage of bandwith and storage space. If the camera supports it, it will be used first. 12. * * Wide-angle lens focal length range **: If a wide-angle lens is used, its focal length range is usually between 10 - 35mm. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
I don't quite understand the specific meaning of your question. If you want to know how to use the camera lens, the camera lens includes focusing and using various lens techniques. In terms of focus, the lens had two modes: autofocus (AFF) and manual focus (MV). The autofocus worked normally in most cases, but when shooting solid-color subjects, backlighting, dark environments, shooting through glass, close-up shooting, low brightness of the subject, etc., it might be out of focus or out of focus. At this time, it could be switched to manual focus. The lens also has the closest focusing distance. Except for the macro lens, when the subject is less than the closest focusing distance, the lens cannot focus. The closest focusing distance of different lenses is different. Generally, the longer the focal length of the lens, the farther the closest focusing distance. You can check this parameters on the lens. The units are meters (m) and feet (ft). Most DSLR lenses could focus infinitely when the lens mark was turned to "infinity". They were often used for scenery and starry sky photography. The camera skills include pushing the camera (from far to near to highlight the subject), pull the camera (From close to far away from the subject to expand the scope of the shot), pan the camera (The camera position is fixed and can be shot up, down, left, and right with the help of the chassis. It is suitable for introducing the environment or showing the overall image of the character. It can be used with a tripod or a swing arm), and the camera can be moved.(The equipment moves horizontally to the left and right. When the object is moving, the object moves at the same speed as the object. When it is still, the scene moves in turn.)(Follow the subject to highlight the subject in motion), lift lens (the lens moves up and down to shoot, often used for various parts of tall objects, including vertical lift, arc lift, oblique lift, and irregular lift), surround lens (take the subject as the center and move the lens around, including circular surround, oval surround, semi-surround, etc.). In addition, different types of lenses had different functions and application scenarios. For example, the main camera (wide-angle lens) in mobile phones was suitable for outdoor scenery shooting but had distortion problems; The 2x telephoto lens could solve the distortion problem for shooting portraits, animals, or close-up objects; The ultra-wide-angle lens had a larger shooting angle but the edge stretching was more exaggerated, which was used for scenes where the main camera could not capture the whole picture; The multi-fold telephoto lens was convenient for capturing ultra-long scenes and shooting for people with poor eyesight. The roles of the depth of field, macro, and black and white auxiliary lenses were gradually replaced. The anti-shake lens had an anti-shake switch (VR), which could be turned on when shooting with a hand to reduce the probability of blurring, but it had to be turned off when shooting on a tripod. If that's not what you mean, please clarify your question. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are many types of lenses that can be used for short films. The following are some common lens types and their characteristics: - ** Long-range shot **: It has a wide field of view and can show the environment, scale, and atmosphere of the event, as well as the activities of the people. It is usually shot with a wide-angle and standard lens and is rarely used in Short videos. - ** panoramic lens **: It is used to show the whole scene. You can see the movements of the whole body and the environment. The visual range is smaller than that of a long-distance lens. The main body appears in the picture. The theme is more clear. It can directly show the relationship between the main characters. It is often used in story-based videos. - Medium shot: The scope of the scene is smaller than that of the panoramic shot. The environment is secondary. The focus is on the upper body movements of the characters. It is a narrative scene and takes up a large proportion in the film and television works. Its advantage was that it could not only show the actors 'movements, but also clearly see the actors' expressions. It could also accommodate many people, which was beneficial for explaining the relationship between the characters. Its performance ability was relatively outstanding in Short videos on mobile phones, and it was commonly seen in drama videos. - ** Close-up shot **: The shot is from the chest of the character and above. It focuses on the facial expression of the character. It can clearly show the inner emotions and emotions of the character. It vividly shows the spiritual appearance of the character. It is the most powerful scene to portray the character. In Short videos, because the main body occupied a large area of the screen, it was suitable for expressing the content quickly. It was more used in content that did not have high requirements for the scene and wanted to show the characteristics of the characters. - ** Close-up shot **: Shoot the face of a person, a part of the human body, or a detail of an object. The bottom frame of the picture is above the person's shoulder. The subject is full of the picture and closer to the audience than the close-up shot. It can subtly express the facial expression of the person. It is mainly used to describe the inner activities of the person. Whether it is the person or other objects, it can give the audience a strong impression. In addition, there were other shots to choose from, such as extreme long-range shots, large panoramic shots, small panoramic shots, half-body shots, and large close-ups. During the shooting process, the camera also had a variety of motion modes such as push, pull, shake, shift, follow, rise, fall, bend, tilt, swing, hang, air, cut, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The choice of camera lens when shooting animals depends on many factors. Here are some common situations and recommended shots: 1. ** Focus ** - If it was shot in an urban zoo, the animals were close to the photographer, and a telephoto focal length of about 150 - 200mm was usually sufficient, such as the Nikon Z24 - 200mm and Canon RF24 - 240mm lenses. However, if there was a longer focal length lens such as 70 - 300mm, 100 - 400mm, 100 - 500mm, etc., or even 400mm fixed-focus, 600mm fixed-focus, etc., it would be more useful in the zoo, such as shooting birds in the wild duck lake. - When shooting in the wild, it is recommended to use a longer focal length lens, such as 600mm and 800mm focal length lenses, for safety and to deal with the situation where the animals are far away. For small animals (such as birds), in order to obtain details or fill in the picture, 600mm or larger focal length lenses were not uncommon. For many timid or dangerous animals, long focal length lenses allowed the photographer to shoot from a safe distance, keeping the animal in its natural state and filling in the picture. - For photographers who had just entered the field of professional photography, the 24 - 70mm f/2.8 zoom lens was recommended. It covered the range from wide-angle to medium-focal length and could handle a variety of scenes such as scenery, weddings, street photography, portrait photography, etc. As the photographer's skills improved, the 70 - 200mm f/2.8 lens was more suitable for dealing with complex portraits and long-distance shooting topics (such as weddings, sports events, and wild animal shooting). Shooting portraits in the 85mm-135mm range could produce a good background blurring effect, and the space compression effect at the telephoto end could make the scene more layered. 2. ** Aperture ** - A lens with a large maximum aperture (such as f/2.8) had an advantage in low-light conditions. It allowed more light to enter the camera, resulting in a faster shutter speed, which was very important for freezing fast-moving wild animals and avoiding blurred photos. 3. ** Other functions ** - Image stabilization was also an important feature to consider. When shooting with a hand, even the smallest movement could cause blurring. A lens with image stabilization technology could compensate for these movements and ensure that the photo was sharp and clear. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
When shooting Dongchuan Red Earth, different focal lengths had different effects. The wide-angle lens could be used to shoot large scenes, such as the Luoxia Slope in the red land of Dongchuan. The wide-angle lens could be used to shoot a panoramic view on the observation platform. Medium focus or even telephoto lenses could avoid the situation of the image being scattered. It could effectively compress the image and highlight the visual center of the image. For example, curved, wavy, flat, and other ground lines were good choices. If there were houses, people, animals, and other elements in the image, it would increase the vitality of the image. However, it was important to pay attention to not having too many lines to avoid destroying the coordination. If you only had one lens, you could choose a full-focus lens that was the best in the world. The half-frame body was equipped with a 18 - 200 lens, and the full-frame body was equipped with a 28 - 300 lens. In addition, the wind in the mountains was relatively strong. When using a telephoto lens, especially a 100 - 400 large zoom and external zoom telephoto lens, it was necessary to use a tripod. If the photo needed to be enlarged, it was best to start the camera's reflective pre-lift function to obtain a sharp image. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
You can choose different shots for furniture shooting according to your needs. If you want to capture the charm of the furniture, you can use the long-range mode lens to show the integrity and charm of the furniture in the background. If you want to show the structural beauty of the furniture, it is suitable to use the mid-shot mode lens. If you want to shoot the craftsmanship of the furniture, the mid-shot or close-up mode lens is more suitable. If you want to shoot the furniture symbols that reflect the cultural characteristics of the era, the mid-shot and close-up mode lens are suitable. If you want to shoot the leather shell (such as the broken paint, the rotten wood, etc.), you need to use the close-up mode. In addition, he could choose to use a 0.5x scope to shoot the main body of the furniture with a surround lens and a push-forward lens, or he could choose to shoot with a 1x scope. If you use a camera to shoot, some Canon cameras with different focal length lenses can also be used for furniture shooting. For example, Canon's Canon 5D Mark IV with an EP 24 - 70mm f/2.8L II USM lens, Canon 5D Mark III(standalone) with an EP 24 - 105mm f/4L IS II USM lens, etc., but the specific aperture, exposure time, and focal length parameters need to be adjusted according to the actual shooting situation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Tamron 28 - 75mm f/2.8 lens could be used to shoot food on a Sony-grade camera. Although it was a large-aperture zoom lens, it had excellent macro capabilities and could handle daily food shots well. In addition, the Yongnuo 35F2.0 lens could also be used to shoot food. The 35 focal length of the lens could cover a variety of scenes, including food. It performed well in shooting food. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Different sports events would be filmed with different cameras. For example, in the 19th Asian Games, the SonyHDC5500V/HDC3500V camera was used. It had pre-installed infinitely variable gray film, large viewfinder sliding mechanical architecture, 4K 4x high-speed shooting capability, and two new core technologies, virtual aperture control and depth of field control. The Canon R5 II was suitable for shooting sports events. Its new action priority function was specially created for sports. In the photo mode, you could choose sports activities under action priority (such as football, basketball, volleyball, etc.). When shooting basketball games, it could learn the movements of basketball players through intelligent learning and focus on the player holding the basketball. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Large aperture lenses (such as f/1.8, f/1.4) were the best choice for DSLR cameras to achieve background blurring. In addition, the telephoto lens (such as 70 - 200mm) could also effectively compress the background and achieve the effect of background blurring. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>