How to use the lens in cultural photography
In cultural photography, there were many ways to use the lens: ** I. Use of a telephoto lens ** 1. ** Suits the situation ** - It was more suitable for people who were not good at communication to sweep the streets. For example, with a 70 - 200mm lens, one could shoot a scene of a grandfather and grandson playing in the river from a distance through a gap in the tree, or wait on the other side of the river to shoot a unique character on the steps. - He could not disturb the subject from a distance and had enough time to consider the composition. - It has a strong ability to express the details of the character, making the details of the character's face clear and obvious. It can also compress the space, simplify the background, and highlight the main character. 2. ** Inadequacies ** - When taking photos of people sweeping the streets, the image would give people a sense of distance and lack a sense of communication with the target. ** 2. Use of the wide-angle lens ** 1. ** Suits the situation ** - The 35mm fixed-focus lens was known as the best lens for humanity. Using a wide-angle lens to capture human culture required courage and strong communication skills. - From a slightly further distance, many elements of the scene could be captured into the picture, and the background could be used to reveal information such as the identity of the character. - When shooting at a close distance, there would be no spatial distance barrier in the picture. One could feel the breath of the conversation with the subject and feel the other party's state more directly. The sense of communication between the pictures was strong. At the same time, more picture information could be shot at a closer distance. It could not only highlight the main character but also tell the story of the scene. 2. ** Inadequacies ** - The distortion of the picture was obvious, and it would be severely distorted around the edges. When shooting, try to hold the camera flat, and don't arrange the characters too far away. However, you can also use the distortion to express your thoughts. ** 3. Use of other lenses ** 1. ** Standard lens (50mm)** - The perspective of the picture was close to the human eye's observation effect, which was good for composition. - It provides a certain blurring effect and can use the shallow depth of field to highlight the theme of the picture. For photography beginners, when shooting on the street, it can maintain a certain distance from the subject to improve the success rate of shooting. 2. ** Portrait lens (such as 85mm, 135mm, etc.)** - It can be used for cultural photography, and can be selected according to the shooting needs. 3. ** Super wide-angle lens (such as 16 - 35mm)** - It can be used for cultural photography according to the actual equipment, such as when it is necessary to show the living environment of the subject, the tall buildings in the background, and other elements. In short, the use of cultural photography lens needed to choose the appropriate lens and shooting method according to the photographer's own characteristics (such as whether he was good at communication), the purpose of the shooting (such as emphasizing the details of the character or showing the scene story), and the image effect that he wanted to create (such as whether there was a sense of distance or whether special image distortion effects were needed). Read more exciting novels for free
Mobile phone photography external lens use skills
Here are some tips for using an external camera for mobile photography: ** 1. Selection and adaptation of lens ** 1. ** Understand your needs ** - If you want to shoot a wider scene, you can choose a wide-angle lens; if you want a special angle effect, consider a fisheye lens; a macro lens is suitable for shooting miniature landscapes, such as flowers, jewelry and other small objects; a telephoto lens is used to shoot farther scenes. 2. ** Adaptable phone ** - Before buying an external lens, one had to understand the functions of their own phone. For example, some mobile phones might have good telephoto or macro functions, and it was necessary to choose a suitable external lens to supplement the functions according to the actual situation of the mobile phone. At the same time, pay attention to whether the interface or installation method of the lens matches the phone to ensure that it can be firmly installed on the phone. ** 2. Shooting Techniques ** 1. ** Maintain stability ** - When macro photography or telephoto lenses are used, the picture taken is easily affected by slight shaking. You can use a tripod or a stabiliser to keep the phone stable and avoid taking blurry photos. 2. ** Precise Focus ** - Some external lenses may require manual focus. When shooting, you have to carefully adjust the focus, especially in macro shots, to ensure that the subject is clear. For some scenes that were difficult to focus on, you could slowly move the phone back and forth to assist in focusing. 3. ** Adjusting the shooting angle ** - Different shots had different optimal shooting angles. For example, the fisheye lens needed to find the right angle to capture the ideal special perspective effect. He could find the most suitable shooting angle by constantly experimenting with different shooting heights and directions. ** 3. Combination of phone functions and light utilization ** 1. ** Using the phone's own functions ** - First, he understood the basic functions of the phone camera, such as the adjustment of parameters such as the USB, shutter speed, and DV value. When using an external lens, adjust these parameters according to the shooting scene. For example, in a dimly lit environment, you might need to increase the USB or reduce the shutter speed, but you should pay attention to controlling noise and preventing blurring caused by hand shake. 2. ** Light selection ** - Light was the key factor in photography. Choosing soft and even lighting conditions can improve the shooting effect. In a dimly lit environment, you can use a reflective board or fill light to increase the exposure and ensure that the subject is bright and clear. ** 4. creative shooting and post-processing ** 1. ** Use your creativity ** - Using the special effects and filter of the external lens, he could take unique and artistic photos. For example, the blurring effect of a telephoto lens could create a different atmosphere. 2. ** Post-processing ** - After the photo was taken, you could use the post-processing software on your phone or computer to make further adjustments and optimization, such as cutting, adjusting colors, sharpening, and so on. You can follow certain general formulas for post-processing, such as contrast +10, saturation +15, sharpening +20, color temperature-15, hue-5, Hsl sky blue +40, blue +40, etc., to improve the visual effect of the photo. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What lens do you use for baby photography?
The choice of lens for baby photography depends on many factors. The following are some common lens choices: ** 1. Newborn photography (mostly indoors, with little baby activity and need to capture details)** 1. ** Medium telephoto lens (usually a portrait lens)**: This is the type of lens that must be used when taking photos of pregnant women and newborns. It is used to take photos of people. 2. ** macro lens **: used to capture smaller details of the baby, such as the baby's toes, fingers, or eyelashes. 3. ** 50mm fixed-focus lens **: It is a fast and lightweight all-round main lens. It works well in low-light environments and takes very clear photos. 4. ** Wide-angle lens **: Can be used to take family photos (such as parents and babies). It can be used indoors or in the studio, where space is limited and there is no way to take more content. It can also be used outdoors to take more picturesque backgrounds. When choosing a newborn photography lens, you also need to consider the following lens functions: 1. Aperture: Aperture is the most important factor to consider. It is recommended to find an aperture of f/2.8 or wider. This way, you can get a dreamy blurred background, making the subject (newborn) more prominent, and the shooting location is not limited. 2. ** Focus **: A focal length between 50mm and 85mm is more suitable. This is the standard focal length for portrait photos. It can provide the cleanest and most natural portrait photos. However, a wide-angle lens like the 35mm lens could also be used to get some background, but if the baby was the main focus, a lens that was much wider than 35mm was not needed. 3. ** Fixed Focus **: Choose a fixed-focus lens as much as possible. A fixed-focus lens can provide the clearest and most realistic image. It can capture impressive details and make newborn photos more dazzling. 4. Focus distance: Although it is not the most important factor, you should pay attention to it. The closer the focus distance is, the closer you are to the baby when shooting. It is helpful for close-up shots, such as the baby's little finger or toe, or the mother holding the baby's hand. 5. ** autofocus **: Find a lens with a highly rated autofocus function. Make sure that the lens and the camera can quickly find the focus and focus on the subject. This is important for quickly capturing the moment, especially when there are other elements in the picture (such as pets or siblings). 6. ** Quiet Shooting **: Try to find a lens that has a low noise when focusing or shooting (i.e., a lens with a "silent shooting" function or a quieter focusing mechanism). This helps to shoot while the newborn is sleeping without waking them up. ** 2. When the baby grows up or takes outdoor photography (the baby has a wide range of activities and is active)** 1. ** Standard zoom lens (such as 24 - 70 or 24 - 105)**: Considering that children are active and have irregular movement routes, especially outdoors, the standard zoom lens can capture their running figures. If you were shooting in a scene with poor lighting, you would have to use a large aperture to increase the amount of light entering the camera to better capture the child. 2. ** 35mm lens **: When the child grows up, a 35mm lens would be more suitable when a 50mm lens might not be able to capture the child's entire body. It would not take in too many irrelevant factors, but it could also capture the child's entire body. 3. ** 85mm aperture F1.8 fixed-focus lens **: If the child is outdoors and far away from the camera, this lens is a good choice from the perspective of good shooting results. In this case, the quality of the fixed-focus lens was better than that of the zoom lens. In summary, for beginners who only shoot children, if they don't want to spend too much on the lens in the early stage and want to get good quality, the 50mm focal length aperture F1.8 fixed-focus lens is the better choice. But if you want to shoot other subjects, the zoom lens is more practical. The larger the aperture, the better. However, the larger the aperture, the heavier the lens and the more expensive it was. You can also choose a 50mmF1.8 fixed-focus lens and a 24 - 70mmF2.8 or 24 - 105F4 zoom lens combination. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens should I use for beginner photography?
For beginners, the following lenses were good choices: 1. ** Set lens (zoom lens)**: When you buy an interchangeable lens camera, it usually comes with a zoom lens (set lens). For example, a 18 - 55 focal length lens was a common combination for DSLR cameras. The kit lens had many advantages. It was designed to deal with a variety of different subjects and could be used to explore different photography styles and techniques. It covered common focal lengths such as 28mm, 35mm, and 50mm, allowing beginners to determine the focal length that suited them through practice. Moreover, the price was relatively low, allowing beginners to spend the least amount of money to determine whether they really liked photography. They could avoid the situation of giving up photography after buying expensive lenses. In addition, photography ultimately depended on skill. Even a set of lenses could help beginners determine their direction and improve their skills. 2. ** Fixed focal lens **: 28mm, 35mm, 50mm, 85mm and other fixed focal lenses are also good choices. For example, the 50mm fixed-focus lens was known as the "portrait killer." It allowed the user to experience the effect of shallow depth of field, allowing people to feel the difference between cell phone photography and DSLR photography. 3. ** Wide-angle lens (such as 10 - 18 wide-angle lens)**: The equivalent full-frame focal length is about 16 - 29mm, and the shooting range is wide. It can be used for close-up and long-distance shots. Moreover, the price of the wide-angle lens was relatively cheap. The price was about 2000 yuan, which could meet the purchase needs of entry-level users. It was designed to be relatively light in weight and size, easy to carry, and also had anti-shake function and an ATM lens. It was also a good choice when shooting v-log videos. It was more practical to shoot scenery, buildings, people, etc. while traveling, and the cost-performance ratio was relatively high. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of telephoto lens do photography enthusiasts use?
For photography enthusiasts, there were many telephoto lenses to choose from. If you like to shoot portraits, flowers, plants, and street humanities, 70 - 200mm f/2.8 and 70 - 200mm f/4 are good choices. The focal length and aperture are more suitable. If you are keen on shooting birds, lotus flowers, and long-distance scenery, you need a longer focal length, which is more suitable for 300mm or more, such as 70 - 300, 100 - 400, etc. In addition, there were rumors that Canon would release an RF200 - 500mm F5.6LIS USM lens in the future, which might also become the choice of some telephoto lens enthusiasts. Tenglong's telephoto lens also had a variety of choices, such as Tenglong 90 macro, Tenglong 50 - 400, Tenglong 18 - 300, etc., which could be selected according to different needs. Nikon also had 24 - 200 telephoto lenses to choose from. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens should I use for food photography?
Food photography can be done with a variety of lenses. Here are some common choices: - macro lens: For example, a 90mm,f/2.8 macro lens was suitable for shooting details and close-ups of food. It could show the subtleties of food very well. - Standard lens: For example, the PE 50mm,f/1.8 lens can be used to capture the overall effect of food. When you need to capture more scenes such as desks, it can be used to expand the scope of the photo. - Zooming lens: For example, the R - 24 - 70 lens of the Sony1 (if you have a budget), or the 24 - 70 lens of the Sony1 for a lower budget, or the 24 - 70 lens of the Sigma2 for a lower budget. If you use your phone to shoot, you can turn on the phone's 2x portrait mode lens to shoot the food. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens do you use for travel photography?
If you only brought one lens for travel photography, there were several good choices: 1. ** Large zoom lens (does not pursue extreme image quality)**: This type of lens is suitable for shooting needs such as traveling and street sweeping. 2. **70 - 200mm telephoto lens **: This focal length has a high production rate. Whether it's traveling, scenery, culture, and other subjects, the pictures taken with telephoto have their own unique features. 3. ** Super Horizon Mirror (such as 28 - 400mm, 50 - 300mm, or 50 - 400mm)**: It is suitable for photography users who pursue lightness and don't want to carry too many lenses. It is a good choice for landscape photography and street sweeping. In terms of specific shots: 1. ** Canon RF24 - 240mm F4 - 6.3IS USM**: The focal length covers from 24mm wide-angle to 240mm telephoto. It can respond to various shooting needs such as magnificent scenery, majestic buildings, and close-ups of people. The lens used 15 sets of 21 optical structures, including 2 UD lenses and 1 aspheric lens. There was also a NANO USM ultrasonic motor with IS anti-shake function and a hand shake compensation effect at a maximum shutter speed of 5 levels. 2. ** Tenglong 18 - 300mm F/3.5 - 6.3 Di III - A VC-VXD **: suitable for APS-C frame micro-camera (Sony-E-mount and Fuji-X-mount), 35mm equivalent focal length of 27 - 450mm, covering scenery, snap shots, portraits, animals, sports photography and other subjects. It used 15 sets of 19 optical structures, including 4 pieces of LD lenses and 3 pieces of composite aspheric lenses, with VXD linear motor focusing mechanism and Tenglong's self-developed anti-shake system. 3. ** SonyFE24 - 105mmF4G OSS**: Covers 24mm wide-angle to 105mm medium-telephoto. The picture quality is relatively good. It can be used for macro, landscape, portrait, cultural and other shooting scenes. It continues the imaging performance of the SonyG lens and has multi-functionality and maneuverability. It uses 14 sets of 17 optical designs, including 2 AA-glass lenses and 3 ED glass lenses, with built-in OSS optical image stabilization. 4. ** Nikon Nikkor Z 24 - 200mm f/4 - 6.3 VR**: It weighs only 570g and covers 24mm to 200mm focal lengths. It used two pieces of low-dispersion (ED) glass and two aspheric lenses. The aspheric low-dispersion (ED) glass lens could display high resolution in the entire picture under the maximum aperture. It also used anti-reflective high-definition (ARneO) coating to ensure clear picture and reduce ghosting and glare. In addition, if one pursued extreme lightness, a mobile phone was also a good choice. For landscape photography, the effect of a mobile phone during the day was not bad, and it could be directly shared. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
lens flare photography
The lens halo was a common phenomenon in photography. It was caused by the lens group consisting of multiple lenses. Although the lens had high penetration, there was reflection and scattering. The light rays that did not maintain the same direction as the incident light formed a halo, and the internal reflection and scattering of the lens were the main reasons. ** 1. The factors that affect the formation of lens halos ** 1. ** Shot structure ** - The more complicated the lens structure, the more halos appeared in the image. 2. ** Focus ** - Wide-angle lenses could deal with halos better because a short focal length would make the light source look small. Telephoto lenses performed poorly and needed to be equipped with a longer hood because telephoto lenses would magnify the picture elements. 3. ** Film coating ** - Different brands of lens coating technology were different, such as Canon's NAC coating, Nikon's NCC coating, Fuji's SuperEBG coating, Zeiss 'T* coating, Pentax's Smc coating technology, etc. Multi-layer coating lens components had a greater impact on the lens halo. 4. ** Color filter quality ** - Poor quality filter would cause more light spots and ghosting in the image, which would affect the lens flare. 5. ** Dust on the lens ** - Dust inside the lens would cause more lens halos, and all lenses would accumulate dust. ** 2. Ways to avoid lens flare ** 1. ** Use the hood ** - Most lenses would be equipped with a hood, which could prevent light from shining directly on the front mirror of the lens, effectively avoiding glare, and also protect the lens in the event of a slight impact. Petal shaped lens hoods usually had a better effect than non-petal (round) lens hoods because the petal hood took into account the aspect ratio of the camera film or digital sensor. 2. ** Cover ** - When shooting, use leaves, buildings, or body parts of the character (such as the head, shoulders, etc.) to block some direct light. You can also put your hand on the lens to block the sunlight (the hand forms a "C" shape and adjust the angle until the halo disappears, but be careful not to block the lens). 3. ** Use a fixed-focus lens instead of a zoom lens ** - The structure of a fixed-focus lens was simpler than a zoom lens. There were fewer optical components and less lens halos in the image. The structure of the zoom lens was complicated. The hood could not block all stray light at all focal lengths. There were more reflective inner surfaces inside, which made it easier for the lens to glow. 4. ** Changing the angle of the camera ** - Changing the shooting angle could change the position of the light source in the lens to prevent direct sunlight from entering the lens and eliminate the lens halo. It could also be recomposed to block the light source from the elements in the picture. If the halo was strong when it was backlit, the halo would be weaker when it was changed to side backlit. ** 3. Techniques of Using the Halo of the Shot ** 1. ** Change the angle of the sun to shoot ** - When taking photos with a lens halo, you can move the shooting position left and right to block the light from the target or part of the object. If the sun was behind the subject, the subject would be more attractive under the glow of the lens. 2. ** Shooting with a zoom lens and hood removed ** - To highlight the lens halo effect, you can use a zoom lens and a wide-angle lens instead of a fixed-focus lens. 3. ** Confirm and plan the position of the lens flare in the image ** - Because the lens halo might make the photo beautiful in some corners of the picture, but not necessarily in other positions, it was necessary to outline the shooting angle and the angle of the light to take an interesting photo. 4. ** Create the required light source ** - If you can't find an ideal light source, you can create it with photography methods, such as lamps, light bulbs, studio lights, or flashes. 5. ** Find the right time to shoot ** - Light at different times had different characteristics. The light in the morning was softer. Understanding the characteristics of natural light could make interesting photos. Light at different times could bring different emotions to the image. 6. ** Backlight Shooting ** - In order to have a lens halo, the image was shot using backlighting photography, such as backlighting to create an edge light or silhouette image. 7. ** Try to move the corner to adjust the light reflection ** - Moving the corner to adjust the amount of light reflection can get the reflected light that is suitable for the image content, such as water reflection or light passing through the bridge hole. Backlight photography may require manual focus because the camera will capture areas with darker light sources. 8. ** Try different apertures ** - When adjusting the aperture, the reflected light will produce different effects. Try different apertures to get the desired effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shifting lens photography
Tilt-shift photography, also known as tilt-shift photography, was a photography method that used a shift-shift lens to create a work. The characteristics of shift-lens photography were closely related to the characteristics of shift-lens. The most notable feature of the shift-axis lens was that it could shift, tilt, or rotate the main optical axis of the entire photographic lens while maintaining the position of the camera body and the film plane, thereby adjusting the perspective relationship of the photographed image or achieving full-area focusing. The reference clear image field was larger to ensure that the main optical axis of the lens could still obtain a clear image. It was also known as the "TS" lens ("TS" is the English "tilt and shift"),"oblique lens","shift lens" and so on. The main functions of shift-lens photography were as follows: 1. Correct perspective distortion: Reflect clearly in architectural photography. For example, when using a wide-angle focal length lens to shoot the shape of a building, the lines of the building's shape would converge upward due to the perspective effect of the near and far. However, when using a shift-axis lens to shoot, it could rely on its perspective adjustment function to correct this line convergence phenomenon, so that the building remained vertical in the picture, avoiding the feeling of tilting or even tilting. 2. [Realization of regional focus: Commonly used in commercial photography for product advertisements.] By combining the pan and tilt shooting functions of the lens, while correcting the perspective distortion of the subject, it can achieve a full-area focusing effect that is difficult to achieve with ordinary photographic lenses, so that the subject near and far in the picture can form a clear image. The photos and videos taken by the shift-lens photography were like miniature models, which could fully express the feeling of a "man-made city", which was unique and interesting. After using the shift-axis photographic lens on the 35mm single-lens reflex camera, it could be equipped with the function of a large-scale combined camera to control the perspective by adjusting the leather cavity, thus expanding the scope of use of this camera. It played a major role in the field of professional photography. For example, Canon's 135mm system's original, most widely used shift-axis lens, the ts-e 17mm4L, was regarded as an artifact. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Impressionist photography lens
Impressionism photography originated from the Impressionism painting. In the early days, Impressionists used soft focus lenses to obtain soft and hazy images, which was a manifestation of the use of impressionist photography lenses. In modern impressionist photography, ordinary lenses could be used to create an impressionist style through some shooting techniques. For example, when using the lens, use the defocus method to pull the lens out of focus, use the aperture priority mode, and set the lens to the largest aperture.(Small numbers, such as f/2.4 or f/4) to obtain a very shallow depth of field, then switch to manual focus and turn the focus ring until the picture is blurred. By changing the focus of the same scene, you can find the degree of blurring that is suitable for the subject. You can also use the zoom lens to perform zooming and zooming continuous shooting or zooming blurring operations. When shooting, you can change the focal length of the lens (zooming in or out), so that the lens is blurred from the center to the outside, creating an impressionistic photography effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Private photography lens
Generally, when taking private photos indoors, many photographers would choose 28mm and 35mm fixed-focus lenses for shooting because the distortion of the ultra-wide-angle lens was too serious. Among them, 28mm f1.4 was known as the best lens for shooting private photos. Its focal length was wide enough to achieve the blurring effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>