Original Calligraphy
The original copy of the book was printed on paper, 26.5 cm in length and 900.8 cm in width. The title of the first volume was "On the Book Manual." Wu Jun Sun Guo Ting wrote ", the end of the volume title" Chuigong three years to write." It is generally believed that this (upper) volume is a "preface". During the Song, Yuan and Ming Dynasties, two volumes were made, and when it was in Yan Song's hands, it was packed into one volume. The second volume is a "spectrum", but the author could not complete it before his death. Sun Guoting specialized in learning Wang Xizhi's cursive script. His calligraphy was exquisite and familiar, and no one in the Tang Dynasty could compare with him. The paper and ink of the original post were excellent. It was not only a work of calligraphy theory with beautiful diction, but also an ideal model of cursive calligraphy art. The volume combined simple and beautiful calligraphy style. The stroke was used in the middle and the side. The stroke was hidden or exposed. It was changeable and the stroke was free and easy, reaching the state of forgetting each other.
Di Renjie's Original Calligraphy
Di Renjie's authentic calligraphy was Yuan Gongyu's Epitaph. This was an epitaph, carved by Di Renjie in October of the first year of Jiushi of Wuzhou (700 years) and written by himself. The epitaph was 70 centimeters high and 74 centimeters wide. The calligraphy works were mainly in the style of Yu Shinan and Chu Suiliang. The structure was rigorous, the strokes were thin and hard, and they had the strength of iron painting and silver hook. Di Renjie's calligraphy attainments were very high. His brush strokes were steady, his stippling was full, his bones were deep, and his strength was strong and soft. It was unique. Although Di Renjie was not known as a calligrapher, his calligraphy could be considered top-notch. Other than the Epitaph of Yuan Gongyu, no other authentic calligraphy of Di Renjie had been found.
Drunkard Pavilion's Original Calligraphy
There were many calligraphers who had created the calligraphy work of the Drunkard Pavilion. In his later years, Wen Zhengming's large-character semi-cursive "The Story of the Drunkard Pavilion" is now stored in the Palace Museum in Shenyang. In addition, Cui Zhendong also had a calligraphy work called Ouyang Xiu's Drunkard Pavilion. There was also a cursive book named Zhao Mengfu, The Story of the Drunkard Pavilion, but it was considered a fake.
Five Blessings at the Door, Original Calligraphy and Painting
We can get information about the authentic calligraphy and painting of the Five Blessings. According to document [2] and document [7], Huangfu Xiaoxi and Yu Tiantan had both created the original hand-painted calligraphy and paintings of the Five Blessings. In addition, the document [4] mentioned that Zhu Mozhu's founder, Chen Peihua, had also created a scroll called " Five Blessings at the Door." However, these documents did not provide specific information about the other authentic calligraphy and paintings. Therefore, we are unable to determine if there are other authentic Five Blessings paintings.
Orchid Pavilion Preface Calligraphy Calligraphy Calligraphy
There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.
The rotten wood in the temple is the official's original calligraphy
The original calligraphy of Xiu Mu as an official in the temple was from the 93rd chapter of Romance of the Three Kingdoms.
Cao Quan's Stele Calligraphy Original Version
Your name is Quan, the word Jingwan, Dunhuang Xiaogu people, your ancestors are the descendants of the Zhou Dynasty, King Wu of Zhou took the opportunity to cut down the Yin and Shang Dynasties, established your meritorious service, the same blessing and salary, granted your brother Shu Zhenduo in Cao State, so surnamed him. At the time of Qin and Han Dynasties, Cao Can assisted the royal family on both sides, Sejong expanded the territory and exiled the whole country. His descendants moved to the suburbs of Yongzhou and lived in Youfufeng respectively. Some lived in Anding, some lived in Wudu, some lived in Longxi, some lived in Dunhuang. The branches were divided into leaves and cloth, and the place where they lived was the most outstanding. Your grandfather, Fu Min, was elected as Xiao Lian, Wuwei Changshi, Bajun Qu Ren Ling, Zhangye Juyan Duwei. His great-grandfather Liu Shu, Xiao Lian, audience, Jincheng Changshi, Xia Yang Ling, Shu Prefecture Western Duwei, grandfather Liu Feng, Xiao Lian, Zhangye vassal state Duwei Cheng, right Fufeng Mi Hou Xiang, Jincheng Western Duwei, North Shou, father Liu Wei, young famous state and county, unfortunately early generation, so the position does not conform to the virtue, the monarch is young and studious, very wise, no article is not comprehensive, virtuous and filial nature, rooted in the heart, adopted Ji grandmother, served stepmother, first thought, life and death respect, etiquette is not lacking, so the villagers made this proverb: Cao Jingwan, who was very close to him, changed his virtue from generation to generation and did not lose his reputation. When he was in politics, he was as honest as Yi Qi and admired Shi Yu. He successively served as the right official of the county. He was appointed as the assistant history of the county. He was still recruited by Liangzhou. He often served as the governor of the county. He did not drive. He had a discipline of thousands of miles. He was not wrong. He went out to take charge of each county. He impeached injustice and corrected evil people. He was greedy and cruel. His colleagues admired his virtue. People near and far were afraid of his power. In the second year of Jianning, he was elected as filial piety and honesty. He was appointed as a doctor. He was appointed as the Sima of the Western Regions. At that time, King He De of Shule killed his father and usurped the throne. He did not pay tribute to the court. The monarch sent troops to attack. He had the kindness of Yan pus and the grace of sharing wine. He attacked the city and fought in the field. His strategy was like a spring. He was brave and brave. He De tied himself up and returned to his hometown to fight. He returned to the army to reorganize. The gifts given by the countries were nearly two million yuan. He was promoted to the right Fufeng Huaili order. He was abandoned by his brother's funeral. He was imprisoned and hidden in the alleys for seven years. In the sixth year of Guanghe, he was elected as filial piety and honesty. In March of the seventh year, he was appointed as a doctor. He was appointed as the chief of Jiuquan Lu Fu. He was the thief Zhang Jiao. He raised an army in Youji. Yan, Yu, Jing and Yang were attacked at the same time. The Guo family of the county people rebelled again, burned the city temple, harassed the people, and the people were uneasy. The three counties were in danger. The imperial edict still came, and at that time the emperor consulted, and all the officials said: You are really a monarch. You were appointed as the magistrate of Heyang County, collected the ashes, eliminated the rebels and cut off their roots. So you visited the old people and discussed with them. You helped Wang Chang, Wang Bi and other people to sympathize with the people, comfort the elderly, raise the widowed and widowed, buy rice and millet with the money of the family, give the sick and blind, the eldest daughter Tao Zhai and other people, gather the seven-headed medicine god ointment, personally go to Li Ting, subordinate officials Wang Gao, Cheng Heng and other people, give the sick people taxes, they all repent, the flow of benevolent government is even more than the post office. The common people are carrying children and carrying children, and there are many rebels. They repair the houses, arrange the shops in the market, and arrange them in rows. In the rainy season, there is a bumper harvest every year. The farmers weave women. In the first year of Heping County, Dai En, a hundred craftsmen, suffered from the flood disaster of Baimao Valley. He retired to Xuhai and built the city wall. From then on, the old surname and self-cultivation people could not take up their official positions. You sympathized with the failure of the scholar-bureaucrats, opened the gate of the South Temple, looked at the mountains and rivers, and ruled the country in a bright way. In this way, the scholars Li Ru, Luan Gui, Cheng Yin, etc. could each get the reward of the title, expand the hearing official residence, the court Cao corridor pavilion, rise and fall the steps of courtesy and pilgrimage. The cost did not come from the people, and the service did not interfere with the time. Wang Chang, Wang Bi, the chief clerk, Wang Li, Qin Shang, the household Cao, etc. Gong Cao Shi Wang Zhuan and others admired Xi Si and examined the merits of Xi Fu, so they jointly published a stone to record their achievements. The words read: After the reign of Emperor Ming, virtue and righteousness were displayed, tribute to the royal court, expedition to the ghost world, prestige spread, peace and prosperity, return to the army, visit the pagoda tree, feel the heart, attend the funeral ceremony, sigh for the rebels, burn the city, specially accept the mandate of heaven, govern the broken people, eliminate the disobedient ministers, calm the common people, repair the official temple, open the south gate, watch the towering mountains, look at the mountains, visit the Ming Dynasty, enjoy the benefits, officials are happy to govern the country, the people are well supplied, the monarch is promoted, and the bandits in the tripod foot are built on October Bingchen of that year. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Wang Xizhi's Original Calligraphy with the Preface to the Orchid Pavilion
We can conclude that Wang Xizhi's "Preface to the Orchid Pavilion" has been lost. The "Preface to the Orchid Pavilion" that we see now is a copy copied by later generations. The Tang Dynasty calligrapher Feng Chengsu's copy of the Preface to the Orchid Pavilion was praised as the version closest to the authentic work of the Orchid Pavilion. In addition, Chu Suiliang's original work, Preface to the Orchid Pavilion, was also preserved and is now hidden in the Lanqian Mountain Museum in Taiwan Province. There was currently no exact information about the auction price of the original Preface to the Orchid Pavilion.
What kinds of calligraphy are there in Chinese calligraphy?
Chinese calligraphy was a traditional art form in East Asia. There were five basic types of Chinese calligraphy: Lishu: It was the common calligraphy of the Han Dynasty and was a basic form of writing Chinese characters. 2. Regular script: It was a formal form of writing Chinese characters. The strokes were standardized and correct, suitable for various occasions. 3. Running script: It is a smooth and free form of Chinese writing. 4. Cursive script: It is a bold and unrestrained form of Chinese writing. It is often used in poetry, letters, etc. 5. Seal script: It is a type of Chinese character writing that is used for seal engraving. The strokes of the seal characters are more complicated but the structure is clear. Each of these five calligraphy styles had their own unique characteristics and were important components of Chinese calligraphy.
Drunken Calligraphy Master's Calligraphy Works
Xing Zui (formerly known as Shen Fang) was born in Hubei in 1941. He was a member of the Jiu San Society, a calligraphy and painting researcher, a member of the China Artists Association, and a member of the China Calligraphers Association. His calligraphy work, 180 x 90 cm, was collected by the Great Hall of the People. How many times can one fight in life?, Buddha's Heart, Longshan, Longjing Tea, Chest, and Sun Tzu's Art of War won gold medals in calligraphy and painting competitions at home and abroad. He had published many collections of calligraphy and painting, such as Shen Fang's Calligraphy and Painting Collection, Art Sea Searching for Pearls, Drunken Not Silly, Praise of Olympic Heroes, Awakened Self-Cleansing, Awakening Art Life, Shen Fang's Couplet Calligraphy and Painting Collection, Disciple Rules, etc. These collections included his calligraphy works. He had been invited to Hong Kong, Macau, Taiwan, Korea, Singapore, Ma, Thailand, the United States, Germany, France and 12 countries in Western Europe to hold calligraphy and painting exhibition and academic exchanges. In 2003, he went to the United States to hold a calligraphy and painting exhibition, and was invited to the United Nations Headquarters to paint on the spot. His works were collected by international friends Kissinger, Samaranch, Rogge, as well as the central leaders and many domestic museum. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Preface to Tengwang Pavilion, Calligraphy Calligraphy with Brush Pen
The calligraphy of the Preface to King Teng's Pavilion was not in the search results.