In portrait photography, different focal lengths had their own characteristics and uses. It was difficult to determine which lens was used the most. However, the following shots were more commonly used in portrait photography: - ** 35mm and 50mm lenses **: These two focal lengths are more commonly used for home or novice portraits. The 35mm lens was an environmental portrait lens that was between wide-angle and 50mm standard focal length. It could accommodate people and the surrounding environment well in the picture. It could be used to take full-body photos, suitable for expressing the surrounding environment of the subject, shooting a sense of story, and also convenient for communication with the subject. It was suitable for shooting children or cultural photography scenes. The 50mmF1.8 lens was a relatively cheap large-aperture focal point, which was easy to produce the effect of blurring the background. It was suitable for beginners to practice composition, and it could shoot half-body and full-body portraits. - ** 85mm and 135mm lenses **: These two focal lengths are usually regarded as professional portrait lenses. The angle of view of the 85mm lens was 28 degrees, and the background blurring effect was good. It could simplify the background and highlight the character. The distance from the full-body shot to the close-up was about 1.5 meters to 5 meters. The image quality was good, suitable for shooting half-length portraits or close-ups. It could get a cream-like out-of-focus effect. The 135mm lens was a close-up shot of a portrait, which could bring a stronger sense of compression and better blurring effects. It could separate the character from the background very well. - **70 - 200mm lens **: This focal length lens is used more for the convenience of composition. It can zoom in on people and objects in the distance without moving your feet, strongly compressing the space, making the picture concise and full. It can blur the background and background to highlight the main body. Read more exciting novels for free
In portrait photography, 50mm and 85mm fixed-focus lenses were more commonly used. The 50mm fixed-focus lens was suitable for a variety of scenes, such as indoor portrait shooting. Its focal length could cope with most scenes, and it could give the audience a sense of immersion in cultural photography. It could also blur the background to highlight the main body and simplify the composition. It was relatively cost-effective. However, its composition was difficult to impress. The 85mm lens was suitable for portrait shooting in a large environment. The angle of view was about 28 degrees. With a large aperture, the background could be simplified and the character could be highlighted. The background blurring effect was better. The distance from the full-body shot to the close-up was about 1.5 meters to 5 meters, which could maintain a more comfortable shooting distance. The image quality was the ceiling of the image quality of various lenses in many cases. However, its angle of view was fixed. If the shooting distance and angle were not controlled well, the image would lack variation, which would easily lead to aesthetic fatigue. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Different Japanese photographers might choose different lenses according to their own shooting style, needs, and camera system. From some general photography knowledge, the commonly used portrait lenses had focal lengths of 35mm, 50mm, 85mm, and so on. For example, the 50mm focal length was close to the visual effect of the human eye and had the characteristic of "what you see is what you get." The 85mm focal length was called the "portrait mirror emperor", and its blurring effect was soft and beautiful, suitable for shooting close-up shots. However, there was no data to show that Japanese photographers had a completely unified choice of portrait lens that was unique to photographers from other regions. This was also affected by the camera frame, the shooting scene (such as indoor and outdoor), the shooting style (such as documentary style, artistic style), and many other factors. For example, Kajiwara focused on shooting children and nature, and did not mention the use of specific portrait lenses; Shiori Iwai did not mention the use of lenses; In some general photography discussions, lenses suitable for portrait shooting included Canon EF50mmF1.8ATM (relatively cheap, suitable for beginners), Nikon 85mmF1.8G (cost-effective), etc., but it was not certain that Japanese photographers had a special preference for this. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many options for professional photography. The following were some common ones: - ** 35mm lens **: This is an environmental portrait lens between the wide-angle and 50mm standard focal length. Its advantage was that it could accommodate the characters and the surrounding environment well in the picture, and it could make the story feel good. It was easier to take full-body photos, and it could even shoot long legs. It was also easy to communicate with the subject at close range. However, it might not be suitable for close-up shots when sweeping the streets and taking photos of unfamiliar girls. It was suitable for shooting scenes such as children at home. The 35mm lenses from sub-factories such as Tenglong and Sigma were relatively cost-effective. - ** 50mm lens **: If the budget is not high and you are a beginner, you can consider this lens. The 50mmF1.8 was a relatively cheap large circle focal point. It was easy to shoot the background blurring effect, but it was difficult to use it well. This focal length could only be used to shoot half of the body indoors, but it was more convenient outdoors. It could be used to practice composition, and it could be used to shoot both half and full-body portraits. - ** 85mm lens **: This was the focal length of a classic portrait lens. Its perspective relationship could obtain a cream-like out-of-focus effect, close to the human eye's vision with almost no distortion. It was suitable for shooting close-up portraits, such as half-body portraits or headshots. It could also shoot full-body portraits if it was retreated appropriately, but the indoor full-body portrait distance required was more than 5 meters. They didn't pursue extreme sharpness and resolution, but retained aberrations to achieve delicate transition of skin tone details and beauty outside of focus. The 85mm lenses of various manufacturers were specially optimized for shooting portraits, but the price was usually higher. - ** 135mm lens **: This is a close-up shot of a person. In theory, it can bring a stronger sense of compression and better blurring effect. It is called a small air cutter, which can separate the person from the background very well. However, the usage rate was relatively low. It was rarely used for other subjects except portraits, and it was easily replaced by 70 - 200mm lenses. - **70 - 200mm lens **: It is also an option for portrait photography. In addition, a standard portrait photography lens usually referred to a lens that took a person at a distance of 1.5m -2m, corresponding to a focal length of 70mm-135mm. According to general aesthetics, the facial features of the person at this distance were more beautiful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many options and considerations for using a movie lens in portrait photography. Some movie shots had unique advantages in portrait shooting. For example, the 25mm, 85mm, and 35mm lenses in NiSi's new Athena film lens set (all with a T value of 1.9) could be used for portrait shooting. The barrel distortion of the 25mm lens could make the face look thinner in specific scenes; the 35mm lens was similar to the life perspective, and it was more touching when used for life slicing. With the 85mm lens, it could create a movie feel. The SKR Magic CINE 25mm T1.5 film fixed-focus lens could also be used for portrait shooting. It was compact and small, only 685 grams. The all-metal mirror body was suitable for complex shooting environments. Its 25mm focal length was equivalent to 50mm with an M4/3 frame camera. It could be used for portrait, architectural, and landscape shooting. Moreover, the unique infinite aperture of the film lens could accurately control the image exposure. The infinite focusing ring design made the focus without breathing effect during shooting, and the focus felt smooth. Different focal lengths would produce different effects. In portrait photography, one had to consider the relationship between the body and focal length, color reproduction, image imaging style, and other factors to choose the appropriate film lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The common fixed-focus lenses for portrait photography were as follows: 1. ** 35mm fixed-focus lens **: It has a wide range of uses in character photography. It can shoot full-body photos at a suitable distance, and can also shoot headshots with a strong sense of distance and slender figures. It has an irreplaceable role in character environment and cultural photography. For example, Canon's EF35mmf1.4L USM wide-angle fixed-focus lens had ultra-high resolution, excellent description ability in low light, and perfect background blurring effect. It could focus manually at all times, and a slight dark angle could draw attention to the middle of the picture. Nikon AF-S DX35mmf1.8G lens was compact and light. SIGMAR Art 35mmf1.4 was very cost-effective. 2. ** 50mm fixed-focus lens **: Its angle of view is close to that of a single human eye and is called a standard lens. Using it to shoot characters could restore the real scene very well, and it could also achieve the effect of wide-angle and telephoto lenses. The 50mm fixed-focus lens with a large aperture was very attractive. For example, the small spittoon had good image quality, high performance, and low price. 3. ** 85mm fixed-focus lens **: The focal length was widely used in portrait photography and commercial photography. It was the focal length that major manufacturers fought for in portrait photography lenses. Many excellent lenses were also born, and it was called the golden focal length of portrait photography. For example, Canon's EF85f1.2L SUM was known as the "Emperor of Portrait Mirrors", with silk-like blurring and razor-like sharpness; Nikon AF-S Nikkor 85mm f1.4G was a high-quality and fast mid-range fixed-focus lens, suitable for half-body portrait creation. 4. ** 135mm fixed-focus lens **: It is a medium-range and long-range lens. The 85 - 135 focal length can achieve a dream-like blurring effect, maintaining the appropriate distance between the photographer and the subject, and at the same time, obtaining a natural image effect. For example, Canon's 135mm f/2L has excellent image quality. It is sharp inside the focus and soft outside the focus, but it may not be used frequently. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The configuration of a portrait camera lens required a comprehensive consideration of many factors. The following are some common lens configuration ideas: ** 1. Beginner Stage ** 1. ** 35mm or 50mm lens ** - These two focal points were good choices for beginners. If you were shooting scenes such as children at home, the 35mm lens could move freely. The 35mm focal length was between wide-angle and 50mm. It was suitable for shooting environmental portraits. It could clearly explain the characters and the surrounding environment. It was also a classic human lens focal length. It could also take into account scenery and skit shooting. Moreover, a large aperture could create a good blurring effect and atmosphere. - The 50mm lens was a good choice to understand and feel the fixed-focus lens. The 50mm F1.8 lens from various manufacturers was relatively cheap, allowing users to feel the charm of the fixed-focus lens, and it was relatively easy to use. It could be used to shoot close-up portraits, half-length portraits, and full-body portraits. It was more suitable for portrait composition practice. A large aperture could produce a beautiful background blurring effect. ** 2. Advanced Stage ** 1. ** 85mm fixed-focus lens ** - This focal length was considered one of the most suitable lenses for portrait photography. Its focal length would not distort the portrait, and it could show the outline and details of the character very well. At the same time, its aperture was relatively large, which could produce a shallow depth of field effect, making the character more prominent. It was very suitable for shooting half-length portraits or portraits. 2. ** 135mm fixed-focus lens ** - The 135mm focal length was relatively long. With a large aperture, it could bring a better sense of compression and background blurring effect. It could better separate the character from the background and highlight the main body of the person. It was very suitable for close-up shots. However, apart from portrait shooting, these two focal lengths were more limited and less flexible for shooting other subjects. ** 3. Pursuing the stage of convenience and multi-scene consideration ** 1. **70 - 200mm telephoto lens ** - Although it was not a pure portrait lens, it was used more often in portrait photography. Its advantage lay in the zooming function, which could zoom in on people and scenes in the distance. Together with the large aperture, it could give people a sense of space compression, making the picture compact and full, emphasizing the main body of the character. It could also create a portrait atmosphere through the blurring of the front and background. However, for beginners, it was more expensive and heavy. It was a test of their ability to carry it when they went out to shoot. In short, when choosing a lens, one needed to consider factors such as the scene, their own shooting level, and budget. Different lenses had different characteristics and advantages, and a reasonable combination could make the portrait work more outstanding. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Industrial lenses could be used for photography. The industrial lens was a camera or photographic lens used in the field of industrial automaton. Its main function was to perform optical imaging. It was an essential core hardware in machine vision, and its image quality was affected by many factors. It could be divided into different types such as fa lens (also known as CCTV lens), zooming lens (manual and automatic), and monocentric lens (generally, there were object monocentric and double monocentric), which indicated that it could be applied to photography related work. There were also many cases of industrial lenses being used in photography. For example, some photographers used lenses removed from Ricoh photocopiers to modify the so-called "burgundy industrial lens" for filming. Some people used unnamed industrial lenses with the SonyA7. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the reference materials, there was a Nikon camera model of the Nikon D850, which used an AF-S Nikkor 24 - 70mm f/2.8E ED VR lens when shooting volleyball scenes; there was also a Nikon D3S shooting volleyball scenes, but the lens model was not mentioned. Nikon's 24 - 70mm f/2.8 lens was an option for shooting volleyball scenes, but this did not mean that only one lens could be used for volleyball photography. Different shooting needs and environments might require different lenses. For example, telephoto or wide-angle lenses might be selected according to the distance of the shooting, and lenses with suitable apertures might be selected according to the lighting conditions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Different shots could be used for seaside photography. If you wanted to include the sky, sea, and beach in the picture, you could choose the Canon RF24 - 70mmF2.8LIS USM lens at the 24mm wide-angle end. The water and sky behind it would make it look even more layered. If you wanted to enhance the sense of space compression and perspective in the picture, avoid the strong perspective relationship between the near and far, and express the portrait while also showing the background scenery, the standard focal length of 50mm was a good choice. In a relatively complex environment, such as a scene where the background is chaotic and it is difficult to find no one, it is recommended to use a 70mm medium telephoto focal length to highlight the main character. If you want to take photos of people interacting with the sea at close range, you can use a medium telephoto lens, RF70 - 200mmF4LIS USM. However, be aware that the sea water is corrosive to the camera, and the photographer should try to stay away from the sea water. When taking a silhouette photo or close-up capture (such as taking a photo that can be used as a social platform avatar), it is recommended to use a focal length of more than 100mm. As for the Nikon lens, the Nikkor Z DV 16 - 50mm f/3.5 - 6.3 VR and Nikkor Z 35mm f/1.8S could also be used for seaside photography. Different focal lengths could meet the needs of different shooting scenes, such as cultural scenes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The choice of aerial camera lens depended on the specific needs. There were many types to choose from according to different classifications: 1. ** Sorted by focal length ** - ** Fixed focal length lens **: There is a specified angle of view, and zooming is not possible. The advantage was that the lens structure was simple, the size was small, and the image quality was excellent. The disadvantage was that the angle of view was fixed, and there were fewer shooting angles to choose from. - ** Zooming lens **: Able to adjust the angle of view within a certain range for greater flexibility. However, due to the complexity of the design and manufacturing, the details and image quality might be slightly inferior. 2. ** According to perspective ** - ** Wide-angle lens **: It has a wide angle of view and is suitable for shooting large scenes of scenery or buildings. It can be used for aerial photography. - ** Fisheye lens **: It can provide a super wide field of view and produce special visual effects. 3. ** Others ** - ** Lenses with stabilization system **: To ensure the stability of the aerial image, some lenses are equipped with optical stabilization systems. - ** Professional Film Shot **: Aerial shot used for professional film production. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>