HeiLongJiang scenery photography school
There were two universities in Hei Long Jiang that offered photography majors, namely, the University of Beijing Normal University and the University of Beijing. These two schools could provide knowledge and skills related to landscape photography. Read more exciting novels for free
Zhaodong City photography studio, Heilongjiang Province
There was a photography studio in Zhaodong City. It was looking for a photographer/videographer. The requirements included being responsible for photography/videographer work (such as children's photography, wedding/photo photography, etc.), daily management and operation of the studio, communication with customers, post-production and retouching, maintenance of equipment, etc. The requirements included photography/video-related knowledge, proficiency in equipment operation, good communication skills, etc. In addition, there were also photography studios in Zhaodong City, such as Fulisha wedding photography, Tiandi Qing wedding photography (Zhaodong shop), Venus wedding photography, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon photography scenery
Nikon cameras had many advantages in landscape photography. From the perspective of body selection, the Nikon Z7 II was more suitable for landscape photography. It was lighter than the Nikon D850, with a Z-mount lens for a better experience, better video performance, and smaller size. The Nikon Z9 was also used for time-lapse shots in landscape photography. In addition, the Nikon Z7 performed well in terms of control and focusing system. Its button layout was reasonable, and the function keys and dial were easy to use. It was easy to operate with one hand and could quickly complete the adjustment of parameters. It also had a foldable touch screen that could be folded at a large angle to facilitate shooting from a large angle. Touch operation was also convenient to change settings, adjust parameters, and change focus. At the same time, it had a practical shoulder screen that could check the camera status and save power when shooting at night. In terms of image quality, Nikon's full-frame professional micro-single Z7 had 45.75 million graphics, which could retain more landscape details, make the picture more transparent and clear, and provide room for error tolerance for early composition. The resolution of the picture after the second cut was also sufficient. Nikon's microphone was equipped with the EXPED 6 image processor, which helped to improve the image quality of the sensor. Nikon cameras had excellent tolerance, and when they repaired images through the raw file format in a high-light environment, they would not increase noise or cause the image to change color. When taking photos in a bright environment, it was recommended to ensure that the exposure of the highlight area was relatively normal and sacrifice the details of the dark area because it was easier to repair the dark details than the highlight details. Nikon cameras recorded colors accurately, and JPG images would not be off-color, ensuring the layering of the colors. In terms of anti-shake performance, Nikon's full-frame professional micro-single Z6 and Z7 had excellent anti-shake effects. They were equipped with body anti-shake, which could provide a shock absorption effect that increased the shutter speed by about 5 gears. It could help photographers maintain the stability of the image in shaky scenes and maintain stability when holding relatively slow shutter speeds. From the perspective of shooting techniques, landscape photographers often used F8 and F11 apertures to ensure the clarity of the entire picture. Nikon's full-frame professional micro-single Z6 and Z7 didn't have to worry too much about the loss of image quality when the lens aperture was the largest and smallest. In addition, the prime time period of landscape photography was the sunrise and sunset stage. Thirty minutes before sunrise, the sky was just bright, and the contrast of the picture was large, so it was possible to take photos with light and dark intertwined. Thirty minutes before sunset, the sky was dark and the city street lamps had just been lit up. The picture presented the beauty of the night. If you were lucky, you could also encounter the sunset and sunset, which made the picture more artistic. In addition to sunrise and sunset, special moments such as solar eclipses and lightning were also subjects that landscape photographers could not miss. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanbei scenery photography
There were many scenic spots in northern Shaanxi that were suitable for landscape photography. Hukou Waterfall was the second largest waterfall in China and the largest yellow waterfall in the world. It was located at the junction of Shaanxi and Shanxi. In summer, the water was majestic and imposing, while in winter, the water surface was completely frozen, forming a huge ice waterfall. Yucha Grand Canyon was known as " China's Antelope Valley ". When the sun shone on it, the lines and colors changed with magical charm. It was a canyon formed after millions of years of rain after a strong earthquake in northern Shaanxi. Qiankun Bay was a natural landscape on the Qinjin Canyon of the Yellow River Ancient Road. It was shaped like a Tai Chi diagram with a curve of more than 320 degrees. There were houses on the mountain and cattle drinking water on the shore. It was a picture of life on the Yellow Plateau. Wave Valley was also known as Jingbian Red Sandstone Canyon. The red sandstones were like waves, comparable to Wave Valley in the United States. It was younger and only 60 million years old. In addition, folk culture such as Ansai waist drum could also be integrated into landscape photography, showing the unique blend of culture and nature in northern Shaanxi. There was also Huangtu Wa's photography that took aerial photos of the northern Shaanxi landscape. His work,"High Slope of the Yellow Soil," received a high number of views, which also reflected that the northern Shaanxi landscape was suitable for photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Scenery and character photography
The following are some of the key points of landscape photography: ** 1. Scene Selection ** 1. ** Color and Element Control ** - For beginners, the colors and elements in the picture should be as simple as possible. For example, when choosing the color of the character's clothing, try to use a softer color as much as possible. This way, the production rate would be higher. For example, the overall picture only had two colors, such as yellow for the scenery and white for the character's clothing. Although the visual impact was not great, the error rate was low. 2. ** Use in a specific scenario ** - If they encountered a tree-lined road, this would be a very good shooting scene. Using the tree-lined road, one could take a deep picture, and the characters could be taken in the middle of the road or on one side of the screen. However, he had to pay attention to the crowd. If there were too many people, he needed a large aperture lens to blur the background crowd. 3. ** Confirm the location of scenery and characters according to the environment ** - ** Long Distance **: Mainly focuses on the scenery. The portrait takes up a small proportion, but it can play the finishing touch. At this time, the focus of the portrait is on the shape and posture. For example, in a wide scene such as a grassland or a beach, you can use a long-range shot. The position of the portrait can be placed at the intersection of the three-point composition or the center of the center composition. - Mid shot: It was the most commonly used expression technique when shooting portraits. It could take into account both the environment and the portrait. - [Close-up: The focus is on the person. The surrounding environment should be in harmony with the person.] ** 2. Exposing and handling ** 1. ** The importance of correct exposure ** - No matter what kind of camera equipment was used, the correct exposure was very important for taking photos of scenery and people. If the image was too bright or too dark, it would not be considered a correct exposure. Moreover, there were no details in the areas that were too bright or too dark, so it was not good to look at. For example, photos of Yin and Yang faces (unless they had a special theme) were ugly and strange. 2. ** Method of exposure compensation and adjustment ** - Pay attention to the "white plus black minus" principle. When shooting white or black pictures, according to the camera calculation method, the white or pure black pictures often turn gray. By "white plus black minus", the picture can be more pure. If there was a problem with the exposure, he could use exposure compensation to achieve a balanced exposure of the picture. If these still couldn't control the correct exposure of the picture, he could use a gradual filter or change the shooting time. The last method was to adjust it later. ** 3. Shooting action ** 1. ** Movement is natural ** - The shooting had to be natural. It might be difficult to capture a photo of an adult, which reflected the importance of the interaction between the photographer and the model. 2. ** Action Details ** - When posing, try not to direct your elbows or knees directly at the camera, otherwise it will give people an aggressive feeling. When he raised his arms or legs, he would tilt them slightly. This way, not only would it enrich his body movements, but it would also make the scene more three-dimensional. - They could find some props to interact with, such as falling leaves, or look around casually. These actions were natural and could ease the tension of the shoot. ** 4. Method of composition ** 1. ** Beginner level composition recommendation ** - The central composition placed the character in the center of the picture. This method was quite standard and could highlight the main body. - In a three-point composition, the characters were on the left or right side of the picture, with a certain amount of white space in front. This composition method had a sense of space and imagination. ** 5. Selection of camera lens ** 1. ** Telephoto lens ** - The telephoto lens was not easy to distort and had a sense of spatial compression. It could zoom in on the distant scenery and make the picture more compact. When using a telephoto lens to shoot a portrait, don't use nearby objects as the background. It's best to choose a background with a strong depth, such as roads, repeated railings, etc. 2. ** Wide-angle lens ** - The wide-angle lens was very impressive for shooting a landscape portrait, but there was a risk of distortion. Using a wide-angle lens to shoot a landscape portrait could use more frame composition, background composition, low angle, and other methods. The portrait should be arranged in the middle position as much as possible, otherwise it would easily cause the portrait to be deformed (if this effect was deliberately pursued). ** 6. Light Control ** 1. ** Choice of light in different weather ** - ** Sunny Day **: The best time to shoot is two to three hours before sunrise and sunset. - ** Cloudy **: Shooting is less affected by light. 2. ** Different Light Effects ** - ** Smooth-light **: The picture is bright, but there are fewer dark parts. The overall three-dimensional effect is not strong. You can use a low angle to lengthen the shadow to increase the overall effect of the picture. - [Side Light or Backlight: The most ideal light for a portrait. It can show the outline of the portrait and the lines of the landscape.] - [Backlight: When the weather is good, the portrait will have its back to the sun to form a beautiful outline light, which will make the picture more beautiful. If necessary, you can bring a reflective board to light the portrait's face to prevent it from getting dark.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yiwu scenery photography
Yiwu had many locations suitable for landscape photography and related photography resources. In the autumn appreciation season, the thousand-year-old ginkgo trees in Hongfeng Village of Dachen Town have a strong ancient charm in November. The apricot leaves on the ground and the soil that nourishes it set off against each other; The trees and water in Yazhi Street Village of Chian Town reflect each other, the metasequoia trees form a forest, and the lake light ripples; The red maple leaves in Luo Binwang Park are like brocade and rosy clouds; Filial Son Temple Park can experience the scenery of fallen leaves returning to the earth; Xiuhu Park can appreciate the artistic conception of "layers of forest"; Riverside green corridor can let people sit on the ground to embrace the autumn scenery. Yankou Lake was the largest man-made lake in Yiwu. It was known as Yiwu's version of the " Little Thousand Islands Lake." There were many small islands in the lake area. The mountains were like black jade and the blue waves were endless. A photographer had spent twelve years creating it. In addition, Lai Mountain Village in Chian Town had the " Lai Mountain Internet Celebrity photography base ". There were cream-colored RV, exquisite tents, vintage green train carriages, and so on. It was a good place for photography. In terms of photography skills, such as the "equal light" technique, one had to check the weather before shooting, step on the spot, choose the camera position, and find the sunrise time. When shooting, use a small aperture to make the stars more beautiful; To avoid the sky without details, choose a soft light period or narrow the shooting range; When the picture has a large area of sky, choose a cloudy weather to make the picture more detailed; If you want to shoot the cloud effect, you have to use a dimmer lens and tripod, choose a windy and cloudy weather. Yiwu also had a professional photography team to provide copywriting, editing, shooting, and post-editing services. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Scenery photography essential
The necessary equipment and accessories for landscape photography were as follows: 1. ** filter **: ND filter (neutral gray-scale filter) can control the shutter speed and aperture size when the light is strong to avoid overexposed, such as extending the exposure time when shooting water flow; the microscope can eliminate or weaken the reflection of non-metallic surfaces to improve color saturation and contrast;GND grade mirror can average the image. 2. ** Tripod **: indispensable for long exposure and heavy lens shooting. 3. ** Remote Shutter **: When shooting with a long exposure, avoid the instant shaking of the shutter. You can also set the shutter time and interval when shooting the star trajectory. 4. ** Extra battery and memory card with enough space **: To ensure smooth filming and prevent the filming from being affected by insufficient battery or storage space. 5. ** Lenses **: The wide-angle lens can capture more picture elements, making the picture more profound; the telephoto lens can zoom in on distant subjects to create a sense of compressed space; the zoom lens can facilitate rapid composition. 6. ** Cameras **: Choose a camera with high image quality (high resolution, good dynamic range performance). It would be better if it could be light. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Scenery photography in Tongren, Guizhou
There were many places suitable for landscape photography in Tongren, Guizhou. In the tiled village of Huangdao Village in Wanshan District, it was surrounded by mountains and lived along the river. The traditional buildings were well preserved and had a history of more than 600 years. The layout of the entire village, the traditional buildings, and the living scenes of the people living here could be used as photography materials. The Daming Border Town in Bijiang District was a national AAA-level scenic spot. Its architectural style and surrounding environment were suitable for shooting ancient or cultural landscape photography works. The stalactites in the Nine Dragon Cave were colorful, crystal clear, and in various poses. It was a good place to shoot the wonders of the karst cave. The Dream Jinjiang was mainly for its dream-like night scenery, which was the best place to shoot night scenes. The ancient town of Zhusha in Wanshan District relied on the long-standing cinnabar culture and rich natural landscape of the mine park, which had a unique combination of industrial style and natural landscape for shooting. The Changshou Lake Marsh Park had a planned area of 480.12 hectares. It was known as the " paradise of longevity ". Its marsh landscape and natural ecology were good photography subjects. The Miao King City of Songtao Miao Autonomous County was a combination of many natural landscapes and Miao customs. It was built in the early years of Hongwu of Ming Dynasty. The landscape, primitive villages, military alleys, Miao customs and other elements here could be taken with very distinctive photos. The Hidden Dragon Cave was the ancient karst cave group with the highest altitude in Wuling Mountain Range. The stalagmite density in the cave was rare in the world. It was a typical southern karst geological and geomorphological wonder, suitable for taking pictures of the strange landscape in the karst cave. Tongren Grand Canyon was 35 kilometers away from Fenghuang Ancient City. The canyon was about 200 meters long and the stone walls on both sides were more than 300 meters high. Waterfalls hung on the cliffs and the waterfalls combined to form a magical natural scenery. It was a good place to take pictures of the canyon landscape. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon Pangbai Scenery photography
Canon Fat White (70 - 300) can be used for landscape photography. For example, there were lotus flowers and butterflies shot by Canon Fat White 70 - 300 for appreciation. From some examples shot by Canon Fat White, it could capture different scenes, such as moored boats, old iron gates, boughs, and so on. Although the photo effect on the dim 6D display might be affected by the light when shooting with Canon 6D and Canon Fat White, it did not affect its function in landscape photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Scenery building photography lens
Here are some shots suitable for landscape architecture photography: - ** SonyFE14mmF1.8GM Super Wide-angle lens **: It is quite attractive among the E-mount lenses. - ** Nikkor Z14 - 30mm f/4S **: Wide-angle zoom lens with a wide zooming angle. It can display good optical performance with the Nikon Z-series micro-lens. Its structural design was excellent, and it could be installed directly in front of the lens with a Polarizing (PL) filter or Neutral Density-Neutral (NT) filter. This was very helpful for the complex and ever-changing lighting conditions of outdoor buildings. It could also be supported by a variety of filter effects, and a high-performance light filter could be used to protect the front end of the lens. The lens structure design achieved good optical performance, clear resolution, and lens distortion control had obvious advantages in shooting architectural photography. - ** AF-S Nikkor 70 - 200mm f/2.8FF ED VR**: Telephoto lens, also useful in shooting city scenery. When the scene was too complicated and the main body was difficult to stand out, it could be used to show the close-up of the building after shooting the big scene. The lens had a 70 - 200mm focal length and could focus on the main building. The constant maximum aperture in the entire zooming range was fixed at f/2.8. The lens body was relatively light. It used a fluorite lens and a high refraction index (HR I) lens to reduce weight while ensuring optical performance. The constant maximum aperture of f/2.8 could ensure sufficient exposure. The more stable high-speed shutter was used to reduce the image vibration. - ** Canon ESF-S 10 - 22mm F3.5 - 4.5 USM**: When used with a C-format camera, the equivalent focal length is 16 - 35mm, covering angles from ultra-wide angle to 35mm small wide angle, suitable for shooting scenery. Although the maximum aperture was not F2.8, in landscape photography, a small aperture was usually used to obtain the maximum depth of field, so the maximum aperture of F3.5 - F4.5 was enough. It uses a piece of ultra-low dispersion lens, which can effectively reduce the color difference, so that the image has a higher resolution and color reproduction ability. It also uses three non-spherical lenses, which can correct and reduce aberrations and distortions. It is equipped with an ultrasonic motor. The internal focusing design of the IF reduces the size of the lens and improves the convenience of use. - Canon EF17 - 40mm F4LUSM: One of the Canon Small Three Elements. Excellent image quality, excellent wide-angle distortion control, and an equivalent focal length of 27 - 64mm on a C-format camera. It is suitable for shooting scenery and can also meet other daily shooting requirements. - ** Canon EF16 - 35mm F2.8L II USM**: It basically covers the common wide-angle focal length on Canon full-frame cameras. Under the constant large aperture of F2.8, the telephoto end is also good for shooting portraits. There were three pieces of aspheric lenses that were grinded, combined, and super-precision molded, including two UD lenses, which played an important role in improving image quality and correcting aberrations. As an L-grade lens, the bayonet, zooming ring, focusing ring, and other positions were sealed, and it had good dust-proof and drip-proof performance. - ** Tuli AFAT-X 11 - 16mm F2.8 PD-STAR-AS-IF-DG **: The most attractive feature is the 11 - 16mm ultra-wide angle focal length and the large aperture design with a constant F2.8 throughout the entire process. The internal focus and internal zoom design improved the sealing of the lens. The length of the lens body remained constant during zooming and autofocus operations. The balance and gripping performance were excellent. Although there was no ultrasonic motor, the focus was accurate, fast, cost-effective, and the optical quality was good. When installed on a full-frame camera, there were almost no dark corners starting from the focal length of 15mm. It could be used as a 15 - 16mm F2.8 large aperture lens. - <strong></strong></strong><strong></strong> <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Scenery photography framing composition
There were many ways to compose a scene in landscape photography: * * 1. About the distance ** 1. * * Affects the size of the scenery ** - The distance between the subject and the lens would affect the size of the shooting range. The camera lens was far away, and the shooting range was large. The screen could accommodate many scenes, which was suitable for showing big scenes, such as the scene of tourists. The camera lens was close, and the shooting range was small. It mainly emphasized a single subject, such as the momentum of the Yellow River. Before shooting, one had to think about what they wanted to highlight in the photo to determine the shooting distance. * * 2. Perspective ** 1. * * Affects the main body's aura ** - Shooting from an upward-looking angle can emphasize and exaggerate the height of the subject, making the subject appear tall, lush, and majestic. It is suitable for shooting mountains, waterfalls, forests, and other scenery, making the waterfall more spectacular. - Aerial shots were mostly used to show the vastness of the scenery. It was suitable for shooting rivers, lakes, forests, grasslands, etc., which was more visually shocking. * * 3. Special composition ** 1. * * Golden ratio ** - In a big scene, by placing the scenery on the golden ratio point, the position of the horizon and the visual focus could be determined, and a harmonious and beautiful composition effect could be obtained. 2. * * Grasp the rhythm ** - Although the photos were still, the regular scenes in the picture could produce a sense of rhythm. By adjusting the focus mode and focal length of the mobile phone, the virtual and real space could be alternated, and the density of the elements could be changed. The gradual changes of the curves, lengths, and sizes of similar elements could be used. For example, the lines of the terraced fields in the scenery of Longji Terraced Fields were rhythmic, creating rhythm and rhythm in the picture. 3. * * Using lines ** - Line elements were everywhere in landscape photography. - The directional nature of the lines could guide the line of sight. For example, the natural curve formed by the river could guide the line of sight to focus on the performance of the building. - The dividing effect of lines could divide the image into multiple parts, such as the winding outline of mountains, the winding coastline, the lines of buildings, etc. The lines of terraces divided the image into multiple parts, making it more three-dimensional. 4. * * Increase the fun ** - You can add some dynamic elements to the composition, such as ships, flowers, birds, etc., to make the photo more dynamic and fascinating. * * 4. Other common composition methods ** 1. * * Symsymmetrical composition ** - It was commonly seen in pictures that formed a symmetrical relationship between the surface of the water and the surface of the water. It could also be used in pictures of roads or buildings with symmetrical structures to make the overall picture look more stable. 2. * * Guiding line composition ** - It could make the photo more penetrating, deep, and directional. For example, following the guide line in the picture could gradually observe the distant scenery, or the boat could be used as a guide line to guide the viewer to pay attention to the main character of the photo, thus making the main character more prominent. 3. * * Multiple composition combinations ** - Don't limit yourself to one composition. You can combine a variety of compositions, such as the guide line composition with the center composition, or the center composition with the symmetrical composition. 4. * * Golden Nodal composition ** - Divide the photo into three parts, the top, middle, bottom, left, middle, and right. The four intersections formed by the dividing lines (tic-cross lines) are close to the golden nodes of the photo, so that the main body is located on the golden nodes, making the photo more beautiful. 5. * * Triangle composition ** - It could make the photo look more stable, with a better sense of structure and space. When shooting, you could find an angle in the environment that could make the scene form a triangle. 6. * * One-third composition ** - The main body of the photo was located in the upper, middle, lower, or left, middle, and right one-third of the photo. For example, the ground was at the bottom 1/3, and the tree was at the right 1/3. This would make the photo look less crowded or loose and comfortable. 7. * * Curved composition ** - Look for the curves in the picture and let the curves advance forward, such as the curves of rivers and roads, to make the photo more beautiful. 8. * * Framed composition ** - Look for scenery that is close to the frame. The frame can be a regular or irregular pattern. Let the main body be in the frame, reflecting the effect of the picture in the picture and making the photo more attractive. 9. * * Diagonal composition ** - A certain scene in the photo was located at the diagonal of the photo, like a river extending from the lower left corner to the upper right corner to guide people's line of sight, or extending from the lower right corner to the upper left corner to increase the penetration of the photo. 10. * * Three-point Method (Nine Palaces)** - The four straight lines were in the shape of a grid, dividing the picture into nine identical squares. The main body could be placed at the four intersections or on the line. It was proportional and artistic, and had rich aesthetic value. 11. * * Horizontal line composition (horizontal composition)** - A composition technique that consists of one or more horizontal lines, often creating a tranquil and peaceful artistic conception. 12. * * Mid-level line composition ** - The picture was in the middle, and the upper and lower parts of the picture were equally divided. It was usually used to shoot pictures that were symmetrical up and down. For example, the bottom of the picture was the water surface, which could completely reflect the scenery above the water surface, but it did not need to be the same. 13. * * Low horizontal line composition ** - The 1/4 or 1/5 of the lower part of the picture was mainly focused on the main body above the water surface. The main body above the water surface must be a scene with important performance. 14. * * High-level line composition ** - The upper 1/4 or 1/5 of the picture mainly focused on the parts below the horizontal line, such as large areas of water and ground, usually because the water or ground in the picture had wonderful reflections and rich texture patterns. 15. * * Repetition composition method ** - Under certain circumstances, such as the flowers or the windows on the entire wall, the content of the scene completely repeated the main body. This method could be used to highlight the main body. 16. * * L-shaped composition ** - The outline of the main scene in the picture, the changes in brightness, and some lines formed an L shape. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>